Tag: Frankenstein

79th BAFTA Awards Reaction

I didn’t anticipate mentioning the 2000 feature Billy Elliot in my BAFTA recap covering 2025 pictures, but these voters are dancing to the beat of a different drum so here we are! That’s one surprise of several that developed at the British equivalent of the Academy Awards. It was not surprising that Paul Thomas Anderson’s One Battle After Another led the way and (yes) won one BAFTA after another. However, the outcome of the acting races provided legit unexpected results and might have a hand in reshaping what happens at the 98th Oscars.

As far as results, I went 14 for 23 in my projections and 1 for 4 in the acting derbies. I correctly forecasted Best Film and Director BAFTAs for One Battle After Another and its maker Anderson. Same goes for its victories in Adapted Screenplay and Cinematography. It also took the Editing prize where I had F1.

In Supporting Actor, Battle‘s Sean Penn emerged in a field where I picked Stellan Skasgård as the winner and had Penn’s costar Benicio del Toro as the runner-up. We now have 3 different Supporting Actor victors in the three highest profiles precursors – Penn at BAFTA, Skarsgård at the Globes, and Jacob Elordi (Frankenstein) at Critics Choice. Let’s see what SAG Actor does next weekend as this race is wide open.

Battle did nothing but help its status as BP Oscar frontrunner. Yet Sinners didn’t take a significant hit. It won Original Screenplay and I went with Sentimental Value. I correctly picked it for Original Score.

In Supporting Actress, it represented a One Battle miss and a Sinners pickup. I went with Teyana Taylor, but Wunmi Mosaku lodged her first major recognition. Like Supporting Actor, we now have a trio of recipients among the precursors – Mosaku at BAFTA, Taylor at the Globes, and Amy Madigan (Weapons) at Critics Choice. Once again, SAG Actor will be closely viewed in another wide open acting derby. Simply put, I can’t remember the last time both supporting fields were this unpredictable.

That’s not the case in Actress where Jessie Buckley (Hamnet) predictably did a podium walk as her chances at a seasonal sweep are looking strong.

We will not be seeing a Timothée Chalamet (Marty Supreme) sweep. I had him taking Actor with Ethan Hawke (Blue Moon) as runner-up. BAFTA went their own way with Robert Aramayo (I Swear). He was additionally named the BAFTA Rising Star. Aramayo is not nominated at Oscar. The last time a BAFTA Best Actor wasn’t among the Academy’s quintet? That would be Jamie Bell in the title role of… you guessed it (!) Billy Elliot.

Here’s where I managed to get it right – Hamnet for Outstanding British Film and Sentimental Value having a subpar day with its sole win for Film Not in the English Language. I was correct in calling Zootopia 2 as Best Animated Film. Same goes for Frankenstein with the trio of Costume Design, Makeup & Hair, and Production Design and F1 in Sound and Avatar: Fire and Ash in Special Visual Effects.

Here’s where I whiffed. I will pat myself on the back for predicting The Perfect Neighbor would not be the documentary that BAFTA selected. Unfortunately I went with 2000 Meters to Andrivka and not Mr. Nobody Against Putin. Could it emerge as a spoiler to a Neighbor Oscar prize?

Pillion looked like the pick for Outstanding British Debut by a Writer, Director or Producer, but BAFTA chose My Father’s Shadow. Same with Children’s & Family Film where Zootopia 2 looked probable, but Boong was listed in the envelope. In Casting (always a tough race to project), I Swear emerged over Sentimental Value and my runner-up One Battle.

So what’s the biggest takeaway? I’d say the chaos occurring in the supporting competitions and that Battle vs. Sinners appears to still be a battle.

Today’s ceremony bestowed these numbers of wins for these movies:

6 Wins

One Battle After Another

3 Wins

Frankenstein, Sinners

2 Wins

Hamnet, I Swear

1 Win

Avatar: Fire and Ash, Boong, F1, Mr. Nobody Against Putin, My Father’s Shadow, Sentimental Value, Zootopia 2

I’ll have winner predictions up for SAG Actor (happening a week from today) on the blog soon!

