Bill Nighy’s performance as an English bureaucrat with a terminal cancer diagnosis in Living is the final Case Of post for the five Best Actor hopefuls.
The Case for Bill Nighy:
From a randy aging rocker in Love Actually to Davy Jones in the Pirates of the Caribbean franchise and a zombified stepdad in Shaun of the Dead, Nighy has been a fixture on domestic screens for two decades. His work in the acclaimed Living somehow marks his first major awards exposure. He’s been nominated everywhere that counts from the Globes to Critics Choice to SAG and BAFTA.
The Case Against Bill Nighy:
Despite being included in all significant precursors, there’s no victory to be found for the central performance in this remake of Akira Kurosawa’s Ikiru. All the attention has been focused on Austin Butler (Elvis) and Brendan Fraser (The Whale) as they battle down the stretch.
Previous Nominations:
None
The Verdict:
While making the quintet was practically guaranteed, Nighy’s chances of winning are DOA for Living.
My Case Of posts will continue with Stephanie Hsu in Everything Everywhere All at Once!
Write-ups for the other Best Actor nominees can be found here:
As the laundromat running Evelyn whose many dimensions are explored in Everything Everywhere All at Once, Michelle Yeoh is the final Case Of post for the five Best Actress contenders.
The Case for Michelle Yeoh:
From acclaimed Hong Kong action flicks with Jackie Chan to fighting alongside James Bond in Tomorrow Never Dies to Crouching Tiger, Hidden Dragon to the overprotective future mother-in-law in Crazy Rich Asians, Yeoh had many career highlights until this multi-genre pic from the Daniels eclipsed them all. The Hollywood Foreign Press honored her with the Golden Globe for Actress in a Musical or Comedy. Last weekend, she took home the SAG for Actress where 16 of the last 22 winners became the Academy’s recipients in the 21st century. Everywhere is the frontrunner for Best Picture and that certainly doesn’t hurt.
The Case Against Michelle Yeoh:
Cate Blanchett in Tár. While Yeoh’s previous victories are a road map to Oscar glory, so are Blanchett’s as she has taken the Globe in the Drama competition, BAFTA, and Critics Choice.
Previous Nominations:
None
The Verdict:
It cannot be overstated how this is a coin flip between Yeoh and Blanchett. One could argue Yeoh has the late momentum given the recent SAG and Everything‘s likely success in the biggest race of all.
My Case Of posts will continue with Bill Nighy in Living!
For my other entries on the Actress hopefuls, click here:
Steven Spielberg’s direction of The Fabelmans is my final Case Of post for the filmmakers vying for the prize at the Academy Awards.
The Case for Steven Spielberg:
He’s Steven Spielberg. Arguably the most iconic and famous director in the medium’s history, he drew kudos for this most personal of projects that drew from his upbringing. The Hollywood Foreign Press Association honored him with their directorial statue at the Golden Globes. For his ninth nomination in this category (marking 22 total when factoring contending Pictures and his screenplay for this), voters may feel he’s overdue since it’s been nearly a quarter century since the last win. As a reminder, he’s a previous recipient for 1993’s Schindler’s List and 1998’s Saving Private Ryan.
The Case Against Steven Spielberg:
He’s not Dan Kwan and Daniel Scheinert of Everything Everywhere All at Once. The Daniels have taken the majority of the precursors like Critics Choice and especially the Directors Guild (where the DGA and Oscar match is high). Spielberg wasn’t even nominated for BAFTA. The film itself, while critically acclaimed, was a box office flop.
Previous Nominations (directing only):
Close Encounters of the Third Kind (1977); Raiders of the Lost Ark (1981); E.T.: The Extra-Terrestrial (1982); Schindler’s List (1993) – WON; Saving Private Ryan (1998) – WON; Munich (2005); Lincoln (2012); West Side Story (2021)
The Verdict:
Due to his legendary status, Spielberg has a sliver of a chance to pull a major upset over the Daniels. Yet it’s grown much smaller due to the Daniels dominance this season.
My Case Of posts will continue with Michelle Yeoh in Everything Everywhere All at Once!
