Leigh Whannell follows up his acclaimed horror reboot The Invisible Man from 2020 with another iconic interpretation of a genre classic in Wolf Man this weekend. Christopher Abbott and Julia Garner headline the low-budget Universal/Blumhouse production with Matilda Firth and Sam Jaeger costarring.
Originally planned as a vehicle for director Derek Cianfrance to star Ryan Gosling, Wolf is not generating the same acclaim as its replacement filmmaker’s previous venture. Invisible topped out at 92% on Rotten Tomatoes and 72 for Metacritic. Wolf currently sports a 60% Tomato meter with Metacritic at 49.
The only race where Wolf stands a shot at awards attention is Makeup & Hairstyling (for the latter designation of that category). 2010’s The Wolfman with Benicio del Toro and Emily Blunt actually won the Oscar for Makeup (before the Academy apparently cared about hair). A safe assumption is that voters won’t have this picture fresh in their minds a year from now to nominate it, but let’s see how competition stacks up. My Oscar Prediction posts will continue…
Universal and Blumhouse are looking for their Wolf Man reboot to tantalize audiences when it opens January 17th. Leigh Whannell, who wrote Saw and directed 2020’s successful The Invisible Man, helms with Christopher Abbott and Julia Garner headlining. Costars include Matilda Firth and Sam Jaeger.
A decade ago, this project was intended to be part of the Dark Universe franchise that started and ended with 2017’s The Mummy starring Tom Cruise. The box office for that feature stalled future installments and this pic has gone through various contributors before the final 2025 version.
Unlike The Mummy, there’s little question that this will be a profitable venture. The budget is reportedly $25 million. This could make close to $20 million out of the gate and maybe even top that figure under the best case scenario. Yet I’ll say mid to high teens is likelier.
Wolf Man opening weekend prediction: $16.6 million
Focus Features is hoping horror fans sink their teeth into Nosferatu when it premieres on Christmas. A remake of the 1922 German classic which adapted Bram Stoker’s Dracula, Robert Eggers directs. Bill Skarsgård takes on another classic scary villain after Pennywise in the It chapters. Costars include Nicholas Hoult, Lily-Rose Depp, Aaron Taylor-Johnson, Emma Corrin, Ralph Ineson, Simon McBurney, and Willem Dafoe.
Reviews are strong with 93% on Rotten Tomatoes and an 82 Metacritic score. This caps off a year filled with numerous acclaimed fright features. Nosferatu could manage the largest debut among the holiday openings considering its only real competition is A Complete Unknown.
During this season, newcomers often start out lower than they typically would and develop stronger legs into January. With 12/25 falling on a Wednesday, I’ll project Nosferatu manages low teens from Friday to Sunday with close to an equal amount when factoring in Christmas and the day after.
Nosferatu opening weekend prediction: $14.8 million (Friday to Sunday estimate); $26.4 million (Wednesday to Sunday)
Acclaimed filmmaker Robert Eggers brings his version of Nosferatu to multiplexes on Christmas Day with Bill Skarsgård embodying the iconic vampire. Based on the 1922 classic German film which was spawned from Bram Stoker’s Dracula, this is Eggers’ fourth feature after the critically praised The Witch, The Lighthouse, and The Northman. Lily-Rose Depp, Nicholas Hoult, Aaron Taylor-Johnson, Emma Corrin, Ralph Ineson, Simon McBurney, and Willem Dafoe populate his dark vision.
The review embargo lifted over three weeks before the opening and critics are (sorry…) mostly sinking their teeth into this. With 96% on Rotten Tomatoes and 81 on Metacritic, the question isn’t whether Nosferatu gets Oscar nods. It’s how many. That’s because I’m confident tech nods are coming its way. Makeup & Hairstyling, Costume Design, Cinematography, and Production Design all seem achievable and I had it nabbing those four nods in my predictions from yesterday. Sound and (to a lesser degree) Visual Effects and Original Score could be on the menu.
As for above the line mentions, that is more questionable. Lily-Rose Depp is drawing raves for her lead work, but Best Actress is probably too crowded and I don’t currently have her in my top 10. Skarsgård, who terrified us as Pennywise in It, is being lauded for his supporting role. Yet we know the Academy doesn’t warm to performances in the horror genre.
I wouldn’t completely discount Picture or Eggers in director. Nosferatu‘s stock could rise exponentially if it grabs AFI or National Board of Review best of slots. For now, I feel more comfortable having the film and its maker on the outside looking in for recognition while below the lines noms should be materializing. My Oscar Prediction posts will continue…
A24 is hoping audiences make some noise for Heretic when it debuts November 8th. The horror thriller comes from Scott Beck and Bryan Woods, who wrote the blockbuster A Quiet Place and recently directed the megaflop 65. Sophie Thatcher and Chloe East costar as Mormon missionaries who knock on Hugh Grant’s wrong door.
Critics opened up to Heretic upon its screening at the Toronto Film Festival. The Rotten Tomatoes score is a certified fresh 95% with Metacritic at 71. Moviegoers have had plenty of scary material to feast on in 2024 and that could limit its potential. I could see a start in the $11.5 million range that Speak No Evil managed in September.
Heretic opening weekend prediction: $11.2 million
For my The Best Christmas Pageant Ever prediction, click here:
Tom Hardy is back in the threequel Venom: The Last Dance while awards hopeful Conclave also debuts Friday. You can peruse my detailed prediction posts on the weekend’s newcomers here:
Hardy’s latest go-round as the comic book symbiote will easily dominate the charts. Yet I’m not bullish that The Last Dance will top the openings of predecessors Venom from 2018 ($80 million) and 2021’s Venom: Let There Be Carnage ($90 million). I have it in the low to mid 60s.
