My Undesirable Friends: Part I – Last Air in Moscow has a runtime to match the length of its title and it might have a shot at a Best Documentary Feature nom at the Oscars. Russian born filmmaker Julia Loktev helms the exploration of mostly female journalists in her native country. Clocking in at 324 minutes, Moscow was first screened at the New York Film Festival in 2024 before playing other fests this year.
As precursors have begun to name their best of’s, visibility has risen for the five-hour (so far) project. It won best doc at the Gotham Awards and New York Film Critics Circle this week. Recently the Critics’ Choice Documentary voters nominated it for their Best Political Documentary though it lost to The Alabama Solution. Rotten Tomatoes stands at 100% with Metacritic at 94.
The documentary branch at the Academy can be tough to predict. I haven’t had Moscow in my top 10 possibilities for the race, but don’t be surprised if that changes in my next update this weekend. With precursors and those reviews, discounting it might be a mistake. My Oscar Prediction posts will continue…
Nigerian family drama My Father’s Shadow has been playing the festival circuit for months beginning at Cannes and continuing to Toronto. It marks the directorial debut of Akinola Davies Jr. and stars Sope Dirisu with Godwin Chiemerie Egbo and Chibuike Marvellous Egbo as his sons. The United Kingdom has submitted it as the hopeful for Best International Feature Film.
The Brits may have chosen wisely. Shadow is receiving early kudos from other awards bodies. It was given a special award for its first-time filmmaker at Cannes. At the British Independent Film Awards, it was up in 12 categories and won Best Director. And tonight at the Gothams, it went 2 for 2 with Breakthrough Director and a surprise victory for Dirisu for Outstanding Lead Performance.
After a streak in which none of their 21st century submitted features made the cut in the international race, the UK took top honors two years ago for The Zone of Interest. Last year, Santosh made the shortlist but not the final quintet. With 97% on Rotten Tomatoes and an 85 Metacritic, Shadow could be gathering buzz at the right time.
Some key caveats as the aforementioned ceremonies aren’t exactly reliable Oscar precursors. There’s also the matter of IFF being quite crowded with more high-profile titles including Sentimental Value, It Was Just an Accident (which also received some Gotham love), The Secret Agent, and No Other Choice. However, if Shadow makes this year’s shortlist, it could be a trendy pick. My Oscar Prediction posts will continue…
Dramedy Bob Trevino Likes It won the Audience Award at last year’s South by Southwest and is now in limited release after taking crowdpleaser prizes at other festivals including San Diego. Tracie Laymon directs and writes the indie (with distribution from Roadside Attractions) starring Barbie Ferreira, John Leguizamo, French Stewart, and Rachel Bay Jones.
Critics are saying it hits the emotional mark with 97% on Rotten Tomatoes and a 76 Metacritic. As for Cinemascore, it stands at a rare A+. The familial tale might be too small for the Academy to take notice. However, the picture and the cast and particularly the autobiographical screenplay could get some attention from the Gotham Awards or the Indie Spirits. My Oscar Prediction posts will continue…
Each year the American Film Institute (AFI) names their ten best films of the year and it’s become a reliable bell weather for 7-8 Best Picture nominees at the Oscars. How about a look at the past 15 years and their track record since the Academy expanded to more than five BP contenders?
2009: 5/10 match
2010: 9/10
2011: 7/9
2012: 8/9
2013: 7/9
2014: 6/8
2015: 6/8
2016: 7/9
2017: 7/9
2018: 5/8
2019: 7/9
2020: 6/8
2021: 8/10
2022: 7/10
2023: 8/10
There’s an important caveat as this is the American Film Institute. Therefore movies considered international do not make the cut. They often get a “special” award and that was the case with Roma, Parasite, and The Banshees of Inisherin.
Today’s AFI announcement was surprising in the sense that there was only one. Emilia Pérez was thought by most to be ineligible for the 10 due to its foreign flavor, but it managed to make the cut. The AFI list is as follows:
Anora
The Brutalist
A Complete Unknown
Conclave
Dune: Part Two
Emilia Pérez
Nickel Boys
A Real Pain
Sing Sing
Wicked
Not a shocker in the group. This seems like a key inclusion for Nickel Boys and A Real Pain in solidifying their status as legit BP players. I suspect that if some prognosticators knew Emilia would be eligible, several of them would’ve gone 10/10.
Let’s analyze, shall we? The AFI has a habit of naming mainstream pics that the Academy ignores. Examples in the last decade include Into the Woods, Inside Out, Star Wars: The Force Awakens, Straight Outta Compton, Zootopia, Wonder Woman, Mary Poppins Returns, A Quiet Place, Knives Out, Soul, Nope, and Spider-Man: Across the Spider-Verse.
Note the amount of animated features. This is where a nod for The Wild Robot wouldn’t have been unexpected. The fact that it didn’t land here is an indication of its chances in the Academy’s BP derby… none. The same might be said for Gladiator II. It’s been out of my top 10 and I had it placed 13th in Other Possibilities last weekend. Don’t be surprised it drops out of the top 15 in my next update.
