Summer 1997: The Top 10 Hits and More

Put on your nostalgia goggles (or maybe the sunglasses that make you forget stuff if Will Smith and Tommy Lee Jones flash a light at you) because I’m recounting the summer of 1997 on the blog today!

This has become a seasonal tradition around here and I gave you the top 10 summer hits of 1987 and more earlier this week. If you missed that post, you can find it here:

https://toddmthatcher.com/2017/08/01/summer-1987-the-top-10-hits-and-more/

This time around, we’re going back 20 years when Nicolas Cage accounted for 25% of the top 8 moneymakers and Batman crashed and burned.

We’ll begin with the top ten and then get to some other notable pics and flops:

10. Hercules

Domestic Gross: $99 million

Disney’s ‘toon couldn’t reach the century mark and that was considered a disappointment after early and mid 90s smashes like Beauty and the Beast, Aladdin, and The Lion King.

9. Contact

Domestic Gross: $100 million

Robert Zemeckis’s follow-up to Forrest Gump (which ruled summer 1994) was a well-regarded science fiction drama with Jodie Foster and an emerging Matthew McConaughey.

8. Con Air

Domestic Gross: $101 million

This action thriller from the Bruckheimer factory is our first to feature Mr. Nicolas Cage (who was coming off a recent Oscar win), along with an all-star cast including John Cusack, John Malkovich, Steve Buscemi, and Ving Rhames.

7. George of the Jungle

Domestic Gross: $105 million

Disney probably didn’t anticipate this remake of the cartoon starring Brendan Fraser would manage to out perform Hercules, but that it did.

6. Batman and Robin

Domestic Gross: $107 million

This may have placed sixth for the summer, but Batman and Robin came in well below its three predecessors and director Joel Schumacher and new Caped Crusader George Clooney have been apologizing about it for the last 20 years. We’re still trying to block out those Arnold/Mr. Freeze bad puns.

5. Face/Off

Domestic Gross: $112 million

Mr. Cage teamed up for Mr. John Travolta for John Woo’s entertainingly over-the-top sci-fi and action mash-up.

4. My Best Friend’s Wedding

Domestic Gross: $127 million

Julia Roberts made a return to box office dominance in this rom com which featured stolen scenes from costar Rupert Everett.

3. Air Force One

Domestic Gross: $172 million

“Get off my plane!” became one of the season’s catchphrases with Harrison Ford as the butt kicking POTUS battling Russian terrorist Gary Oldman in the skies.

2. The Lost World: Jurassic Park

Domestic Gross: $229 million

Steven Spielberg’s eagerly anticipated follow-up to 1993’s Jurassic Park kicked off with the biggest opening weekend of all time (at that time). However, in the end, it couldn’t manage to top the gross of its predecessor. If you’d polled probably any box office analyst at the beginning of the year, they likely would have said it’d be #1 for the summer. Yet that honor ended up belonging to…

1. Men in Black

Domestic Gross: $250 million

A franchise was born and Will Smith made it two summers in a row with the top grossing picture (the previous year being Independence Day) with Barry Sonnenfeld’s megahit sci-fi action comedy.

And now for some other notable pics:

The Fifth Element

Domestic Gross: $63 million

Audiences and critics didn’t quite know what to make of Luc Besson’s visual feast featuring Bruce Willis, Gary Oldman, and Chris Tucker. Sound familiar? Same thing is happening 20 years later with Besson’s Valerian and the City of a Thousand Planets.

Austin Powers: International Man of Mystery

Domestic Gross: $53 million

The Mike Myers 007 spoof performed well, but it wasn’t until home video that Powers turned into a genuine phenomenon spawning countless catchphrases. Its sequel two summers later would earn more in its opening weekend that part 1 did in its domestic total.

The Full Monty

Domestic Gross: $45 million

This British import about unconventional male strippers was the summer’s true sleeper and went on to earn a host of Oscar nominations, including Best Picture. Monty would earn over $250 million worldwide compared to its tiny $3.5 million budget.