79th BAFTA Winner Predictions

The 79th BAFTAs (Britain’s version of the Academy Awards) occur this Sunday and they are often a reliable precursor to what Oscar voters will do. For example, they are 8 for 8 in the past two cycles in forecasting the acting races. On the flip side, in 2022, none of the four BAFTA acting recipients took the Oscar. The previous five cycles has seen the BAFTA Best Film match with Best Picture only twice (Nomadland, Oppenheimer). In 2021, the Brits honored The Power of the Dog over CODA (which wasn’t nominated). The following year it was All Quiet on the Western Front instead of Everything Everywhere All at Once. Last year, BAFTA selected Conclave and not Anora.

That’s why it’s very tempting to go with Hamnet over arguable frontrunners One Battle After Another and Sinners in the top competition. I almost did so, but ultimately decided with roll with Battle (with a low degree of confidence). Let’s walk through each race one by one with my winner projections and a runner-up.

Best Film

Hamnet, Marty Supreme, One Battle After Another, Sentimental Value, Sinners

WINNER: One Battle After Another

Runner-Up: Hamnet

Best Director

Paul Thomas Anderson (One Battle After Another), Ryan Coogler (Sinners), Yorgos Lanthimos (Bugonia), Josh Safdie (Marty Supreme), Joachim Trier (Sentimental Value), Chloé Zhao (Hamnet)

WINNER: Paul Thomas Anderson, One Battle After Another

Runner-Up: Chloé Zhao, Hamnet

Best Actress

Jessie Buckley (Hamnet), Rose Byrne (If I Had Legs I’d Kick You), Kate Hudson (Song Sung Blue), Chase Infiniti (One Battle After Another), Renate Reinsve (Sentimental Value), Emma Stone (Bugonia)

WINNER: Jessie Buckley, Hamnet

Runner-Up: Renate Reinsve, Sentimental Value

Best Actor

Robert Aramayo (I Swear), Timothée Chalamet (Marty Supreme), Leonardo DiCaprio (One Battle After Another), Ethan Hawke (Blue Moon), Michael B. Jordan (Sinners), Jesse Plemons (Bugonia)

WINNER: Timothée Chalamet, Marty Supreme

Runner-Up: Ethan Hawke, Blue Moon

Best Supporting Actress

Odessa A’Zion (Marty Supreme), Inga Ibsdotter Lilleass (Sentimental Value), Wunmi Mosaku (Sinners), Carey Mulligan (The Ballad of Wallis Island), Teyana Taylor (One Battle After Another), Emily Watson (Hamnet)

WINNER: Teyana Taylor, One Battle After Another

Runner-Up: Inga Ibsdotter Lilleass, Sentimental Value

Best Supporting Actor

Benicio del Toro (One Battle After Another), Jacob Elordi (Frankenstein), Paul Mescal (Hamnet), Peter Mullan (I Swear), Sean Penn (One Battle After Another), Stellan Skarsgård (Sentimental Value)

WINNER: Stellan Skarsgård, Sentimental Value

Runner-Up: Benicio del Toro, One Battle After Another

Best Original Screenplay

I Swear, Marty Supreme, The Secret Agent, Sentimental Value, Sinners

WINNER: Sentimental Value

Runner-Up: Sinners

Best Adapted Screenplay

The Ballad of Wallis Island, Bugonia, Hamnet, One Battle After Another, Pillion

WINNER: One Battle After Another

Runner-Up: Hamnet

Outstanding British Film

28 Years Later, The Ballad of Wallis Island, Bridget Jones: Mad About the Boy, Die My Love, H is for Hawk, Hamnet, I Swear, Mr Burton, Pillion, Steve