Other features that could have benefitted from a spot here include The Substance, September 5, Nosferatu, Blitz, The Room Next Door, and recent Gotham recipient A Different Man.
That said… we don’t expect this to be the Oscar top ten…
Do we?!? It sure could be. Yes, that would be the first time AFI and the Academy match 10/10. Yet the only difference I have right now is The Substance over A Complete Unknown and the latter seems to be picking up some steam. We still have Critics Choice and their top ten en route. They’re another pretty reliable barometer. I’ll say right now, though, that at least 8 of AFI’s picks will be the Academy’s and perhaps more…
Keep an eye on this blog for all Oscar precursor chatter!
Seventeen out of the past 20 New York Film Critics Circle recipients for Best Film have achieved a Best Picture nomination at the Oscars including winners No Country for Old Men, The Hurt Locker, and The Artist. Will Brady Corbet’s The Brutalist join that list? It’s almost a certainty. The epic historical drama won the NYFCC top prize in addition to Adrien Brody’s performance for Best Actor. These are the first major precursor honors for the pic I currently have ranked #1 in my BP derby (same goes Brody). It’s highly unlikely to be the last.
Corbet, however, did not take Director. That honor went to RaMell Ross for Nickel Boys and his film also took the Cinematography prize. I currently don’t have Ross in my director lineup though I do have it scoring a BP nod. 11 out of the previous 15 behind the camera winners did end up with an Oscar nomination.
In Best Actress, it was Marianne Jean-Baptiste for Mike Leigh’s Hard Truths. Half of the previous ten NYFCC leading women received Academy recognition. That seems appropriate as Jean-Baptiste’s odds are around 50/50 in my view.
That’s not the case in Supporting Actor where Kieran Culkin (A Real Pain) took that Big Apple competition. He’s widely expected to be one of the final five and perhaps even make a podium walk.
The NYFCC did manage to provide a shocker with Carol Kane taking Supporting Actress for the little-seen Between the Temples. The veteran performer is not expected to contend at the Oscars.
Finally, All We Imagine as Light (which India did not submit as their horse in International Feature Film) is the Best Foreign Language Film. No Other Land, which could be a player in the Academy’s Documentary Feature race, was NYFCC’s Best Non-Fiction Film. Both of those pics won their respective categories at the Gotham Awards yesterday as well. Latvian tale Flow is the Best Animated Feature and it should follow suit with Oscar.
Keep an eye on this blog for all Oscar precursor coverage!
As we do every year on this here blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.
It begins with the ten BP contenders and then alternates alphabetically between the hopefuls in the other five big races. I’ve already covered seven of the BP nominees. They are linked at the bottom of the post. Next up is Celine Song’s Past Lives.
The Case for Past Lives:
Ever since it premiered at Sundance in January 2023, the relationship drama emerged as a serious contender and the momentum for a BP nod never ebbed. In addition to placement on many top 10 lists, Lives was up for top honors at the Globes and Critics Choice and won Best Film at the Gothams.
The Case Against Past Lives:
Song’s debut feature received the least amount of total nods with just two (BP and Original Screenplay). Every other contender was recognized for five or more. That means the principal cast (Greta Lee, Teo Yoo, John Magaro) went unrecognized as did the direction. Other than Gotham (which seldom correlates with Oscar), Lives hasn’t really won anywhere. It’s even lost international feature competitions to fellow competitor Anatomy of a Fall.
The Verdict:
Considering the minimal haul, Lives was lucky to make the cut. It’ll go 0 for 2 on March 10th.
Prior to 2023, Lily Gladstone was best known for her work in indie filmmaker Kelly Reichardt’s works Certain Women and First Cow. Her collaboration with Martin Scorsese this year could make her a Best Actress recipient. Gladstone is the subject of my final Year Of write-up. If you missed the previous entries, you can peruse them here:
Starring alongside previous Academy Award honorees and nominees Leonardo DiCaprio, Robert De Niro, Jesse Plemons, and Brendan Fraser, it was Gladstone’s performance as Mollie Kyle in Scorsese’s Killers of the Flower Moon that earned the most rapturous reception from critics. She has Globe and Critics Choice pending noms to show for it and victories from numerous groups including the National Board of Review. It is entirely possible we’ll see her costar and last year’s Best Actor winner Fraser calling her name in lead Actress on the Oscar stage.
The love didn’t stop with Moon. The Gotham Awards named Gladstone Best Actress for The Unknown Country, a small-budget road trip drama that originally premiered at South by Southwest back in 2022.
It was indeed a killer 2023 for Gladstone as she earns a slot in my Year Of posts.
The New York Film Critics Circle revealed their best of selections for the year as precursors will be coming fast and furious in the days ahead. Critics from the Big Apple doled out two awards each for Martin Scorsese’s Killers of the Flower Moon, Christopher Nolan’s Oppenheimer, and Todd Haynes’s May December.
