Predator: Badlands Box Office Prediction

Predator: Badlands looks to awaken a dormant box office when it debuts November 7th. It marks the ninth overall feature in the nearly 40-year-old franchise that began with the Arnold Schwarzenegger classic. Dan Trachtenberg directs his second pic in the series after helming the 2022’s Prey and the animated Predator: Killer of Killers back in June. Both were acclaimed and they premiered via streaming on Hulu. Elle Fanning stars alongside Dimitrius Schuster-Koloamatangi and Mike Homik.

Technically AVP: Alien vs. Predator holds the record for best start among the films at $38 million back in 2004. As far as Predator titles without an iconic sparring partner, 2010’s Predators and 2018’s The Predator experienced virtually identical openings of $24.7 and $24.6 million, respectively.

Early word-of-mouth for Badlands is solid yet some fans may choose to wait for to Disney+/Hulu. It could manage to top expectations because there’s not much else out there. I also wouldn’t be surprised at all if it sees a mid 20s output similar to what we witnessed in 2010 and 2018 and that would be considered a letdown. I’ll give it slightly more.

Predator: Badlands opening weekend prediction: $27.6 million

For my Christy prediction, click here:

Oscar Predictions – Predator: Killer of Killers

In 2022, Dan Trachtenberg took over the Predator franchise after invigorating the Cloverfield series with 10 Cloverfield Lane. The result was the acclaimed Hulu prequel Prey. This November, futuristic follow-up Predator: Badlands will touch down in theaters. In the meantime, Trachtenberg has helmed the R-rated animated Predator: Killer of Killers which is available for your streaming pleasure via Hulu and Disney+ this weekend.

Prey was a pleasantly bloody surprise to most critics and Killers can proclaim the same. The Rotten Tomatoes score is 98% with Metacritic at 78 with reviewers praising the anthology tale. Is it enough that the Academy would consider this for a Best Animated Feature slot? If so, it would mark the franchise’s second nom after the 1987 original was up for Visual Effects and lost to Innerspace.

Even with the high marks, I just don’t see this contending at the moment. Let’s see how the competition shakes out for the rest of the year though. My Oscar Prediction posts will continue…

Oscar Predictions: Sly Lives! (aka The Burden of Black Genius)

Questlove, from the hip hop group The Roots and bandleader on The Tonight Show with Jimmy Fallon, took Sundance by storm four years ago with Summer of Soul. That documentary focused on 1969’s Harlem Cultural Festival won the Audience Award and Grand Jury Prize for its genre at the Utah event. Over a year later, it would emerge as Best Documentary Feature at the 94th Academy Awards.

The filmmaker’s follow-up is Sly Lives! (aka The Burden of Black Genius) and it too has kicked off in Park City. Centered on the life and career of the enigmatic Sly Stone of Sly and the Family Stone, it’s slated for a Hulu streaming bow in February.

Word-of-mouth is encouraging though some critics are not as effusive as they were with Soul. Academy voters may take that into consideration when evaluating whether to take Sly higher into the awards convo next year. My Oscar Prediction posts will continue…

Would The Supremes Have Gotten Oscar Love?

The Supremes at Earl’s All-You-Can-Eat hopes to find love from home viewers in its Hulu debut this weekend. The fact that it’s not in theaters came as an unexpected announcement from Searchlight Pictures (under the Disney umbrella) a few weeks back. Based on a 2013 novel from Edward Kelsey Moore, the decades spanning drama features Aunjanue Ellis-Taylor, Sanaa Lathan, and Uzo Aduba as lifelong friends. Costars include Mekhi Phifer, Julian McMahon, Vondie Curtis-Hall, and Russell Hornsby. Tina Mabry directs.

On paper, The Supremes looks like the type of crowdpleaser that might have appealed to awards voters. However, Searchlight went the streaming route. The strategy makes more sense as of the past few days. Earl’s sports a so-so 68% Rotten Tomatoes score at press time. Critics are kind to the performances of Ellis-Taylor (a Supporting Actress nominee for King Richard in 2021), Lathan, and Aduba (Emmy winner for Orange is the New Black).

Yet the reviews likely would have prevented this from generating much Oscar chatter. Searchlight also has other contenders that they’ll focus on. This includes the Bob Dylan biopic A Complete Unknown with Timothée Chalamet, Nightbitch with a potential Academy bait turn from Amy Adams, and A Real Pain which has already received Supporting Actor talk for Kieran Culkin.

If anyone had a shot from Supremes, it would be Ellis-Taylor. She would appear to have another bite at the apple with the upcoming Nickel Boys (also based on a bestseller) in the supporting field. As I always say, my Oscar Prediction posts will continue. They will not continue with this picture, per Searchlight.

Alien: Romulus Box Office Prediction

Fede Álvarez, best known for his Evil Dead remake and Don’t Breathe, takes over a classic 45-year-old franchise when Alien: Romulus touches down on August 16th. Set between the events of Alien and Aliens, the seventh entry in the series (not counting those two battles with Predator) features Civil War‘s Cailee Spaeny, David Jonsson, Archie Renaux, Isabela Merced, and Spike Fearn.

Originally conceived as a Hulu streaming release, 20th Century Studios rethought their strategy to allow a summer theatrical bow. This is the first Alien feature in seven years since Ridley Scott’s Alien: Covenant and the first since Disney acquired the property.

