Halloween Kills Review

Laurie Strode (Jamie Lee Curtis) spends the 12th Halloween experience laid up in a hospital bed after her near mortal injuries incurred from the 11th one. In that sense, Halloween Kills is quite similar to the first official sequel from 1981. The samesies comparisons don’t stop there as this is an inferior follow-up to what came before it. The difference is that the 1978 original was a slasher classic to which all followers have been judged. 2018’s Halloween was not and therefore the letdown isn’t as steep.

Kills takes place (like Halloween II) during the immediate events after its predecessor. Laurie, daughter Karen (Judy Greer), and granddaughter Allyson (Andi Matichak) had left Michael Myers (James Jude Courtney) to burn at her tricked out house. Unsurprisingly, it turns out to be mission unaccomplished as the masked one escapes that space and leaves plenty of dead firefighters in his wake.

While Laurie is recovering from her own stabbing, Michael has his knives out for plenty of other townsfolk in Haddonfield. As you may recall, we are on our third iteration of the killer’s most famous prey reuniting with her predator. The 1981 sequel continued John Carpenter’s storyline and revealed that Laurie is Michael’s little sister. 1998’s Halloween: H20 set their sibling rivalry 20 years later.

By the time David Gordon Green and company came around and another two decades passed, 2018’s Halloween ignored all of that. The familial connection was slashed in favor of Laurie becoming a survivalist and waiting for escaped booby hatch patient Myers to find her. Kills allow for other figures in the ’78 pic to return – Tommy Doyle (who Laurie babysat) is now Anthony Michael Hall. Kyle Richards reprises her role as Lindsey, one of the other kids tormented that night. And we catch up with Sheriff Bracket (Charles Cyphers) and Nurse Chambers (Nancy Stephens). We also spend some unnecessary time with flashbacks to 40 years before that don’t add much (though if you want CG Donald Pleasance, you’re in luck).

The phrase “Evil Dies Tonight” is repeated ad nauseam as the denizens of our Illinois murder spot (led by Tommy) seek to end Michael’s return engagement. Of course, we know that ain’t happening. Halloween Kills is the second of a trilogy that will end (?) with next year’s ambitiously titled Halloween Ends. This has the feel of stopgap viewing with no real payoffs and our star player relegated to the sideline. There are a few garish highlights. I was entertained by the couple Big John (Scott MacArthur) and Little John (Michael McDonald… not that one) who live in Michael’s childhood house of horrors and probably should’ve upped their homeowners insurance. A hospital set scene where the residents chase down another of the escaped mental patients is shot effectively.

Ultimately Halloween Kills, for most of its running time, feels painfully average. It’s more violent than part one… which was actually part II if you ignore that other part II. So I suppose this is part III when ignoring nine other movies. The gimmick of Laurie coming back (again) had its pleasures in 2018. Tommy and Lindsey coming back in the mix doesn’t really cut the mustard. Michael cuts the tracheas and tendons with dutiful impassioned restraint. It seldom rises above the mediocrity where most of this series has dwelled since part one (the real one).

** (out of four)

Halloween Movie Review

The latest Halloween installment has so much reverence for the 1978 original that it has no use for the multiple sequels that followed. It ignores them and that includes the ones where Laurie Strode (Jamie Lee Curtis) appeared. She’s not Michael’s sister. She’s not living under an assumed name while working at a boarding school 20 years after his night of havoc. This Halloween ignores all of that and is a direct sequel from what happened four decades ago.

It cheats a little with that. As you’ll recall, John Carpenter’s classic concluded with Michael Myers apparently still on the loose. Here we learn that he was apprehended and has been in custody for 40 years. His psychiatrist Dr. Loomis (Donald Pleasance) is long gone with a new doc (Haluk Bilginer) studying him. Michael is about to be transferred to a new facility on the night before his beloved title holiday (maybe picking a different day for that would have been wise). You can correctly guess whether that transfer is successful.

Laurie is still experiencing PTSD from her encounter in ‘78. She’s an alcoholic reclusive double divorcée estranged from daughter Karen (Judy Greer) and grandchild Allyson (Andi Matichak). Her off the beaten path home is a survivalist den. Karen strayed after her mother (wisely it turns out) taught her how to take down a monster. Michael’s breakout session provides the chance.

David Gordon Green directs and shares co-writing duties with Danny McBride and Jeff Fradley. They sprinkle the screenplay with nods to part one both large and small. This reimagining recognizes that providing Michael a lot of back story isn’t needed, as the sequels eventually did to a ridiculous degree. He’s The Shape… an unstoppable machine who perhaps cannot be taken out. Nick Castle, who donned the infamous mask 40 years back, returns. Carpenter is around as well – providing the iconic music.

Halloween is effective in spurts. It takes some time to get its motor running while the original was lean and mean. Some of Michael’s kills are fine examples of blunt force creativity. Curtis clearly loves the role of Laurie and she has a few memorable moments as a now badass grandma. She’s not just an unwilling victim anymore. Laurie wants Michael to escape so she can finish him off and that’s a welcome touch.

Yet in all honesty, the 2018 edition never rises too much above the level of the first sequel in 1981. It continues the story from the greatest slasher ever in a serviceable, sometimes scary, and far more spotty way. Of course, I never expected this to match what came with Carpenter’s low-budget vision. Perhaps I hoped it would have a little more running time where it came closer.

**1/2 (out of four)

 

Halloween Box Office Prediction

Blogger’s Note (10/12/18): A week before its premiere, I’m revising my estimate up from $67.2 million to $75.4 million

Next weekend, the latest Halloween entry arrives in theaters and this one does so with a twist. While this is the 11th installment in the 40-year-old franchise, it ignores everything that happened in parts 2-10 and serves as a direct sequel to the 1978 John Carpenter classic. Jamie Lee Curtis returns as Laurie Strode with Nick Castle (the original Michael Myers) donning the mask once again. David Gordon Green, known for pics as varied as Pineapple Express and last year’s Boston Marathon drama Stronger, directs and is co-writer along with comedic actor Danny McBride. Blumhouse Productions is behind this and they have proven themselves as masters of making low-budget horror flicks hugely profitable ventures (the price tag is only a reported $10 million). Costars include Judy Greer, Andi Matichak, and Will Patton.

This is actually Curtis’s fifth time playing her iconic character when including Halloween II, 1998’s Halloween: H20, and Halloween: Resurrection. Just pay no mind to anything that happened to her in those follow-ups. The release date timed for the actual holiday and the return of the series best known player has created some serious buzz. So did its screening at the Toronto Film Festival where it premiered to solid reviews (Rotten Tomatoes is currently at 85%).

Add all that up and Halloween appears primed to scare up big business. The current record holder for biggest horror debut of all time belongs to last year’s It at $123 million and that mark seems unattainable. However, this seems poised to top 2018’s The Nun, which premiered with $53 million. I believe a mid 70s gross is where Laurie and Michael will stake their claim, which would give it the second highest October debut behind Venom. 

Halloween opening weekend prediction: $75.4 million