Jurassic World Rebirth achieved the third best debut of 2025, but Superman will attempt to do the same on Friday. James Gunn’s DC reboot of the iconic superhero franchise is the only new wide release this weekend and you can peruse my detailed prediction post here:
In order to reach that third best mark, it’ll need to top Rebirth‘s low 90s start (more on that below). I’m projecting it’ll do so with plenty of room to spare while not reaching the heights of A Minecraft Movie or Lilo & Stitch. My mid to high 120s projection puts it just ahead of 2013’s Man of Steel which kicked off the previous iteration of the series.
As for Rebirth, I’m estimating a sophomore drop around 60%. That would it in line with the second weekend dips for Jurassic Park III, Jurassic World: Fallen Kingdom, and Jurassic World: Dominion. It is possible that the Superman competition and the ho-hum B Cinemascore could mean a more precipitous fall.
Holdovers F1, How to Train Your Dragon, and Elio should populate the rest of the top 5 and here’s how I envision it shaking out:
1. Superman
Predicted Gross: $128.6 million
2. Jurassic World Rebirth
Predicted Gross: $34.2 million
3. F1
Predicted Gross: $13.3 million
4. How to Train You Dragon
Predicted Gross: $6.8 million
5. Elio
Predicted Gross: $3.5 million
Box Office Results (July 4-6)
Jurassic World Rebirth didn’t match the grosses of the three previous Jurassic World experiences. The dino adventure from Gareth Edwards did, however, manage to outdo most expectations including mine. It ruled over the holiday frame with $92 million from Friday to Sunday and $147.8 million since its Wednesday bow. That exceeds my respective forecasts of $80.8 million and $133 million. The long-running franchise is certainly not extinct and we can anticipate future sequels.
I miscalculated the staying power of F1 in its second lap. The racing drama was second with $25.7 million (a 55% ease). My $39.7 million estimate was obviously far more generous as I assumed word-of-mouth would carry it to a sturdier hold. The ten-day take is still a commendable $109 million and the overseas earnings are impressive.
How to Train Your Dragon was third with $11.2 million, a bit below my $12.9 million call. The live-action remake of the animated pic is up to $224 million in four weeks.
Disney/Pixar’s woes continued as the disappointing Elio was fourth with $5.7 million (I said $6.2 million). The three-week total is just $55 million.
28 Years Later rounded out the top five with $4.5 million. My prediction? $4.5 million! It’s made $60 million in three weeks.
None of the five follow-ups to Steven Spielberg’s 1993 classic Jurassic Park generated much awards attention. Will that change with the sixth? Jurassic World Rebirth hits theaters on Wednesday with Gareth Edwards handling directorial duties and Scarlett Johansson, Mahershala Ali, Jonathan Bailey, Rupert Friend, and Manuel Garcia-Rulfo starring.
The original over three decades ago won all 3 Oscars it was up for – Visual Effects, Sound Editing, and Sound Mixing (back when the sound races were separated). 1997 sequel The Lost World: Jurassic Park landed a sole VE nom, but lost to Titanic. The next four entries – Jurassic Park III, Jurassic World, Jurassic World: Fallen Kingdom, Jurassic World: Dominion – garnered a total of zero Academy mentions.
Reviews for Rebirth are mixed to negative. While certainly stronger than Dominion‘s 29% Rotten Tomatoes rating and 38 Metacritic, the 56% RT and 53 Meta are nothing to roar about. Edwards has seen two pics in his filmography contend in Visual Effects – 2016’s Rogue One: A Star Wars Story and 2023’s The Creator. I doubt his first dino adventure will bring the series back into that category for the first time this century. My Oscar Prediction posts will continue…
Jurassic World Rebirth looks to rule the Independence Day holiday frame beginning July 2nd. This is now the third iteration of the dino franchise that kicked off with 1993’s Jurassic Park from Steven Spielberg and the seventh entry overall. Gareth Edwards, no stranger to franchise fare with Godzilla and Rogue One: A Star Wars Story in his discography, directs. Scarlett Johansson headlines the cast that features Mahershala Ali, Jonathan Bailey, Rupert Friend, and Manuel Garcia-Rulfo.
The second Jurassic trilogy premiered in spectacular fashion a decade back when Jurassic World made $208 million out of the gate and $652 million domestically. The follow-ups performed well though with diminishing results. Jurassic World: Fallen Kingdom in 2018 debuted at $148 million and $417 million overall. 2022’s Jurassic World: Dominion was barely behind at $145 million and $376 million in total.
I anticipate that Rebirth will continue the downward trend. When World opened 10 years ago, there was pent up anticipation for the franchise with a nostalgia factor in play. Such factors are diluted with only a three-year layover between entries. It doesn’t help that Dominion was generally considered a disappointment.
That means the streak of Jurassic tales making nine figures in the traditional weekend is endangered. I’ll say high 70s to low 80s is likelier. However, the five-day could top $130 million.
Jurassic World Rebirth opening weekend prediction: $80.8 million (Friday to Sunday); $133 million (Wednesday to Sunday)
In what has become a tradition on the blog, it is time to revisit the cinematic season that transpired ten years ago. In 2014, that meant the warmer months were ruled by a ragtag group of relatively unknown Marvel superheroes (at least compared to your Spideys, Batmen, and Supermen, etc…).
