As we do every year on this here blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.
It begins with the ten BP contenders and then alternates alphabetically between the hopefuls in the other five races. I’ve already covered the BP contenders and they’re readily available for your perusing pleasure. Today is our initial entry in Best Actress and that’s Cynthia Erivo for Jon M. Chu’s Wicked.
Previous Acting Nominations:
Actress (Harriet, 2019) – lost to Renée Zellweger in Judy
The Case for Cynthia Erivo:
As the eventual Wicked Witch of the West, Erivo could achieve rare EGOT status (Emmy, Grammy, Oscar, Tony victories) if she wins her second acting Oscar nom behind 2019’s Harriet. She has run the table with noms at precursors including BAFTA, the Golden Globes, SAG, and Critics Choice. Of the five pics in contention, it is certainly the most popular with audiences at over $700 million worldwide.
The Case Against Cynthia Erivo:
She fell short to Demi Moore (The Substance) at the Globes and Critics Choice. It is thought that her costar Ariana Grande has a better shot to take gold in the supporting field.
The Verdict:
Several days ago, Erivo might’ve been considered fifth out of the five actresses in terms of winning chances. That last place designation now certainly belongs to Karla Sofia Gascón (Emilia Pérez), but that still means Erivo is fourth.
My Case Of posts will continue with the first hopeful in Best Actor and that’s Adrien Brody in The Brutalist…
My final predictions for nominees at the 97th Academy Awards arrives this Wednesday, January 15th prior to the announcement on Sunday, January 19th. Before I make them, I’m taking a deeper dive into the six major categories (Picture, Director, the four acting derbies) with detailed thoughts on where I think each race stands.
Let’s begin with Best Actress as it might be the most tricky of all to figure out (though the supporting competitions are up there too). I believe there are three performers whose nominations you can write down in pen.
For months, I’ve had Mikey Madison (Anora) listed in 1st place for her work in Anora. She’s been nominated everywhere she needs to be – Golden Globes, SAG, Critics Choice, the BAFTA long list. The film is definitely in the top 5 of Best Picture hopefuls. In other words, she’s in.
That said, just yesterday, I slid her from 1st to 2nd in favor of Demi Moore in The Substance. That’s mainly because Moore was victorious over Madison at the Golden Globes in the Actress (Musical or Comedy) category. Furthermore, Hollywood loves a comeback story. That is present with Demi. She managed all the aforementioned precursors that Madison has and there’s a win in her favor. I do believe the Oscar could go to either of them, but this seems reminiscent of Best Actor in 2022. Austin Butler (Elvis) was the young upstart like Madison. Brendan Fraser (The Whale) was the once major movie star in a comeback vehicle that also involved heavy makeup work. Fraser got the gold.
I would put Moore and Madison’s chances of making the final five at 100% or at least 99.9999999%. The third “pen” pick is Karla Sofia Gascón in Emilia Pérez. She would make history as the Academy’s first trans nominee. Gascón also made the cut at the key precursors and shared a Cannes victory for Best Actress with her costars. Some prognosticators have started wondering whether she’s a guaranteed nominee. While she’s maybe not a total certainty like our previous actresses, I’d say it’s really close. After all, Emilia Pérez might get the most nominations of any picture this time around. I don’t see that occurring without Emilia Pérez being in contention.
And then… it gets complicated. Before we move to the several performers jockeying for two spots, let’s pour one out for these actresses whose campaigns never got off the ground. In some cases, the films underperformed significantly with critics and audiences. In others, their studios didn’t mount an offensive drive for their inclusion. Some examples are Florence Pugh (We Live in Time), Jodie Comer (The Bikeriders), Ryan Destiny (The Fire Inside), Daisy Ridley (Young Woman and the Sea), Regina King (Shirley), Lily-Rose Depp (Nosferatu), and Marisa Abela (Back to Black). Julianne Moore (The Room Next Door) and June Squibb (Thelma) received a little more attention. However, they failed to show up in any significant other awards lists.
After that lengthy group, there’s a next level. These are actresses who may have shown up in some precursors or long lists, but aren’t expected to materialize in the Oscar quintet. Their chances aren’t completely out of reach like those in the previous paragraph. Yet it’s close. I would put Julianne Moore’s The Room Next Door costar Tilda Swinton in this class. Same with Zendaya (Challengers) and Saoirse Ronan (The Outrun).
