Drop Box Office Prediction

Drop drops on April 11th and it’s a thriller from Christopher Landon, known best for making horror pics Happy Death Day and Freaky. Meghann Fahy and Brandon Sklenar headline with Violett Beane, Jacob Robinson, and Reed Diamond providing support.

First screened at South by Southwest last month, early reviews are solid with 89% on Rotten Tomatoes and a 72 Metacritic. Despite the encouraging notices, I suspect this might generate more business if it fell in the director’s scary movie oeuvre. Like other releases out next weekend, this may fall a bit under $10 million or perhaps a tad over. I’m going with the under on this one.

Drop opening weekend prediction: $7.6 million

For my The Amateur prediction, click here:

For my The King of Kings prediction, click here:

For my The Chosen: Last Supper – Part 1 prediction, click here:

For my Warfare prediction, click here:

Heart Eyes Box Office Prediction

Sony hopes horror fans watch Heart Eyes when it debuts February 7th. Josh Ruben directs the scary pic with comedic overtones. Olivia Holt, Mason Gooding, Gigi Zumbado, Michaela Watkins, Devon Sawa, and Jordana Brewster are included in the cast.

Set on Valentine’s Day, Christopher Landon (maker of Happy Death Day and Freaky) cowrote and coproduced. The studio would go gaga if this got anywhere near the mid 20s Happy Day opening weekend haul achieved in 2017.

Don’t look for that to occur. Heart Eyes seems more likely to debut in the $9.8 million range that sequel Happy Death Day 2U had in 2019. I’ll say it manages to get a little more.

Heart Eyes opening weekend prediction: $10.8 million

For my Love Hurts prediction, click here:

Freaky Movie Review

The joy of witnessing Vince Vaughn in the body of an awkward teenage girl provides intermittent comedic thrills in Christopher Landon’s Freaky. It’s just too bad there aren’t more of them in the latest spotty but certainly watchable low-budget horror flick from the Blumhouse shop. If you have seen the director’s two Happy Death Day pictures, you won’t be surprised he’s behind the camera with this. The first Death reconfigured the Groundhog Day concept to the slasher genre while its sequel veered more toward a sci-fi Back to the Future vibe. Freaky‘s influence is simple and in the title without mentioning the word Friday.

Our body swap involves an urban legend but very real serial killer who goes by the Blissfield Butcher and is played by Vaughn. Millie (Kathryn Newton) is the high schooler mourning the loss of her father while her alcoholic mom coddles her. When the Butcher swipes a mysterious ancient dagger from his previous killing in an attempt to off Millie, it switches their forms. This is just in time for Friday the 13th and they have 24 hours to reverse the effect.

I’ll use this opportunity to praise title cards. I enjoyed how in the lead up to the big day, we see “WEDNESDAY THE 11TH” and “THURSDAY THE 12TH” in bloody scrawl font as if they’re meant to provide a jolt. When Millie does inhabit the Butcher’s 6’5″ frame and has a long pined for romantic moment with her crush, it provides the funniest scene of all (Vaughn’s humorous talents are on full display there).

Yet Freaky is also tonally challenged. Millie’s tragic family dynamics feel slightly forced. The backstory involving that mystical knife called La Dola might be something its makers hope to explain further in a sequel. I’ll credit the screenwriters for finding a couple of Friday the 13th style inventive ways to off lustful adolescents, but the film isn’t exactly scary.

This is more occasionally funny than truly freaky and it ends up being about as entertaining as both Happy Death Day experiences. It succeeds from time to time with its mashup of well known properties, but leaves a bit to be desired.

**1/2 (out of four)

Freaky Box Office Prediction

A slasher version of Freaky Friday comes from the Blumhouse shop with the release of Freaky next weekend. The low budget horror flick features a high school senior (Kathryn Newton) who switches bodies with a serial killer (Vince Vaughn). Christopher Landon (who made Happy Death Day and its sequel) directs and costars include Katie Finneran and Alan Ruck.

Shot for a reported $5 million, its studio has often excelled at turning a tidy profit for its ventures. Early reviews are encouraging with an 87% Rotten Tomatoes rating with particular praise for its two leads. The theatrical window here is unique as it opens on Friday on the 13th and will be available for streaming just three weeks later in early December.