Audiences might have been hooked on the feelings these MCU characters gave them, but they were also transfixed by apes, giant lizards, and pizza chomping turtles.
Let’s take a trip down a decade old memory lane with the top 10 domestic earners of summer ’14 as well as other noteworthy pics and significant flops.
10. How to Train Your Dragon 2
Domestic Gross: $177 million
While the DreamWorks Animation sequel couldn’t match or exceed the gross of its 2010 predecessor at $217 million, the fantasy tale won the Golden Globe for its genre and was Oscar nominated for Animated Feature. A sequel would follow five years later.
9. Teenage Mutant Ninja Turtles
Domestic Gross: $191 million
With Michael Bay producing and Megan Fox starring, the transformation of this franchise from the 1990s to the 21st century was a financial if not critical success. A sequel which made less cash came two summers later.
8. 22 Jump Street
Domestic Gross: $191 million
Channing Tatum and Jonah Hill’s second go-round as hapless cops (this time graduating to going undercover at college instead of high school) outpaced the 2012 original financially. A third Street never arrived (there was a rumored crossover with the Men in Black series), but Tatum has recently spoken of his desire to get the ball rolling.
7. Godzilla
Domestic Gross: $200 million
It might be the 30th overall feature in the Godzilla franchise, but this monster mash from Gareth Edwards achieved some of the series’ best reviews and kicked off the MonsterVerse that is still wreaking havoc at multiplexes. It also assisted in washing away dirty memories of Roland Emmerich’s 1998 summertime treatment with Matthew Broderick
6. The Amazing Spider-Man 2
Domestic Gross: $202 million
While it made over $200 million domestic, Andrew Garfield’s return to the Spidey suit was seen as underwhelming with critics and audiences. Planned sequels didn’t materialize though Garfield and head villain Jamie Foxx would reprise their roles in 2021’s Spider-Man: No Way Home.
5. Dawn of the Planet of the Apes
Domestic Gross: $208 million
The follow-up to 2011’s Rise of the Planet of the Apes, Matt Reeves took over directorial duties. The result was critical acclaim as Dawn became the long running franchise’s largest grosser. Two sequels (including Kingdom of the Planet of the Apes in May) have followed.
4. X-Men: Days of Future Past
Domestic Gross: $233 million
This sequel combined cast members from the 2000-06 trilogy including Hugh Jackman’s Wolverine, Ian McKellen’s Magneto, Patrick Stewart’s Professor X, and Halle Berry’s Storm with some of their younger counterparts from 2011’s X-Men: First Class like Michael Fassbender’s Magneto and James McAvoy’s Professor X (as well as Jennifer Lawrence’s Mystique). The result is the highest earning pic with X-Men in the title. With the exception of the Deadpool success that followed two years later, direct sequels Apocalypse and Dark Phoenix failed to replicate the success here.
3. Maleficent
Domestic Gross: $241 million
After the massively profitable live-action remake of their animated Alice in Wonderland four years earlier, Disney continued the trend with Maleficent. Angelina Jolie starred as the Sleeping Beauty villainess and a 2019 sequel earned less than half of the total of this domestically.
2. Transformers: Age of Extinction
Domestic Gross: $245 million
Shia LaBeouf exited Michael Bay’s robotic mayhem and Mark Wahlberg entered this fourth entry. A billion in receipts worldwide resulted in making this 2014’s best worldwide grosser. Sequels are still coming and the latest Transformers: Rise of the Beasts hit a lower $157 million last year.
1. Guardians of the Galaxy
Domestic Gross: $233 million
This was the 10th feature in the MCU and it seemed like the first that could be a financial question mark. The heroes weren’t as familiar to audiences, but James Gunn’s tale of eccentric comic characters took by the box office by storm. Two sequels have followed in addition to Guardians appearances in other MCU sagas.
And now let’s cover some other flicks from ’14 that had crowds and critics chatting.
Neighbors
Domestic Gross: $150 million
The comedic teaming of Seth Rogen and Zac Efron caused this fraternal experience to be the season’s most fruitful original comedy. A less regarded sequel came two years later.
Lucy
Domestic Gross: $126 million
Two summers after The Avengers set records, Scarlett Johansson had a solid sci-fi action grosser with Luc Besson’s concoction.
The Fault in Our Stars
Domestic Gross: $124 million
John Green’s phenomenon of a YA romance bestseller became a blockbuster with decent reviews highlighting the chemistry of leads Shailene Woodley and Ansel Elgort.
Edge of Tomorrow
Domestic Gross: $100 million
Doug Liman’s sci-fi actioner with elements of Groundhog Day was not a sizable hit upon release. However, the Tom Cruise and Emily Blunt led title’s reputation has grown since with occasional rumors of another Tomorrow.
Let’s Be Cops
Domestic Gross: $82 million
This buddy cop pic was an out of nowhere late season surprise with over $100 million globally against a meager $17 million budget. Unlike nearly all other movies I’ve spoken of above, a sequel (somehow) did not happen.
Chef
Domestic Gross: $31 million
After helming two ginormous Iron Man chapters and a disappointment with Cowboys and Aliens, Jon Favreau cooked up critical cred and impressive midsize numbers with this road dramedy.
