Oscars 2021: The Case of Kenneth Branagh

Kenneth Branagh’s passion project Belfast is next up in my Case Of posts for Best Director. If you missed the first covering Paul Thomas Anderson with Licorice Pizza, it’s here:

Oscars 2021: The Case of Paul Thomas Anderson

The Case for Kenneth Branagh:

The veteran actor/director originally caught the attention of the Academy in 1989 with Henry V and he was nominated for Director and Actor (winning neither). He’s actually been nominated in seven separate races – the other being Picture with this, Adapted Screenplay with Hamlet, Live-Action Short Film for Swan Song, Supporting Actor (My Week with Marilyn), and Original Screenplay here. Despite that impressive feat, he’s 0 for 5 going into the ceremony and voters may feel he’s overdue.

The Case Against Kenneth Branagh:

That overdue feeling should materialize in Original Screenplay and not in this race where Jane Campion (The Power of the Dog) is out front. In the former competition, Branagh appears to be neck-and-neck with none other than Paul Thomas Anderson, who could pick up his first hardware after several previous nods.

Previous Nominations: 1 (for directing only)

Henry V (1989)

The Verdict:

It’s a near certainty that Mr. Branagh or Mr. Anderson are headed for their inaugural statue. However, expect that to happen with their writing and not their direction.

My Case Of posts will continue with the second Best Actress write-up: Olivia  Colman in The Lost Daughter

Belfast Box Office Prediction

Kenneth Branagh has had a varied directorial output over the last three decades plus from his Shakespearian works (Henry V, Much Ado About Nothing, Hamlet) to franchise entries (Thor, Jack Ryan: Shadow Recruit) to adaptations of beloved novels like Mary Shelley’s Frankenstein and Murder on the Orient Express. His latest is Belfast and the coming-of-age tale (which Branagh also wrote) is said to be his most personal pic as it focuses on a young boy growing up in Northern Island during the 1960s. The black and white drama is also a serious Oscar contender and it’s currently the frontrunner for Best Picture. Newcomer Jude Hill stars with a supporting cast (who could all be Academy nominated) featuring Caitriona Balfe, Jamie Dornan, Judi Dench, and Ciaran Hinds.

The Academy hopeful hits 600 screens on November 12th with plans for a lengthy play over the awards season. The Oscar buzz should get it off to a solid start on the relatively low number of screens. Assuming a per screen average in the $4000-4500 range, we could be talking $2-3 million as it’s likely to perform steadily over the next several weeks.

Belfast opening weekend prediction: $2.3 million

For my Clifford the Big Red Dog prediction (which is not the Best Picture frontrunner), click here:

Clifford the Big Red Dog Box Office Prediction

Oscar Predictions: Belfast

Kenneth Branagh’s varied filmography has included Shakespeare adaptations (Henry V, Much Ado About Nothing), MCU pics (Thor), Disney live-action remakes (Cinderella), action franchise entries (Jack Ryan: Shadow Recruit), and Agatha Christie retellings (Murder on the Orient Express). None of them have received a Best Picture nod though Branagh was nominated for his direction of Henry V in 1989.

The Telluride Film Festival unveiled his black and white coming of age tale Belfast. Calling it his most personal film, it’s also one of his most acclaimed thus far. And it appears poised to give the filmmaker his first contender in the Best Picture derby. He could also be called out for his behind the camera work and his original screenplay.

As for the cast, Focus Features will need to decide where to place its principals. The quartet of Caitriona Balfe, Jamie Dornan, Ciaran Hinds, and Judi Dench could all go supporting. However, the studio may choose to put Balfe and Dornan in lead with the distinguished veterans in supporting. My feeling is that Dench (going for her 8th nod) and Hinds (trying to get his first) stand the best chances.

I also anticipate Belfast will be recognized for its cinematography which critics are singling out. Bottom line: the buzz from Colorado suggests Belfast has good reason to be hopeful during awards season. My Oscar Prediction posts on the films of 2021 will continue…

Oscar Watch: Tesla

My second Oscar Watch post over the weekend for a film that has five letters and begins with the letter T is definitely not as high profile as Tenet, but Tesla is worth discussing as it has hit streaming services.

The film casts Ethan Hawke as pioneering inventor Nikola Tesla with a supporting cast featuring Kyle MacLachlan, Eve Hewson, and Jim Gaffigan. It reunites its lead with his Hamlet director Michael Almereyda from that 2000 adaptation. Critics first screened the biographical drama at the Sundance Film Festival way back in January and it is available for viewing at home as of this weekend.

Reviews are decidedly mixed and the Rotten Tomatoes score stands at just 58%. That’s right in range with Hawke and Almereyda’s Shakesperean collaboration at 59%. Reviewers do seem to be appreciating Hawke’s performance. He’s a double nominee in the Supporting Actor field for Training Day in 2001 and Boyhood in 2014. For his contributions to the screenplays of Before Sunset and Before Midnight, he received a pair of Adapted Screenplay nominations. Despite some lauded lead roles in 2007’s Before the Devil Knows You’re Dead and 2018’s First Reformed, Hawke has never managed a Best Actor nod.

I would say that Tesla simply won’t get enough visibility for the actor to make a play in 2020 and the so-so reaction thus far doesn’t help. My Oscar Watch posts will continue…

Oscar Watch: All Is True

A couple of months back, All Is True was announced as a surprise addition to the awards season calendar. At the time, it seemed like a legitimate contender. The tale of William Shakespeare in his later years comes from director Kenneth Branagh, who is no stranger to the Bard. His 1989 version of Henry V and 1996 Hamlet rendering both received Oscar nods, while Much Ado About Nothing and Othello (both from the mid 90s) did not. The filmmaker plays Shakespeare with a supporting cast including Judi Dench and Ian McKellen.

True is out in limited release today and a funny thing happened over the past few weeks. The picture received zero attention in precursors and the review embargo lifted just today. The result? Mixed critical reaction with a current Rotten Tomatoes score of 57%.

Bottom line: I don’t expect this to garner any nominations come Oscar time as its fortunes clearly dwindled. And that, ladies and gentlemen, looks to be my final Oscar Watch post of 2018! My weekly predictions will be posted every Thursday up until the nominees are revealed. And as for what comes in 2019 – my Oscar Watch posts will continue…