For the other directorial hopefuls in my Case Of series, click here:
As the sympathetic Dominic in The Banshees of Inisherin, Barry Keoghan is the next Case Of entry for the Supporting Actor contenders.
The Case for Barry Keoghan:
Following acclaimed performances including Dunkirk and The Killing of a Sacred Deer, Keoghan get his first major awards exposure along with his three Banshees cast mates. Critics Choice, SAG, and Golden Globe nods followed with a surprising win at BAFTA. His lovestruck monologue to Kerry Condon is a ready made for your consideration Oscar clip.
The Case Against Barry Keoghan:
Ke Huy Quan from Everything Everywhere All at Once has a dandy clip or two himself and he won Critics Choice, SAG, and the Globe. Academy members may assume Keoghan has plenty more bites at the apple and he could split votes with costar Brendan Gleeson.
Previous Nominations:
None
The Verdict:
Despite the unexpected recognition from friends across the pond, Quan remains the heavy favorite for Supporting Actor.
My Case Of posts will continue with Steven Spielberg’s direction of The Fabelmans!
Write-ups for the other hopefuls in the race can be found here:
As the no-nonsense IRS inspector with hot dog hands in an alternate universe, Jamie Lee Curtis’s in Everything Everywhere All at Once is next up for my Supporting Actress Case Of posts.
The Case for Jamie Lee Curtis:
For four and a half decades, Curtis has been a mainstay on the silver screen across all genres from Halloween to Trading Places to A Fish Called Wanda and True Lies to Freaky Friday and Knives Out. Despite that impressive and varied filmography, Everything marks her first nom from the Academy. A victory could double as a career achievement award. That could help explain her surprise win last night at SAG. She also made the cut at the Golden Globes, Critics Choice, and BAFTAs.
The Case Against Jamie Lee Curtis:
The same career achievement narrative can be applied to Angela Bassett for Black Panther: Wakanda Forever and she won the Globe and Critics Choice. Kerry Condon from The Banshees of Inisherin took the BAFTA. Curtis could also split votes with her costar Stephanie Hsu.
Previous Nominations:
None
The Verdict:
If I had written this post on Saturday, I wouldn’t have given Curtis much of a chance. The SAG recognition puts her in a three-way race with Bassett and Condon.
My Case of Posts will continue with Barry Keoghan in The Banshees of Inisherin!
Write-ups for Curtis’s competition can be accessed here:
A weekend of awards precursors was a blessing for Everything Everywhere All at Once. It stormed tonight’s SAG Awards and won the top prize at PGA the evening before. Make no mistake – Everything is now an even stronger frontrunner to take BP at the Oscars.
At PGA, Everything emerged as predicted. Some prognosticators went with Top Gun: Maverick as an upset pick. It wasn’t to be. The Producers Guild also went with Guillermo del Toro’s Pinocchio in the animated field. This is just as all other major precursors have done. It appears on a glide path for the Academy statue.
My PGA miss was in Documentary Feature as they chose Navalny over Fire of Love. Given that it’s won BAFTA and PGA, Navalny is the favorite. I don’t think it’s automatic (like I do with Pinocchio in Animated), but the odds are certainly in its favor.
Now… let’s get into SAG. Wow. I went 3 for 6. I correctly selected Everything for Best Ensemble. I nailed Stunt Ensemble for Top Gun: Maverick. And Ke Huy Quan made it a near sweep (though BAFTA went with Barry Keoghan for The Banshees of Inisherin) with tonight’s Supporting Actor win. His acting race is the easiest to project for the Oscars.
The other three? They got more interesting. And I missed them all tonight!
By far, the biggest surprise is Jamie Lee Curtis (Everything) being named Supporting Actress over Critics Choice and Golden Globe winner Angela Bassett (Black Panther: Wakanda Forever), who I predicted and BAFTA winner Kerry Condon (Banshees), who was my runner-up. That potentially makes it a three-person derby at the Oscars. It is worth noting that 9 of the past 10 Supporting Actress SAG victors became the Oscar recipient. So… discount Curtis at your own peril.