Boyhood
Domestic Gross: $25 million
Shot over a span of a decade, Richard Linklater’s unique coming-of-age drama remains the best reviewed picture of the 21st century according to Metacritic. Six Oscar nods, including a Supporting Actress victory for Patricia Arquette, were among its many plaudits.
Snowpiercer
Domestic Gross: $4 million
Bong Joon-Ho, who would make the BP winning Parasite five years later, garnered acclaim for this post-apocalyptic pic that would eventually spawn a TV series.
OK, so not all 2014 summer sagas were prosperous and here’s some that were considered commercial and/or critical disappointments.
Hercules
Domestic Gross: $72 million
Brett Ratner’s version of the Greek god wreaking havoc on his enemies cast Dwayne Johnson in the lead. The grosses were actually fairly decent, but I’m sure the studio were hoping for nine figures stateside… and does anyone even mention this movie anymore?
Jersey Boys
Domestic Gross: $47 million
The original play earned Tonys but audiences mostly tuned out Clint Eastwood’s take on the decades spanning musical drama.
Blended
Domestic Gross: $46 million
The Wedding Singer and 50 First Dates were each lucrative rom coms with Adam Sandler and Drew Barrymore. The third time was not the charm with moviegoers or reviewers.
A Million Ways to Die in the West
Domestic Gross: $43 million
Family Guy creator Seth MacFarlane ruled the comedic box office in summer 2012 with Ted. This follow-up starring him and Charlize Theron didn’t hit the bullseye.
The Expendables 3
Predicted Gross: $39 million
The previous two action headliners with Stallone, Schwarzenegger, Statham, and Snipes and others did well. For inexplicable reasons, a PG-13 rating was slapped on this third one and audiences turned their nose up for what they wanted to be R-rated violence. A fourth (and also unsuccessful) pic came out last year.
Sex Tape
Predicted Gross: $38 million
Jason Segel and Cameron Diaz couldn’t cause people to cue up this raunchy comedy which played to mostly empty establishments.
Sin City: A Dame to Kill For
Domestic Gross: $13 million
The first Sin City in 2005 made nearly $30 million in its first weekend while this sequel grossed less than half that figure total. The comic book adaptation co-directed by Robert Rodriguez and Frank Miller might stand as the biggest flop of the season.
And that’s your recap, folks! Hope you enjoyed this walk down memory lane and I’ll have a post about summer 2015 up in the summer of 2025!
Universal Pictures hopes to scare up big business in the first full weekend of October with The Exorcist: Believer. It’s the only new release coming out after a handful of pics were out this past frame. You can peruse my detailed prediction post on it here:
David Gordon Green’s direct sequel to the 1973 horror classic (with Ellen Burstyn returning to her Oscar nominated role) looks to be a financial success like the filmmaker’s recent Halloween trilogy. I’m thinking it might accomplish that goal and my forecast is at the higher end of its anticipated range at over $30 million.
All holdovers seem destined to slide a spot. PAW Patrol: The Mighty Movie had a better than anticipated start (more on that below) and the sophomore dip should be the smallest of last weekend’s newcomers. Falls for Saw X and The Creator should be heftier with The Nun II rounding out the top five in its fifth outing.
Here’s how I see it playing out:
1. The Exorcist: Believer
Predicted Gross: $31.9 million
2. PAW Patrol: The Mighty Movie
Predicted Gross: $12.8 million
3. Saw X
Predicted Gross: $8.3 million
4. The Creator
Predicted Gross: $5.9 million
5. The Nun II
Predicted Gross: $2.6 million
Box Office Results (September 29-October 1)
PAW Patrol: The Mighty Movie eclipsed the earnings of its 2021 predecessor (which opened during the COVID challenges) and was easily the top dog of the weekend with $22.7 million. That’s ahead of my $16.3 million call as the animated sequel based on the Nickelodeon series brought in family audiences.
Saw X, which surprisingly received the best reviews of the nearly 20-year-old franchise, was second and slightly beat projections with $18.3 million. I went lower with $15.7 million. That’s an improvement over previous entries Jigsaw (2017) and Spiral (2021) while a far cry from the $30M+ that earlier editions managed.
I was off base in saying sci-fi thriller The Creator from Gareth Edwards would capture the #1 position. With a third place premiere at $14 million, it fell short of my $17.9 million take. Look for it to fade quickly as its overseas grosses were also underwhelming.
The Nun II, after three weeks in 1st, was fourth with $4.7 million. My prediction? $4.7 million! The four-week tally is a sturdy $76 million.
I failed to see that The Blind might be in the top 5. Recounting the early days of Duck Dynasty star Phil Robertson, the Fathom Events feature did manage the 5 spot with $4.3 million and $5.1 million since its Thursday bow.
The final wide release was Dumb Money as it expanded nationwide and disappeared in seventh with $3.3 million (I said $5.5 million). The overall three-week gross is a weak $7 million.
The Creator, out Friday, marks the first feature from Gareth Edwards since Rogue One: A Star Wars Story from 2016. The sci-fi thriller with John David Washington is said to be a visual feast. Reviews themselves are mostly on the plus side with an 82% Rotten Tomatoes score.
When Dune: Part Two was pushed back to 2024, the easy frontrunner for Visual Effects went with it. Now the VE competition is far more open with hopefuls like Oppenheimer and Guardians of the Galaxy Vol. 3 (hoping to be the MCU’s first winner) in the mix.
