Star Trek Beyond Movie Review

Now that this latest iteration of the Star Trek film series has reached its third entry, the creative forces behind it are free to just let Beyond be a two-hour episode upon itself. In other words, JJ Abrams was quite successful directing the first two features in 2009 and 2013 and establishing a new cast playing iconic roles. By part III, those objectives have already been met and Abrams leaves his successor Justin Lin the opportunity to make this one an action packed sci-fi spectacle. We also have the hallmarks of the 50-year-old franchise that include celebrating the camaraderie of the Enterprise crew and injecting well-placed humor.

In a way, Star Trek Beyond reminded me of the previous 007 pic, Spectre. How so? Spectre arrived three movies after Daniel Craig had put his stamp on another half century old institution. By the time part 4 rolled around, I was ready for something that needn’t burden itself with continually reshaping itself. Spectre didn’t and was mostly successful. Beyond doesn’t either and is even more satisfying.

We begin in year 3 of the USS Enterprise’s five-year voyage that they embarked on at the conclusion of Star Trek Into Darkness. Not all is well. Captain Kirk (Chris Pine, grown and confident in the role) is struggling with the endless journey. Trusty Spock (Zachary Quinto) is having girl troubles with Uhura (Zoe Saldana) and mourning the reveal that Ambassador Spock (Leonard Nimoy) has passed. This, of course, holds special meaning to the audience due to Nimoy’s passing in between pics.

Everything perks up for the crew when the ship is invaded by Krall (Idris Elba), a ruthless extraterrestrial tracking a relic that Kirk has in his possession. This attack leaves the crew splintered for a decent portion of the running time, allowing many of the members their moments to shine. That includes Karl Urban as McCoy and Simon Pegg’s Scotty, who both continue to provide sturdy comic relief. Sofia Boutella is a fine addition as an alien who joins Team Enterprise. Both Saldana and Anton Yelchin’s Chekov are a bit more relegated to the sideline in terms of the overall story (tragically, Yelchin died just a month before the film’s release). John Cho’s Sulu is given a previously not revealed character development. And when it comes to the main villain, Elba is quite menacing and effective.

Without having to set up anything new, Beyond gets right to the fun stuff and doesn’t let up. Lin is no stranger to elaborate action sequences, having helmed four Fast and Furious flicks. Yet enough time is set aside to explore the strong bonds of the team. It’s about family… to borrow a theme that Fast and Furious characters endlessly beat into our skulls. So while this might be the simplest of the trio of new Star Trek’s we’ve witnessed, it also manages to be the most purely entertaining.

***1/2 (out of four)

Central Intelligence Movie Review

Central Intelligence is not bad, which is more than you can say with some scripts that Kevin Hart has been saddled with over the last few years. From Ride Along (both of them) to The Wedding Ringer to Get Hard, the talented Mr. Hart has not seen much material that rises above the strictly mediocre. With a worthy comedic partner in Dwayne Johnson that he has an easy chemistry with, Intelligence may not be very intelligent but it’s got its share of genuinely amusing moments due to their partnership.

The film begins in 1996 when the two stars are high school seniors. Hart is Calvin. He’s the star athlete, resident heralded drama thespian, and runaway Most Likely to Succeed. Johnson is Robbie, whose figure is anything but rock solid. He’s bullied mercilessly by his fellow students and Calvin is the only guy who seems to show him any mercy.

Flash forward two decades as the two are up for the 20 year reunion. Calvin has become a bored accountant in a dead end job, still married somewhat unhappily to his high school sweetheart (Danielle Nicolet). Robbie is now the blandly named Bob Stone,  complete with a physique befitting the actor portraying him. He’s now in the CIA and being accused of being a rogue agent trying to sell secrets to the highest bidder.

What follows is a routine buddy flick where Bob/Robbie and Calvin must team up while chased by people who may or may not be bad guys. Amy Ryan gets the change of pace role of the government agency head pursuing them and Aaron Paul pops up as Robbie’s former partner. The threadbare plot of Central Intelligence is ho-hum at best, but it’s also not what it’s centrally about.