This leaves us with eight performances vying for two spots: Amy Adams (Nightbitch), Pamela Anderson (The Last Showgirl), Cynthia Erivo (Wicked), Marianne Jean-Baptiste (Hard Truths), Angelina Jolie (Maria), Nicole Kidman (Babygirl), Fernanda Torres (I’m Still Here), and Kate Winslet (Lee). Let’s walk through them one by one, shall we?
Amy Adams has the narrative of being long overdue for an Oscar. Despite six nominations, she’s yet to hear her name called. On paper, this seemed like a strong possibility but so-so reviews for Nightbitch have not helped. Despite a Globe nod and being in the BAFTA long list, I have her 8th of these 8 possibilities.
I might be more inclined to put Anderson in my five if it weren’t for Demi Moore’s comeback narrative. The Baywatch starlet is getting career best notices for this indie drama even if the film itself is drawing more mixed reactions. Her Globe nomination in Actress (Drama) wasn’t a huge surprise. The SAG nod this week was and it does increase her viability. I have her 5th of these 8 possibilities.
Cynthia Erivo is starring in one of the year’s largest blockbusters with Globe, SAG, Critics Choice, and the BAFTA long list preceding a potential Oscar nod. If she were to win, Erivo would achieve EGOT status as she already has an Emmy, Grammy, and Tony on her resume. The only question mark is whether the amount of performers could squeeze her out. I doubt it. Erivo is ranked 1st of these 8 possibilities.
Marianne Jean-Baptiste is receiving plenty of critics prizes for her role in Mike Leigh’s Hard Truths. Critics Choice and the BAFTA long list are in her corner though she notably missed SAG and the Globes. Leigh has a history of getting his actors nominated. Seeing her in the eventual quintet would not surprise, but she’s 4th of my 8 possibilities at press time.
Angelina Jolie’s inclusion for Pablo Larrain’s Maria seemed assured at one point after the picture premiered in Venice. In hindsight, the troubling signs could have been evident immediately. She did not take Best Actress at that festival. Since then, she’s missed SAG and the BAFTA long list while competing for the Globe and being nominated for Critics Choice. Her most notable blow came at the Globes. She was favored to win Best Actress in a Drama but fell short to Fernanda Torres. I still think she could get in though I have her just on the outside looking in and 3rd of my 8 possibilities.
For her performance in Babygirl, Nicole Kidman did win Best Actress at Venice and Globe and BAFTA long list spots followed. The recent snubs at Critics Choice and SAG are hard to ignore. She’s 6th among these 8 possibilities.
Fernanda Torres in I’m Still Here had no major other precursors to her credit besides the Globe. No BAFTA long list. No Critics Choice. And no SAG attention this week. That win at the Globes, though, looms large and it occurred just as Academy voting was underway. That’s why she’s 2nd of these 8 possibilities.
Finally, Kate Winslet as Lee showed up at the Globes and BAFTA long list. Reviews for the project itself aren’t overly impressive. Winslet could get in because, well, she’s Kate Winslet. Nevertheless she’s 7th of these 8 possibilities.
Whew. OK. There you have it. My microscope analysis of Best Actress for the 97th Academy Awards. Let’s see how it shakes out Wednesday when I do my final picks. I’ll have a dive into Supporting Actor up next!
After scores of Oscar Prediction posts, 35 Case Of write-ups making the argument for and against winners in BP, Director, and the four acting derbies, and numerous articles covering the key precursors – we have arrived at my final winner predictions for the 96th Academy Awards. The ceremony airs Sunday night with Jimmy Kimmel back hosting (remember: it starts an hour earlier than normal at 7PM EST).
Truth be told, some of the major races come with little to zero suspense and you’ll read about that below. On the other hand, there are a handful of competitions that are quite unpredictable with the most visible being Best Actress.
As I do each year, I’ll give you the nominees, brief analysis, and a winner and runner-up pick for all the feature-length categories. Let’s get to it!
BEST PICTURE
Nominees: American Fiction, Anatomy of a Fall, Barbie, The Holdovers, Killers of the Flower Moon, Maestro, Oppenheimer, Past Lives, Poor Things, The Zone of Interest
Let’s keep this simple. Oppenheimer is the easiest BP selection to predict in quite some time and there’s been some obvious ones recently (including Everything Everywhere All at Once last year). It has taken all the precursors it needs to including the Globes, BAFTA, SAG and Critics Choice. Frankly, the more difficult call is runner-up (and it doesn’t really matter). I’ll go with Poor Things since it had the second most noms and showed up in all the major races where it was expected to contend.
