In 2022, Zach Cregger impressed critics and horror fans alike with Barbarian. He seems to have repeated that success with Weapons, out Friday. Focused on a mystery surrounding 17 missing children, Josh Brolin and Julia Garner star. The supporting cast includes Cary Christopher, Alden Ehrenreich, Austin Abrams, Benedict Wong, and Amy Madigan.
With 100% on Rotten Tomatoes and a 79 Metacritic (the latter score right in line with Barbarian), Weapons aims to be an August sleeper hit. This is a genre that struggles to generate awards attention. That should hold true here, though I’ll note several reviewers are praising Cregger’s script. Original Screenplay, however, is likely to be too crowded for Weapons to contend. My Oscar Prediction posts will continue…
After receiving critical kudos and impressive box office numbers for his solo directorial debut Barbarian in 2022, Zach Cregger’s follow-up Weapons is unloaded on August 8th. The horror mystery about a group of kids vanishing into the night stars Josh Brolin and Julia Garner (currently surfing multiplexes in The Fantastic Four: First Steps). Supporting players include Cary Christopher, Alden Ehrenreich, Austin Abrams, Benedict Wong, and Amy Madigan.
Effective trailers, appreciation for Barbarian, and early reviews (100% on RT currently) have caused genre fans to circle Weapons on their viewing calendar. While Cregger’s first scary movie started off with $10 million, his second is expected to double that figure and then some. Some estimates even have this getting to $30M+. I’ll be a bit more conservative and go high 20s.
Real-life spouses Dave Franco and Alison Brie are fictional spouses growing a little too close for comfort in the body horror tale Together, out July 30th. It marks the directorial debut of Michael Shanks (who also scripts) and the Neon distributed release generated significant buzz after its Sundance bow.
Together currently has bragging rights with a rare 100% Rotten Tomatoes score and that’s helpful for the TV spots. Metacritic is at 76. Neon hopes this brings in genre audiences like their unexpected hit Longlegs did last summer. That critically appreciated pic surprised prognosticators with a $22 million start.
I don’t anticipate Together will see that kind of premiere. I do anticipate it will outdo the $5.3 million opening of Neon offering Immaculate last spring. Since it kicks off on a Wednesday, I’ll say a higher single digits bow over the traditional weekend with around $10 million for the five-day is the call.
Together opening weekend prediction: $7 million (Friday to Sunday); $10.2 million (Wednesday to Sunday)
Sony hopes horror fans get hooked on the nostalgic scares of I Know What You Did Last Summer on July 18th. It restarts the late 90s franchise that capitalized on Kevin Williamson’s notoriety from Scream (he penned both). Jennifer Kaytin Robinson directs with Madelyn Cline, Chase Sui Wonders, Jonah Hauer-King, Tyriq Winters, Sarah Pidgeon, and Billy Campbell among the cast. Jennifer Love Hewitt and Freddie Prinze Jr. reprise their roles from the features over a quarter century ago.
The teen centric slasher from 1997 was a financial success ($72 million domestically) while 1998 follow-up I Still Know What You Did Last Summer couldn’t measure up with $40 million stateside. This series may not hold the same reverence that Scream does among genre fans. Name brand familiarity could still mean decent grosses.
Tracking has this pegged in the mid to late teens. I think it could go higher in the low 20s, but I’ll go with the expectations.
I Know What You Did Last Summer opening weekend prediction: $17.7 million
Dinosaurs seek to rule the Independence Day weekend courtesy of the seventh feature in the 32-year-old franchise with Jurassic World Rebirth. It is the only wide release newcomer stomping into multiplexes over the holiday and you can peruse my detailed prediction post on it here:
The Jurassic series has proven itself to be critic proof in recent years and that should come into play with the new installment starring Scarlett Johansson. An opening weekend in nine figures is unlikely since it premieres on Wednesday (the last three World‘s achieved $100M+ out of the gate but debuted on traditional Friday to Sunday frames). I’m projecting a three-day in the $80 million ballpark with $130M+ when factoring in Wednesday and Thursday.
After a sizzling start, F1 with Brad Pitt will drop to second. With an A Cinemascore grade and appeal to adult moviegoers, you can expect impressive holds in the weekends to come. This may only ease around 30% and don’t be shocked if it’s even a little less for a strong runner-up position.
Holdovers will populate 3-6 with How to Train Your Dragon firmly in third and the lackluster Elio in fourth. Numbers five and six could be close between sequels 28 Years Later and M3GHAN 2.0, which short-circuited over the weekend.
Here’s how I see it playing out:
1. Jurassic World Rebirth
Predicted Gross: $80.8 million (Friday to Sunday); $133 million (Wednesday to Sunday)
2. F1
Predicted Gross: $39.7 million
3. How to Train Your Dragon
Predicted Gross: $12.9 million
4. Elio
Predicted Gross: $6.2 million
5. 28 Years Later
Predicted Gross: $4.5 million
6. M3GAN 2.0
Predicted Gross: $4.2 million
Box Office Results (June 27-29)
F1 or F1: The Movie, Joseph Kosinski’s follow-up to Top Gun: Maverick, revved up impressive results with $57 million, lapping my $46.2 million prediction. It also performed with top-notch earnings overseas. As mentioned, word-of-mouth should keep this in the zeitgeist over the weekends to come. A sequel is already in the planning stages.
How to Train Your Dragon, after two weeks atop the charts, was second with $19.5 million. That’s in line with my $19.1 million forecast as the live-action remake has fired up $200 million in three weeks.
Elio, after a worst ever Pixar premiere, didn’t hold up well in third with $10.4 million. I was more generous at $13 million as its sophomore plunge was a steep 50% (especially for its studio). This is undoubtedly one of the summer’s most significant flops.
