The Strangers – Chapter 3 is (naturally) the fifth feature in the nearly two-decade old horror franchise and it opens February 6th. To add more context, it is the culmination of this specific trilogy in the series from director Renny Harlin. Chapter 1 arrived in 2024 with Chapter 2 dropping only four months ago. Madelaine Petsch, Gabriel Basso, Ema Horvath, and Richard Brake star.
In 2008, the first Strangers (as in very first) was a sleeper hit that made $20 million in weekend #1 and $52 million domestically. None of the three follow-ups have matched it. 2018’s The Strangers: Prey at Night barely topped $10 million out of the gate with just under $25 million stateside. Chapter 1 managed nearly $12 million and an overall tally of $35 million. Chapter 2 easily saw franchise lows with a $5.8 million start and $15 million total.
Diminishing returns could certainly continue. I see no valid argument why this would top its predecessor and I’ll put it about a million below.
The Strangers – Chapter 3 opening weekend prediction: $4.9 million
28 Years Later: The Bone Temple is the fourth film in the zombie/post-apocalyptic franchise started under Danny Boyle nearly a quarter century ago. Out this weekend, Nia DaCosta (no stranger to the genre via her Candyman reboot) directs with Ralph Fiennes, Jack O’Connell, Alfie Williams, Erin Kellyman, and Chi Lewis-Parry in the cast.
It follows 28 Years Later by only seven months. Impressively it has the best RT score of the quartet at 93% with Metacritic at 80 (also a series high). There was chatter for its predecessor landing a Makeup and Hairstyling nomination for the 98th Academy Awards. However, it did not make the shortlist of ten for contention. Even with slightly stronger critical reaction, Academy voters are unlikely to throw Temple a bone in that race or any other for the 99th ceremony. My Oscar Prediction posts will continue…
Arriving just seven months after its post-apocalyptic predecessor from Danny Boyle, 28 Years Later: The Bone Temple opens in multiplexes on January 16th. Shot back-to-back with 28 Years Later, Temple sees Nia DaCosta taking over directorial duties in this fourth overall franchise entry that began with 28 Days Later in 2003. Alex Garland scripts with Ralph Fiennes, Jack O’Connell, Alfie Williams, and Erin Kellyman starring.
In June of 2025, Years debuted in line with expectations at $30 million and was pretty front loaded with a $70 million eventual domestic gross. It received a B Cinemascore grade (not bad at all for a horror pic). Even with the solid critical reaction and decent audience response, Temple is unlikely to match the earnings of the third series feature.
High teens is certainly feasible though I’ll say it manages to get just past $20 million. Note that this is a Friday to Sunday projection and not factoring in Monday’s MLK federal holiday.
28 Years Later: The Bone Temple opening weekend prediction: $20.1 million
After premiering at Fantastic Fest last September, Primate swings into multiplexes on January 9th. Centered on a chimp gone rabid during a family vacation, Johannes Roberts (no stranger to the genre with 47 Meters Down and The Strangers: Prey at Night to his credit) directs. Non-monkey cast members include Johnny Sequoyah, Jessica Alexander, and Troy Kotsur.
With 92% on Rotten Tomatoes, reviewers are calling it a fun creature feature throwback. This probably won’t get near the $14 million achieved by last year’s The Monkey, which focused on a demented title character of the toy variety.
As I’ve written many times, horror pics always have the ability to exceed estimates. With that caveat, I’ll project high single digits.
Primate opening weekend prediction: $9.7 million
For my Greenland 2: Migration prediction, click here:
Wicked: For Good sweeps in to rule the box office and it could compete for 2025’s biggest domestic opening. We also have Finnish action sequel Sisu: Road to Revenge and Japan set dramedy Rental Family making their debuts and you can peruse my detailed prediction posts on the newcomers here:
The second part of Wicked is expected to easily swoosh past the $112 million opening of part 1 last year. The real question is whether it eclipses the $162 million start of A Minecraft Movie which currently holds the record for the year. I have falling just behind.
Sisu: Road to Revenge should manage to top the $3.3 million out of the gate that its predecessor achieved in 2023, but perhaps not by much. My mid single digits projection puts it in fifth.
Rental Family with Oscar winner Brendan Fraser hasn’t been able to generate much buzz despite mostly solid reviews. I have it struggling in sixth place.
Holdovers should populate slots 2-4. Now You See Me: Now You Don’t scored a surprise #1 showing (more on that below). If it drops in range with Now You See Me 2 from nine years ago, it could fall below $10 million for the runner-up spot. The second weekend of The Running Man and third frame of Predator: Badlands could see similar numbers battling for third.
Here’s how I have it shaking out:
1. Wicked: For Good
Predicted Gross: $158.1 million
2. Now You See Me: Now You Don’t
Predicted Gross: $9.4 million
3. The Running Man
Predicted Gross: $6.7 million
4. Predator: Badlands
Predicted Gross: $5.9 million
5. Sisu: Road to Revenge
Predicted Gross: $4 million
6. Rental Family
Predicted Gross: $2.9 million
Box Office Results (November 14-16)
As mentioned, threequel Now You See Me: Now You Don’t easily ruled the charts with a better than anticipated $21 million compared to my $17.1 million prediction. While it’s the lowest opening of the franchise (falling under the original’s $29 million and part two’s $22 million), the #1 posting was an unexpected development.