The solid critical reaction and Blumhouse’s marketing talents could push Freaky to make its budget back in the initial weekend. I’ll project that it will.

Freaky opening weekend prediction: $5.7 million

Palm Springs Movie Review

Maybe it’s possible that the idea of living the same day over and over again is just something that resonates during these strange COVID-19 times. Or maybe Palm Springs really is a fresh and highly satisfying take on the Groundhog Day concept. I think it’s the latter and what a pleasant surprise.

You cannot have this plot without thinking of the incomparable Bill Murray comedy. The concept has repeated itself in the action and horror genres with Edge of Tomorrow and Happy Death Day. Springs plays with the formula in unexpected ways. Another SNL alum headlines with Andy Samberg as Nyles. He’s the aimless boyfriend to younger Misty (Meredith Hagner) and he’s tagging along to her friend’s wedding in the title town. We realize quickly that something is really off with his behavior. It turns out that he’s already well along the way into his time loop and has been living this day repeatedly. This is the first realization that the screenplay from Andy Siara is playing by a different set of rules by dispensing with the origin story of Nyles’s Groundhog Day. This is a welcome change.

Sarah (Cristin Milioti, tough and sometimes vulnerable and terrific in this role) is the sister of the bride. She’s got character flaws equal to Nyles that aren’t because of the time loop. Yet that quickly changes when she joins him on the endless day. What follows is the duo attempting to figure out just what the heck is happening (the science fiction elements involve a mysterious cave and a goat).

They are occasionally joined in their adventure by another wedding guest Roy (J.K. Simmons, engaging as always) who got sucked into the vortex. It’s also possible that Nyles and Sarah are slowly – very slowly – falling in love. Or is it just that they only have each other in this untenable scenario?

The less said about how the plot rolls along the better. There are genuine revelations that I didn’t see coming, but it all fits into this clever version of a well-worn tale. This is the best Samberg has been on film and Milioti easily equals his work. We see this budding romance develop over many days, albeit the same one. As a credit to the whole team involved, it’s a lot of time well spent.

***1/2 (out of four)

Ma Box Office Prediction

Blumhouse Productions continues its output of ultra low-budget horror pics that could see impressive returns next weekend with the release of Ma. Made for a tiny reported budget of $5 million, Oscar winner Octavia Spencer is cast as a homicidal veterinary aide terrorizing a group of teens. Ma reunites its star with her director from The Help, Tate Taylor (whose last effort was The Girl on the Train). Costars include Juliette Lewis, Diana Silvers, Luke Evans, McKaley Miller, and Missi Pyle.

The studio has been down this road before with blockbuster efforts like Get Out and Happy Death Day. I don’t expect Ma to reach their levels. While there’s no direct genre competition, Godzilla: King of the Monsters and Rocketman could divert eyeballs elsewhere. Yet this could certainly triple or quadruple its budget out of the gate with an African-American audience and a teenage crowd.

Ma opening weekend prediction: $17.2 million

For my Godzilla: King of the Monsters prediction, click here:

https://toddmthatcher.com/2019/05/23/godzilla-king-of-the-monsters-box-office-prediction/

For my Rocketman prediction, click here:

https://toddmthatcher.com/2019/05/23/rocketman-box-office-prediction/

Happy Death Day 2U Movie Review

Happy Death Day 2U gets some props for going into totally different territories as it follows up on the surprise 2017 hit. The original had a simple concept – mix Groundhog Day with a slasher flick. It worked better than it should have with a stellar performance from Jessica Rothe as the bratty day repeater named Tree. Part 1 developed some layers to her character that are important in the sequel. I didn’t expect part 2 to mostly ditch the slasher concept in favor of science fiction. There’s also slapstick comedy with a supporting player pretending to be a blind French woman.

Horror franchises are usually more than happy to repeat themselves. I expected the same here, especially in a movie about repeating yourself over and over. Happy Death Day 2U doesn’t do that. We are reminded about Tree’s earlier predicament. She woke up on the same Monday in the dorm room of Carter (Israel Broussard), hung over and confused. Things got more baffling when it happened again and again. There was no Sonny and Cher music, but you get the gist. The original eventually revealed her roommate was offing her. She also had time to fall in love with Carter.

The sequel finds Carter’s roommate (Phi Vu) experiencing his own demise and deja vu. He has built a quantum reactor in science class with his nerdy schoolmates and it turns out they get an A+. Unfortunately for Tree, it means she begins to travel back to the manic and murderous Mondays yet again.