In the lead acting races, my runner-ups crossed the SAG finish line. It was Michelle Yeoh (Everything) in Actress over Cate Blanchett (Tár) and Brendan Fraser (The Whale) instead of Austin Butler (Elvis), who did get some airtime graciously escorting various winners up the steps. Best Actor and Actress at the Oscars are now legit two-person competitions and I’ll be mulling them over before making final predictions. They’re coming March 8th ahead of the March 12th ceremony!
Bottom line: Everywhere did everything it needed to this weekend and then some while three acting races added real intrigue. Stay tuned!
Paul Mescal’s big screen breakout work in the coming-of-age drama Aftersun is the next Case Of post for the Best Actor contenders.
The Case for Paul Mescal:
At age 27, voters took notice of the Irish thespian with nominations at BAFTA and Critics Choice. Expect to see a lot of Mescal in the coming years with potential awards hopefuls from Richard Linklater, Garth Davis, and a Gladiator sequel.
The Case Against Paul Mescal:
Another young performer – Austin Butler as Elvis – is picking up the bulk of precursor victories. Mescal didn’t make the cut at the Golden Globes or SAG. His placement for Aftersun marks the picture’s sole Academy nom. That’s typically not a recipe for an Actor victory.
Previous Nominations:
None
The Verdict:
Mescal should have more opportunities in the future. At the 95th Academy Awards, he’s probably fifth in the running for the aspiring quintet.
My Case Of posts will continue with Jamie Lee Curtis in Everything Everywhere All at Once!
If you missed my other write-ups on the Actors, click here:
Playing a version of Steven Spielberg’s real mother, Michelle Williams is nominated for her fifth Oscarin The Fabelmans.
The Case for Michelle Williams:
From the moment this personal project of Spielberg’s was announced, Williams was correctly assumed to have an awards bait role. Precursor noms have materialized at Critics Choice and the Golden Globes. There could also be a feeling that she is overdue given that her track record is 0 for 4 on previous mentions.
The Case Against Michelle Williams:
Universal Pictures surprised everyone when they announced they were campaigning Williams in lead instead of supporting. I maintain that she would stand a considerably better shot at winning in the latter. Some wondered if the Academy might choose to put her up in supporting anyway. SAG and BAFTA left her off their ballots and there’s no significant victories to speak of. The general consensus and one I agree with is this is a two-person race between Cate Blanchett (Tár) and Michelle Yeoh (Everything Everywhere All at Once).
Previous Nominations:
Brokeback Mountain (Supporting Actress, 2005); Blue Valentine (Actress, 2010); My Week with Marilyn (Actress; 2011); Manchester by the Sea (Supporting Actress; 2016)
The Verdict:
I believe the choice to slot Williams will universally be regarded as an unforced error. She seemed headed for 0 for 5.
My Case Of posts will continue with Paul Mescal in Aftersun!
If you didn’t catch my other write-ups on the contending Actresses, click here:
The 29th Screen Actors Guild Awards air this Sunday evening and they are often a reliable preview of what direction the Academy will go. In their races for Actress, Actor, and Supporting Actor – there has been an 8/10 correlation over the past decade for SAG/Oscar matches. With Supporting Actress – it is 9/10.
Let’s walk through each of the six categories with my predicted winner and a runner-up, shall we?
Outstanding Performance by a Cast in a Motion Picture
Nominees:
Babylon, The Banshees of Inisherin, Everything Everywhere All at Once, The Fabelmans, Women Talking
Since the SAGs began in 1995, only one winner (1996’s The Birdcage) wasn’t at least nominated for Best Picture at the Oscars. That rules out Babylon. I think (like some earlier precursors) this comes down to Everything v Banshees. I’m majorly tempted to say Banshees as the voters could see it as a way to honor the four thespians nominated in the individual races below. However, I’m giving a very slight edge to SAG doing the same for Michelle Yeoh, Jamie Lee Curtis, and others for Everything.
Predicted Winner: Everything Everywhere All at Once
Runner-Up: The Banshees of Inisherin
Outstanding Performance by a Female Actor in a Leading Role
Nominees:
Cate Blanchett (Tár), Viola Davis (The Woman King), Ana de Armas (Blonde), Danielle Deadwyler (Till), Michelle Yeoh (Everything Everywhere All at Once)
SAG could bestow Yeoh with the trophy, but Blanchett’s work may simply be undeniable at this juncture. If Banshees ends up taking Ensemble, I do think it increases Yeoh’s chances here.
