Tag: Haluk Bilginer

Oscar Predictions: Maria

Pablo Larraín’s latest biopic about an iconic woman facing tragic circumstances has hit the Venice circuit with Telluride to follow this weekend. Maria casts Angelina Jolie as renowned opera singer Maria Callas. Set during her final days, it completes a thematic trilogy from Larraín preceded by 2016’s Jackie and 2021’s Spencer. Costars include Valeria Golino, Haluk Bilginer, and Kodi Smit-McPhee. Netflix picked up distribution rights on the eve of its premiere and it is expected to stream by year’s end.

It’s been some time since Jolie had a role expected to garner awards attention. 25 years ago, she won Best Supporting Actress for Girl, Interrupted. Her other nomination, in lead Actress, came for 2008’s Changeling. Her director for Maria has an impressive track record with leading performer nominations. Natalie Portman’s work as Jacqueline Kennedy Onassis in Jackie made the final five eight years ago and she ultimately fell short to Emma Stone (La La Land). As Princess Diana in Spencer, Kristen Stewart was up in Actress with Jessica Chastain (The Eyes of Tammy Faye) taking gold. Stewart’s nod marked Spencer‘s only nomination while Jackie contended in Costume Design and Original Score. Note that neither received noms in Picture, Director, or for their screenplays.

Early word-of-mouth from Italy indicates that Maria might be the weakest of the three films (the RT score is currently 72%). Jolie is mostly receiving kudos and Netflix is likely to mount a serious campaign. Down the line tech mentions for Costume Design, Makeup & Hairstyling, and Cinematography are feasible. However, I do wonder if the somewhat lackluster write-ups could mean Jolie is the only possibility. I’ve had Golino listed toward the bottom of other possibilities in Supporting Actress, but her role is apparently just one scene. You can expect to see her drop out in my next predictions post.

I’ve had Jolie parked in second place (behind Amy Adams in Nightbitch) for weeks in Actress. She still may be in the top 5 when I update on Monday and I suspect she will. Will she stay in second place? I’m more unsure of that. My Oscar Prediction posts will continue…

Halloween Movie Review

The latest Halloween installment has so much reverence for the 1978 original that it has no use for the multiple sequels that followed. It ignores them and that includes the ones where Laurie Strode (Jamie Lee Curtis) appeared. She’s not Michael’s sister. She’s not living under an assumed name while working at a boarding school 20 years after his night of havoc. This Halloween ignores all of that and is a direct sequel from what happened four decades ago.

It cheats a little with that. As you’ll recall, John Carpenter’s classic concluded with Michael Myers apparently still on the loose. Here we learn that he was apprehended and has been in custody for 40 years. His psychiatrist Dr. Loomis (Donald Pleasance) is long gone with a new doc (Haluk Bilginer) studying him. Michael is about to be transferred to a new facility on the night before his beloved title holiday (maybe picking a different day for that would have been wise). You can correctly guess whether that transfer is successful.

Laurie is still experiencing PTSD from her encounter in ‘78. She’s an alcoholic reclusive double divorcée estranged from daughter Karen (Judy Greer) and grandchild Allyson (Andi Matichak). Her off the beaten path home is a survivalist den. Karen strayed after her mother (wisely it turns out) taught her how to take down a monster. Michael’s breakout session provides the chance.

David Gordon Green directs and shares co-writing duties with Danny McBride and Jeff Fradley. They sprinkle the screenplay with nods to part one both large and small. This reimagining recognizes that providing Michael a lot of back story isn’t needed, as the sequels eventually did to a ridiculous degree. He’s The Shape… an unstoppable machine who perhaps cannot be taken out. Nick Castle, who donned the infamous mask 40 years back, returns. Carpenter is around as well – providing the iconic music.

Halloween is effective in spurts. It takes some time to get its motor running while the original was lean and mean. Some of Michael’s kills are fine examples of blunt force creativity. Curtis clearly loves the role of Laurie and she has a few memorable moments as a now badass grandma. She’s not just an unwilling victim anymore. Laurie wants Michael to escape so she can finish him off and that’s a welcome touch.

Yet in all honesty, the 2018 edition never rises too much above the level of the first sequel in 1981. It continues the story from the greatest slasher ever in a serviceable, sometimes scary, and far more spotty way. Of course, I never expected this to match what came with Carpenter’s low-budget vision. Perhaps I hoped it would have a little more running time where it came closer.

**1/2 (out of four)