Conclave is expected to nab a Best Picture nomination. Edward Berger’s follow-up to All Quiet on the Western Front may have to settle for a mid single digits start that should put it in fourth or fifth place.
As for holdovers, Smile 2 may benefit from its genre in weekend #2 as horror fans seek content. The first Smile rode a wave of loud buzz to a startling 18% decline in its second frame. I’d be surprised if the sequel sees that, but mid to high 30s seems feasible. The Wild Robot and Terrifier 3 should fill out the remainder of the high five.
Here’s how I see it playing out:
1. Venom: The Last Dance
Predicted Gross: $62.3 million
2. Smile 2
Predicted Gross: $15.6 million
3. The Wild Robot
Predicted Gross: $7.5 million
4. Terrifier 3
Predicted Gross: $5.4 million
5. Conclave
Predicted Gross: $4.8 million
Box Office Results (October 18-20)
Smile 2 was barely able to open wider than part 1 at $23 million. The original hit $22.6 million two years later. I had this making slightly more at $27 million. That’s a fair result though (as mentioned above) I wouldn’t expect this to have quite the sturdy legs of what came before.
The Wild Robot held in second with $10 million, on par with my $10.7 million forecast. The animated adventure is now north of nine digits after four weeks with $101 million.
Terrifier 3 slid from first to third with $9.3 million, in line with my $9.8 million call. The $38 million total in ten days is quite a feat considering the reported teensy $2 million price tag.
Beetlejuice Beetlejuice was fourth with $5 million (I went with $5.8 million) for a seven-week haul of $283 million and $300 million potentially in its domestic sights.
Finally, the Andrew Garfield/Florence Pugh rom dram We Live in Time expanded to just under 1000 venues and posted $4.1 million. I was close with $4.3 million. That brought the overall tally to $4.5 million.
Paramount is looking for happy results when their horror sequel Smile 2 opens wide on October 18th. Parker Finn is back in the director’s seat two years after helming the original. Naomi Scott, Rosemarie DeWitt, Kyle Gallner, Lukas Gage, Miles Gutierrez-Riley, Peter Jacobson, Raul Castillo, Dylan Gelula, and Ray Nicholson are among the cast.
Back in 2022, Smile turned into an unexpected blockbuster. With a reported price tag of only $17 million, it earned $105 million domestically and another $110M+ elsewhere. A sequel was rapidly commissioned.
With an advantageous October release date and goodwill left over from part 1, Smile 2 could outdo the $22.6 million that its predecessor began with. Whether it eventually reaches the nine digit stateside take of Smile may depend on its quality.
Blogger’s Update (10/09): Based on its reported screen count of 2500 and rising buzz, I am upping my prediction from $9.4 million to $14.4 million. That gives it the #1 slot.
A handful of new releases are out in cinemas October 11th and there’s a possibility that micro-budgeted slasher Terrifier 3 tops them all. From writer/director Damien Leone, Art the Clown’s latest hardcore horror flick looks to build upon the success of its 2022 predecessor. David Howard Thornton, Lauren LaVera, Elliot Fullam, Samantha Scaffidi, Chris Jericho, Daniel Roebuck, Tom Savini, and Jason Patric are among the cast members.
Shot for a reported $2 million, it sports an 86% RT rating with 68 on Metacritic. 2016’s Terrifier was a DVD premiere that managed to gain a cult following. Six years later, the sequel became an unexpected hit in multiplexes. Made for just $250k, it took in nearly $11 million.
The third edition, with has seen overseas reports of walkouts due to its gruesomeness, could flirt with double digits out of the gate. I haven’t seen a theater count (and I’ll update this number based on that if warranted), but I’ve got achieving the best start of the newbies ahead of Saturday Night, My Hero Academia: You’re Next, Piece by Piece, and The Apprentice.
Terrifier 3 opening weekend prediction: $14.4 million
Michael Sarnoski, director of Pig, takes over a highly profitable horror franchise from John Krasinski with A Quiet Place: Day One. Paramount is hoping the prequel continues to bring home the bacon. With Krasinski (who just released the family friendly IF) and spouse Emily Blunt (recently in The Fall Guy) out of the mix, Lupita Nyong’o, Joseph Quinn, Alex Wolff, and Djimon Hounsou (a returnee from the second entry) headline.
In the spring of 2018, A Quiet Place made loud noises at multiplexes with a $50 million beginning and $188 million overall domestic haul. The 2021 sequel (delayed a year due to the pandemic) earned $48 million out of the gate with $160 million total stateside.
Scary movies have seen underwhelming premieres for the most part in 2024. Day One should be an exception. That said, I don’t see a compelling reason why this would significantly top its predecessors. A $50 million plus debut is possible. I suspect it will fall in line with its predecessor from three years ago in the mid to high 40s range.
A Quiet Place: Day One opening weekend prediction: $46.3 million
For my Horizon: An American Saga – Chapter 1 prediction, click here:
**Blogger’s Update (06/20): We have yet to even see a theater count for The Exorcism so I’m downgrading my estimate from $6.2 million to $3.2 million
The Exorcism looks to quench the moviegoing public’s thirst for mixing Russell Crowe with demonic possessions on June 21st. The horror flick arrives only a year behind the lead playing The Pope’s Exorcist. Those two pics aren’t related as Joshua John Miller directs with a supporting cast including Ryan Simpkins, Sam Worthington, Chloe Bailey, Adam Goldberg, Adrian Padsar, and David Hyde Pierce.
In April of 2023, The Pope’s Exorcist managed to open at the higher end of its expected range with a little over $9 million and an eventual $20 million gross. It is fair to wonder if genre enthusiasts are pining for another helping of its star and subject matter.
Scary movies have struggled in 2024 and this might need divine intervention to exceed $10 million for its start. I doubt it will.
The Exorcism opening weekend prediction: $3.2 million
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