It’s a strong possibility that The Creator is too. If so, it would mark the filmmaker’s second nod in a row for VE (Rogue lost to The Jungle Book seven years back). That’s likely to be the only race where this contends. My Oscar Prediction posts will continue…
After the worst box office weekend of 2023, Hollywood hopes to rebound with a quartet of new releases. We have sci-fi action pic The Creator from Gareth Edwards, the return of Jigsaw in Saw X, animated canine sequel PAW Patrol: The Mighty Movie, and the wide expansion of the GameStop stock dramedy Dumb Money. My detailed prediction posts on all of them can be accessed here:
The newcomers should manage to populate the 1-4 slots. The Creator seems poised for #1 though I’m projecting it’ll fall under $20 million for a so-so high teens start.
As for the runner-up position, it could be either of the sequels. The Saw franchise seems to have run out of steam in recent years. My low double digits estimate means a third place start as I see PAW getting into the low teens.
Dumb Money has done fair business in limited release and the expansion might mean mid single digits for fourth position. The lone holdover in the top five should be unlikely three-week champ The Nun II.
Here’s how I see it shaking out:
1. The Creator
Predicted Gross: $17.9 million
2. PAW Patrol: The Mighty Movie
Predicted Gross: $16.3 million
3. Saw X
Predicted Gross: $15.7 million
4. Dumb Money
Predicted Gross: $5.5 million
5. The Nun II
Predicted Gross: $4.7 million
Box Office Results (September 22-24)
Neither Hercule Poirot last weekend nor Jason Statham and Sylvester Stallone could dethrone The Nun II from a third weekend atop the charts. The horror sequel edged Expend4bles with $8.5 million, a little above my $7.5 million take. The three-week total is $69 million.
Expend4bles was a huge disappointment in second with only $8 million compared to my $12.8 million prediction. The nine year break between sequels probably didn’t help, but I would’ve thought it could at least hit $10 million.
A Haunting in Venice had a scary 56% drop for third in its sophomore frame with $6.3 million. I was a bit more generous at $7.2 million. The ten-day tally is a weak $25 million.
The Equalizer 3 was fourth with $4.9 million, on target with my $4.7 million forecast for $81 million overall.
Barbie rounded out the top five with $3.2 million (I said $3.1 million) for a 2023 best $630 million in ten weeks.
My Big Fat Greek Wedding 3 was sixth with $3 million. I went with $2.6 million and the romantic comedy threequel has grossed $23 million after three weeks.
20th Century Studios is banking on audiences wishing to acquaint themselves with The Creator when it debuts September 29th. The sci-fi action flick is original IP from Godzilla (the 2014 version) and Rogue One: A Star Wars Story maker Gareth Edwards (the director co-scripted with Chris Weitz). Tenet lead John David Washington headlines with a supporting cast including Madeleine Yuna Voyles, Gemma Chan, Ken Watanabe, Sturgill Simpson, and Allison Janney.
Made for a reported $80 million, this represents a gamble from the studio. Mr. Washington (unlike his dad Denzel) is not yet a bankable force whose presence can open a movie. As mentioned, it doesn’t have the franchise familiarity of Edwards’s previous two titles.
The Creator will hope for decent grosses stateside and an impressive haul abroad. I question whether this takes in $20 million for its start and I’ll put it a bit under that mark.
The Creator opening weekend prediction: $17.9 million
You could correctly call this Oscar Predictions post the calm before the festival storm as Venice kicks off this week with Telluride and Toronto right behind it. Yet a major development occurred last week as the sands of time are moving slower for Denis Villeneuve’s Dune: Part Two. The epic sequel was pushed back to the spring of 2024.
How big of an impact does that make for my forecasts? A heavy one as I had it achieving 11 nominations. In my previous projections on August 16th, that was second only to Oppenheimer‘s 12. I had it ranked 1st in Makeup and Hairstyling and Visual Effects, 2nd in Costume Design, Film Editing, Original Score, Production Design, and Sound, 3rd in Picture and Director, and 4th for Adapted Screenplay.
In fact, a victory for Dune in Visual Effects was probably the easiest race to call this early (its predecessor won too). Now it makes the VE contest quite interesting. Oppenheimer could take the prize and mark Christopher Nolan’s second win in a row in the category after 2020’s Tenet. It opens the door wider for The Creator from Gareth Edwards. And there’s now more of a shot for the MCU to nab its first statue in VE for Guardians of the Galaxy Vol. 3 in particular.
I plan to do my next update on Labor Day (September 4th). By that time, we will have reviews and buzz from Venice premieres including Ferrari, Maestro, Poor Things, Priscilla, and The Killer. We’ll also have the word out for whatever pics debut at Telluride (to be announced Thursday).
Right after that update on the 4th, the rest of the Venice titles and a slew of Toronto movies will be unveiled. They include The Holdovers, Rustin, Dumb Money, Next Goal Wins, Society of the Snow, Origin, Pain Hustlers,Nyad, Lee, American Fiction, The Burial, and Hit Man.