The jump scares and other slasher elements are in short supply. Instead we get some scientific jargon (there’s more Back to the Future references than anything with Bill Murray) and multiverse chatter. Tree’s deceased mom could be back in a dimension. Her roommate that terrorized her in the baby face mask on the first day may not be bad after all.

Part 1 and II might be different in tone, but they share certain things. Rothe’s performance is comedic and satisfying and she shines even more this time around. There are moments of well placed humor. There’s a bit involving skydiving that elicited genuine laughter. Not all the similarities are positive. This, too, runs out of gas before the running time has elapsed. The plot gradually becomes a secondary consideration. I found myself not really caring at all about who was behind the mayhem at the end of the long day. That said, writer/director Christopher Landon deserves some credit for making this day we’ve already experienced one of an alternative genre.

**1/2 (out of four)

Happy Death Day 2U Box Office Prediction

Blumhouse looks to continue its impressive streak of low-budget slasher pics that turn hefty profits with the release of sequel Happy Death Day 2U next Wednesday. Christopher Landon is back in the director’s chair along with returning cast members Jessica Rothe, Israel Broussard, and Ruby Modine, in addition to Life of Pi star Suraj Sharma.

In October 2017, Happy Death Day took its Groundhog Day meets the horror genre to solid box office results. It made $26 million for the opening weekend as its overall haul was front loaded (final gross was $55 million).

Part 2 might premiere with less for the traditional weekend, but the Wednesday debut  and following four-day President’s Day frame could boost the six-day to a high 20s overall take.

Happy Death Day 2U opening weekend prediction: $22 million (Friday to Monday); $28.6 million (Wednesday to Monday)

For my Alita: Battle Angel prediction, click here:

https://toddmthatcher.com/2019/02/06/alita-battle-angel-box-office-prediction/

For my Isn’t It Romantic prediction, click here:

https://toddmthatcher.com/2019/02/07/isnt-it-romantic-box-office-prediction/

Hell Fest Box Office Prediction

Set in a Halloween theme park, the horror flick Hell Fest will attempt to bring in genre fans next weekend. It’s directed by Gregory Plotkin, who’s known more for his work as an editor (Get Out, Happy Death Day). He did make Paranormal Activity: The Ghost Dimension. The cast includes Amy Forsyth, Bex Taylor-Klaus, Reign Edwards, and Tony Todd (otherwise known as Candyman from that franchise).

Hell Fest debuts in the middle of considerably more high-profile fright fests The Nun and Halloween. Opening on approximately 2200 screens, awareness seems rather low. That said, horror fans can sometimes cause larger than expected grosses.

I’m not seeing it here. I’ll project a mid to maybe high single digits premiere.

Hell Fest opening weekend prediction: $5.6 million

For my Night School prediction, click here:

https://toddmthatcher.com/2018/09/18/night-school-box-office-prediction/

For my Smallfoot prediction, click here:

https://toddmthatcher.com/2018/09/18/smallfoot-box-office-prediction/

Upgrade Box Office Prediction

Blumhouse Productions is out with its latest low-budget flick that hopes to generate high dollar figures when Upgrade debuts next weekend. The sci-fi horror revenge pic comes from director Leigh Whannell, best known for his involvement in the Insidious franchise (including directing its third chapter). Logan Marshall-Green, Betty Gabriel (best known as the creepy housekeeper in Get Out), and Harrison Gilbertson are among the cast. Early reviews have been decent as it currently stands at 73% on Rotten Tomatoes.

Upgrade is slated to open on a rather low 1400 screens and that will limit its potential. I would not anticipate this coming anywhere near the massive successes that Jason Blum and his studio have achieved with titles like the aforementioned Get Out, Split, or Happy Death Day. Instead it appears destined to premiere similar to BH Tilt’s lesser offerings like The Belko Experiment, The Green Inferno, or Incarnate – none of which managed to clear $5 million for their starts.

Upgrade opening weekend prediction: $2.8 million

For my Action Point prediction, click here:

https://toddmthatcher.com/2018/05/23/action-point-box-office-prediction/

For my Adrift prediction, click here:

https://toddmthatcher.com/2018/05/24/adrift-box-office-prediction/