Tag: Golden Globes

30th SAG Awards Winner Predictions

The 30th SAG Awards air this Saturday and they are rightly viewed as an often reliable barometer for the Oscars, especially in the acting derbies. The biggest prize honors the strongest ensemble and that’s a less reliable match with Best Picture. Over the past 10 ceremonies, the correlation has been 5 out of 10 and that includes the last two shows with CODA and Everything Everywhere All at Once.

On the other hand, it was four for four in Actress, Actor, and the supporting competitions last year. That also holds true for 2021.

Sunday’s program could solidify frontrunner statuses for Actress/Actor hopefuls and further potential sweeps for the supporting players. Let’s walk through all 6 categories with a winner and runner-up selection.

Outstanding Performance by a Cast in a Motion Picture

Nominees: American Fiction, Barbie, The Color Purple, Killers of the Flower Moon, Oppenheimer

You have to go back to the second SAG Awards and The Birdcage to find a nominee that wasn’t an Oscar BP nominee so you can cross The Color Purple out immediately. My hunch is this comes down to Barbenheimer. We know that Oppenheimer is the overwhelming favorite for the Academy’s BP. However, Barbie could legitimately pick this up. This is a close call and I wouldn’t totally rule out Fiction. Yet the fact is that Oppenheimer might be strong enough to nab this one in addition to all the other precursors.

Predicted Winner: Oppenheimer

Runner-Up: Barbie

Outstanding Performance by a Female Actor in a Leading Role

Nominees: Annette Bening (Nyad), Lily Gladstone (Killers of the Flower Moon), Carey Mulligan (Maestro), Margot Robbie (Barbie), Emma Stone (Poor Things)

This is where Gladstone could make the Oscar race a nail biter. Stone has taken Critics Choice and BAFTA. If she gets the victory at SAG, she’ll become the easy favorite. Arguably a coin flip, but I’m sensing Stone gets it.

Predicted Winner: Emma Stone, Poor Things

Runner-Up: Lily Gladstone, Killers of the Flower Moon

Outstanding Performance by a Male Actor in a Leading Role

Nominees: Bradley Cooper (Maestro), Colman Domingo (Rustin), Paul Giamatti (The Holdovers), Cillian Murphy (Oppenheimer), Jeffrey Wright (American Fiction)

Read what I said about Female Actor in a Leading Role. In this race, Cillian Murphy is Emma Stone. Paul Giamatti is Lily Gladstone (except Giamatti took Critics Choice). Murphy could achieve frontrunner status or Giamatti could make it a jump ball. I’m projecting the latter.

Predicted Winner: Paul Giamatti, The Holdovers

Runner-Up: Cillian Murphy, Oppenheimer

Outstanding Performance by a Female Actor in a Supporting Role

Nominees: Emily Blunt (Oppenheimer), Danielle Brooks (The Color Purple), Penélope Cruz (Ferrari), Jodie Foster (Nyad), Da’Vine Joy Randolph (The Holdovers)

Randolph has been the victor everywhere important and I don’t see SAG interrupting her sweep.

Predicted Winner: Da’Vine Joy Randolph, The Holdovers

Runner-Up: Emily Blunt, Oppenheimer

Outstanding Performance by a Male Actor in a Supporting Role

Nominees: Sterling K. Brown (American Fiction), Willem Dafoe (Poor Things), Robert De Niro (Killers of the Flower Moon), Robert Downey Jr. (Oppenheimer), Ryan Gosling (Barbie)

Read what I said about Female Actor in a Supporting Role. Robert Downey Jr. is Da’Vine Joy Randolph.

Predicted Winner: Robert Downey Jr., Oppenheimer

Runner-Up: Ryan Gosling, Barbie

Outstanding Performance by a Stunt Ensemble in a Motion Picture

Nominees: Barbie, Guardians of the Galaxy Vol. 3, Indiana Jones and the Dial of Destiny, John Wick: Chapter 4, Mission: Impossible – Dead Reckoning

The sequel heavy lineup marks the first nomination for a John Wick pic. Some prognosticators are going with it, but I’m forecasting the Mission series (in its third try) pulls through.

Predicted Winner: Mission: Impossible – Dead Reckoning

Runner-Up: John Wick: Chapter 4

That means the tally goes like this:

2 Wins

The Holdovers, Oppenheimer

1 Win

Mission: Impossible – Dead Reckoning, Poor Things

I’ll have a recap up after the show this weekend!

35th PGA Awards Winner Predictions

A weekend of precursors culminates on Sunday with the 35th PGA Awards. The 10 nominees in the top race at PGA happen to match the 10 that Oscar put up in Best Picture. There’s two other categories to consider with animated fare and docs. I will walk through all three with a winner prediction and a runner-up possibility.

Darryl F. Zanuck Award for Outstanding Producer of Theatrical Motion Pictures

Nominees: American Fiction, Anatomy of a Fall, Barbie, The Holdovers, Killers of the Flower Moon, Maestro, Oppenheimer, Past Lives, Poor Things, The Zone of Interest

Let’s not make this complicated, shall we? Oppenheimer should have no trouble taking this as it’s taken all key precursors. 7 of the last 10 PGA victors have ended up as the Academy’s BP (the last diversion was 2019 when 1917 took PGA and Parasite was BP).

Predicted Winner: Oppenheimer

Runner-Up: Barbie

Outstanding Producer of Animated Theatrical Motion Pictures

Nominees: The Boy and the Heron, Elemental, Spider-Man: Across the Spider-Verse, The Super Mario Bros. Movie, Teenage Mutant Ninja Turtles: Mutant Mayhem

The Boy and the Heron has made this category one to watch with Globe and BAFTA trophies. That being said, I think Spidey has the edge with PGA.

Predicted Winner: Spider-Man: Across the Spider-Verse

Runner-Up: The Boy and the Heron

Outstanding Producer of Documentary Theatrical Motion Pictures

Nominees: 20 Days in Mariupol, American Symphony, Beyond Utopia, The Disappearance of Shere Hite, The Mother of All Lies, Smoke Sauna Sisterhood, Squaring the Circle (The Story of Hipgnosis)

Mariupol has cleaned up on its way to a likely Oscar victory and it should emerge here.

Predicted Winner: 20 Days in Mariupol

Runner-Up: American Symphony

I’ll have a recap up on the blog after the show on Sunday!

Oscar Predictions: Drive-Away Dolls

Ethan Coen makes his solo directorial debut with Drive-Away Dolls, which parks in theaters this Friday and is co-scripted by his wife Tricia Cooke. Originally slated for a fall 2023 bow until the five month push, the screwball road comedy clocks in at a brisk 84 minutes. Margaret Qualley and Geraldine Viswanathan star with a supporting cast including Beanie Feldstein, Colman Domingo, Pedro Pascal, Bill Camp, and Matt Damon.

In 2021, Ethan’s brother Joel made his first behind the camera effort sans his sibling with The Tragedy of Macbeth. That Shakespearian tale garnered three Oscar nods for Actor (Denzel Washington), Cinematography, and Production Design.

Early reviews for Dolls are all over the map with a current RT rating of 72%. Attention from the Academy seems highly unlikely. I’m not confident the Globes will bite either in their Musical/Comedy competitions (though maybe Qualley or Viswanathan could sneak in if the Actress race is weak). My Oscar Prediction posts will continue…

Oscars: The Case of Christopher Nolan for Oppenheimer

As we do every year on this here blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.

It began with the ten BP contenders and now it alternates alphabetically between the hopefuls in the five other big races. Today we arrive at our third filmmaker in Best Director and that’s Christopher Nolan for Oppenheimer. Let’s get to it!

Previous Oscar Directing Nominations:

Dunkirk (2017)

The Case for Christopher Nolan:

Where to begin? Oppenheimer is easily the frontrunner for BP and leads all nominees with 13 overall. Nolan, one of the most visible and well-known filmmakers of the 21st century, has won all significant precursors. That includes the DGA (which has a sterling track record of matching with Oscar), the Golden Globes, Critics Choice, and BAFTA.

The Case Against Christopher Nolan:

There’s not much of one honestly. However, the Academy does have a history of snubbing Nolan. He missed the cut for Memento, The Dark Knight and Inception even though he picked up DGA nods for all three.

The Verdict:

If Nolan were to lose, it would be a jaw dropper. This is one of the easiest races to forecast. For someone whose pictures consistently deal with the concept of time… it’s his time with the Academy.

My Case Of posts will continue with Carey Mulligan in Maestro…

77th BAFTA Awards Reaction

The top races went as I anticipated at the 77th BAFTA Awards while other races were a bit more unpredictable. That’s pretty much par for the course with the British equivalent of the Oscars as I went 13/23 (oof) in my selections.

Let’s start with Oppenheimer. As expected, Christopher Nolan’s epic took Best Film and its maker is your Best Director. Some prognosticators had this pegged for a record setting 10 BAFTAs. I had it winning 8 and it took 7. In addition to Film and Director, I correctly called Cillian Murphy in Actor, Robert Downey Jr. in Supporting Actor, Cinematography, Editing, and Original Score. I still believe Paul Giamatti in The Holdovers poses a threat to Murphy with the Academy (especially if he manages to win SAG). Oppenheimer should take those other BAFTA trophies a little less than a month away at the Oscars.

I incorrectly had Oppenheimer taking Best Sound. It instead went to The Zone of Interest. The Holocaust drama had a solid day with a victory in Best Film Not in the English Language over my predicted Anatomy of a Fall and for Outstanding British Film over my pick of Poor Things.

Despite the Poor miss in that category, it was honored with a handful of prizes. Emma Stone is your Best Actress and it won Costume Design, Makeup & Hair (over my Maestro call), Production Design, and Special Visual Effects (over my Napoleon pick).

The Holdovers was a double recipient for Supporting Actress with Da’Vine Joy Randolph and Casting (I went with All of Us Strangers instead).

Those four (Oppenheimer, Poor Things, The Zone of Interest, The Holdovers) were the only features with two victories or more. Here’s what else I got right: Anatomy of a Fall in Original Screenplay (which certainly helps its Oscar chances) and 20 Days in Mariupol for Documentary (same story).

In Adapted Screenplay, it was American Fiction continuing to make the case for Academy gold with a surprise win over Poor Things and my runner-up Oppenheimer.

The Boy and the Heron, as it did at the Globes, is Best Animated Feature over Spider-Man: Across the Spider-Verse. I went with Spidey and there could be a real showdown on March 10th.

Earth Mama is the Outstanding British Debut by a Writer, Director or Producer over the favored How to Have Sex while the lead in Sex (Mia McKenna-Bruce) is the Rising Star over Jacob Elordi (who I picked).

Some overall takeaways that shouldn’t surprise: Oppenheimer is still the overwhelming choice for BP as it’s winning everywhere it needs to. Same goes for Nolan and Downey Jr.

Randolph is bascially a lock for Supporting Actress while Emma Stone helped herself today over stiff competition from Sandra Hüller in Anatomy of a Fall. Some noteworthy pics that didn’t take a single award: Barbie, Killers of the Flower Moon, and Maestro.

Keep an eye on the blog for all Oscar speculation as we approach the big show!

Oscars: The Case of Robert Downey Jr. in Oppenheimer

As we do every year on this here blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.

It began with the ten BP contenders and now it alternates alphabetically between the hopefuls in the other five big races. Today we arrive at our third performer in Best Supporting Actor and that’s Robert Downey Jr. in Oppenheimer. Let’s get to it!

Previous Oscar Acting Nominations:

Chaplin (Actor, 1992); Tropic Thunder (Supporting Actor, 2008)

The Case for Robert Downey Jr.:

It could be considered the capper for one of the most remarkable comeback stories in Hollywood history. In the mid 90s, Downey Jr.’s career appeared over due to drug abuse and legal woes. By 2008, he was starting run as star of the biggest franchise of all time with the MCU and multiple appearances as Tony Stark in the Iron Man and Avengers series. His role as the scheming AEC Chairman Lewis Strauss in Christopher Nolan’s epic biopic has swept the season thus far at the Globes, Critics Choice, and BAFTA. SAG is likely to follow suit next weekend. This could be seen as a career achievement prize and his peers are probably eager to give it to him (similar to Jamie Lee Curtis last year in Everything Everywhere All at Once).

The Case Against Robert Downey Jr.:

Frankly, it’s difficult to come up with one. Maybe the voters will look at Supporting Actor as a place to honor Barbie and give it to Ryan Gosling. The same logic could apply to Mark Ruffalo in Poor Things or Robert De Niro in Killers of the Flower Moon.

The Verdict:

At this point, anything other than a Downey Jr. victory would be a significant upset.

My Case Of posts will continue with the direction of Christopher Nolan in Oppenheimer…

Oscars: The Case of America Ferrera in Barbie

As we do every year on this here blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.

It began with the ten BP contenders and now it alternates alphabetically between the hopefuls in the other five big races. Today we arrive at our third performer in Best Supporting Actress and that’s America Ferrera in Barbie. Let’s get to it!

Previous Oscar Acting Nominations:

None

The Case for America Ferrera:

Every performer wants that obvious Oscar clip and Ferrera has it playing Gloria as the single ma tells the challenges of being a woman. That speech likely propelled the Globe, SAG, and Emmy winner for TV’s Ugly Betty to her first Academy nod. Alongside fellow nominee Ryan Gosling, she was singled out for plaudits in Greta Gerwig’s billion plus grossing phenomenon. A Critics Choice mention preceded this.

The Case Against America Ferrera:

Ferrera didn’t make the cut at SAG, BAFTA, and the Globes (unlike Gosling) and the acting branch didn’t recognize lead Margot Robbie. Da’Vine Joy Randolph (The Holdovers) has won the key precursors so far and stands as the favorite.

The Verdict:

I wouldn’t bet on Ferrera making a speech from the podium on March 10th.

My Case Of posts will continue with Robert Downey Jr. in Oppenheimer…

Oscars: The Case of Paul Giamatti in The Holdovers

As we do every year on this here blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.

It began with the ten BP contenders and now it alternates alphabetically between the hopefuls in the other five big races. Today we arrive at our third performer in Best Actor and that’s Paul Giamatti in The Holdovers. Let’s get to it!

Previous Oscar Acting Nominations:

Cinderella Man (Supporting Actor, 2005)

The Case for Paul Giamatti:

He has an Emmy and a Globe as the title character in HBO’s John Adams from 2008, but Paul Giamatti has just one Oscar nod for his supporting work in Cinderella Man. For that nomination, he was in the mix but came up short to George Clooney in Syriana. That means he was snubbed for 2003’s American Splendor and, most notably, 2004’s Sideways. There could be an overdue narrative brewing. As temperamental teacher Paul Hunham in his second collaboration with Alexander Payne behind Sideways, Giamatti has won the Globe for Actor in a Comedy/Musical and took the Critics Choice Award. He’s also in contention for BAFTA tomorrow and SAG next week.

The Case Against Paul Giamtti:

That the Oppenheimer love will translate to Cillian Murphy being named. He is the recipient of the Globe for Actor in a Drama. Perhaps voters will feel The Holdovers is being properly honored in Supporting Actress where Da’Vine Joy Randolph is the frontrunner.

The Verdict:

Giamatti stands an excellent chance… as does Murphy. My suspicion is that Murphy takes BAFTA and Giamatti is out front as SAG. If that pans out, we are in for a showdown on the evening of the Academy’s festivities. If either of the performers win BAFTA/SAG, consider them the strong favorite.

My Case Of posts will continue with America Ferrera in Barbie…

Oscars: The Case of Sandra Hüller in Anatomy of a Fall

As we do every year on this here blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.

It began with the ten BP contenders and now it alternates alphabetically between the hopefuls in the other five big races. Today we arrive at our third performer in Best Actress and that’s Sandra Hüller in Anatomy of a Fall. Let’s get to it!

Previous Oscar Acting Nominations:

None

The Case for Sandra Hüller:

The German actress earned raves for her turn in Justine Triet’s Cannes Palme d’Or winning French legal drama which earned five overall nods including Picture. She also added to her impressive 2023 with her role in BP nominated The Zone of Interest (where she probably came up just short in Supporting Actress). The Globes, Critics Choice, and BAFTA put her in their mix and she’s received a few regional critics prizes.

The Case Against Sandra Hüller:

Hüller has yet to win a key precursor as those have gone to Emma Stone (Poor Things) and Lily Gladstone (Killers of the Flower Moon). She missed SAG. France dropped the ball by selecting The Taste of Things as their International Feature Film contender instead of Anatomy. If they had, it might have taken that race (over The Zone of Interest) and those coattails could’ve helped.

The Verdict:

Stone or Gladstone are the favorites. However, if an upset did occur, Hüller could pull it off and that’s especially true if she wins the BAFTA. I wouldn’t bet on it, but I wouldn’t totally dismiss the possibility.

My Case Of posts will continue with Paul Giamatti in The Holdovers…

Oscars: The Case of Yorgos Lanthimos for Poor Things

As we do every year on this here blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.

It began with the ten BP contenders and now it alternates alphabetically between the hopefuls in the five other big races. Today we arrive at our second filmmaker in Best Director and that’s Yorgos Lanthimos for Poor Things. Let’s get to it!

Previous Directing Nominations:

The Favourite (2018)

The Case for Yorgos Lanthimos:

From his 2009 Greek psychological drama Dogtooth to the 2015 pitch black satire The Lobster and 2017 medical thriller The Killing of a Sacred Deer, Lanthimos has emerged as one of the most acclaimed directors of the 21st century (with some comparisons to Kubrick). Absurdist costume period piece The Favourite was his awards breakout with 10 nods and an Actress victory for Olivia Colman. His follow-up absurdist costume period piece Poor Things did that one better with 11 and it has its hardcore supporters. He’s picked up DGA, Critics Choice, and Globe mentions.

The Case Against Yorgos Lanthimos:

That all important DGA precursor went to Christopher Nolan for Oppenheimer and he also received the Globe and Critics Choice. It looks like it’s simply his year. Lanthimos was also snubbed for BAFTA.

The Verdict:

Actress for Emma Stone and Production Design are Oscar things his film could get. Not this category.

My Case Of posts will continue with Sandra Hüller in Anatomy of a Fall…