That’s because many prognosticators, including me, figured The Running Man with Glen Powell might manage bragging rights. Yet the sci-fi remake took in only $16.4 million for second, under my $19.6 million estimate.
Another projection I missed is that I thought Predator: Badlands wouldn’t experience the hefty sophomore decline of other pics in the franchise. However, it plummeted 68% to $12.7 million. I was far more generous at $18.2 million. The two-week tally is still an impressive $66 million.
Regretting You was fourth with $3.7 million and I was higher at $5 million. The four-week take is $44 million.
Black Phone 2 rounded out the top five and I incorrectly didn’t have it there. In its fifth week, it earned $2.6 million to bring its total to $74 million.
Keeper from Osgood Perkins was right behind in sixth with $2.5 million (I said $3.2 million). The horror flick couldn’t attract its intended audience.
Blogger’s Update (11/12): I am downgrading my The Running Man estimate from $27.6 million to $19.6 million as reviews and word-of-mouth have stalled momentum; I am downgrading my Keeper estimate from $6.5 million to $3.2 million
The Running Man looks steal the box office crown as heist threequel Now You See Me: Now You Don’t and horror pic Keeper debut. You can peruse my detailed prediction posts on the trio of newcomers here:
Based on the Stephen King novel, sci-fi action satire The Running Man also serves as a remake of the 1987 pic with Glen Powell taking over starring duties from Arnold Schwarzenegger. I don’t think it reaches the heights of Predator: Badlands from this past weekend (more on that below), but it should place 1st in the low to mid 20s.
Now You See Me: Now You Don’t includes Jesse Eisenberg, Woody Harrelson, and Morgan Freeman reprising their roles from 2013 and 2016 predecessors. That’s a lengthy layover from part 2 to 3 and the second one didn’t match the original in terms of cash. I anticipate the drop-off will continue and I have See in third.
Keeper could overperform as horror titles often do, but I’m going mid single digits for a fourth place showing for the latest genre effort from the prolific Osgood Perkins.
It will be interesting to see the sophomore frame percentage decline for Predator: Badlands. 2010’s Predators and 2018’s The Predator each debuted in the mid 20s (far below this one). They plummeted 72% and 63% respectively in their follow-up outings. The film in the franchise that performed similarly to Badlands (2004’s AVP: Alien Vs. Predator) saw a 68% dip. However, I don’t see this falling that far due to its A- Cinemascore (the strongest of the lot). Mid 50s seems more likely.
Regretting You, which showed impressive staying power last weekend, should round out the top five and here’s how I see it shaking out:
1. The Running Man
Predicted Gross: $19.6 million
2. Predator: Badlands
Predicted Gross: $18.2 million
3. Now You See Me: Now You Don’t
Predicted Gross: $17.1 million
4. Regretting You
Predicted Gross: $5 million
6. Keeper
Predicted Gross: $3.2 million
Box Office Results (November 7-9)
It took a nearly 40-year-old franchise to wake up the box office and showed that the series wasn’t over the hill as Predator: Badlands amassed $40 million. Solid word-of-mouth and positive reviews helped propel it to the highest start of the nine pictures when not adjusting for inflation. This easily eclipsed my $27.6 million prediction.
Regretting You, as mentioned, slid a teensy 15% in weekend #3 to $6.6 million compared to my $4.8 million call. The romantic drama is plugging along with $38 million thus far.
Black Phone 2 dropped from 1st to 3rd as it received $5.1 million, in line with my $4.6 million projection. The sequel has taken in $70 million after four weeks.
The inspirational early 20th century set drama Sarah’s Oil, which includes Zachary Levi among its cast, was my surprise of the weekend. It placed fourth with $4.2 million and I didn’t do a guesstimate. Scoring a rare A+ Cinemascore grade, Oil could hold up well in the coming weeks.
Historical courtroom drama Nuremberg with Oscar winners Russell Crowe and Rami Malek rounded out the top five with $3.8 million, managing to outdo my $3 million take.
Bugonia was sixth in weekend #2 at $3.4 million (ahead of my $2.7 million prediction) for $12 million after two weeks of wide release.
Chainsaw Man – The Movie: Reze Arc finished seventh with $3.4 million (I said $2.9 million) as the anime hit stands at $37 million after three weeks.
Jennifer Lawrence and Robert Pattinson’s drama Die, My Love debuted in eighth with $2.6 million, on pace with my $2.5 million estimate.
Finally, boxing biopic Christy with Sydney Sweeney was KO’d in 11th with just $1.3 million. I was more generous at $2.2 million.
Blogger’s Update (11/12): I am downgrading my estimate from $6.5 million to $3.2 million
Osgood Perkins releases his third horror title in under two years when Keeper arrives in theaters November 14th. The two-hander stars Tatiana Maslany and Rossif Sutherland. It was shot with a Canadian crew while the filmmaker’s predecessor The Monkey was held up during the 2023 SAG/WGA strike.
