Oscar Predictions: The Beast

Taking its source material from a Henry James novella penned over 120 years ago, Bertrand Bonello’s The Beast is set 20 years in the future (with jumps back to 1910 and 2014). Léa Seydoux (recently seen in Dune: Part Two) and George MacKay headline with Guslagie Malanda and Dasha Nekrasova supporting. The sci-fi romance premiered at the Venice Film Festival last autumn and has made its way stateside after a French start in February.

86% of critics are fresh for what’s described as a tense art movie. Some reviewers are saying it doesn’t completely succeed, but give it points for the try. I don’t expect this to be something that the Academy takes notice of. I wouldn’t be surprised if it develops a cult following from genre enthusiasts. My Oscar Prediction posts will continue…

Oscar Predictions: Saint Omer

The French cinematic community had some choices as to which pic to submit for their International Feature Film contender at the Oscars. There’s critically appreciated efforts such as Mia Hansen-Love’s One Fine Morning and Romain Gavras’s Athena. Yet they (unsurprisingly) went with Alice Diop’s Saint Omer. Making her first non-documentary film, Diop has already garnered buzz for the legal drama.

Omer received the Grand Jury Prize at the Venice Film Festival (basically the fest’s second place award). That positive reaction continued in Toronto and it holds a Rotten Tomatoes score of 100%.

2015’s Mustang and 2019’s Les Miserables are the only two French IFF hopefuls of the past decade. I currently have Omer listed in fourth position behind Decision to Leave, All Quiet on the Western Front, and Close. It’s a long shot to win, but it has a great shot to make the cut. My Oscar Prediction posts will continue…