My final predictions for nominees at the 97th Academy Awards arrives this Sunday, January 19th (note the new date) prior to the announcement on Thursday, January 23rd. Note that new date too as the Academy pushed back the nomination unveilings due to the California wildfires. Before I make them, I’m taking a deeper dive into the six major categories (Picture, Director, the four acting derbies) with detailed thoughts on where I think each race stands.
The fifth post in this series is Best Director. If you missed my write-ups for the acting derbies, you can access them here:
Similar to Best Actor, I believe there are four hopefuls represented here that you don’t want to bet against. There is a quartet of filmmakers who have been nominated in the four most significant precursors (DGA, Golden Globes, BAFTA, Critics Choice). They are Jacques Audiard (Emilia Pérez), Sean Baker (Anora), Edward Berger (Conclave), and Brady Corbet (The Brutalist). Mr. Corbet won the Globe while the other races are TBD. I wouldn’t leave any of them out of your predictions.
So it all comes down to the fifth slot and I will discuss seven possibilities that I feel are viable. Before we get to that, there are the directors who might’ve had a shot before their pictures premiered. The movies either became non-contenders due to poor buzz and reviews or just never properly caught on in the awards chatter. This list includes Francis Ford Coppola (Megalopolis), Todd Phillips (Joker: Folie à Deux), Yorgos Lanthimos (Kinds of Kindness), Ridley Scott (Gladiator II), George Miller (Furiosa: A Mad Max Saga), Joshua Oppenheimer (The End), Pablo Larrain (Maria), Pedro Almodóvar (The Room Next Door) and Steve McQueen (Blitz).
The next level includes makers of movies that didn’t quite reach BP consideration and even some that could make the cut at BP. I’m looking at Tim Fehlbaum (September 5), Greg Kwedar (Sing Sing), Jesse Eisenberg (A Real Pain), Walter Salles (I’m Still Here), Robert Eggers (Nosferatu) and Luca Guadagnino for Challengers and Queer.
Now let’s get to the 7 individuals fighting for the 5th spot, shall we?
Jon M. Chu directed one of the year’s largest blockbusters in Wicked. However, he has only picked up a Critics Choice precursor mention in which there were eight nominees. I’d rank him 6th of these 7 possibilities.
Coralie Fargeat’s behind the camera work for The Substance has yielded her Globe, Critics Choice, and BAFTA noms. The notable omission is DGA, but DGA/Oscar seldom match completely. I have her 1st of these 7 possibilities.
Payal Kapadia (All We Imagine as Light) got in the Globes mix but couldn’t make it anywhere else. She’s 5th of the 7 possibilities.
James Mangold (A Complete Unknown) was the surprise fifth contender at DGA and Unknown has been exceeding expectations at precursors as we arrive at Oscar nominations. Under the same logic seen above with Fargeat, I have Mangold 3rd of the 7 possibilities.
Mohammad Rasoulof’s direction of The Seed of the Sacred Fig was once seen a strong hopeful. Fig has, however, seemingly fallen out of BP contention and Rasoulof has not been nominated at any of the aforementioned shows. He’s 7th of the 7 possibilities.
RaMell Ross (Nickel Boys) made the octet of Critics Choice contestants and has been absent elsewhere. Boys is a question mark for BP inclusion and I have Ross 4th of the 7 possibilities.
Finally, Denis Villeneuve was a shocking snub in 2021 with Dune. For Dune: Part Two, he’s missed DGA and the Globes but was included in Critics Choice and BAFTA. The Academy might seek to rectify their ’21 activity. At the moment, I have him 2nd of the 7 possibilities for the last slot.
OK. There you have it. My microscope analysis of Director for the 97th Academy Awards. Let’s see how it shakes out Sunday when I do final picks. I’ll have that all-important dive into Best Picture up next!
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