Tag: For the Boys

G20 Review

They say a picture is worth a thousand words and it is apparently worth millions upon millions of votes in G20. A shot of now President Danielle Sutton (Viola Davis) rescuing a child during the Iraq War two decades earlier is what prompted her rise to the highest office in the land. This picture is not really about that. Instead it’s a run-of-the-mill streamer that fails to capitalize on its casting or location.

We first meet President Sutton in the throws of a domestic crisis. Her teenage daughter Serena (Marsai Martin) has slipped past the security perimeter of the White House to go clubbing and the media picked up on it. The mother-daughter drama shifts to South Africa as they travel there for the title summit. The First Gentleman (Anthony Anderson) and Serena’s little brother (Christopher Farrar) accompany.

Other members of the Presidential entourage included lead Secret Service agent Manny (Ramón Rodriguez) and the Treasury Secretary (Elizabeth Marvel) while the VP (Clark Gregg) is back stateside. If you don’t figure out who might not have POTUS’s best interests in mind early on, you might fail 101 in this cinematic universe.

Mercenary Edward Rutledge (Antony Starr of The Boys and Twitter meme fame) and his band of goons certainly aren’t on her side. They hijack the proceedings with a plan to crash the world economy while enriching themselves through cryptocurrency. Digital cash is a weirdly overarching theme in the screenplay that lists four writers. President Sutton is G20’ing to promote a plan helping African farmers via access to the technology. I half expected “Brought to you by bitcoin” to crawl across the bottom of the screen.

Unlucky for Rutledge, the Commander-in-Chief’s military background allows to her go all John McClane throughout the Cape Town hotel. Manny, the British Prime Minister (Douglas Hodge), South Korean First Lady (MeeWha Alana Lee, providing a couple moments of sorely needed humor), and IMF chair (Sabrina Impacciatore) become her new kitchen cabinet as they fight off the villains in kitchens and ballrooms. The First Family is separated from the matriarch with the crypto bandits on their trail.

You can’t blame Viola Davis for wanting her own 90s style shoot-em-up and she does bring a dignified presence to this junk food. Mr. Starr is also an appropriately unhinged antagonist. The problem is the execution. The fight sequences aren’t memorable and this doesn’t even bother to make use of its gorgeous South African setting (perhaps budget constraints were the culprit). This could’ve been set in a Wichita Ramada Inn when you really think about it.

The tired screenplay keeps returning to what made Sutton the leader of the free world with the photo. The picture’s backstory made me curious if a worthwhile movie could’ve been made about that. It might’ve been more worthwhile than the images we’re left with in G20.

** (out of four)

Shoulda Been Oscar Contenders: Linda Hamilton in Terminator 2: Judgment Day

My latest Shoulda Been Oscar Contender is an appropriate one for Mother’s Day. This particular mama went to great lengths to protect her son since, ya know, he was charged with saving the universe decades later from annihilation. She even got herself thrown in a mental hospital because of her heroic efforts.

I’m speaking of Linda Hamilton as Sarah Connor in James Cameron’s Terminator 2: Judgment Day. Reprising her role from the 1984 classic, Hamilton stepped up her game in the 1991 sequel alongside Arnold Schwarzenegger and Edward Furlong as her future Earth saving teen.

Terminator 2 was a game changer itself when it came to special effects and action. It resulted in six Oscar nominations, including victories for Makeup, Sound, Sound Effects Editing, and (of course) Visual Effects. Yet nods in the biggest categories were elusive. 1991 was a strong year in Best Actress with Jodie Foster winning for The Silence of the Lambs over the sturdy competition of Geena Davis and Susan Sarandon for Thelma & Louise and Laura Dern in Rambling Rose. 

However, Hamilton’s strong (and not just her biceps) performance could have easily gotten the fifth slot over Bette Midler in For the Boys. MTV recognized her work and she won Best Actress at their ceremony. And while the Academy isn’t known to honor performances in action flicks, they had deservedly done so just five years earlier for Sigourney Weaver in another heralded genre sequel Aliens (also directed by Cameron).

They missed a good opportunity to do the same here. Lastly, while not every mother is charged with keeping their kid alive to avoid planetary destruction, the great ones sure make us all feel like they do. Happy Mother’s Day to all of them!