WINNER: Hamnet

Runner-Up: Pillion

Outstanding Debut by a British Writer, Director or Producer

The Ceremony, My Father’s Shadow, Pillion, A Want in Her, Wasteman

WINNER: Pillion

Runner-Up: My Father’s Shadow

Best Film Not in the English Language

It Was Just an Accident, The Secret Agent, Sentimental Value, Sirāt, The Voice of Hind Rajab

WINNER: Sentimental Value

Runner-Up: The Secret Agent

Best Animated Film

Elio, Little Amélie or the Character of Rain, Zootopia 2

WINNER: Zootopia 2

Runner-Up: Little Amélie or the Character of Rain

Best Children’s & Family Film

Arco, Boong, Lilo & Stitch, Zootopia 2

WINNER: Zootopia 2

Runner-Up: Arco

Best Documentary

2000 Meters to Andrivka, Apocalypse in the Tropics, Cover-Up, Mr. Nobody Against Putin, The Perfect Neighbor

WINNER: 2000 Meters to Andrivka

Runner-Up: The Perfect Neighbor

Best Casting

I Swear, Marty Supreme, One Battle After Another, Sentimental Value, Sinners

WINNER: Sentimental Value

Runner-Up: One Battle After Another

Best Cinematography

Frankenstein, Marty Supreme, One Battle After Another, Sinners, Train Dreams

WINNER: One Battle After Another

Runner-Up: Sinners

Best Costume Design

Frankenstein, Hamnet, Marty Supreme, Sinners, Wicked: For Good

WINNER: Frankenstein

Runner-Up: Hamnet

Best Editing

F1, A House of Dynamite, Marty Supreme, One Battle After Another, Sinners

WINNER: F1

Runner-Up: One Battle After Another

Best Make Up & Hair

Frankenstein, Hamnet, Marty Supreme, Sinners, Wicked: For Good

WINNER: Frankenstein

Runner-Up: Wicked: For Good

Best Original Score

Bugonia, Frankenstein, Hamnet, One Battle After Another, Sinners

WINNER: Sinners

Runner-Up: Hamnet

Best Production Design

Frankenstein, Hamnet, Marty Supreme, One Battle After Another, Sinners

WINNER: Frankenstein

Runner-Up: Hamnet

Best Sound

F1, Frankenstein, One Battle After Another, Sinners, Warfare

WINNER: F1

Runner-Up: Sinners

Best Special Visual Effects

Avatar: Fire and Ash, F1, Frankenstein, How to Train Your Dragon, The Lost Bus

WINNER: Avatar: Fire and Ash

Runner-Up: F1

That adds up to these movies generating numbers of victories:

5 Wins

One Battle After Another

4 Wins

Sentimental Value

3 Wins

Frankenstein

2 Wins

F1, Hamnet, Zootopia 2

1 Win

2000 Meters to Andrivka, Avatar: Fire and Ash, Marty Supreme, Pillion, Sinners

I’ll have a recap up Sunday with how I performed and my thoughts on how it might impact the Oscars…

Oscar Nominations: The Case of Jacob Elordi in Frankenstein

As we do every year on the blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.

It began with the ten Best Picture contenders and now alternates alphabetically between the hopefuls in the other five races. The BP posts are readily available for your perusing pleasure. Our second write-up among the Supporting Actor five is Jacob Elordi in Frankenstein. If you missed my post covering Benicio del Toro from One Battle After Another, you can find it here:

Oscar Nominations: The Case of Benicio del Toro in One Battle After Another

Previous Acting Nominations:

None

The Case for Jacob Elordi:

The Aussie star of Euphoria and Saltburn (and currently #1 movie Wuthering Heights) entered the awards chat as The Monster in Guillermo del Toro’s passion project. He surprisingly nabbed a trophy at first major precursor Critics Choice and was nominated at the Globes and is awaiting word from BAFTA and SAG Actor.

The Case Against Jacob Elordi:

He lost the Globe to Sentimental Value‘s Stellan Skarsgård. All other nominees in the Academy quintet are veteran thespians and voters might think Elordi’s time could come later.