Cop Land

Domestic Gross: $44 million

After appearing in a string of high-octane action flicks, Sylvester Stallone changed it up with this crime drama featuring an impressive supporting cast that included Robert De Niro, Ray Liotta, and Harvey Keitel.

And now for some of the season’s large belly flops:

Speed 2: Cruise Control

Domestic Gross: $48 million

Keanu Reeves didn’t want to touch it, but Sandra Bullock came back for this ridiculed sequel where Jason Patric was the new lead. Considered by many to be one of the worst follow-ups of all time.

Out to Sea

Domestic Gross: $29 million

Jack Lemmon and Walter Matthau created comedic gold with The Fortune Cookie and The Odd Couple and reunited years later to box office fortune with the Grumpy Old Men movies. This one? Not so much.

Father’s Day

Domestic Gross: $28 million

Ivan Reitman directing Robin Williams and Billy Crystal in a high-profile comedy? Sounds like a good recipe, but the product was mediocre at best and audiences didn’t turn out.

Excess Baggage

Domestic Gross: $14 million

Two summers earlier, Alicia Silverstone had broken out with Clueless. The summer of 1997 was a breakdown. In addition to appearing as Batgirl in the already discussed Batman and Robin, this action comedy with Benicio del Toro bombed big time.

Steel

Domestic Gross: $1.7 million

People may have wanted to watch Shaquille O’Neal on the basketball court, but they had zero interest in watching him as the title superhero in this disaster.

And that does it for now, folks, but I’ll be back soon recounting 2007!

Star Wars: The Force Awakens Movie Review

When the famous line “A long time ago in a galaxy far, far away” appears and the Star Wars emblem rockets across the screen, it evokes a series of emotions that is familiar to any lover of the franchise. It changes from generation to generation but is likely strongest with those old enough to recall the first time seeing it in 1977 when the original premiered. The first Star Wars was a cultural phenomenon from the get go. It solidified what we now know as the modern blockbuster era. Its sequel The Empire Strikes Back improved upon it. Return of the Jedi ended the trilogy on a satisfactory if more uneven note. I was not alive in 1977 and I witnessed the series in a weekend of VHS viewing where I was captivated like legions of film lovers across the globe.

By the time George Lucas got around to making his prequel trilogy, I was age 19 at the time of The Phantom Menace. Like all other fans of what came before it, I anticipated Menace breathlessly and like many others, it was a letdown in many fashions. It didn’t really look like a Star Wars pic. More like a video game. In all honesty, the concept of watching the eventual Darth Vader as a precocious child wasn’t really necessary. Follow ups Attack of the Clones and Revenge of the Sith were improvements in some ways (especially Sith) yet still didn’t come close to matching the magic of the real trilogy (as I refer to it).

Therefore it was with a sense of major excitement mixed with some trepidation that I awaited Star Wars: The Force Awakens, episode VII of the franchise that picks up about 30 years after the events of Return of the Jedi. George Lucas sold the rights to Disney, who have grand Marvel style plans for the series. J.J. Abrams, who successfully reinvigorated the Star Trek flicks, is behind the camera. The beloved trio of Luke Skywalker (Mark Hamill), Han Solo (Harrison Ford), and Princess (now General) Leia (Carrie Fisher) would return along with Chewbacca, R2-D2, and C-3PO. A new generation of heroes and villains would emerge. The three year wait is finally over and the question is ready to be answered: does Force have the force to bring Star Wars back in the good graces of those who cherish it? The answer is mostly an unqualified and resounding yes.

Episode VII informs us that Luke Skywalker has vanished and the evil First Order (spawned from Darth Vader’s galactic empire) has restored its dominance despite a resistance led by Leia. The Resistance is desperately attempting to obtain a map containing Luke’s whereabouts that is built into BB-8, a droid that is pretty adorable in a manner in which Jar Jar Binks sure wasn’t. One of the leaders of the movement is pilot Poe Dameron (Oscar Isaac), whose character doesn’t have much impact in these proceedings but likely will in future installments. He teams with Storm Trooper gone good Finn (John Boyega) on the mission to find Skywalker. And that BB-8 droid leads them to Rey (Daisy Ridley), a young girl who has a connection with The Force. Their union soon brings them to Han, Chewie, and the now relic called the Millennium Falcon to fight First Order Commander Kylo Ren (Adam Driver) and Supreme Leader Snoke (Andy Serkis).

As we’d expect, there are some revelations about who some of the characters actually are. I wouldn’t dream of spoiling them here. J.J. Abrams is keenly aware of our nostalgia goggles and he presents a vision that hearkens back to the original in both plot and tone. This is a plus. J.J. and his cowriters Lawrence Kasdan (who penned Empire and Jedi) and Michael Arndt are clearly cognizant of the expectation to start anew while rewarding what we adore about episodes IV-VI. There is much plot to roll out, but Awakens does so at a usually brisk pace throwing in the epic battles that look more like we wish for in any entry since 1983.

The John Williams score and special effects are, of course, top notch. Of the returnees, Mr. Ford is given the most material and provides Solo wisecracks and some emotion. Fisher acquits herself decently even though Leia is primarily relegated to the sidelines. As for Luke, the filmmakers have been careful to reveal nothing and neither will I. When it comes to the newcomers, we sense that Rey, Finn, and Poe will establish the new trio for the next few years. Here it is Rey that jumps out and much of that is due to a fine performance from Miss Ridley. Boyega’s Finn has his moments along with occasionally clunky dialogue. Driver is quite effective as Ren and we have a new villain whose motivations create an intriguing dynamic in this universe.

I would rank The Force Awakens as the third best pic in the series, after the first two (slightly above Jedi). Abrams and company accomplish something Lucas ultimately could not with episodes I-III. We care more about the actions transpiring here than with anything from 1999-2005. This is a franchise awakened in a way we have not seen in over 30 years. For those who might have had a bad feeling about this, fear not.

***1/2 (out of four)

Oscar Watch – Star Wars: The Force Awakens

This weekend, Star Wars: The Force Awakens looks poised and primed to demolish box office records. It’s sold $100 million in pre-sale tickets (a previously unimaginable figure). The Disney marketing machine has been in hyper drive. Hyperbole it is not to say this is the most eagerly anticipated picture of the 21st century.

Over the last few months, I’ve been writing my Oscar predictions and now it’s to the point where I’m doing weekly predictions as we draw closer to the actual nominations coming in January. Through it, Star Wars has hung out there like a giant question mark. If it got rave reviews, could it potentially become a player not just to smash records, but to enter the Oscar fray?

Today the landscape has become clearer as the review embargo has been lifted on the eve of its release. And the word that’s emerged is glowing like Luke Skywalker’s lightsaber. Based on 127 reviews so far, The Force Awakens stands at a magnificent 97% on Rotten Tomatoes. I’ll confess that I’m being careful not to read the reviews (I’ll be seeing it Sunday and my own review will be on the blog that day), but the consensus is undeniably that this is a welcome return to the most beloved franchise in history.

Does that mean The Force Awakens could become the first entry in the series to nab a Best Picture nomination since the original in 1977? Yes… it does. Is it guaranteed? No and my predictions on Friday likely won’t have it making the cut. However, as it premieres to what could be history making numbers and with critics on its side, the forces could align to include it and possibly J.J. Abrams in the directing race. Stay tuned…

Star Wars: The Force Awakens Box Office Prediction

It is not only the most anticipated film of the year but probably of the 21st century. This is not hyperbole. 38 years after George Lucas changed the movie industry forever with Star Wars, the baton has been passed to J.J. Abrams with Star Wars: The Force Awakens, out December 18. We’ve seen over a decade pass since the unevenly received second trilogy that ran from 1999-2005. This marked the end of Mr. Lucas’s involvement in the franchise and the end of 20th Century Fox producing the entries (no iconic Fox music before “In a galaxy far, far away” may take a little getting used to).

Instead we have Disney taking over the most beloved franchise in silver screen history and we’ve repeatedly seen their brilliance at marketing blockbusters (think Marvel Cinematic Universe). The Force Awakens has been omnipresent for months and it’s ramped up to the point where every other commercial seems to be connected somehow to it. The official trailers and TV spots have been events. It’s sold $100 million dollars at press time in pre-sale tickets, which was previously an unimaginable haul. With all the exposure, the studio has done a truly remarkable job in keeping plot details under wraps.

We know this: original trilogy stars Mark Hamill, Harrison Ford, and Carrie Fisher return in the iconic roles of Luke Skywalker, Han Solo, and Princess Leia. A new generation makes up the supporting cast that includes John Boyega, Oscar Isaac, Daisy Ridley, Adam Driver, and Domhnall Gleeson. Oh and there’s Chewbacca, R2-D2, and C-3PO.

For those of us old enough to remember the breathless anticipation afforded to 1999’s Star Wars Episode 1: The Phantom Menace, it’s probably the only thing that compares in the past couple of decades. There are many hotly anticipated blockbusters but Star Wars is simply on a different planet.

So now the nine figure question: how much will The Force Awakens earn its opening weekend? How much is it capable of making? Will its debut set the all time record? Fascinating queries indeed, these are.

We begin with this: the current record holder came out just this summer when Jurassic World earned $208.8 million, which edged out previous champ The Avengers at $207 million. I’m sure Disney would love to get that record back that the dinosaurs took away in June. These are the only two pictures that have made over $200M out of the gate. Both were released in summer, as are seven of the all time top ten domestic premieres.

None came out in December and this is not an inconsequential point. In fact, the current highest December debut belongs to The Hobbit: An Unexpected Journey. It made $84 million and that’s good for just the 57th largest opening ever. Truth be told, even massive blockbusters that open in December usually open smaller than they might in the summer. 2009’s Avatar began with $77 million before becoming the biggest stateside grosser ever. The reason is simple: Christmas time releases tend to play well over multiple weekends while similar summer titles make the bulk of their coin immediately.

Let’s dispatch with the glaringly obvious: The Force Awakens will obliterate the December record. At worst, it should double The Hobbit’s initial earnings. Frankly, guessing what Star Wars is capable of is a dicey proposition, but the low end of estimates is around $170-$175 million. If it managed that, it would sincerely be a fine start.

Yet there is a suspicion that Jurassic’s six month long record could be headed for extinction. The combo of Disney hype and a true love across all ages for the series has contributed to an Event Experience we rarely witness. What’s the highest it could go? Honestly, I don’t know. The figure of $300 million has been mentioned. That seems a bit crazy, but you just never know. There’s part of me that believes $275-$280 million might just be reachable and another that feels it could fall short of the record with around $185-$205 million.

What’s a box office predicting blogger to do? Split the difference. With this wide range of possibilities, I’ll project that Star Wars: The Force Awakens will achieve the best American opening ever and by a rather considerable margin. I’ll be one among many speculating over the next ten days before its debut, but my two cents is in, my friends. Let’s see what happens!

Star Wars: The Force Awakens opening weekend prediction: $234.7 million

For my Sisters prediction, click here:

https://toddmthatcher.com/2015/12/10/sisters-box-office-prediction/

For my Alvin and the Chipmunks: The Road Chip prediction, click here:

https://toddmthatcher.com/2015/12/10/alvin-and-the-chipmunks-the-road-chip-box-office-prediction/

Todd’s Oscar Predictions: November Edition

We have arrived at my third round of Oscar predictions for the month of November. Some has changed, some has stayed the same. We’ll go through each of the six major categories one by one…

Let’s go!