It was Killers that took Best Film while Nolan was your Best Director (Oppenheimer also won Cinematography). Those titles (with Oppenheimer first and Killers second) have been 1-2 in my BP predictions for weeks. Eight of the last ten NYFCC Best Film winners ended up on the Oscar BP list and you can expect that trend to continue here.
In Best Actress, Lily Gladstone (Flower Moon) was the pick as she should make the Academy’s quintet in a competitive field. As for Best Actor, New York made a surprise selection in Franz Rogowski for Passages. While the picture drew acclaim as did the performance, he is not expected to be a factor in the Oscar derby. If more critics prizes come, who knows? But it’s doubtful.
Da’Vine Joy Randolph, widely expected to be a factor in Supporting Actress, was successful here for her work in The Holdovers. In Supporting Actor, Charles Melton is now 2 for 2 with Gotham and NYFCC trophies. His inclusion at the Oscars is looking more and more solidified. The Supporting Actor race recipient here has made the Academy’s quintet nine out of the last ten years (more than any other major competition).
A week after taking Best Feature at Gotham, Celine Song’s Past Lives was named Best First Film as its slot in the Oscar BP lineup is looking fairly safe.
May December, in addition to Melton, took Best Screenplay (I have it currently in fifth for Original Screenplay).
In what could be a seesaw battle for critics prizes, The Boy and the Heron was the Animated Film victor over Spider-Man: Across the Spider-Verse.
Anatomy of a Fall, despite not being France’s selection for International Feature Film at the Oscars, is New York’s winner. I have it nabbing a BP spot at the moment, but it’s a question mark.
For Non-Fiction Film, this branch went with the four-hour culinary doc Menus-Plaisirs-Les Troisgros. It has not been on my radar screen for Academy attention.
As for contenders that received no love, NY didn’t give any hardware to Poor Things, Maestro, or The Zone of Interest.
Keep an eye on this blog for all the Oscar precursor activity!
The 33rd Annual Gotham Awards were held this evening and it was looking like a potential night of missed opportunities for Celine Song’s Past Lives… until the end. Of the five nominees for Best Feature, the acclaimed A24 romantic drama was really the only one with legit Best Picture aspirations at the Oscars. It did take the top prize over Passages, Reality, Showing Up, and A Thousand and One.
This was following its director Song surprisingly not being awarded Breakthrough Director. That instead went to A.V. Rockwell for A Thousand and One and made the announcement for the big race a bit suspenseful.
Of the 20 pictures that have taken Best Feature at the Oscars (this category has existed since 2004 and there was a tie one year), 12 have become Academy hopefuls for BP. Half of those (The Hurt Locker, Birdman, Spotlight, Moonlight, Nomadland, Everything Everywhere All at Once) won. As a reminder, until this year, contenders for the Gothams were typically lower budgeted titles. Even with the budgetary restrictions removed, some heavy hitters like Oppenheimer and Killers of the Flower Moon opted not to compete at this ceremony.
As far as Past Lives is concerned, the perception of it losing could’ve hindered its Oscar chances. So it helped itself tonight by doing what it was expected to do. That said, it missed another possible victory with Greta Lee coming up short in Outstanding Lead Performance. Lily Gladstone took the trophy… not for the non-contending Killers of the Flower Moon, but for The Unknown Country. Gladstone seems on her way to a Best Actress slot for Moon. This is another unexpected win for an awards body that frequently provides them.
Outstanding Supporting Performance went to Charles Melton in May December and he might’ve upped his Oscar stock more than anyone. This race saw potential victors like Ryan Gosling (Barbie) and Da’Vine Joy Randolph (The Holdovers) end up behind him. **Note that the Gothams recently switched to ten nominees in lead and supporting without a divide for gender**. I’ve had Melton in my projected quintet recently and am feeling more and more confident about that. While Melton is a long shot to win at the big show, it should be noted that the previous two recipients (Troy Kotsur in CODA and Ke Huy Quan for Everything Everywhere) took the Supporting Actor Oscar.
Justine Triet’s Anatomy of a Fall received the Screenplay and International Feature awards. France did not select it as their pick for International Feature Film at the Academy Awards (where it probably would’ve been locked in a fierce competition with The Zone of Interest). Fall is a coin toss for BP inclusion so every little bit helps.
Finally, Four Daughters is your Documentary Feature pick (over 20 Days in Mariupol) as it increases it exposure.
Keep an eye on the blog for an Oscar predictions update in the coming days!
Set in the gynecological ward of a Parisian hospital, Claire Simon directs the documentary Our Body. It premiered at the Berlin Festival back in February and made its rounds on the circuit before a limited release in August. With a 100% Rotten Tomatoes score, it nabbed a key precursor nod in the doc race at the Gotham Awards earlier this week.
At this point, it’s a guessing game which pics in the genre make the Academy’s shortlist in a couple of months. Features like Beyond Utopia, 20 Days in Mariupol, and Still: A Michael J. Fox Movie have been my frontrunners. However, I can’t say enough how unpredictable this branch of voters tends to be. Our Body has the reviews to make the list of hopefuls. If it does, making the final five is certainly feasible. My Oscar Prediction posts will continue…
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