The pic rises and falls on the interaction between the leads and there’s some good stuff to be witnessed. Johnson has already proven his sense of humor (he seems well aware that his character in the Fast & Furious franchise is supposed to be funny). We also have some messages written in about bullying that’s presented slightly better than you might expect in this type of material. There’s some unexpected cameos from other well known comedy actors that are welcome. Director Rawson Marshall Thurber had a hit in 2013 with We’re the Millers, which I enjoyed. That effort had the benefit of hilarious supporting work from Nick Offerman and Kathryn Hahn and a whacky villain role for Ed Helms that accentuated the proceedings beyond its main stars. Central Intelligence doesn’t have that, but at least the two names above the title help deliver something a bit more worthy of their talents.

**1/2 (out of four)

Top 25 Highest Grossing Actresses of All Time (15-11)

Here we go with part 3 of the Top 25 Highest Grossing Actresses in box office history with numbers 15-11!

In case you missed parts one and two covering 25-16, here they are:

https://toddmthatcher.com/2016/06/09/top-25-highest-grossing-actresses-of-all-time-25-21/

https://toddmthatcher.com/2016/06/10/top-25-highest-grossing-actresses-of-all-time-20-16/

Let’s get to it:

15. Michelle Rodriguez

Career Earnings: $2 billion

Franchises: Fast and the Furious

Highest Grossing Picture: Avatar (2009) – $760 million

Number of $100M+ Earners: 6 (Avatar, The Fast and the Furious, Fast and Furious, Fast & Furious 6, Furious 7, S.W.A.T.)

Lowest Grosser: Battle in Seattle (2008) – $224,000

Overall Rank: 79

14. Angelina Jolie

Career Earnings: $2.1 billion

Franchises: Kung Fu Panda, Tomb Raider

Highest Grossing Picture: Maleficent (2014) – $241 million

Number of $100M+ Earners: 10 (Maleficent, Kung Fu Panda, Kung Fu Panda 2, Kung Fu Panda 3, Mr. and Mrs. Smith, Shark Tale, Wanted, Lara Croft: Tomb Raider, Salt, Gone in 60 Seconds)

Lowest Grosser: Hell’s Kitchen (1999) – $11,000

Overall Rank: 68

13. Carrie Fisher

Career Earnings: $2.2 billion

Franchises: Star Wars

Highest Grossing Picture: Star Wars: The Force Awakens (2015) – $936 million

Number of $100M+ Earners: 4 (Star Wars, The Empire Strikes Back, Return of the Jedi, Star Wars: The Force Awakens)

Lowest Grosser: The Time Guardian (1989) – $12,000

Overall Rank: 61

12. Sigourney Weaver

Career Earnings: $2.2 billion

Franchises: Alien, Ghostbusters

Highest Grossing Picture: Avatar (2009) – $760 million

Number of $100M+ Earners: 4 (Avatar, Ghostbusters, Ghostbusters II, The Village)

Lowest Grosser: The Guys (2003) – $21,000

Overall Rank: 60

11. Kathy Bates

Career Earnings: $2.3 billion

Franchises: None

Highest Grossing Picture: Titanic (1997) – $658 million

Number of $100M+ Earners: 4 (Titanic, The Blind Side, The Waterboy, Valentine’s Day)

Lowest Grosser: A Little Bit of Heaven (2010) – $15,000

Overall Rank: 58

I’ll get into the Top Ten tomorrow!

 

Furious 7 Box Office Prediction

This Friday, the eagerly awaited Furious 7 looks to pass a number of box office milestones: biggest opening so far in 2o15 and highest debut of the fourteen year old franchise. Conjuring director James Wan takes over the series from Justin Lin.

The last two entries of the Fast and Furious series have brought the franchise to new heights. 2011’s Fast Five opened to $86.1 million with a final domestic tally of $209 million. Two years ago, Fast & Furious 6 topped that with a $97.3 million premiere and a $238 million eventual haul.

