Oscar History: 2006

Rocky over Taxi Driver. Ordinary People over Raging Bull. Dances with Wolves over GoodFellas. These are all examples where, in hindsight, pictures directed by Martin Scorsese and the auteur himself probably should have received Oscars wins and not just nominations. In 2002, Scorsese’s Gangs of New York was seen as a Best Picture frontrunner until Chicago stole its thunder. The same held true two years later with The Aviator until Clint Eastwood’s Million Dollar Baby had a late surge and took the prize. By 2006, Scorsese was undoubtedly the most acclaimed director whose films had never won the gold statue. And neither had he.

This would finally come to an end with The Departed, his crime thriller that won Best Picture and this kicks off my 2006 Oscar History.

The other four nominees were Alejandro Gonzales Inarritu’s Babel, Clint Eastwood’s Letters from Iwo Jima, Jonathan Dayton and Valerie Feris’s Little Miss Sunshine, and Stephen Frears’s The Queen. The voters got it right. The Departed was the Best Picture of the year.

As for other pictures I would’ve considered: Alfonso Cuaron’s terrific Children of Men, Guillermo del Toro’s visual feast Pan’s Labyrinth, the Ryan Gosling drama Half Nelson, and Todd Field’s Little Children. And for an outside the box pic – why not Casino Royale, which brought the Bond franchise back in grand fashion and ranks as my 2nd all-time 007 pic after From Russia with Love?

Scorsese, as mentioned before, would win Director over Inarritu, Eastwood, Frears, and Paul Greengrass for United 93. Once again – my list would’ve found room for Cuaron and del Toro.

In the Best Actor race, Forest Whitaker expectedly won for his performance as Idi Amin in The Last King of Scotland. Other nominees: Leonardo DiCaprio for Blood Diamond (many thought he’d get nominated instead for Departed), Ryan Gosling for Half Nelson, Peter O’Toole for Venus (his final nomination), and Will Smith for The Pursuit of Happyness.

Once again, my ballot might’ve listed Daniel Craig for his electric take on James Bond. Others to consider: Clive Owen (Children of Men), Aaron Eckhart (Thank You for Smoking), or Matt Damon’s work in The Departed.

No surprise in the Best Actress race as Helen Mirren’s work as Queen Elizabeth II was honored in The Queen over Penelope Cruz (Volver), Judi Dench (Notes on a Scandal), Meryl Streep (The Devil Wears Prada), and Kate Winslet (Little Children).

That’s a strong Actress category, but I would’ve also had Natalie Portman’s fine performance in V for Vendetta included.

The only true surprise at the 2006 Oscars occurred in the Supporting Actor category where Eddie Murphy’s acclaimed work in Dreamgirls was expected to win. Instead the Academy honored Alan Arkin’s performance in Little Miss Sunshine. Other nominees: Jackie Earle Haley (Little Children), Djimon Hounsou (Blood Diamond), and Mark Wahlberg (The Departed).

Instead of Wahlberg, many believed it would be Jack Nicholson for Departed that received the nomination. I was cool with it – considering Nicholson had already won three times before and this marked Wahlberg’s first nod. Other names I would have possibly included: Steve Carell (Little Miss Sunshine), Stanley Tucci (The Devil Wears Prada), Michael Sheen (The Queen), and for his brilliant comedic work – John C. Reilly in Talladega Nights: The Ballad of Ricky Bobby.

Jennifer Hudson had the distinction of being the first “American Idol” contestant turned Oscar winner with her lauded role in Dreamgirls – winning out over Babel actresses Adriana Barraza and Rinko Kikuchi, young Abigail Breslin from Little Miss Sunshine, and Cate Blanchett in Notes on a Scandal.

My list would have absolutely included Shareeka Epps with her fabulous work in Half Nelson and probably Vera Farmiga in The Departed.

And that’s your 2006 Oscar history! I’ll be back soon with 2007 where another beloved director (s) would take home their first Oscar gold.

Lee Daniels’ The Butler Movie Review

Lee Daniels’ The Butler has moments of genuine power and insight dealing with our nation’s civil rights history over the past near century. Spanning over 80 years in time, The Butler takes us from the picture’s central character working in the cotton fields of Georgia as a young boy to sitting in the White House as an old man waiting to meet with the first African-American President of the United States. In between those times, Cecil Gaines (Forest Whitaker) becomes quite familiar with 1600 Pennsylvania Avenue, working as a butler from the Eisenhower administration through the Reagan administration.

The film is loosely based on true events and The Butler shifts its time between Cecil’s work experience and family life. For the work portion, we get a journey through several decades of political history from desegregation to the Civil Rights Act of 1964 to Vietnam to the South African apartheid movement. In many cases, these events coincide with Cecil’s family as his oldest son Louis (David Oyelowo) gets very politically involved in civil rights issues. The irony is not lost on the audience – his father works in the center of the  U.S. government but has an occupation where being seen and not heard is the rule. Oprah Winfrey is Cecil’s wife Gloria, a well-rounded character full of imperfections but also an enduring devotion to her husband.

The Butler is really centralized on the complicated relationship between Cecil and David. It is their dynamic that provide the picture’s best moments, as well as several between Cecil and Gloria. When screenwriter Danny Strong focuses his concentration on their storylines, the film is effective and often emotionally satisfying.

It’s the scenes in the White House that often fall far short of satisfying. For starters, director Daniels’ decision to cast recognizable actors as the Presidents backfires. Much of this is due to casting. We have Robin Williams as Eisenhower, James Marsden as JFK, Live Schrieber as LBJ, John Cusack as Nixon, and Alan Rickman as Reagan. None of them make much of an impression and most aren’t given enough screen time to make one anyway. Their casting serves as a distraction more than anything else and we feel like we’re watching the actor, not the POTUS character they’re playing. The same cannot be said for Winfrey, who is outstanding. She reminds us that she probably would’ve had a great movie career over the last couple of decades if not for that whole building a billion dollar multimedia empire thing.

Even with casting quibbles set aside, where The Butler sometimes fails is in its journey through history that could often be described as “cliffs notes”. There simply isn’t the proper time to give these important political issues any real fleshing out. Some of these scenes showing the struggle of the civil rights movement, especially those involving Louis, are powerful. And we do get involved with the characters of Gaines family and we can thank some excellent acting from Whitaker, Winfrey, and Oyelowo a lot for that.

The Butler‘s finest moments are mixed with a lot of disappointing ones, including some unfortunate casting choices and its uneven and too episodic screenplay. It’s the writing of the Gaines family in several scenes and the first-rate performances of the actors playing them that helps out a lot.

*** (out of four)

2014 Oscar Predictions: Todd’s FINAL Predictions

The time has come to make my FINAL predictions for the Oscars. Nominations will be out on Thursday and I’m predicting every category that involves feature films. Therefore, the animated and documentary short films will not be predicted. I have written extensively about why I’m predicting certain movies, performers, and so on. That time is over. Here is my final listing of what and who I believe will be honored. The predictions are written by order of chances of nomination and I am listing runner-ups for each race in case some of my picks don’t pan out (which is guaranteed to happen). And here we go:

BEST PICTURE

1. 12 Years a Slave

2. Gravity

3. American Hustle

4. Nebraska

5. Inside Llewyn Davis

6. Her

7. Captain Phillips

8. The Wolf of Wall Street

9. Dallas Buyer’s Club

Runner-Ups:

10. Saving Mr. Banks

11. Philomena

12. Blue Jasmine

13. Lee Daniels’ The Butler

14. August: Osage County

15. Lone Survivor

16. Fruitvale Station

BEST DIRECTOR

1. Alfonso Cuaron, Gravity

2. Steve McQueen, 12 Years a Slave

3. David O. Russell, American Hustle

4. Alexander Payne, Nebraska

5. Martin Scorsese, The Wolf of Wall Street

Runner-Ups:

6. Spike Jonze, Her

7. Paul Greengrass, Captain Phillips

8. Joel and Ethan Coen, Inside Llewyn Davis

BEST ACTOR

1. Chiwetel Ejiofor, 12 Years a Slave

2. Bruce Dern, Nebraska

3. Matthew McConaughey, Dallas Buyer’s Club

4. Robert Redford, All is Lost

5. Leonardo DiCaprio, The Wolf of Wall Street

Runner-Ups:

6. Tom Hanks, Captain Phillips

7. Christian Bale, American Hustle

8. Joaquin Phoenix, Her

9. Forest Whitaker, Lee Daniels’ The Butler

BEST ACTRESS

1. Cate Blanchett, Blue Jasmine

2. Sandra Bullock, Gravity

3. Judi Dench, Philomena

4. Emma Thompson, Saving Mr. Banks

5. Meryl Streep, August: Osage County

Runner-Ups:

6. Amy Adams, American Hustle

7. Adele Exarchopoulos, Blue is the Warmest Colour

8. Brie Larson, Short Term 12

BEST SUPPORTING ACTOR

1. Jared Leto, Dallas Buyer’s Club

2. Michael Fassbender, 12 Years a Slave

3. Bradley Cooper, American Hustle

4. Daniel Bruhl, Rush

5. Will Forte, Nebraska

Runner-Ups:

6. Barkhad Abdi, Captain Phillips

7. Tom Hanks, Saving Mr. Banks

8. James Gandolfini, Enough Said

9. Jonah Hill, The Wolf of Wall Street

BEST SUPPORTING ACTRESS

1. Lupita Nyong’o, 12 Years a Slave

2. Jennifer Lawrence, American Hustle

3. June Squibb, Nebraska

4. Oprah Winfrey, Lee Daniels’ The Butler

5. Julia Roberts, August: Osage County

Runner-Ups:

6. Sally Hawkins, Blue Jasmine

7. Margo Martindale, August: Osage County

8. Octavia Spencer, Fruitvale Station

BEST ORIGINAL SCREENPLAY

1. American Hustle

2. Nebraska

3. Inside Llewyn Davis

4. Her

5. Blue Jasmine

Runner-Ups:

6. Dallas Buyer’s Club

7. Gravity

8. Fruitvale Station

9. Lee Daniels’ The Butler

10. Saving Mr. Banks

BEST ADAPTED SCREENPLAY

1. 12 Years a Slave

2. Philomena

3. Before Midnight

4. The Wolf of Wall Street

5. Captain Phillips

Runner-Ups:

6. August: Osage County

7. The Book Thief

BEST ANIMATED FEATURE

1. Frozen

2. The Wind That Rises

3. Ernest&Celestine

4. Monsters University

5. Despicable Me 2

Runner-Ups:

6. The Croods

7. A Letter to Mono

BEST PRODUCTION DESIGN

1. 12 Years a Slave

2. The Great Gatsby

3. The Hobbit: The Desolation of Smaug

4. Gravity

5. The Invisible Woman

Runner-Ups:

6. Saving Mr. Banks

7. Inside Llewyn Davis

8. Oz the Great and Powerful

BEST CINEMATOGRAPHY

1. Gravity

2. 12 Years a Slave

3. Rush

4. Inside Llewyn Davis

5. Captain Phillips

Runner-Ups:

6. Nebraska

7. All is Lost

8. Prisoners

BEST COSTUME DESIGN

1. The Great Gatsby

2. American Hustle

3. 12 Years a Slave

4. The Invisible Woman

5. The Book Thief

Runner-Ups:

6. Saving Mr. Banks

7. Oz the Great and Powerful

BEST FILM EDITING

1. Gravity

2. 12 Years a Slave

3. American Hustle

4. Captain Phillips

5. Rush

Runner-Ups:

6. The Wolf of Wall Street

7. Inside Llewyn Davis

8. Lone Survivor

BEST MAKEUP AND HAIRSTYLING

1. American Hustle

2. The Lone Ranger

3. The Great Gatsby

Runner-Ups:

4. Dallas Buyer’s Club

5. Jackass Presents Bad Grandpa

BEST SOUND MIXING

1. Gravity

2. Rush

3. The Hobbit: The Desolation of Smaug

4. Captain Phillips

5. Lone Survivor

Runner-Ups:

6. All is Lost

7. Inside Llewyn Davis

8. 12 Years a Slave

BEST SOUND EDITING

1. Gravity

2. Captain Phillips

3. Rush

4. Pacific Rim

5. All is Lost

Runner-Ups:

6. The Hobbit: The Desolation of Smaug

7. Lone Survivor

8. Man of Steel

9. World War Z

BEST VISUAL EFFECTS

1. Gravity

2. The Hobbit: The Desolation of Smaug

3. Pacific Rim

4. Iron Man 3

5. World War Z

Runner-Ups:

6. Star Trek Into Darkness

7. Elysium

8. Oblivion

BEST ORIGINAL SCORE

1. 12 Years a Slave

2. Gravity

3. The Book Thief

4. Saving Mr. Banks

5. Her

Runner-Ups:

6. Monsters University

7. All is Lost

BEST ORIGINAL SONG

1. “Let It Go” from Frozen

2. “Ordinary Love” from Mandela: Long Walk to Freedom

3. “Young and Beautiful” from The Great Gatsby

4. “In the Middle of the Night” from Lee Daniels’ The Butler

5. “The Moon Song” from Her

Runner-Ups:

6. “So You Know What It’s Like” from Short Term 12

7. “Rise Up” from Epic

8. “Sweeter than Fiction” from One Chance

I’m not listing alternates for the final two predicted categories, mostly because I’m supremely not confident with my limited knowledge for these races.

BEST FOREIGN LANGUAGE FILM

The Broken Circle Breakdown

The Grandmaster

The Great Beauty

The Hunt

Omar

BEST DOCUMENTARY FEATURE

The Act of Killing

Blackfish

The Square

Stories We Tell

20 Feet from Stardom

This means my predictions would garner the following number of nominations for these pictures:

10 Nominations – 12 Years a Slave, Gravity

8 Nominations – American Hustle

6 Nominations – Captain Phillips, Nebraska

5 Nominations – Rush

4 Nominations – The Great Gatsby, Her, The Wolf of Wall Street

3 Nominations – Dallas Buyer’s Club, The Hobbit: The Desolation of Smaug, Inside Llewyn Davis

2 Nominations – All is Lost, August: Osage County, Blue Jasmine, The Book Thief, Frozen, The Invisible Woman, Lee Daniels’ The Butler, Pacific Rim, Philomena, Saving Mr. Banks

1 Nomination – Iron Man 3, The Lone Ranger, Lone Survivor, Mandela: Long Walk to Freedom, World War Z

And there you have Todd’s final Oscar predictions. I will have reaction in a blog post Thursday once nominations are released and include a tally of how I did!

Out of the Furnace Box Office Prediction

Christian Bale headlines an all-star cast in the crime thriller Out of the Furnace from Crazy Heart director Scott Cooper. It is the only wide release coming out during the first weekend of December where moviegoers could still be preoccupied with leftovers such as The Hunger Games: Catching Fire and Disney’s Frozen.

Beside the Dark Knight himself, Furnace costars Casey Affleck, Woody Harrelson, Zoe Saldana, Forest Whitaker, and Willem Dafoe. Early reviews have mostly been positive (it currently sits at 82% on Rotten Tomatoes). There were some insiders who mentioned this pic for possible awards consideration though that talk has mostly fallen along the wayside. The marketing campaign has been fairly robust, but one has to wonder if audiences will rush out to see it.

A similar genre pic, Killing Them Softly with Brad Pitt, opened during the same weekend last year to highly disappointing results with only $6.8 million for its debut. That film also had mostly solid notices from critics. I believe Furnace will perform a bit better though it’s a legitimate question in my mind whether it reaches double digits or not. I’ll predict it doesn’t quite get there.

Out of the Furnance opening weekend prediction: $9.6 million

 

Box Office Predictions: Thanksgiving 2013

It’s going to be a busy Turkey Day weekend at the box office as six new titles find their way into the multiplex. Disney’s Frozen, the action pic Homefront with Jason Statham and James Franco, and the musical ensemble Black Nativity open wide while The Book Thief expands to around 1000 theaters and Spike Lee’s Oldboy and the Judi Dench drama Philomena play to around 500 screens. Whew.

You can my individual prediction posts on each new picture here:

https://toddmthatcher.com/2013/11/24/frozen-box-office-prediction/

https://toddmthatcher.com/2013/11/24/black-nativity-box-office-prediction/

https://toddmthatcher.com/2013/11/24/homefront-box-office-prediction/

https://toddmthatcher.com/2013/11/24/the-book-thief-box-office-prediction/

https://toddmthatcher.com/2013/11/24/oldboy-box-office-prediction/

https://toddmthatcher.com/2013/11/24/philomena-box-office-prediction/

Typically, during Thanksgiving the leftovers have very small drops because audiences like to catch up during the holidays. The one exception should be The Hunger Games: Catching Fire. In its second weekend, the pic should easily lose more than half the crowd of its debut weekend. The last two Twilight flicks opened the same pre-Thanksgiving weekend and saw second week falls in the 70% range. I don’t have Games falling quite that far.

Since there are so many newbies this weekend, I’ll change my normal Top Five predictions to Top Ten. Here they are:

1. The Hunger Games: Catching Fire

Predicted Gross: $56.8 million (representing a drop of 64%)

2. Frozen

Predicted Gross: $48.3 million ($69.1 million for five-day opening)

3. Black Nativity

Predicted Gross: $19.3 million ($26.8 million for five-day opening)

4. Thor: The Dark World

Predicted Gross: $9.5 million (representing a drop of 32%)

5. Homefront

Predicted Gross: $8.7 million ($12.8 million for five-day opening)

6. The Best Man Holiday

Predicted Gross: $7.1 million (representing a drop of 42%)

7. The Book Thief

Predicted Gross: $5.6 million ($7.2 million for five-day opening)

8. Delivery Man

Predicted Gross: $5.5 million (representing a drop of 30%)

9. Free Birds

Predicted Gross: $4.7 million (representing a drop of 12%)

10. Philomena

Predicted Gross: $3.9 million ($5.1 million for five-day opening)

This means I am predicting Oldboy opens outside of the top ten with a $2.4 million Friday-to-Sunday opening tally and $3.5 million from Wednesday-to-Sunday.

I’ll have final results Sunday on the blog… have Turkey Day friends!

Black Nativity Box Office Prediction

Two weekends ago, African American audiences catapulted The Best Man Holiday to an astonishing $30 million opening weekend. Over the Thanksgiving holiday, Fox Searchlight is hoping a similar result greets Black Nativity.

The musical drama features an all-star cast that includes Forest Whitaker, Jennifer Hudson, Angela Bassett, Tyrese Gibson, Mary J. Blige, and rapper Nas. The Christmas themed flick may well connect with its intended audience. While I don’t see it reaching Best Man Holiday numbers (even over the five-day Thanksgiving frame), I do see it posting a very solid opening that should make the studio quite happy.

Black Nativity opening weekend prediction: $19.3 million (Friday-to-Sunday), $26.8 million (Wednesday-to-Sunday)

For my prediction on Disney’s Frozen, click here:

https://toddmthatcher.com/2013/11/24/frozen-box-office-prediction/

For my Homefront prediction, click here:

https://toddmthatcher.com/2013/11/24/homefront-box-office-prediction/

For my prediction on The Book Thief, click here:

https://toddmthatcher.com/2013/11/24/the-book-thief-box-office-prediction/

For my Oldboy prediction, click here:

https://toddmthatcher.com/2013/11/24/oldboy-box-office-prediction/

For Philomena, click here:

https://toddmthatcher.com/2013/11/24/philomena-box-office-prediction/