BEST SUPPORTING ACTRESS

This is the one category where I’ve made no changes, though any of the others listed as possibilities could find their way in. Most have Jane Fonda in the mix already, but I’m not quite there yet.

TODD’S PREDICTIONS in SUPPORTING ACTRESS

Joan Allen, Room

Jennifer Jason Leigh, The Hateful Eight

Rooney Mara, Carol

Alicia Vikander, The Danish Girl

Kate Winslet, Steve Jobs

Other Possibilities:

Elizabeth Banks, Love and Mercy

Jane Fonda, Youth

Diane Ladd, Joy

Rachel McAdams, Spotlight

Isabella Rossellini, Joy

Julie Walters, Brooklyn

BEST SUPPORTING ACTOR

And here we have the most changes of any category! Coming out of nowhere last week was Sylvester Stallone’s acclaimed performance in Creed and as of now, here appears to be a strong contender for a nod and maybe even the win. I’m also including Mark Ruffalo and re-including Idris Elba. Falling out are Benicio del Toro, Robert De Niro, and Tom Hardy, though they all remain possibles. This category has a whole lot of potential nominees, but only five slots available.

TODD’S PREDICTIONS for SUPPORTING ACTOR

Idris Elba, Beasts of No Nation

Michael Keaton, Spotlight

Mark Ruffalo, Spotlight

Mark Rylance, Bridge of Spies

Sylvester Stallone, Creed

Other Possibilities:

Christian Bale, The Big Short

Bradley Cooper, Joy

Paul Dano, Love and Mercy

Benicio del Toro, Sicario

Robert De Niro, Joy

Joel Edgerton, Black Mass

Harrison Ford, Star Wars: The Force Awakens

Tom Hardy, The Revenant

Samuel L. Jackson, The Hateful Eight

Harvey Keitel, Youth

Jason Mitchell, Straight Outta Compton

Kurt Russell, The Hateful Eight

Jacob Tremblay, Room

BEST ACTRESS

Four slots seem to be rather safe and have been for awhile: Cate Blanchett, Brie Larson, Jennifer Lawrence, and Saoirse Ronan. The fifth slot could legitimately be any of the others listed, but for now I’ve removed Carey Mulligan and replaced her with Blythe Danner.

TODD’S PREDICTIONS for ACTRESS

Cate Blanchett, Carol

Blythe Danner, I’ll See You in My Dreams

Brie Larson, Room

Jennifer Lawrence, Joy

Saoirse Ronan, Brooklyn

Other Possibilities:

Emily Blunt, Sicario

Carey Mulligan, Suffragette

Charlotte Rampling, 45 Years

Maggie Smith, The Lady in the Van

Charlize Theron, Mad Max: Fury Road

Lily Tomlin, Grandma

BEST ACTOR

Only one change here as I currently feel the massive box office success of The Martian will get Matt Damon in. That takes Michael Caine out. Watch out for Will Smith, though, even though I don’t yet have him in the final cut.

TODD’S PREDICTIONS for ACTOR

Matt Damon, The Martian

Johnny Depp, Black Mass

Leonardo DiCaprio, The Revenant

Michael Fassbender, Steve Jobs

Eddie Redmayne, The Danish Girl

Other Possibilities:

Michael Caine, Youth

Bryan Cranston, Trumbo

Tom Hanks, Bridge of Spies

Michael B. Jordan, Creed

Will Smith, Concussion

BEST DIRECTOR

Two changes here as I believe Danny Boyle may miss out and George Miller won’t be the wild card pick I predicted in October. This puts David O. Russell and Ridley Scott in.

TODD’S PREDICTIONS for DIRECTOR

Lenny Abrahamson, Room

Alejandro Gonzalez Inarritu, The Revenant

Tom McCarthy, Spotlight

David O. Russell, Joy

Ridley Scott, The Martian

Other Possibilities:

Danny Boyle, Steve Jobs

Ryan Coogler, Creed

John Crowley, Brooklyn

Cary Fukanaga, Beasts of No Nation

Todd Haynes, Carol

Tom Hooper, The Danish Girl

George Miller, Mad Max: Fury Road

Steven Spielberg, Bridge of Spies

Quentin Tarantino, The Hateful Eight

BEST PICTURE

I am still predicting nine nominees out of the possible five-ten and I’ve made two changes. I’m putting Carol back in the mix and The Martian in for the first time. That leaves out Bridge of Spies and The Danish Girl, though both remain major contenders. It’s worth noting that Steve Jobs, due to its disastrous box office performance, is not even close to a shoo in and it could fall off.

TODD’s PREDICTIONS for PICTURE

Brooklyn

Carol

The Hateful Eight

Joy

The Martian

The Revenant

Room

Spotlight

Steve Jobs

Other Possibilities:

Beasts of No Nation

The Big Short

Bridge of Spies

Creed

The Danish Girl

Inside Out

In the Heart of the Sea

Mad Max: Fury Road

Sicario

Star Wars: The Force Awakens

Straight Outta Comption

And that does it for my November Oscar predictions, folks! I’ll have the December predictions up shortly before Christmas…

The Age of Adaline Box Office Prediction

This Friday, the romantic fantasy The Age of Adaline will attempt to unseat Furious 7’s three week reign atop the box office charts. Blake Lively stars with Harrison Ford (who turned up in a pretty cool trailer this week) and Ellen Burstyn costar.

The pic’s early critical reaction has been positive as it sits at 83% on Rotten Tomatoes. Still it’s difficult to see Adaline breaking through in a big way. The film should be moderately successful in bringing in a female audience as their choices have been somewhat limited as of late. Adaline should earn in the low to mid teens in the final weekend before the summer blockbuster onslaught begins. That will likely put it at #2 behind Vin Diesel, Paul Walker and company.

The Age of Adaline Box Office Prediction: $13.3 million

The Trailer Awakens The Movie Geek

For movie geeks around the globe, this particular Black Friday will not be remembered for long lines at Wal-Mart or Best Buy. No no. Today has seen the debut of arguably the most eagerly awaited movie trailer of all time for Star Wars: The Force Awakens, which opens December 18, 2015.

There will all kinds of critiquing of the film’s 88 second trailer and I’ll leave that to others to pontificate on. Here’s my professional movie blogger reaction:

“OMG! THE MILLENNIUM FALCON!”

That about covers it. Why? Just the sight of Han Solo’s iconic spacecraft gave me movie geek goosebumps. After all, it’s George Lucas’s creation 37 years ago that spawned the blockbuster era we’ve been living in ever since. Harry Potter? The Avengers? The Hunger Games? They all owe a huge part of their existence to the galaxy far, far away.

The fact that we will see Mark Hamill, Harrison Ford, and Carrie Fisher return to the roles of Luke, Han, and Princess Leia is, frankly, a film lover’s bonus that was once thought highly unlikely. The fact that JJ Abrams is in control of the franchise’s new entry inspires nothing but confidence. The Force Awakens will be scrutinized on a level that is perhaps unheard of so far. At the very least, movie geeks hope it will easily eclipse the disappointing results from 1999 when The Phantom Menace simply didn’t meet expectations – for reasons more than just Jar Jar Binks.

Star Wars, at its best, has the ability to inspire hope in those who love it. And this trailer inspires that hope.

And did I mention – The Millennium Freakin’ Falcon?!?!?!?!