Prediction: Oppenheimer
Runner-Up: Poor Things
BEST DIRECTOR
Nominees: Jonathan Glazer (The Zone of Interest), Yorgos Lanthimos (Poor Things), Christopher Nolan (Oppenheimer), Martin Scorsese (Killers of the Flower Moon), Justine Triet (Anatomy of a Fall)
You could literally copy and paste everything about Picture for Director with the man who made Oppenheimer and throw in the fact that he took DGA as well. Another no brainer.
Prediction: Christopher Nolan, Oppenheimer
Runner-Up: Jonathan Glazer, The Zone of Interest (I guess)
BEST ACTRESS
Nominees: Annette Bening (Nyad), Lily Gladstone (Killers of the Flower Moon), Sandra Hüller (Anatomy of a Fall), Carey Mulligan (Maestro), Emma Stone (Poor Things)
And now it gets complicated. Of the four acting races, this is by far the hardest one. Why? It appears to be a coin flip between Stone and Gladstone. They split the Golden Globes as anticipated. Stone received BAFTA and Critics Choice and appeared to be out front. And then Gladstone swooped in for SAG. That recency factor could serve as a boost. Additionally, Gladstone’s victory would be historic. For Stone, it would be her second statue in seven years after her La La Land prize. Stone could absolutely make the podium trip and it wouldn’t be unexpected at all. Yet for the reasons above…
Prediction: Lily Gladstone, Killers of the Flower Moon
Runner-Up: Emma Stone, Poor Things
BEST ACTOR
Nominees: Bradley Cooper (Maestro), Colman Domingo (Rustin), Paul Giamatti (The Holdovers), Cillian Murphy (Oppenheimer), Jeffrey Wright (American Fiction)
Best Actor also looked like a pick ’em for a bit between Murphy and Giamatti. They split the Globes and then Giamatti was your Critics Choice choice. Murphy, however, regained momentum with BAFTA and SAG. A Giamatti win could occur, but it seems unlikelier now.
Prediction: Cillian Murphy, Oppenheimer
Runner-Up: Paul Giamatti, The Holdovers
BEST SUPPORTING ACTRESS
Nominees: Emily Blunt (Oppenheimer), Danielle Brooks (The Color Purple), America Ferrera (Barbie), Jodie Foster (Nyad), Da’Vine Joy Randolph (The Holdovers)
There was some thought that this race could become interesting at some point with an Emily Blunt upset at SAG or maybe even Brooks scoring a shocking victory. It never happened and Randolph has emerged everywhere. This is one of the easiest categories to call.
Prediction: Da’Vine Joy Randolph, The Holdovers
Runner-Up: Emily Blunt, Oppenheimer
BEST SUPPORTING ACTOR
Nominees: Sterling K. Brown (American Fiction), Robert De Niro (Killers of the Flower Moon), Robert Downey Jr. (Oppenheimer), Ryan Gosling (Barbie), Mark Ruffalo (Poor Things)
This quintet of performers all come from BP nominees, but the winner will be from the BP recipient. Downey Jr. has swept this season thus far and that’ll continue.
Prediction: Robert Downey Jr., Oppenheimer
Runner-Up: Ryan Gosling, Barbie
BEST ORIGINAL SCREENPLAY
Nominees: Anatomy of a Fall, The Holdovers, Maestro, May December, Past Lives
You’ll notice a common theme with both Screenplay derbies. It looked like each would difficult to figure out, but precursors have had consistency. In Original, that’s been Anatomy of a Fall and this should mark its sole Oscar since France inexplicably didn’t make it their International Feature Film submission.
Prediction: Anatomy of a Fall
Runner-Up: The Holdovers
BEST ADAPTED SCREENPLAY
Nominees: American Fiction, Barbie, Oppenheimer, Poor Things, The Zone of Interest
There is a little more intrigue here with Barbie in the mix and a potential Oppenheimer juggernaut being rewarded even here. That said, Fiction kept racking up precursors and I can’t bet against it for its solo prize.
Prediction: American Fiction
Runner-Up: Oppenheimer
BEST INTERNATIONAL FEATURE FILM
Nominees: Io Capitano, Perfect Days, Society of the Snow, The Teachers’ Lounge, The Zone of Interest
As mentioned, with Anatomy left out, this becomes easy. Zone is the only BP nominee listed in this group.