In other words… it’s about to get really interesting, folks! I’m also dropping some titles that I’m just not sure are actually releasing in 2023 like The Piano Lesson. Obviously, it will re-enter the dance if there’s confirmation on a release this year. Questions persist about other ones. Is Long Day’s Journey Into Night happening before December 31st? Is Shirley or Freud’s Last Session? Will other currently scheduled releases pull a Dune? The answer is likely affirmative.
With the Dune shift, Air moves back into my BP 10 and Bradley Cooper (Maestro) is in Director over Denis Villeneuve. In non-Dune related shifts, Sandra Huller is now #1 in Actress over The Color Purple‘s Fantasia Barrino. Charles Melton from May December hits my Supporting Actor five over Willem Dafoe (Poor Things).
You can read all the movement below and my next update with the Venice buzz arrives in a week!
Best Picture
Predicted Nominees:
1. Killers of the Flower Moon (Previous Ranking: 1) (Even)
2. Oppenheimer (PR: 2) (E)
3. Past Lives (PR: 4) (+1)
4. The Color Purple (PR: 6) (+2)
5. Maestro (PR: 5) (E)
6. The Zone of Interest (PR: 7) (+1)
7. Anatomy of a Fall (PR: 8) (+1)
8. Barbie (PR: 10) (+2)
9. Poor Things (PR: 9) (E)
10. Air (PR: 12) (+2)
Other Possibilities:
11. Saltburn (PR: 11) (E)
12. The Holdovers (PR: 13) (+1)
13. Spider-Man: Across the Spider-Verse (PR: 15) (+2)
14. Napoleon (PR: 14) (E)
15. Ferrari (PR: 16) (+1)
16. The Killer (PR: 17) (+1)
17. May December (PR: 20) (+3)
18. Asteroid City (PR: 18) (E)
19. One Life (PR: 21) (+2)
20. Next Goal Wins (PR: 19) (-1)
21. Rustin (PR: 24) (+3)
22. The Nickel Boys (PR: 22) (E)
23. Dumb Money (PR: 25) (+2)
24. Origin (PR: Not Ranked)
25. The Book of Clarence (PR: Not Ranked)
Dropped Out:
Dune: Part Two
The Piano Lesson
Best Director
Predicted Nominees:
1. Martin Scorsese, Killers of the Flower Moon (PR: 1) (E)
2. Christopher Nolan, Oppenheimer (PR: 2) (E)
3. Celine Song, Past Lives (PR: 4) (+1)
4. Bradley Cooper, Maestro (PR: 7) (+3)
5. Jonathan Glazer, The Zone of Interest (PR: 5) (E)
Other Possibilities:
6. Justine Triet, Anatomy of a Fall (PR: 6) (E)
7. Greta Gerwig, Barbie (PR: 8) (+1)
8. Blitz Bazawule, The Color Purple (PR: 10) (+2)
9. Yorgos Lanthimos, Poor Things (PR: 9) (E)
10. Emerald Fennell, Saltburn (PR: 11) (+1)
11. Ridley Scott, Napoleon (PR: 12) (+1)
12. Alexander Payne, The Holdovers (PR: 13) (+1)
13. Michael Mann, Ferrari (PR: 15) (+2)
14. David Fincher, The Killer (PR: 14) (E)
15. Wes Anderson, Asteroid City (PR: Not Ranked)
Dropped Out:
Denis Villeneuve, Dune: Part Two
Best Actress
Predicted Nominees:
1. Sandra Hüller, Anatomy of a Fall (PR: 2) (+1)
2. Carey Mulligan, Maestro (PR: 4) (+2)
3. Greta Lee, Past Lives (PR: 3) (E)
4. Fantasia Barrino, The Color Purple (PR: 1) (-3)
5. Emma Stone, Poor Things (PR: 5) (E)
Other Possibilities:
6. Annette Bening, Nyad (PR: 8) (+2)
7. Margot Robbie, Barbie (PR: 6) (-1)
8. Natalie Portman, May December (PR: 7) (-1)
9. Kate Winslet, Lee (PR: 9) (E)
10. Jessica Lange, Long Day’s Journey Into Night (PR: 10) (E)
11. Caille Spaeny, Priscilla (PR: 11) (E)
12. Aunjanue Ellis, Origin (PR: Not Ranked)
13. Regina King, Shirley (PR: 12) (-1)
14. Teyana Taylor, A Thousand and One (PR: 15) (+1)
15. Saoirse Ronan, Foe (PR: 13) (-2)
Dropped Out:
Helen Mirren, Golda
Best Actor
Predicted Nominees:
1. Cillian Murphy, Oppenheimer (PR: 1) (E)
2. Bradley Cooper, Maestro (PR: 3) (+1)
3. Leonardo DiCaprio, Killers of the Flower Moon (PR: 2) (-1)
4. Colman Domingo, Rustin (PR: 4) (E)
5. Barry Keoghan, Saltburn (PR: 5) (E)
Other Possibilities:
6. Paul Giamatti, The Holdovers (PR: 6) (E)
7. Teo Yoo, Past Lives (PR: 8) (+1)
8. Anthony Hopkins, One Life (PR: 10) (+2)
9. Joaquin Phoenix, Napoleon (PR: 9) (E)
10. Kingsley Ben-Adir, Bob Marley: One Love (PR: 7) (-3)
11. Michael Fassbender, Next Goal Wins (PR: 11) (E)
12. Adam Driver, Ferrari (PR: 13) (+1)
13. Matt Damon, Air (PR: 12) (-1)
14. David Strathairn, A Little Prayer (PR: Not Ranked)