If Romulus matched the $36 million that Covenant started off with, that should be considered a win. I say that because the predecessor plummeted after its first weekend and grossed an underwhelming $74 million overall domestically.

I’ll project that this gets a bit under that starting Covenant figure as it’ll hope to have sturdier legs in subsequent weekends.

Alien: Romulus opening weekend prediction: $35.2 million

For my Ryan’s World the Movie: Titan Universe Adventure prediction, click here:

Oscar Predictions: The Greatest Hits

Following a South by Southwest premiere last month, The Greatest Hits is in theaters this weekend in limited fashion before a Hulu bow next weekend. The romantic dramedy stars Lucy Boynton, Justin H. Min, David Corenswet (soon to portray the title role in James Gunn’s Superman), and Austin Crute.

Many critic claim the film’s theme of utilizing music to play on our emotions ultimately doesn’t pay off. The Rotten Tomatoes rating is just 53% and it appears there’s not enough needle drops to place it into any sort of awards contention. My Oscar Prediction posts will continue…

Oscar Predictions: Suncoast

Laura Chinn’s Suncoast premiered at Sundance, is out in limited fashion weekend, and hits Hulu this Friday. The coming-of-age drama stars Laura Linney, Nico Parker, and Woody Harrelson.

Distributed by Searchlight, the writer/director’s debut work failed to break out in Utah. The Rotten Tomatoes score is a so-so 68%. Despite some praise for Linney and Parker, I wouldn’t expect awards voters to shed light on this. My Oscar Prediction posts will continue…

Oscar Predictions: Flamin’ Hot

I didn’t do an Oscar Predictions post on Flamin’ Hot when it premiered at South by Southwest back in March or when it began streaming over the summer on Hulu and Disney+. Eva Longoria’s directorial debut tells the true life tale of a man who claimed he invented the title seasoned Cheetos. Jesse Garcia, Annie Gonzalez, Dennis Haysbert, and Tony Shalhoub star.

Reviews were fairly decent at 69% on Rotten Tomatoes, but this didn’t strike me as an awards contender at the time or now. That’s with one exception and this brings us to Diane Warren. The songwriter has contributed many tracks to feature films and she has 14 Academy nominations to speak for it. This dates back nearly 40 years starting with “Nothing’s Gonna Stop Us Now” from Mannequin, continuing with gigantic hits like “Because You Loved Me” from Up Close and Personal and “I Don’t Want to Miss a Thing” from Armageddon, and including last year’s ceremony with “Applause” from Tell It Like a Woman. Despite the impressive number of noms, Warren has yet to win Original Song (though she did pick up an Honorary Oscar for her work earlier this year).

Flamin’ Hot includes the track “The Fire Inside” performed by Becky G and written by the frequent hopeful. It hasn’t been on my radar screen in my previous predictions. Yet now that a planned documentary about Warren seems to be delayed to 2024 (in which I’m sure she’ll have a contending track), one has to consider this song for inclusion. Don’t be surprised if it materializes in my top ten possibilities in my next update. It’s risky to bet against the penner of the tune. My Oscar Prediction posts will continue…

Oscar Wishes and Magazine Dreams

When the Sundance Film Festival screened the psychological drama Magazine Dreams back in January, the Best Actor competition at the Oscars appeared to pick up a likely contender at an early stage. Jonathan Majors was on a roll having appeared as antagonist Kang the Conquerer in Ant-Man and the Wasp: Quantumania with his villainous role in Creed III on deck.

Dreams, while not achieving across the board raves for the picture itself, saw its lead heavily praised. Portraying a mentally unbalanced bodybuilder, Majors immediately garnered awards buzz. Disney (via subsidiary Searchlight) acquired distribution rights with plans for a spirited campaign in the lead actor race. When I wrote my Oscar Predictions post for Dreams at that time, I felt that Majors might be a can’t miss prospect for one of the five spots.

On March 25th, Majors was arrested on various assault charges. Earlier this week, his trial was set for late November. And today, Disney/Searchlight pulled Dreams from December 8th to a dreaded TBD status.

Obviously there are issues bigger than film and this is one of them. The career of Majors will be majorly impacted by the result of the pending proceedings. Yet Oscar speculation is what I focus on with this blog. The rescheduling news probably confirms that this performance is no longer a viable prospect this year or any other. Do not be surprised if Dreams is relegated to a Hulu streaming bow sometime next year with no theatrical output at all. It’s a remarkable turnaround from where we were in January.

Oscar Predictions: No One Will Save You

Brian Duffield’s sci-fi horror tale No One Will Save You is generating some buzz with its Hulu debut this weekend. It did open earlier this week in New York and L.A. so it would qualify for Academy recognition. A practically dialogue free experience, it stars Kaitlyn Dever as a victim of an alien home invasion. The Booksmart lead is drawing positive ink for her performance. For the most part, so is the picture with a 75% Rotten Tomatoes rating.

This is not a genre that receives Oscar attention and it’s unlikely No One will. However, it is worth mentioning that the sound team is receiving lots of praise. The horror genre is one where the audio wizardry probably should gets more awards love. Yet I wouldn’t expect it to start here. My Oscar Prediction posts will continue…