Same goes for M3GAN 2.0. The sequel eschewed horror for a campier sci-fi tone and audiences rejected it. The fourth place showing was a DOA $10.2 million compared to the original’s $30 million. There’s no spinning that result for Blumhouse.
Finally, zombie threequel 28 Years Later plummeted 67% in its second outing with $9.7 million compared to my $12.6 million take. The ten-day tally is $50 million.
Alex Scharfman’s Death of a Unicorn is the latest in a lengthy list of eat the rich pics over the past few years. This one is mixed with some centuries old European folklore pertaining to the title characters and Jenna Ortega bringing her mopey teen attitude inside its mansion walls. The auto accident that kicks off the multi-genre exercise should ensure more B-movie scares and humor. It’s curiously low on both and dodgy CGI doesn’t help. While not a complete wreck, it’s damaged goods.
Elliot (Paul Rudd) is a widowed attorney en route to the sprawling estate (doubling as a nature preserve) of his pharmaceutical empire boss Odell Leopold (Richard E. Grant). Daughter Ridley (Ortega) is reluctantly along for the ride when they smash into a creature that sure seems like the mythical beast of legend. When Ridley touches the wounded creature’s horn, a connection is made before Dad tire irons the animal.
At the Leopolds, Elliot at first tries to conceal the roadkill in his hatchback and get down to business with Odell, wife Belinda (Téa Leoni), and clueless and hobby hopping son Shepard (a game Will Poulter). Yet the roadkill might not be actually killed and its elders lurk on the property grounds. Meanwhile Ridley googles the history of unicorn mythos and it indicates a violent near future. The Leopolds plot a way to increase their wealth despite the dangerous situation.
When the horn piercing bloodletting finally commences, Unicorn hadn’t yet added compelling ingredients to its menu of top 1% satire combined with a familiar daddy-daughter healing subplot. I was hoping the righteous kills from the otherworldly beings would bring the gory and guilty pleasures. Subpar visual effects tame those aspects. That leaves us with occasional laughs courtesy of Poulter and Anthony Carrigan’s unappreciated family butler. The overall results are served up in middling fashion.
18 years later from the previous installment of the acclaimed zombie franchise comes 28 Years Later on June 20th. Danny Boyle, who made the original 28 Days Later in 2002, is back directing with a cast including Jodie Comer, Aaron Taylor-Johnson, Jack O’Connell, and Ralph Fiennes. Alex Garland, who has become a well-known filmmaker via Ex Machina and Civil War, handles screenwriting duties like he did 23 years back.
28 Days Later was a cult hit that took in $10 million in its first weekend with an eventual $45 million domestic gross. 2007’s 28 Weeks Later opened with $9.8 million and $28 million overall stateside. In the nearly 20 years since, both titles are now considered hallmarks of the genre that helped kick off a zombie renaissance leading to The Walking Dead, World War Z, and more. Sony seems confident in bringing this series back. 28 Days Later: The Bone Temple from director Nia DaCosta is slated to follow this up in January.
That means expectations are higher for the third entry. So is the budget at a reported $75 million compared to the respective $8 and $15 million price tags of the predecessors. The top end range of its expected premiere is $40-45million. I’m not projecting quite that level, but low to mid 30s seems doable.
28 Years Later opening weekend prediction: $33.7 million
The supernatural horror pic Bring Her Back is out this weekend with critics praising the Philippou brothers’ follow-up to 2023’s Talk to Me. Billy Barratt, Sora Wong, and Sally Hawkins star. Distributed by A24 stateside, early box office numbers are so-so but it has a B+ Cinemascore (quite solid for the genre), 89% on Rotten Tomatoes, and a 75 Metacritic.
This is ground covered before on the blog, but it is a high bar for Academy voters to take notice of movies with horror elements. Recent examples include Get Out and The Substance. They each nabbed BP mentions with nods for their leading performers. While Hawkins in particular is being lauded for her work, I don’t envision Back getting into the mix during awards season. My Oscar Prediction posts will continue…
Australian twins Danny and Michael Philippou follow up their acclaimed 2023 horror pic Talk to Me with another via Bring Her Back on May 30th. Sally Hawkins and Billy Barratt headline the A24 property marking the brothers’ second directorial feature.
Talk to Me exceeded expectations two summers ago with a debut north of $10 million and $48 million overall domestic haul (it made nearly $100 million worldwide). Critical reaction for Back is sturdy with 90% on Rotten Tomatoes and a 73 Metacritic.
I don’t envision this exceeding what Talk managed though it should open in the same range.
Bring Her Back opening weekend prediction: $8.5 million
For my Karate Kid: Legends prediction, click here:
Blogger’s Update (05/14): Two days before its premiere, I am doing an upgrade to my prediction from $35.2 million to $42.2 million
A quarter century after the original kicked off a fresh horror franchise, Final Destination Bloodlines logs into multiplexes on May 16th. The sixth Destination and first in nearly 14 years is co-directed by Zach Lipovsky and Adam Stein. Kaitlyn Santa Juana, Teo Briones, Richard Harmon, Owen Patrick Joyner, Anna Lore, Brec Bassinger, and the late Tony Todd make up the cast.
Warner Bros (hot off blockbusters A Minecraft Movie and Sinners) could have another success on their hands. Enough time has passed between entries that a nostalgia factor may be in play. It doesn’t hurt that competition is minimal as some heavier hitters are waiting until Memorial Day weekend and June.
The highest series opening belongs to 2009’s The Final Destination as that fourth entry started with $27 million. I believe Bloodlines should match or top that. My gut says take the over (UPDATE: way over)…
Final Destination Bloodlines opening weekend prediction: $42.2 million
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