15. Koji Yakusho, Perfect Days (PR: 14) (-1)
Dropped Out:
Anthony Hopkins, Freud’s Last Session
Best Supporting Actress
Predicted Nominees:
1. Lily Gladstone, Killers of the Flower Moon (PR: 1) (E)
2. Danielle Brooks, The Color Purple (PR: 2) (E)
3. Taraji P. Henson, The Color Purple (PR: 3) (E)
4. Emily Blunt, Oppenheimer (PR: 4) (E)
5. Viola Davis, Air (PR: 5) (E)
Other Possibilities:
6. Da’Vine Joy Randolph, The Holdovers (PR: 6) (E)
7. Rosamund Pike, Saltburn (PR: 7) (E)
8. Julianne Moore, May December (PR: 8) (E)
9. Aunjanue Ellis, The Nickel Boys (PR: 9) (E)
10. Jodie Foster, Nyad (PR: 10) (E)
11. Helena Bonham-Carter, One Life (PR: 11) (E)
12. Penelope Cruz, Ferrari (PR: 14) (+2)
13. Claire Foy, All of Us Strangers (PR: Not Ranked)
14. Vanessa Kirby, Napoleon (PR: 12) (-2)
15. Niecy Nash-Betts, Origin (PR: Not Ranked)
Dropped Out:
Danielle Deadwyler, The Piano Lesson
Lashana Lynch, Bob Marley: One Love
Best Supporting Actor
Predicted Nominees:
1. Robert Downey Jr., Oppenheimer (PR: 1) (E)
2. Robert De Niro, Killers of the Flower Moon (PR: 2) (E)
3. Ryan Gosling, Barbie (PR: 3) (E)
4. John Magaro, Past Lives (PR: 4) (E)
5. Charles Melton, May December (PR: 8) (+3)
Other Possibilities:
6. Willem Dafoe, Poor Things (PR: 5) (-1)
7. Colman Domingo, The Color Purple (PR: 6) (-1)
8. Glenn Howerton, BlackBerry (PR: 9) (+1)
9. Dominic Sessa, The Holdovers (PR: 10) (+1)
10. Jesse Plemons, Killers of the Flower Moon (PR: 11) (+1)
11. Ben Affleck, Air (PR: 14) (+3)
12. Matt Bomer, Maestro (PR: 13) (+1)
13. Matt Damon, Oppenheimer (PR: 12) (-1)
14. Richard E. Grant, Saltburn (PR: Not Ranked)
15. Glynn Turman, Rustin (PR: Not Ranked)
Dropped Out:
Samuel L. Jackson, The Piano Lesson
Mark Ruffalo, Poor Things
Best Original Screenplay
Predicted Nominees:
1. Past Lives (PR: 1) (E)
2. Anatomy of a Fall (PR: 2) (E)
3. Maestro (PR: 4) (+1)
4. Air (PR: 7) (+3)
5. Saltburn (PR: 3) (-2)
Other Possibilities:
6. The Holdovers (PR: 6) (E)
7. May December (PR: 5) (-2)
8. Asteroid City (PR: 8) (E)
9. Fair Play (PR: 9) (E)
10. Rustin (PR: 10) (E)
11. Napoleon (PR: 11) (E)
12. The Boy and the Heron (PR: 12) (E)
13. The Book of Clarence (PR: 13) (E)
14. The Iron Claw (PR: 14) (E)
15. A Thousand and One (PR: 15) (E)
Best Adapted Screenplay
Predicted Nominees:
1. Killers of the Flower Moon (PR: 1) (E)
2. Oppenheimer (PR: 2) (E)
3. Barbie (PR: 3) (E)
4. Poor Things (PR: 6) (+2)
5. The Zone of Interest (PR: 5) (E)
Other Possibilities:
6. The Color Purple (PR: 7) (+1)
7. Spider-Man: Across the Spider-Verse (PR: 10) (+2)
8. One Life (PR: 9) (+1)
9. BlackBerry (PR: 8) (-1)
10. Next Goal Wins (PR: 11) (+1)
11. Origin (PR: Not Ranked)
12. The Nickel Boys (PR: 12) (E)
13. Dumb Money (PR: 13) (E)
14. The Killer (PR: 15) (+1)
15. All of Us Strangers (PR: Not Ranked)
Dropped Out:
Dune: Part Two
The Piano Lesson
Best International Feature Film
Predicted Nominees:
1. The Zone of Interest (PR: 1) (E)
2. Anatomy of a Fall (PR: 2) (E)
3. About Dry Grasses (PR: 3) (E)
4. The Taste of Things (PR: 5) (+1)
5. Monster (PR: 4) (-1)
Other Possibilities:
6. Fallen Leaves (PR: 7) (+1)
7. The Boy and the Heron (PR: 6) (-1)
8. Perfect Days (PR: Not Ranked)
9. La Chimera (PR: 10) (+1)
10. Society of the Snow (PR: Not Ranked)
Dropped Out:
El Conde
The Delinquents
Best Animated Feature
Predicted Nominees:
1. Spider-Man: Across the Spider-Verse (PR: 1) (E)
9. Ernest and Celestine: A Trip to Gibberitia (PR: 9) (E)
10. They Shot the Piano Player (PR: Not Ranked)
Dropped Out:
The Super Mario Bros. Movie
Best Documentary Feature
Predicted Nominees:
1. Beyond Utopia (PR: 1) (E)
2. Still: A Michael J. Fox Movie (PR: 2) (E)
3. 20 Days in Mariupol (PR: 3) (E)
4. Every Body (PR: 5) (+1)
5. The Eternal Memory (PR: 4) (-1)
Other Possibilities:
6. The Mother of All Lies (PR: 6) (E)
7. Orlando, A Political Biography (PR: Not Ranked)
8. Stamped from the Beginning (PR: 7) (-1)
9. Wild Life (PR: 9) (E)