Prediction: The Zone of Interest
Runner-Up: Society of the Snow
BEST ANIMATED FEATURE
Nominees: The Boy and the Heron, Elemental, Nimona, Robot Dreams, Spider-Man: Across the Spider-Verse
We’ve got real drama here as Heron took the Globe and BAFTA while Spidey is the Annie and Critics Choice selection. I’m leaning toward the latter, but Heron could fly away with the minor upset.
Prediction: Spider-Man: Across the Spider-Verse
Runner-Up: The Boy and the Heron
BEST DOCUMENTARY FEATURE
Nominees: Bobi Wine: The People’s President, The Eternal Memory, Four Daughters, To Kill a Tiger, 20 Days in Mariupol
Doc Feature can be a head scratcher from time to time and I’m tempted to go with Daughters or even something else to shake it up. Mariupol, though, has collected the bulk of notable precursors. It’s the safe pick.
Prediction: 20 Days in Mariupol
Runner-Up: Four Daughters
BEST CINEMATOGRAPHY
Nominees: El Conde, Killers of the Flower Moon, Maestro, Oppenheimer, Poor Things
Sometimes brevity is appreciated. There are some of these tech races where Oppenheimer is way out front. This would be one.
Prediction: Oppenheimer
Runner-Up: Poor Things
BEST COSTUME DESIGN
Nominees: Barbie, Killers of the Flower Moon, Napoleon, Oppenheimer, Poor Things
Here’s one where Oppenheimer isn’t really expected to win. Instead, like Production Design, this should be between Barbie and Poor Things and it’s 50/50 in my view. I have a strange feeling that Barbie will win more than 1 Oscar (there’s one coming below where it’s basically a slam dunk). This could mark that second trophy.
Prediction: Barbie
Runner-Up: Poor Things
BEST FILM EDITING
Nominees: Anatomy of a Fall, The Holdovers, Killers of the Flower Moon, Oppenheimer, Poor Things
A very easy call for Oppenheimer.
Prediction: Oppenheimer
Runner-Up: Anatomy of a Fall
BEST MAKEUP AND HAIRSTYLING
Nominees: Golda, Maestro, Oppenheimer, Poor Things, Society of the Snow
Poor Things is a genuine threat, but I’ll say this is Maestro‘s only victory.
Prediction: Maestro
Runner-Up: Poor Things
BEST ORIGINAL SCORE
Nominees: American Fiction, Indiana Jones and the Dial of Destiny, Killers of the Flower Moon, Oppenheimer, Poor Things
It is Oppenheimer‘s destiny to take this one.
Prediction: Oppenheimer
Runner-Up: Killers of the Flower Moon
BEST ORIGINAL SONG
Nominees: “The Fire Inside” from Flamin’ Hot; “I’m Just Ken” from Barbie; “It Never Went Away” from American Symphony; “Wahzhazhe (A Song for My People)” from Killers of the Flower Moon; “What Was I Made For?” from Barbie
Here’s where Barbie is the safe pick with either tune. “Ken” nabbed a Critics Choice prize, but Billie Eilish’s ballad scored at the Globes and Grammys.
Prediction: “What Was I Made For?” from Barbie
Runner-Up: “I’m Just Ken” from Barbie
BEST PRODUCTION DESIGN
Nominees: Barbie, Killers of the Flower Moon, Napoleon, Oppenheimer, Poor Things
Per Costume Design, a showdown between Barbie and Bella of Poor Things. Unlike Costume Design, my coin is flipped to Poor Things for what I’m projecting is its only Academy Award.
Prediction: Poor Things
Runner-Up: Barbie
BEST SOUND
Nominees: The Creator, Maestro, Mission: Impossible – Dead Reckoning, Oppenheimer, The Zone of Interest
This looked like a no thinking pick for Oppenheimer until Zone managed the BAFTA. I could see that repeating, but I’m not confident enough to bet against Oppenheimer.
Prediction: Oppenheimer
Runner-Up: The Zone of Interst
BEST VISUAL EFFECTS
Nominees: The Creator, Godzilla Minus One, Guardians of the Galaxy Vol. 3, Mission: Impossible – Dead Reckoning, Napoleon
Along with Actress, this is where I’ve struggled the most. VE is kinda wild this year with Oppenheimer not listed (it won Critics Choice), Dune: Part Two having been pushed to 2024, and Poor Things (which won BAFTA) not in the quintet. So… your guess is as good as mine. I’m really tempted to go with Godzilla. Guardians and Napoleon are possible (I really don’t see Mission as the pick). Yet I’ll say The Creator edges them out as it just took some Visual Effects Society awards. Confidence level? Nada.