Top 25 Highest Grossing Actors of All Time: Nos. 5-1

We’ve reached the five highest grossing actors in the history of film this evening and the culmination of my five part series. Hope you’ve enjoyed it! For a reminder of the men and women who makes up numbers 25-6 – you can peruse them at the following links:

https://toddmthatcher.com/2014/08/09/top-25-highest-grossing-actors-of-all-time-nos-25-21/

https://toddmthatcher.com/2014/08/10/top-25-highest-grossing-actors-of-all-time-nos-20-16/

https://toddmthatcher.com/2014/08/12/top-25-highest-grossing-actors-of-all-time-nos-15-11/

https://toddmthatcher.com/2014/08/13/top-25-highest-grossing-actors-of-all-time-nos-10-6/

Now… to the top five:

5. Eddie Murphy

Career Earnings: $3.8 billion

Franchises: The 48 HRS, Beverly Hills Cop, Nutty Professor, Doctor Dolittle, and Shrek series.

Highest Grossing Picture: Shrek 2 – $441 million

Number of $100M+ Earners: 13. Beverly Hills Cop, Beverly Hills Cop II, Coming to America, The Nutty Professor, Mulan, Doctor Dolittle, The Nutty Professor II: The Klumps, Shrek, Dr. Dolittle 2, Daddy Day Care, Shrek 2, Dreamgirls, Shrek the Third, Shrek Forever After.

Lowest Grossing Picture: The Adventures of Pluto Nash – $4 million

4. Harrison Ford

Career Earnings: $3.8 billion

Franchises: The Star Wars, Indiana Jones, and Jack Ryan series. Mr. Ford also appeared in Anchorman 2: The Legend Continues and The Expendables 3.

Highest Grossing Picture: Star Wars – $461 million

Number of $100M+ Earners: 13. Star Wars, The Empire Strikes Back, Raiders of the Lost Ark, Return of the Jedi, Indiana Jones and the Temple of Doom, Indiana Jones and the Last Crusade, The Fugitive, Clear and Present Danger, Air Force One, What Lies Beneath, Indiana Jones and the Kingdom of the Crystal Skull, Cowboys&Aliens, Anchorman 2: The Legend Continues.

Lowest Grossing Picture: Crossing Over – $455,000

3. Samuel L. Jackson

Career Earnings: $4 billion

Franchises: The Iron Man, Avengers, Captain America, Star Wars, and XXX series.

Highest Grossing Picture: The Avengers – $623 million

Number of $100M+ Earners: 19. Coming to America, Jurassic Park, Pulp Fiction, Die Hard with a Vengeance, A Time to Kill, Star Wars: The Phantom Menace, Star Wars: Attack of the Clones, XXX, S.W.A.T., The Incredibles, Star Wars: Revenge of the Sith, Iron Man, Iron Man 2, The Other Guys, Thor, Captain America: The First Avenger, The Avengers, Django Unchained, Captain America: The Winter Soldier.

Lowest Grossing Picture: Meeting Evil – $525 (you read that right… five hundred twenty five dollars…)

2. Morgan Freeman

Career Earnings: $4.1 billion

Franchises: The Dark Knight series. Bruce Almighty/Evan Almighty

Highest Grossing Picture: The Dark Knight – $534 million

Number of $100M+ Earners: 16. Driving Miss Daisy, Robin Hood: Prince of Thieves, Unforgiven, Seven, Deep Impact, The Sum of All Fears, Bruce Almighty, Million Dollar Baby, Batman Begins, Evan Almighty, Wanted, The Dark Knight, The Dark Knight Rises, Now You See Me, The LEGO Movie, Lucy.

Lowest Grossing Picture: 10 Items or Less – $83,000

1. Tom Hanks

Career Earnings: $4.2 billion

Franchises: The Toy Story series. The Da Vinci Code/Angels&Demons

Highest Grossing Picture: Toy Story 3 – $415 million

Number of $100M+ Earners: 18. Big, A League of their Own, Sleepless in Seattle, Forrest Gump, Apollo 13, Toy Story, Saving Private Ryan, You’ve Got Mail, Toy Story 2, The Green Mile, Cast Away, Road to Perdition, Catch Me If You Can, The Polar Express, The Da Vinci Code, Angels&Demons, Toy Story 3, Captain Phillips.