The Verdict:

At the time of this writing, it is definitely a mystery whether that Critics Choice podium trip was a fluke. It will become more clear if Elordi can manage to take BAFTA or SAG Actor. Both are possible and if takes either or both, his stock on Oscar night goes up.

My Case Of posts will continue with the second director in contention and that’s Ryan Coogler for Sinners…

Oscar Nominations: The Case of Benicio del Toro in One Battle After Another

As we do every year on the blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.

It began with the ten Best Picture contenders and now alternates alphabetically between the hopefuls in the other five races. The BP posts are readily available for your perusing pleasure. Our first contender in the quintet of Supporting Actor nominees is Benicio del Toro for One Battle After Another.

Previous Acting Nominations:

2000: Supporting Actor (Traffic) – WON; 2003: Supporting Actor (21 Grams) – lost to Tim Robbins for Mystic River

The Case for Benicio del Toro:

As sensei Sergio in Paul Thomas Anderson’s multi-nominated pic, del Toro would certainly win if this competition were based on internet memes. Outside of that, his third appearance in this category has been preceded with noms everywhere else including the Golden Globes, BAFTA, Critics Choice, and SAG Actor and several wins from regional critics groups. If Another takes BP (where it’s the frontrunner), an acting victory seems likely to come with it. del Toro is coming off an impressive 2025 with his work here and as lead in Wes Anderson’s The Phoenician Scheme.

The Case Against Benicio del Toro:

Jacob Elordi (Frankenstein) took Critics Choice and Stellan Skasgård (Sentimental Value) got the Globe while we await SAG Actor and BAFTA. He could vote split with his costar Sean Penn. Teyana Taylor, his cast mate contending in Supporting Actress, appears best poised for a Battle acting win.

The Verdict:

Of the four acting derbies, this might be the most unsettled. I still think Benicio needs SAG or BAFTA (that one seems more out of reach) to have a better shot at Oscar.

My Case Of posts will continue with our first directing nominee and that’s del Toro’s auteur Paul Thomas Anderson…

Oscar Predictions: Wuthering Heights

Emerald Fennell’s loose interpretation of Emily Brontë’s nearly 180-year-old romance Wuthering Heights is out Friday and expected to do brisk business at the box office. Margot Robbie and Jacob Elordi (currently up for Supporting Actor in Frankenstein) headline with Hong Chau, Shazad Latif, Alison Oliver, Martin Clunes, and Ewan Mitchell costarring.

Critical reaction is of the mixed variety with 72% on Rotten Tomatoes and a 61 Metacritic. In 2020, Fennell’s debut Promising Young Woman landed five Oscar nominations – Picture, Director, Actress (Carey Mulligan), and Film Editing with a victory for the auteur in Original Screenplay. 2023 follow-up Saltburn drew reviews more in line with Heights and landed zero mentions by the Academy.

Fennell’s third feature might split the difference. I do not anticipate nods in the major races considering the more divisive word-of-mouth. It could, however, show up in down-the-line competitions like Costume Design (where inclusion seems likely), Production Design, or one of the original songs from Charli XCX. My Oscar Prediction posts will continue…

Oscar Nominations: The Case of Train Dreams

As we do every year on the blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.

It begins with the ten Best Picture contenders and then alternates alphabetically between the hopefuls in the other five races. We have arrived at the final film in BP and that’s Clint Bentley’s Train Dreams. If you missed my posts covering the previous nominees, you can find them here:

Oscar Nominations: The Case of Bugonia
Oscar Nominations: The Case of F1
Oscar Nominations: The Case of Frankenstein
Oscar Nominations: The Case of Hamnet
Oscar Nominations: The Case of Marty Supreme
Oscar Nominations: The Case of One Battle After Another
Oscar Nominations: The Case of The Secret Agent
Oscar Nominations: The Case of Sentimental Value
Oscar Nominations: The Case of Sinners

The Case for Train Dreams:

Since premiering at Sundance over a year ago, the period drama has been seen an awards player. In addition to the BP nod, it’s up for Adapted Screenplay, Cinematography, and Original Song. Precursor BP nominations for the Netflix release include the Globes and PGA.

The Case Against Train Dreams:

Note the noms it didn’t get including directing and or any mentions for its cast (Joel Edgerton, Felicity Jones, or William H. Macy). BAFTA almost completely ignored it where it received a sole cinematography nom and it was blanked at SAG Actor.

The Verdict:

Of the two Netflix entries up in the biggest race, Dreams is below Frankenstein as far as victory chances and Frankenstein is definitely not going to win.

My Case Of posts will continue with the first Best Actress write-up and that’s Jessie Buckley in Hamnet…

78th DGA Awards Predictions

The 78th Directors Guild of America (DGA) Awards occur on Saturday evening and there’s some genuine intrigue in the biggest race of all. Their honoree for Feature Film has correlated with the Academy’s Best Director recipient 22 out of 25 times in the 21st century. The exceptions are 2002 when the DGA victor was Rob Marshall (Chicago) and the Oscar winner was Roman Polanski (The Pianist), 2012 – Ben Affleck, Argo (DGA) and Ang Lee, Life of Pi (Oscar), and 2019 – Sam Mendes, 1917 (DGA) and Bong Joon-ho (Parasite).

Why the drama? This DGA ceremony could provide a major clue as to what will be taking Best Picture in a few weeks. There are three film related competitions at DGA. Let’s walk through them one by one with a winner projection and a runner-up.

Feature Film

Nominees: Paul Thomas Anderson (One Battle After Another), Ryan Coogler (Sinners), Guillermo del Toro (Frankenstein), Josh Safdie (Marty Supreme), Chloé Zhao (Hamnet)

Per usual, 4 of the 5 DGA hopefuls are included the Oscar quintet. The Academy nominated Joachim Trier (Sentimental Value) over del Toro. This is a two-man showdown between Anderson and Coogler. The thought process for some time is that Battle is a safe(ish) bet for Best Picture. However, the record shattering 16 nods that Sinners nabbed has shifted the narrative and it is seen as a legit possibility. That momentum could be kicked into a higher gear if Coogler emerges at DGA. It’s tempting to pick him. Yet Sinners has another shot at precursor love via the SAG Actor Awards where a Best Ensemble win seems even more realistic. I’m still going with the Directors Guild favoring PTA – not just for Battle but for a highly celebrated body of work over the past three decades. The Golden Globes and Critics Choice did the same. That said, if Coogler achieves the upset, Sinners will immediately become the frontrunner for BP at the Oscars.

Predicted Winner: Paul Thomas Anderson, One Battle After Another

Runner-Up: Ryan Coogler, Sinners

Documentary Film

Nominees: Mstyslav Chernov (2000 Meters to Andrivka), Geeta Gandbhir (The Perfect Neighbor), Sara Khaki and Mohammadreza Eyni (Cutting Through Rocks), Elizabeth Lo (Mistress Dispeller), Laura Poitras and Mark Obenhaus (Cover-Up)

While I wouldn’t totally discount Chernov or the team behind Cover-Up, The Perfect Neighbor is the most visible of the five docs thanks to widespread Netflix exposure. That should be enough for the W. It is worthy of mention that the DGA’s recipient often doesn’t match the Academy Documentary Feature Film awardee so this is more of a question mark than Feature Film.

Predicted Winner: Geeta Ghandbhir, The Perfect Neighbor

Runner-Up: Mstyslav Chernov (2000 Meters to Andrivka)

First-Time Feature Film

Nominees: Hasan Hadi (The President’s Cake), Harry Lighton (Pillion), Charlie Polinger (The Plague), Alex Russell (Lurker), Eva Victor (Sorry, Baby)

None of the pics here received any Academy attention though Sorry, Baby probably came closest. Many had it pegged for an Original Screenplay nom. While Lighton and Polinger are viable, I’d stick with Sorry.