10. The Deepest Breath (PR: 8) (-2)
Dropped Out:
Black Ice
Best Cinematography
Predicted Nominees:
1. Oppenheimer (PR: 2) (+1)
2. Killers of the Flower Moon (PR: 3) (+1)
3. Maestro (PR: 4) (+1)
4. Poor Things (PR: 7) (+3)
5. Napoleon (PR: 5) (E)
Other Possibilities:
6. The Color Purple (PR: 8) (+2)
7. The Zone of Interest (PR: 6) (-1)
8. The Killer (PR: 9) (+1)
9. Ferrari (PR: 10) (+1)
10. Asteroid City (PR: Not Ranked)
Dropped Out:
Dune: Part Two
Best Costume Design
Predicted Nominees:
1. Barbie (PR: 1) (E)
2. Poor Things (PR: 3) (+1)
3. Napoleon (PR: 5) (+2)
4. The Color Purple (PR: 4) (E)
5. Chevalier (PR: 8) (+3)
Other Possibilities:
6. Killers of the Flower Moon (PR: 6) (E)
7. Asteroid City (PR: 7) (E)
8. Oppenheimer (PR: 9) (+1)
9. Priscilla (PR: 10) (+1)
10. Wonka (PR: Not Ranked)
Dropped Out:
Dune: Part Two
Best Film Editing
Predicted Nominees:
1. Oppenheimer (PR: 1) (E)
2. Killers of the Flower Moon (PR: 3) (+1)
3. Maestro (PR: 4) (+1)
4. Air (PR: 5) (+1)
5. Past Lives (PR: 6) (+1)
Other Possibilities:
6. The Zone of Interest (PR: 9) (+3)
7. The Killer (PR: 8) (+1)
8. Anatomy of a Fall (PR: Not Ranked)
9. Ferrari (PR: 7) (-2)
10. The Color Purple (PR: 10) (E)
Dropped Out:
Dune: Part Two
Best Makeup and Hairstyling
Predicted Nominees:
1. Poor Things (PR: 2) (+1)
2. Guardians of the Galaxy Vol. 3 (PR: 3) (+1)
3. Maestro (PR: 4) (+1)
4. Barbie (PR: 6) (+2)
5. Killers of the Flower Moon (PR: 7) (+2)
Other Possibilities:
6. Golda (PR: 8) (+2)
7. Oppenheimer (PR: Not Ranked)
8. Priscilla (PR: 5) (-3)
9. The Color Purple (PR: Not Ranked
10. Beau is Afraid (PR: 9) (-1)
Dropped Out:
Dune: Part Two
Wonka
Best Original Score
Predicted Nominees:
1. Oppenheimer (PR: 1) (E)
2. Killers of the Flower Moon (PR: 3) (+1)
3. Elemental (PR: 4) (+1)
4. The Killer (PR: 9) (+5)
5. Past Lives (PR: 6) (+1)
Other Possibilities:
6. Spider-Man: Across the Spider-Verse (PR: 10) (+4)
7. The Zone of Interest (PR: 5) (-2)
8. Napoleon (PR: Not Ranked)
9. Asteroid City (PR: 8) (-1)
10. One Life (PR: Not Ranked)
Dropped Out:
Dune: Part Two
Poor Things
Best Original Song
Predicted Nominees:
1. TBD from The Color Purple (PR: 1) (E)
2. “What Was I Made For?” from Barbie (PR: 2) (E)
3. “The Wish” from Wish (PR: 3) (E)
4. “I’m Just Ken” from Barbie (PR: 5) (+1)
5. “Road to Freedom” from Rustin (PR: Not Ranked)
Other Possibilities:
6. “Quiet Eyes” from Past Lives (PR: 4) (-2)
7. “Gonna Be You” from 80 for Brady (PR: 6) (-1)
8. “Dance the Night” from Barbie (PR: 7) (-1)
9. “Steal the Show” from Elemental (PR: 8) (-1)
10. “Joan Still” from Theater Camp (PR: 10) (E)
Dropped Out:
“Am I Dreaming?” from Spider-Man: Across the Spider-Verse
Best Production Design
Predicted Nominees:
1. Killers of the Flower Moon (PR: 1) (E)
2. Poor Things (PR: 4) (+2)
3. Barbie (PR: 3) (E)
4. Oppenheimer (PR: 5) (+1)
5. Napoleon (PR: 7) (+2)
Other Possibilities
6. Asteroid City (PR: 6) (E)
7. The Color Purple (PR: 8) (+1)
8. Maestro (PR: 9) (+1)
9. The Zone of Interest (PR: 10) (+1)
10. Saltburn (PR: Not Ranked)
Dropped Out:
Dune: Part Two
Best Sound
Predicted Nominees:
1. Oppenheimer (PR: 1) (E)
2. Napoleon (PR: 3) (+1)
3. Killers of the Flower Moon (PR: 7) (+4)
4. Spider-Man: Across the Spider-Verse (PR: 5) (+1)
5. The Color Purple (PR: 6) (+1)
Other Possibilities:
6. Ferrari (PR: 4) (-2)
7. Maestro (PR: 8) (+1)
8. The Zone of Interest (PR: Not Ranked)
9. The Killer (PR: 9) (E)
10. The Creator (PR: Not Ranked)
Dropped Out:
Dune: Part Two
Barbie
Best Visual Effects
Predicted Nominees:
1. Oppenheimer (PR: 2) (+1)
2. The Creator (PR: 4) (+2)
3. Guardians of the Galaxy Vol. 3 (PR: 3) (E)
4. Rebel Moon (PR: Not Ranked)
5. Napoleon (PR: 5) (E)
Other Possibilities
6. Indiana Jones and the Dial of Destiny (PR: 6) (E)
7. Dungeons & Dragons: Honor Among Thieves (PR: 10) (+3)
8. Barbie (PR: Not Ranked)
9. Wonka (PR: 8) (-1)
10. The Little Mermaid (PR: Not Ranked)
Dropped Out:
Dune: Part Two
Killers of the Flower Moon
Blue Beetle