Predicted Winner: Cate Blanchett, Tár
Runner-Up: Michelle Yeoh, Everything Everywhere All at Once
Outstanding Performance by a Male Actor in a Leading Role
Nominees:
Austin Butler (Elvis), Colin Farrell (The Banshees of Inisherin), Brendan Fraser (The Whale), Bill Nighy (Living), Adam Sandler (Hustle)
I feel like Farrell really needed that BAFTA last weekend and he didn’t emerge victorious. So it’s a two-person race between Butler and Fraser. And I’m struggling with this one. I could easily envision fellow actors crowning Fraser’s dramatic comeback that includes a Critics Choice award. Yet Butler has seen an impressive run that includes the Golden Globe and BAFTA. This is a coin flip, but I’ll say Butler has a little more momentum.
Predicted Winner: Austin Butler, Elvis
Runner-Up: Brendan Fraser, The Whale
Outstanding Performance by a Female Actor in a Supporting Role
Nominees:
Angela Bassett (Black Panther: Wakanda Forever), Hong Chau (The Whale), Kerry Condon (The Banshees of Inisherin), Jamie Lee Curtis (Everything Everywhere All at Once), Stephanie Hsu (Everything Everywhere All at Once)
A quintet that matches the Oscar five, Condon disrupted the possibility of Bassett sweeping when she took the BAFTA. They’re the two likeliest winners. I will say Curtis scoring an upset is feasible. I think the smart money is on Bassett with Condon as the runner-up.
Predicted Winner: Angela Bassett, Black Panther: Wakanda Forever
Runner-Up: Kerry Condon, The Banshees of Inisherin
Outstanding Performance by a Male Actor in a Supporting Role
Nominees:
Paul Dano (The Fabelmans), Brendan Gleeson (The Banshees of Inisherin), Barry Keoghan (The Banshees of Inisherin), Ke Huy Quan (Everything Everywhere All at Once), Eddie Redmayne (The Good Nurse)
BAFTA again had a trick up their sleeve when Keoghan surprised over Quan. I think SAG will follow the lead of the Globes and Critics Choice and bring the latter back to the stage.
Predicted Winner: Ke Huy Quan, Everything Everywhere All at Once
Runner-Up: Barry Keoghan, The Banshees of Inisherin
Outstanding by a Stunt Ensemble in a Motion Picture
Nominees:
Avatar: The Way of Water, The Batman, Black Panther: Wakanda Forever, Top Gun: Maverick, The Woman King
The only pic that I don’t think has a shot is Avatar because the original in 2009 didn’t even land a nom. 2018’s Black Panther won so Wakanda is certainly viable. Those pilots from Maverick did same amazing stuff though. They’re my pick.
Predicted Winner: Top Gun: Maverick
Runner-Up: Black Panther: Wakanda Forever
And there you have it! I’ll have a recap up Sunday evening with my thoughts on what happened compared to my predictions.
Swedish satirist Ruben Östlund’s direction of Triangle of Sadness is next up in my Case Of posts for the directors vying for the Oscar.
The Case for Ruben Östlund:
After garnering acclaim for Force Majeure (2014) and 2017’s The Square (which nabbed a foreign language feature nod), his English-language debutcornered three noms in Picture, Director, and Original Screenplay. It generated buzz early when it took the Palme d’or at Cannes. The admiration for the film led to his surprise inclusion in the filmmaking quintet.
The Case Against Ruben Östlund:
In Best Director, there is usually a surprise nominee. That’s Östlund this time. The downside is that the surprise nominee doesn’t win. He wasn’t up in any of the key precursors like DGA, Golden Globes, or Critics Choice Awards.
Other Nominations:
None for direction
Foreign Language Film (The Square; 2017); Original Screenplay (Triangle of Sadness; 2022)
The Verdict:
Of the five hopefuls in the race, Östlund stands the fifth best (so… worst) chance at nabbing the statue.
My Case Of posts will continue with Michelle Williams in The Fabelmans!
The other entries for the Best Director contenders can be accessed here:
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