Predicted Winner: Eva Victor, Sorry, Baby

Runner-Up: Harry Lighton, Pillion

Oscar Predictions: Dracula

Luc Besson’s take on Bram Stoker’s famed bloodsucking novel Dracula has been out in France since last summer, but it’s finally sinking into domestic venues this weekend. The gothic tale stars Caleb Landry Jones in the title role with Christoph Waltz, Zoë Bleu, and Matilda De Angelis providing support.

This version is not expected to make much box office impact stateside. Reviews are rather blasé with 52% on Rotten Tomatoes and a 45 Metacritic. Despite praise for Danny Elfman’s score and Jones in the lead, this is not wired to get awards attention like Guillermo del Toro’s Frankenstein.

In a best case scenario, awards voters might consider the Makeup and Hairstyling or Production Design categories. A likelier result is that Dracula is forgotten several months down the line. My Oscar Prediction posts will continue…

Wuthering Heights Box Office Prediction

Wuthering Heights (stylized as “Wuthering Heights”) looks to have a commanding #1 debut over a crowded President’s Day weekend beginning February 13th. Loosely adapting Emily Brontë’s 1847 novel, the tawdry romantic drama marks the third directorial of Emerald Fennel behind Promising Young Woman and Saltburn. Margot Robbie and Jacob Elordi headline with a supporting cast including Hong Chau, Shazad Latif, Alison Oliver, Martin Clunes, and Ewan Mitchell.

This could be seen as Robbie’s first majorly visible role since her 2023 phenomenon Barbie. Last year’s A Big Bold Beautiful Journey was barely marketed by Sony with poor word-of-mouth and reviews. Elordi has been on viewers’ radar with his Oscar-nominated turn in Netflix’s Frankenstein.

With that star power, familiar source material, and encouraging buzz, I suspect Heights could climb above current forecasts which are already rosy. The shrewdly timed release with Valentine’s Day falling on a Saturday could guarantee a large female turnout and plenty may bring their mates along for the journey. I’m going with a three-day in the mid to high 50s and a low 60s four-day

Wuthering Heights opening weekend prediction: $55 million (Friday to Sunday); $62.1 million (Friday to Monday)

For my Goat prediction, click here:

Goat Box Office Prediction

For my Crime 101 prediction, click here:

Crime 101 Box Office Prediction

For my Cold Storage prediction, click here:

Cold Storage Box Office Prediction

For my Good Luck, Have Fun, Don’t Die prediction, click here:

Good Luck, Have Fun, Don’t Die Box Office Prediction

Oscar Nominations: The Case of Frankenstein

As we do every year on the blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.

It begins with the ten BP contenders and then alternates alphabetically between the hopefuls in the other five races. We have arrived at the third nominee in the biggest race of all and that’s Guillermo del Toro’s Frankenstein. If you missed my posts covering Bugonia and F1, you can find them here:

Oscar Nominations: The Case of Bugonia
Oscar Nominations: The Case of F1

The Case for Frankenstein:

Del Toro’s dream project, arriving eight years after The Shape of Water won BP and director, amassed an impressive nine nominations. Those additional 8 mentions are Supporting Actor (Jacob Elordi), Adapted Screenplay, Cinematography, Costume Design, Makeup and Hairstyling, Original Score, Production Design, and Sound. The Netflix production has shown up in significant precursors including SAG Actor ensemble, Critics Choice, PGA, and the Globes. Del Toro is up at DGA and Elordi won Supporting Actor at Critics Choice.

The Case Against Frankenstein:

There are no Picture wins at the aforementioned precursors and it missed the Best Film quintet at BAFTA. The omission from the Brits confirms that Frankenstein is probably 6th among the contending ten. While the nine nominations are noteworthy, Del Toro missing Director and no nod in Film Editing are significant.

The Verdict:

It’s alive in races such as Costume Design, Makeup and Hairstyling, and Production Design. Not in Best Picture.

My Case Of posts will continue with Chloé Zhao’s Hamnet…