Lowest Grossing Picture: Every Time We Say Goodbye – $278,000

**A blogger’s note: With Samuel L. Jackson’s involvement in the Avengers universe, do not be surprised to see him vault to #1 once the Avengers sequel is released next summer.

That’s all for now, folks!

The Expendables 3 Box Office Prediction

Sylvester Stallone and his geriatric all-star group of action icons are back once again in The Expendables 3, out Friday. This franchise has been a consistent one this decade with the first and second installments being released on the same mid-August weekend in 2010 and 2012. However, there is a discouraging trend with the series. While the original took in $34 million opening weekend with an overall $103M domestic haul, the follow-up couldn’t keep pace. The Expendables 2 made $28 million out of the gate with a final $85M gross. Stallone hasn’t seen any of his other recent projects perform well and it’s easy to see where #3 could continue the downward performance of the franchise.

It must be said that Stallone’s ability to get genre stars on board is impressive. The Expendables 3 features Arnold Schwarzenegger, Mel Gibson, Harrison Ford, Jason Statham, Jet Li, Wesley Snipes, Antonio Banderas, Dolph Lundgren, Terry Crews, Randy Couture, and Kelsey Grammer. However, I don’t feel all that star power will translate to a very impressive debut. An opening on par with the last entry’s $28M seems unlikely, though I think the series has just enough juice (not a steroid reference) to get it past $20M.

The Expendables 3 opening weekend prediction: $21.5 million

For my Let’s Be Cops prediction, click here:

https://toddmthatcher.com/2014/08/10/lets-be-cops-box-office-prediction/

For my The Giver prediction, click here:

https://toddmthatcher.com/2014/08/10/the-giver-box-office-prediction/

Anchorman 2: The Legend Continues Box Office Prediction

If Anchorman: The Legend Continues fails to have a solid opening, it certainly won’t be due to lack of exposure. Will Ferrell has been everywhere as title character Ron Burgundy over the past several weeks from Dodge Durango commercials to local North Dakota newscasts to the MTV Video Music Awards and more.

As you will recall, Anchorman: The Legend of Ron Burgundy came out in the summer of 2004 and grossed a very respectable $85 million. Since then, the film has taken on a life of its own becoming arguably the most quoted comedy of the past decade or two. It’s already earned a (deserved) reputation as a comedy classic.

For years, rumors of a sequel came and went. And now we’re here – with Ferrell, Steve Carell, Paul Rudd, David Koechner, and Christina Applegate back in the mix. There are also expected to be cameos galore – from Kanye West to Jim Carrey to Harrison Ford.

Simply put – Anchorman 2 is expected to be kind of a big deal. How big of a deal is the question. Anchorman 2 opens on Wednesday so I’ll be making a three and five day projection. It stands to reason that many fans of the original of which there’s many should be anxious to rush out and see the sequel.

What’s the opening weekend range we’re talking about? It’s tough to say. The absolute high mark I could foresee is a five-day gross in the neighborhood of $80 million. That would be an absolutely astonishing debut. I also can’t imagine the five-day haul being lower than $40 million, which would be considered pretty disappointing. As you can see, that’s a rather large range between potential grosses.

You also need to factor in the pre-Christmas weekend that Anchorman 2 is being released in. For many pictures released at this time, the opening weekend can be relatively lower than you might expect with subsequently smaller than normal drop-offs over the Christmas and New Year’s weekend. However, unlike American Hustle and Saving Mr. Banks which open Friday, I expect a large portion of Ron Burgundy’s business to be front loaded.

With all that explanation – here’s the deal: this is not an easy prediction to make. It’s difficult to judge just how eagerly anticipated moviegoers really are for it. Media saturation has been high, the trailers have been effective, and the original is beloved.

Ultimately I am predicting Anchorman 2 falls in between the highs and lows I presented as possibilities.

Anchorman 2: The Legend Continues opening weekend prediction: $41.9 million (Friday-to-Sunday), $61.2 million (Wednesday-to-Sunday)