Prediction: The Creator
Runner-Up: Godzilla Minus One
That means I’m speculating that every BP nominee except Past Lives will win an Oscar… and that Barbie is the only other picture with more than one trophy other than Oppenheimer.
Here’s the projected breakdown for victories:
8 Wins
Oppenheimer
2 Wins
Barbie
1 Win
American Fiction, Anatomy of a Fall, The Creator, The Holdovers, Killers of the Flower Moon,Maestro, Poor Things, Spider-Man: Across the Spider-Verse, 20 Days in Mariupol, The Zone of Interest
And there you have it! I’ll have a recap up Sunday evening with how I did and general takeaways…
Cate Blanchett’s character in Todd Field’s Tár is an EGOT (Emmy, Grammy, Oscar, Tony) recipient. Can she nab a third O in her acclaimed filmography? She’s the first Best Actress hopeful up in my Case Of posts.
The Case for Cate Blanchett:
In 2004, Blanchett won Supporting Actress for The Aviator. Nine years later, it was a lead victory for Blue Jasmine. Nine years after that, Tár gave her plenty of career best notices. Rewards have been many from regional critics groups and the Critics Choice Awards and the Golden Globe in the Drama category.
The Case Against CateBlanchett:
Michelle Yeoh in Everything Everywhere All at Once. She’s picked up a few regional mentions as well and was the Globes recipient among the Musical or Comedy quintet. If Everything is the big winner on Oscar night (and it certainly could be), Yeoh could be swept in.
Previous Nominations (*denotes WON):
Elizabeth (Actress, 1998); *The Aviator (Supporting Actress, 2004); Notes on a Scandal (Supporting Actress, 2006); Elizabeth: The Golden Age (Actress, 2007); I’m Not There (Supporting Actress, 2007); *Blue Jasmine (Actress, 2013); Carol (Actress, 2015)
The Verdict:
Yeoh is a serious competitor and this sure looks like a two-person race. I have Blanchett slightly out front, but not by much.
My Case Of posts will continue with the first Best Actor entry. That’s Austin Butler as Elvis!
Case of posts for the other Actress contenders can be accessed here:
The four leads in 80 for Brady – Lily Tomlin, Jane Fonda, Rita Moreno, and Sally Field – can tout a combined 12 Oscar nods for their performances and five victories. That hardware rivals the seven Super Bowls won by Tom Brady (who is also in the sports farce opening Friday).
That said – can an early February comedy contend for awards attention? The 63% Rotten Tomatoes score, while not bad, doesn’t inspire confidence. Perhaps if the main actress category in Musical or Comedy is weak at the Golden Globes, Tomlin could sneak in (she’s being singled out by some as best of the quartet). Even that is unlikely.
Yet there is one race where 80 for Brady could play and that’s Original Song. Diane Warren is the writer of “Gonna Be You” which is sung by the quintet of Dolly Parton, Belinda Carlisle, Cyndi Lauper, Gloria Estefan, and Debbie Harry. Between those five crooners, that’s over 80 Grammy nominations. Then there’s Diane Warren. She rather famously has received 13 Academy mentions without a trip to the stage. This includes ballads such as “Because You Loved Me” from Up Close & Personal and “How Do I Live” from Con Air. She received her 14th nod last week for “Applause” from Tell It Like a Woman where it’s doubtful the 14th time will be the charm. Warren is receiving a lifetime achievement prize so she will be an Oscar winner. With the star power involved in the “Gonna Be You”, the chances of 80 for Brady being a nominee are actually solid. My Oscar Prediction posts will continue…
Basing his directorial debut on his own experiences, Elegance Bratton has premiered The Inspection at the Toronto Film Festival prior to its November 18th domestic release. The A24 title features Jeremy Pope as a Marine at boot camp whose homosexuality is revealed. Costars include Raul Castillo, McCaul Lombardi, Bokeem Woodbine, and Gabrielle Union.
Reviews out of Canada are looking good for the most part and the Rotten Tomatoes meter is at 87%. Yet I’m doubtful this could play in Best Picture or for Bratton’s original screenplay. On the other hand, many critics are calling this a star making performance from Pope. He’s a recent Emmy nominee for the Netflix miniseries Hollywood (he’s also received Tony and Grammy nods for his stage work).
