Trap Review

I wonder if M. Night Shyamalan cast Hayley Mills in Trap because it is about a parent being trapped at a concert. Josh Hartnett’s Cooper/The Butcher isn’t just stuck at that Lady Raven show. He’s held captive by memories of an abusive mother and maintaining a double life as doting dad and demented serial killer. Ms. Mills pulled double duty in Disney’s The Parent Trap some 60 plus years ago. It is nice to see her in a high profile project as an FBI profiler. Doesn’t it, however, seem like the type of weird Shyamalan touch to put her in the picture simply due to the title connection?

M. Night’s Disney breakout The Sixth Sense and follow-ups Unbreakable and Signs still stand as career highlights. You do know that his unnatural dialogue will be a constant and that’s even if those aforementioned strongest efforts. It’s present in Trap, but the wooden acting that often accompanies his thrillers is thankfully missing.

Hartnett, in his first leading role in a while, treats his teenage daughter Riley (Ariel Donoghue) to floor seats for pop sensation Lady Raven. She’s played by the writer/director’s own offspring Saleka. While enduring such a performance might be a chore for any middle-aged dad, he’s got bigger problems. As a kindly and quick to spew exposition T-shirt merchant (Jonathan Langdon) informs Cooper, the whole afternoon gig is an elaborate sting to nab 12 time murderer The Butcher.

That would, of course, be Cooper and he’s phone monitoring unlucky #13 tied up in a basement somewhere. Now he must pretend to enjoy the entertainment while searching for a way to bypass the heavy security and keep Riley relatively unsuspicious. To be fair, daughters that age probably think their dads are acting strangely without believing they’re homicidal maniacs.

This concept managed to put me in an odd and at times darkly enjoyable position. I found myself rooting for Cooper to solve this complicated puzzle and outwit the FBI being led by the former Mouse House child star. It works on Shyamalan’s terms for about one hour. Then it becomes considerably more convoluted and less engrossing.

The cast is not to blame. It’s amusing to watch Hartnett volley back and forth between personalities and Donoghue convinces in her bracelet donning fangirl love for the headliner. Saleka Shyamlan is fine while onstage though her more meaningful contributions unfortunately come later as the screenplay is unraveling.

I’ll make a concert analogy. The first couple of acts feel like Shyamalan playing his greatest hits dependably while not exactly knocking it out of the park. The encores have the sense of that artist bizarrely playing new tracks from an unreleased album. It’s not what we want and it goes on for longer that it has a right to.

** (out of four)

Oscar Predictions: Trap

It has been a quarter century since The Sixth Sense was a box office phenomenon that turned writer/director M. Night Shyamalan into a household name. The Academy took notice and rewarded the suspense thriller with six nominations including Picture, Director, and Original Screenplay. It lost each of those races to American Beauty.

Since then, the sole Oscar nod for an M. Night joint is 2004’s The Village in Original Score (it fell short to Finding Neverland). In fact, his filmography has garnered more Razzie attention in the last two decades with Lady in the Water, The Happening, The Last Airbender, and After Earth.

Trap is the filmmaker’s latest with Josh Hartnett as a serial killer boxed in at a concert with his daughter (Ariel Donoghue). Costars include Saleka Shyamalan, Hayley Mills, and Alison Pill.

Like his most recent tales Old and Knock at the Cabin, critical reaction isn’t near strong enough for awards buzz. The RT rating for Trap is just 49%. On the flip side, the buzz probably isn’t poor enough for the Razzies to notice. Some reviews are going out of their way to applaud Josh Hartnett (similar to how they lauded James McAvoy’s work in Shyamalan’s Split). Don’t expect Academy voters to put him in the convo for Actor. My Oscar Prediction posts will continue…

Trap Box Office Prediction

M. Night Shyamalan and Warner Bros hope Trap fills movie houses on August 2nd. The thriller casts Josh Hartnett as a serial killer trying to thwart a manhunt while attending a concert with his daughter (Ariel Donoghue). Mr. Shyamalan’s own daughter Saleka plays the artist at the venue. Hayley Mills (known for The Parent Trap some 63 years ago) and Alison Pill costar.

The writer/director experienced a mini career resurgence starting with 2017’s Split. His last two efforts haven’t generated huge numbers, but have been profitable due to low budgets. 2021’s Old started with $16 million and then grossed $48 million overall domestically. Last year’s Knock at the Cabin premiered to $14 million and $34 million total stateside. Both had reported price tags in the high teens to $20 million.

I haven’t seen the cost for Trap but its gimmick of a one place setting can’t be too expensive. Shyamalan’s pics do their business based on his name though there’s certainly limits compared to his early 2000s heyday. I doubt this will make much more than his aforementioned predecessors so let’s go high teens to low 20s.

Trap opening weekend prediction: $19.4 million

For my Harold and the Purple Crayon prediction, click here: