What does an astronomical $320 million budget get you in Hollywood these days? Apparently a mid-March Netflix release and a heap of critical derision. Meet The Electric State, a comedic sci-fi adventure hitting the streamer March 14th from Anthony and Joe Russo of Avengers: Infinity War and Endgame fame. The human cast for the ultra expensive flick includes Millie Bobby Brown, Chris Pratt, Ke Huy Quan, Stanley Tucci, Woody Norman, Giancarlo Esposito, and Jason Alexander. An equally impressive voice cast includes Woody Harrelson, Anthony Mackie, Brian Cox, Jenny Slate, Alan Tudyk, Hank Azaria, Colman Domingo, and Rob Gronkowski.
It is worth noting that the Russo’s follow-ups to the Avengers juggernauts are the unimpressively reviewed Cherry and The Gray Man. Yet this appears to be receiving the worst of it with 23% on Rotten Tomatoes and 30 on Metacritic. The term “wasted potential” pops up more than once. Only the visual effects would be a possibility for awards attention and the Electric buzz might sink that. This has much more viability at the Razzies than with the Academy. My Oscar Prediction posts will continue…
Of the three previous Marvel Cinematic Universe monikered Captain America pics, there is just one Oscar nomination among them. That would be middle feature The Winter Soldier from 2014 which was up in Visual Effects and lost to Interstellar.
This Friday marks the 4th feature in the sub-franchise and 35th overall MCU title with Captain America: Brave New World. Anthony Mackie takes on the title role for the first time in the Julius Onah directed adventure. Danny Ramirez, Shira Haas, Carl Lumbly, Xosha Roquemore, Jóhannes Haukur Jóhannesson, Giancarlo Esposito, Tim Blake Nelson, and Harrison Ford costar.
Not all reviews are subpar but a lot of them are breaking bad. The Rotten Tomatoes score is 51% with Metacritic at 43. That’s certainly on the lower rung of the record setting franchise’s numbers and by far the worst of the America quartet (which is said to be more of a sequel to 2008’s The Incredible Hulk).
Most MCU fare is only Academy competitive in Visual Effects. Beginning with 2008’s Iron Man, they’re 0 for 14 in that race. Some critics are complaining that World has the looks of a direct to Disney+ effort. I wouldn’t expect this to be the 15th hopeful for the visuals. My Oscar Prediction posts will continue…
Disney hopes that audiences will love Captain America: Brave New World enough to give it a commanding start during the long weekend beginning with Valentine’s Day and concluding on Presidents’ Day. The 35th feature in the Marvel Cinematic Universe has Anthony Mackie, once the Falcon, donning the shield as the title character and replacing Chris Evans. Julius Onah directs with a supporting cast including Danny Ramirez, Shira Haas, Carl Lumbly, Xosha Roquemore, Jóhannes Haukur Jóhannesson, Giancarlo Esposito, Tim Blake Nelson, and Harrison Ford. That last cast member takes over the role of Thaddeus Ross (now the President of the United States) played in earlier MCU entries by the late William Hurt.
The fifth feature in Phase Five of this massive franchise, World finds the MCU in a unique place. Last year’s Deadpool & Wolverine was a massive blockbuster that took in $1.3 billion worldwide. On the flip side, there’s been recent under performers such as Eternals, Ant-Man and the Wasp: Quantumania, and The Marvels.
Earlier Captain America sagas with Evans were critically appreciated and made significant bucks. 2016’s Captain America: Civil War, the previous flick with the C.A. moniker, topped a billion globally. It didn’t hurt that it was essentially another Avengers tale. It made nearly $180 million on its opening weekend domestically.
Expectations are not as high nearly a decade later. The four-day tally should hover around $90 million. That’s where estimates are at and I don’t really see this significantly outdoing the anticipated range. In fact, falling slightly under wouldn’t shock me.
Captain America: Brave New World opening weekend prediction: $78.9 million (Friday to Sunday); $90.7 million (Friday to Monday)
My final predictions for nominees at the 97th Academy Awards arrives this Wednesday, January 15th prior to the announcement on Sunday, January 19th. Before I make them, I’m taking a deeper dive into the six major categories (Picture, Director, the four acting derbies) with detailed thoughts on where I think each race stands.
The second post in this series is Best Supporting Actor. If you missed my write-up for Best Actress, you can access it here:
Unlike some of the other categories… Best Picture for example… I do believe there’s a legit frontrunner in Supporting Actor and that’s Kieran Culkin for A Real Pain. He has received a quartet of significant Oscar precursor nominations thus far: the Golden Globe, the BAFTA long list, SAG, and Critics Choice. That’s in addition to a slew of critics group prizes. Most significantly, he won the Golden Globe last week. The only potential drawback to a victory is that A Real Pain is a question mark for Best Picture inclusion. Since the Academy’s BP nominees expanded to more than five (and now a set 10) starting in 2009, 14 of the 15 Supporting Actor recipients came from films nominated in the biggest race. The only exception is 2011 with Christopher Plummer from Beginners. If A Real Pain gets into the BP derby, it’ll be much simpler to project Culkin as the victor. If not, that makes him more of a soft leader in the contest.
There are two other performers with the aforementioned precursors to their credit – Yura Borisov in Anora and Edward Norton in A Complete Unknown. At this juncture, it would be bold to leave either of them off the ballot. Both come from surefire BP hopefuls.
So does Guy Pearce of The Brutalist. The veteran actor seeks his first nomination. I’ve had him consistently ranked 2nd behind Culkin for weeks. His SAG omission was a surprise, but he still looks relatively safe for inclusion.
That leaves us with one spot left to fill. Before we consider that, let’s remember a time when these gentlemen had shots for the 97th Academy Awards. In some cases, the movies didn’t turn out to be Oscar contenders or their roles weren’t substantial enough to make the cut. I speak of Tom Hardy or Michael Shannon from The Bikeriders, Benedict Cumberbatch in The Book of Clarence, Brendan Gleeson in Joker: Folie à Deux, and Giancarlo Esposito from Megalopolis.
There’s a next level up of performances. It might not be totally impossible for them to get in, but there’s been no evidence precursor wise to realistically believe they’re a threat. This list includes Josh O’Connor from Challengers, Peter Sarsgaard and John Magaro from September 5 and Bill Skarsgård and Willem Dafoe in Nosferatu, and Drew Starkey in Queer. Same goes for Brian Tyree Henry (The Fire Inside), Adam Pearson (A Different Man), and Samuel L. Jackson (The Piano Lesson). Chris Hemsworth drew raves for Furiosa: A Mad Max Saga, but he hasn’t shown up anywhere. Same story for Dune: Part Two supporting players Javier Bardem and Austin Butler. And John Lithgow (Conclave) and Mark Eydelshteyn (Anora) are likely to cede the spotlight to their costars.
With one spot remaining, I have five contenders worthy of chatter: Jonathan Bailey (Wicked), Clarence Maclin (Sing Sing), Jeremy Strong (The Apprentice), Stanley Tucci (Conclave), and Denzel Washington (Gladiator II). Let’s walk through them one by one, shall we?
Speaking of costars, it sure seemed like Wicked‘s Jonathan Bailey would be on the outside looking in while his popular cast mates Cynthia Erivo and Ariana Grande would get noms. Yet his unexpected SAG inclusion this week puts him in the mix. Nevertheless I have him 5th out of these 5 possibilities.
Clarence Maclin took his real life experience behind bars and became a critical darling playing himself in Sing Sing. He made the BAFTA long list and Critics Choice ballot but missed SAG and the Globes. Oscar may still remember him, but he’s currently 3rd out of these 5 possibilities.
Jeremy Strong’s work as Roy Cohn in The Apprentice has snagged BAFTA long list, the Globes, and SAG and only missed Critics Choice. An excellent argument can be made for Culkin’s Succession costar. At the moment, I have him 2nd of the 5 possibilities which puts him just outside. I could see that changing when I make final picks on Wednesday.
Stanley Tucci is a dark horse for Conclave. No SAG, Globe, or Critics Choice. Just the BAFTA long list and I don’t have him predicted to make their final five. I could envision a scenario where he comes along for the ride at Oscar if they really love Conclave. He’s 4th out of these 5 possibilities.
Denzel Washington’s turn in Gladiator II was correctly called the sequel’s brightest spot. He has the BAFTA long list, Globe, and Critics Choice locked down. SAG voters, on the other hand, surprisingly ignored him. That makes a 10th acting Oscar nomination questionable. I currently have him 1st out of these 5 possibilities and that gets him in. This is mainly predicated on the fact that he’s Denzel Washington and that has worked before (see his 2017 nomination for Roman J. Israel, Esq.).
There you have it. My microscope analysis of Best Supporting Actor for the 97th Academy Awards. Let’s see how it shakes out Wednesday when I do my final picks. I’ll have a dive into Supporting Actress up next!
Financed on his own dime for $120 million, legendary filmmaker Francis Ford Coppola brings his passion project Megalopolis to the big screen on September 27th. The sci-fi epic has a sprawling cast to match its budget including Adam Driver, Giancarlo Esposito, Nathalie Emmanuel, Aubrey Plaza, Shia LaBeouf, Jon Voight, Laurence Fishburne, Talia Shire, Jason Schwartzman, Kathryn Hunter, Chloe Fineman, and Dustin Hoffman.
This is only Coppola’s fourth feature in the 21st century and his first in 13 years (since the little seen Twixt). Cinephiles should have an interest on that fact alone, but there should be struggles for this to have any sort of mainstream breakthrough. When Megalopolis premiered at Cannes, it did so with mixed to negative reactions (the RT score is 52 and Metacritic is 59). It may not help that Coppola was recently subject to news stories about unprofessional behavior on set.
Lionsgate picked up distribution and they’ve had a string of failures in recent weeks including Borderlands and The Crow. This may turn out to be the biggest bomb of all. Tracking is suggesting only mid single digits and I don’t see it getting beyond that.
Megalopolis opening weekend prediction: $4.7 million
An homage to the adult entertainment titles and 80s slashers that created the VHS boom of that era, MaXXXine is the third of Ti West’s trilogy that includes X and Pearl from 2022. Mia Goth reprises her role from the former with a supporting cast including Elizabeth Debicki, Moses Sumney, Michelle Monaghan, Bobby Cannavale, Halsey, Lily Collins, Giancarlo Esposito, and Kevin Bacon.
Out July 5th, MaXXXine will try keeping pace with its two predecessors. In the spring of 2022, X made $4.3 million out of the gate and just shy of $12 million overall domestically. Pearl was a tad behind with a $3.1 million premiere and just over $10 million total.
These low-budget exercises have critics on their side. The RT score is 87% and, while strong, it’s the lowest of the three. Obviously the potential here is limited, but it might manage the best start to the series in mid single digits.
Ti West’s MaXXXine completes a trilogy that started with X in 2022 and continued with Pearl just a few months later that same year. Out July 5th, the pics share critical acclaim with Mia Goth getting a lot of that praise. She headlines (reprising her X role) as an adult film star with this installment set in 1985 Los Angeles. Elizabeth Debicki, Moses Sumney, Michelle Monaghan, Bobby Cannavale, Halsey, Lily Collins, Giancarlo Esposito, and Kevin Bacon are in the supporting cast.
Reviews thus far are in range with its predecessors. X had 94%, Pearl‘s was 92%, and MaXXXine is currently sporting 91% on Rotten Tomatoes. While undeniably fresh, some early chatter suggests this is the weakest of the series.
If reaction was saying this was the strongest, Goth could be in the mix for an Actress bid as an acknowledgement of her work in all three. That doesn’t appear to be realistic. My Oscar Prediction posts will continue…
Instead of saying it’s made with spirit, you can accurately say Megalopolis was made with spirits. As in wine because legendary filmmaker Francis Ford Coppola reportedly sold a hefty portion of that business to finance the $120 million production. This is Coppola’s dream project (in development since the late 1970s) and the sci-fi drama influenced by the fall of the Roman Empire has premiered at Cannes. The large cast includes Adam Driver, Giancarlo Esposito, Nathalie Emmanuel, Aubrey Plaza, Shia LaBeouf, Jon Voight, Jason Schwartzman, Talia Shire, Grace VanderWaal, Laurence Fishburne, Kathryn Hunter, Chloe Fineman, and Dustin Hoffman.
Some reaction from the Riviera is heaping praise on the long gestating picture. There’s plenty more calling it a mess (though a wildly ambitious one) and you can see it in the 47% Rotten Tomatoes rating.
At 85, Coppola is rightfully regarded as one of cinema’s most important figures. That said, for every The Godfather, The Conversation, and Apocalypse Now, there’s some flops and flicks that received middling reviews. His 2011 predecessor Twixt, for example, came and went with scant fanfare.
Despite the high profile surroundings with this unveiling, awards prospects are shaky and that might be generous. I suppose tech races like Production Design or Costume Design could happen, but I think it’s entirely possible the Academy ignores this altogether. One might think Visual Effects is doable yet that aspect is receiving its share of disparagement. The large cast should come up empty-handed too. The three Godfather sagas saw 10 performers get nominated. Based on the write-ups I’ve seen, I don’t see any of the thespians here contending. Same goes for Coppola and his movie. My Oscar Prediction posts will continue…
From Matt Bettinelli-Olpin and Tyler Gillett (the filmmakers known as Radio Silence), Abigail sautés between a crime thriller and vampire tale. It doesn’t completely land that From Dusk til Dawn style jump off and it overstays its welcome. There are lively breaks in the gory repetition and that’s thanks to some quality casting.
The title character is a young girl (played by Alisha Weir) who we first see practicing her ballet moves in an empty theater. She’s being tailed by six criminals engaged in a snatching plot. They succeed in the abduction, at least theoretically. The mastermind behind the taking (Giancarlo Esposito) provides a creepy old house for them to hold Abigail for 24 hours until the ransom is met. The operation has a strict no real names policy (think Reservoir Dogs), so the group is named after Rat Packers. Melissa Barrera is Joey and she’s tasked with being Abigail’s sole point of contact. We quickly figure out she kidnaps with kindness and is our heroine. She also has a drug problem and might’ve abandoned her son, but she’s rather virtuous compared to the lot.
That includes former detective Frank (Dan Stevens, clearly having a ball and looking a bit like Bradley Cooper), spoiled brat and computer hacker Sammy (Kathryn Newton), and demented getaway driver Dean (Angus Cloud). Low IQ muscleman Peter (Kevin Durand) and Marine Rickles (Will Catlett) complete the sextet.
The young captor doesn’t waste much time engaging in mind games with the unwelcome house guests. In what might have been a juicy twist if the trailer and ads hadn’t clearly spelled it out, she’s a bloodsucker who has been around much longer than her appearance suggests. As if that weren’t enough, she has a father whose name sends chills down the spine of those who hear it.
Abigail should be more of a guilty pleasure than it is. There are times when it flourishes. Stevens steals the show while Barrera is saddled with a semi-serious and boring backstory. Some of the exaggerated violence is reminiscent of Radio Silence’s Ready or Not from 2019. That can be a good thing though it’s a reminder that the pic five years ago was superior. Alisha Weir’s performance is certainly a plus as she switches up the cadence of a preteen and a centuries old devourer of souls.
Despite some clever moves, this ultimately stalls in the third act and takes a while to ramp up in the first place. Its bucket of blood falls on the half empty side a little too often.
Matt Bettinelli-Olpin and Tyler Gillett, makers of Ready or Not and the last two Scream installments, are in vampiric mode with Abigail on April 19th. Reimagining 1936’s Dracula’s Daughter, the horror flick stars Melissa Barrera (also of the latest Scream entries), Dan Stevens, Alisha Weir, Kathryn Newton, William Catlett, Kevin Durand, the late Angus Cloud, Matthew Goode, and Giancarlo Esposito.
Genre fans have had plenty to feast on in 2024. Just last weekend, we saw The First Omen struggle to bring audiences in with an opening under $10 million despite solid reviews. Abigail is generating appreciative notices as well with a current 82% RT rating.
I suspect Abigail will cross $10 million, but $20 million (or even $15 million) seems like a bridge too far.
Abigail opening weekend prediction: $13.1 million
For my The Ministry of Ungentlemanly Warfare prediction, click here:
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