In July of 2024, Longlegs from Perkins was an unexpected hit with a $22 million debut and $74 million overall domestic haul. The aforementioned Monkey followed earlier this year in February with $14 million at the outset and $39 million total. Expectations are considerably lower for Keeper with the caveat that this genre can always overperform. With that said, horror fans have plenty to see in 2025 and I’ll project mid single digits for this (similar to what Bring Her Back did early in the summer).
Universal Pictures is banking on horror fans receiving Black Phone 2 with open arms on October 17th. Following up on the surprise 2022 hit based on a novel by Joe Hill (son of Stephen King), Scott Derrickson is back directing. Ethan Hawke reprises his role as serial killer The Grabber alongside Mason Thameas, Madeleine McGraw, Demián Bechir, Miguel Mora, Jeremy Davies and Arianna Rivas.
Scary movies have been hot properties in 2025 and there should be enough goodwill left over from the original for this to solidly perform. Reviews are mostly positive with 81% on Rotten Tomatoes and a 71 Metacritic (pretty much right where part 1 landed).
I wouldn’t be surprised if this premiere plays out similar to Smile 2. That sequel opened on the same weekend last year with $23 million and that just edged the $22.6 million earned by its predecessor. The first Phone dialed up $23.6 million for starters and I’ll gave 2 slightly more.
Black Phone 2 opening weekend prediction: $25.5 million
Just as she will on the music charts starting Friday, the biggest pop star in the universe seeks to dominate the box office rankings with Taylor Swift: The Official Release Party of a Showgirl. We also have Dwayne Johnson and Emily Blunt in the MMA biopic The Smashing Machine, the re-release of Avatar: The Way of Water and canine centric horror tale Good Boy out. You can peruse my detailed prediction posts on the newcomers here:
Coinciding with the release of her 12th studio album, Showgirl looks to kick up impressive earnings for its engagement lasting only this weekend. While it’s unlikely to approach the $93 million generated out of the gate by her Eras Tour doc in 2023, I believe it’ll surpass the $40 million forecasts and reach higher 40s. As a general rule, take the over when it comes to Taylor.
The Smashing Machine will compete for adult eyeballs with the second weekend of One Battle After Another. My low teens take would put it in third for a so-so showing.
While audiences await threequel James Cameron’s Avatar: Fire and Ash this December, I have the re-release of The Way of Water in mid single digits and rounding out the high five.
My lower single digits estimate at $2.8 million for Good Boy leaves it outside the top five.
As for holdovers, Battle came in at the lower end of its expected range (more on that below). However, awards buzz and the Cinemascore grade of A might mean a meager drop. Gabby’s Dollhouse: The Movie didn’t pack in family crowds, but lack of competition for kids (though plenty of them might see Ms. Swift) could mean a decline around 40% or less.
Here’s I have it all shaking out:
1. Taylor Swift: The Official Release Party of a Showgirl
Predicted Gross: $48.6 million
2. One Battle After Another
Predicted Gross: $14.5 million
3. The Smashing Machine
Predicted Gross: $13.7 million
4. Gabby’s Dollhouse: The Movie
Predicted Gross: $7.9 million
5. Avatar: The Way of Water re-release
Predicted Gross: $4.4 million
Box Office Results (September 26-28)
Paul Thomas Anderson’s acclaimed One Battle After Another certainly set a record for his openings. Yet the $22 million debut for Leonardo DiCaprio’s latest came in lower than my $27 million prediction. It will hope for (and should achieve) smallish dips in the coming weeks due to the aforementioned word-of-mouth.
Gabby’s Dollhouse: The Movie was second with an unimpressive $13.6 million, well under my $20.3 million call. Based on the Netflix TV show, plenty of viewers opted to stay home.
Demon Slayer: Kimetsu no Yaiba – The Movie: Infinity Castle was third in weekend #3 with $7.1 million and ahead of my $5.8 million projection. The anime record holder has amassed $118 million stateside.
The Conjuring: Last Rites was fourth in weekend #4 at $6.7 million (I said $6.4 million) as the sequel’s tally is $161 million.
The Strangers – Chapter 2 sputtered in fifth with $5.8 million, under my $6.7 million take. This scary sequel failed to approach the double digits that its predecessor last year managed.
Speaking of underwhelming fright fest performances, Him tumbled 73% in sixth with $3.5 million. I was more generous at $5.1 million as its two-week earnings are $20 million.
Retriever Indy is said to carry Good Boy on his paws as the horror flick debuts October 3rd. After premiering at South by Southwest in the spring, encouraging word-of-mouth (95% RT, 71 Metacritic) and a memorable trailer eventually led the haunted house tale (told from the canine character’s perspective) to a wide release pattern. Ben Leonberg directs and cowrites with a human cast consisting of Shane Jensen, Arielle Friedman and Larry Fessenden.
Clocking in at a brisk 72 minutes, a best case scenario might be higher single digits. I’ll be keeping an eye out for a theater count as that could alter the estimate, but I’ll say lower single digits is the likelier outcome.
Good Boy opening weekend prediction: $2.8 million
For my Taylor Swift: The Official Release Party of a Showgirl prediction, click here:
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