That means I’m predicting the following numbers of nominations for these pictures:
12 Nominations
Killers of the Flower Moon, Oppenheimer
8 Nominations
Barbie, Maestro
7 Nominations
The Color Purple, Past Lives, Poor Things
5 Nominations
Napoleon
4 Nominations
Air, Anatomy of a Fall, The Zone of Interest
2 Nominations
Elemental, Guardians of the Galaxy Vol. 3, Rustin, Saltburn, Spider-Man: Across the Spider-Verse, Wish
1 Nomination
About Dry Grasses, Beyond Utopia, The Boy and the Heron, Chevalier, The Creator, The Eternal Memory, Every Body, The Killer, May December,Monster, Nimona, Rebel Moon, Still: A Michael J. Fox Movie, The Taste of Things, 20 Days in Mariupol
Adam Wingard’s Godzilla vs. Kong is lighter than its MonsterVerse predecessor Godzilla: King of the Monsters from 2019. I don’t just mean lighter in tone (which it is), but actually lighter where it counts. When the two title character titans clash, we can actually see it. That’s an improvement over what transpired two years ago when Godzilla’s battles were too dimly lit or obscured by pounding rain. That’s a major plus, but not every aspect of this franchise has leveled up. The human characters are still an uninteresting and bland group. We have fine actors whose primary responsibility is to talk about the massive CGI combatants and react to what they’re doing. Their character development is a secondary consideration. That said – we’re not here for that, are we? This is the culmination of three pictures leading to a movie being named Godzilla vs. Kong and it frequently manages to deliver.
We last left King Kong in the 1970s during Kong: Skull Island and Godzilla in the aforementioned Monsters when he successfully warded off King Ghidorah and others. The fourth franchise entry picks up five years after Monsters as Kong is being monitored by Monarch on his native island. His human contact is mostly with linguist Dr. Andrews (Rebecca Hall) and her deaf adopted daughter Jia (Kaylee Hottle), who’s a native of the island. A magazine cover identifies the doctor as the “Kong Whisperer”, but it’s clearly Jia who’s found the most sincere connection with the massive ape. Also on Kong patrol is geologist Dr. Lind (Alexander Skarsgard).
While Kong is living a pretty chill existence on Skull Island, Godzilla’s fiery temper unexpectedly flares up. The not so jolly green giant has resurfaced to do lots of property destruction. His inexplicable attitude adjustment causes the CEO of APEX (Demian Bichir) to recruit Kong to solve this dilemma. APEX is a big shadowy corporation that sells itself as trying to solve the Titans problem. That doesn’t gel with conspiracy theorist Bernie (Brian Tyree Henry) and he’s got sympathizers with Madison Russell (Millie Bobby Brown, returning from Monsters) and her nerdy buddy Josh (Julian Dennison). Madison’s dad, played by Kyle Chandler, also reprises his Monsters role.
Enough with the plot which also involves specialized vehicles zooming through gravity fields. All of this is a prelude to watching Godzilla and Kong fight. It happens early (no shades of the slow buildup of 2014’s Godzilla) and round 1 transpires on water and is gloriously lighted for our entertainment.
The main event is in Hong Kong and that’s when we learn why Godzilla is being so irritable (hint: corporate greed is a factor). The climactic matchup is preceded by some fairly dull scenes with humans. No performance is bad. They’re just inconsequential with the exception of Hottle’s Jia in a winning performance. As long as we’re able to ignore the poor people in the buildings that are demolished with Kong and Godzilla’s every twitch and stumble, these skirmishes are expertly staged and enjoyable. I’d put it a notch below 2014’s Godzilla stand-alone from Gareth Edwards, but a hair above Kong: Skull Island and certainly ahead of Monsters. This delivers on its title well enough and is lit properly.
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