The studio will need to really push Pope for any hope of making the final five. Some of the those slots – Brendan Fraser (The Whale), Austin Butler (Elvis), Colin Farrell (The Banshees of Inisherin), Hugh Jackman (The Son) – may already be spoken for. It remains The Inspection‘s most realistic hope. My Oscar Prediction posts will continue…
The Best Animated Feature category at the Oscars was established in 2001 and since then, Disney has won the race 14 out of 20 times (including 8 out of the past 9). It’s safe to say they have a distinct advantage in the competition and that’s why Encanto has long been seen as a frontrunner. From 2016 winner Zootopia makers Byron Howard and Jared Bush, it features the voices of Stephanie Beatriz, John Leguizamo, Diane Guerrero, and Wilmer Valderrama.
With songs by Lin-Manuel Miranda, the musical fantasy opens over Thanksgiving and the review embargo lifted today. The current 92% Rotten Tomatoes rating is encouraging. The track “Dos Oruguitas” could put Miranda in the running for an EGOT. For the unfamiliar, that’s winning an Emmy, Tony, Oscar, and Grammy and only 16 people have done it. My guess is that Beyonce and her King Richard song “Be Alive” could prevent that from occurring.
I do believe Encanto stands the best chance of the 2021 Mouse Factory offerings to take the prize over Luca and Raya and the Last Dragon (which may miss the top five altogether). Yet there is a sturdy competitor with Flee, the Danish critically lauded effort that could make history with nods in Animated Feature, Documentary Feature, International Feature Film, and maybe even Best Picture. It’s a guessing game at the moment as to which of the first three it wins (if any). My best guess is that the animated competition is where it could do so and that could leave Encanto as runner-up.
That said, betting against Disney has been the correct call just 30% of the time. My Oscar Prediction posts for the films of 2021 will continue…
Out in limited release tomorrow before its Netflix premiere on November 19, Tick, Tick… Boom! marks the long awaited big screen directorial debut of Lin-Manuel Miranda. The Hamilton sensation already has the EGT (Emmy, Grammy, Tony) in the EGOT (the O is for Oscar obviously) and he has multiple projects in 2021 to contend for it.
Tick is an adaptation of Jonathan Larson’s own autobiographical Off Broadway musical and features Andrew Garfield portraying the late creator of Rent. Having screened at the AFI Fest, reviews are trickling in. Some of the critical reaction is not overly gushing, but there’s enough praise that it could contend in multiple races. First and foremost is Best Actor with Garfield and I’m feeling more confident that he could snag one of the five spots. If so, it would mark his second nod five years after Hacksaw Ridge. His chances in lead, in my view, are greater than in supporting with The Eyes of Tammy Faye.
Garfield’s inclusion is the only competition where I’m relatively confident. That said, the Academy could fall for Miranda’s first foray behind the camera and that could open up Picture and maybe even Supporting Actor (where Robin de Jesus is generating some solid ink). I don’t look for much chatter for remaining supporting cast which includes Alexandra Shipp, Vanessa Hudgens, Judith Light, and Bradley Whitford. I’m also skeptical Adapted Screenplay comes into the mix, but it’s not outside the realm of possibility.
Miranda’s strongest shot at his own nomination could come with another project: Disney’s upcoming animated Encanto in the Original Song derby. In the Heights, the reworking of his acclaimed play that faltered at the box office over the summer, has seen its prospects dim.
Bottom line: Garfield has likely played his way into Best Actor while attention elsewhere seems questionable. My Oscar Predictions posts for the films of 2021 will continue…
Ben Platt has won a Tony, Emmy, and Grammy for his performance in the Broadway sensation Dear Evan Hansen. The cinematic version of the play comes from director Stephen Chbosky, best known for 2012’s acclaimed The Perks of Being a Wallflower and 2017’s hit Wonder.
Hansen has opened the Toronto Film Festival with Platt reprising his role. Costars include Amy Adams, Julianne Moore, and Kaitlyn Dever. The teen musical drama (where the 27-year-old Platt is a teen) is drawing wildly mixed reactions from critics – as evidence by its current 50% Rotten Tomatoes rating. Some are being kind while others are excoriating it.
That’s not a recipe for Oscars attention as I see it. Simply stated, its detractors should be loud enough to keep this out of contention. One possible exception could be a couple of original songs.
Bottom line: Platt’s EGOT is highly unlikely to happen with Hansen. My Oscar prediction posts for the films of 2021 will continue…
All My Life... I Wanted To Be A Blogster 