As tragic as it is, there is little doubt that star Paul Walker’s untimely death contributes to a curiosity factor here. This will be the last screen appearance of the actor as series regulars Vin Diesel, Dwayne Johnson, Michelle Rodriguez, Jordana Brewster, Tyrese Gibson, and Ludacris return. Kurt Russell and Jason Statham also join the party. Reviews have been quite strong and it sits at 86% currently on Rotten Tomatoes.

Furious 7 needs to surpass the $95 million that Captain America: The Winter Soldier made last year to post the largest April opening of all time. As I see it, it will blast past that mark with relative ease to earn that designation and set the franchise record in the meantime.

Furious 7 opening weekend prediction: $117.4 million

Box Office Predictions: June 14-16

In will undoubtedly be the return of Superman in Man of Steel that rules the box office this weekend. The only question is: how big will it open? I made my fearless prediction earlier in the week here:

https://toddmthatcher.wordpress.com/2013/06/09/man-of-steel-box-office-prediction/

Some would call my prediction a bit generous. Since I wrote the post on Sunday, reviews for Steel have come out. They’re mixed and I frankly thought the critical reaction would be more positive. However, this doesn’t take away from the fact that the pic is eagerly anticipated and has terrific trailers. We’ll see how the prediction holds up.

The weekend’s other new release, the all-star comedy This Is the End, is generating great reviews and also has the bonus of trailers that work. It officially opened wide today but its Tuesday evening numbers are encouraging. It could be even go bigger than my prediction. Time will tell. My post predicting End can be found here:

https://toddmthatcher.wordpress.com/2013/06/10/this-is-the-end-box-office-prediction/

As for holdovers, expect fairly modest declines for Now You See Me and Fast&Furious 6. The largest decline should be for last weekend’s #1, The Purge, which outdid all expectations by a mile but also only received a C Cinemascore grade. A precipitous drop looks likely.

With that, my top five predictions for the weekend:

1. Man of Steel

Predicted Gross: $124.3 million

2. This Is the End

Predicted Gross: $25.2 million ($38.6 million projected five-day gross)

3. The Purge

Predicted Gross: $13.2 million (representing a drop of 61%)

4. Now You See Me

Predicted Gross: $11.5 million (representing a drop of 39%)

5. Fast&Furious 6

Predicted Gross: $10.5 million (representing a drop of 46%)

And there you are! Check back this weekend for early results on the FB page and on Sunday for final results when we see just how high Superman flies.

The Fast and the Furious: Tokyo Drift Movie Review

2006’s The Fast and the Furious: Tokyo Drift is the third entry in the series. It brings in a new cast and places its setting on a new continent. The results, however, are not too pleasing.

With Paul Walker, Tyrese, and everyone else out of the picture (for now), Tokyo Drift centers on Sean, a rebellious high school kid who loves drag racing. So much so that Sean gets into trouble after one particularly fouled up race and is sent to Tokyo to live with his military father.

Sean is played by Lucas Black, who you may remember as the kid from Sling Blade. He grew up to look a little bit like a young Dave Matthews. And he definitely grew up… I couldn’t help but chuckle when his character is supposed to be 17. The actor was 24 when he played the role. He looks 28. There’s one scene where some girls are flirting with Sean and his friend exclaims, “Ladies, he’s underage!” I wanted to shout “No he isn’t!!” back at the screen.

With the move to Tokyo, Sean strikes up a friendship with a famous actor played by Bill Murray who’s in town to shoot a liquor commercial. Wait. Wrong movie. Sean actually strikes up a friendship with Twinkie, played by Bow Wow. I’m assuming at one point his name was Lil Twinkie. Of course, Twinkie gets Sean right back into the street racing world.

This mixes Sean up with DK (Brian Tee), whose uncle Mr. Kamata (the legendary Sonny Chiba) is a fixture in the Yakuza. Naturally, DK has a girlfriend Neela (Natalie Kelley) that Sean stupidly goes after. Just like Paul Walker does! And there’s also Han (Sung Kang), who works for Mr. Kamata and takes a liking to Sean.

Tokyo Drift introduces us to the practice “drifting”, in which the driver intentionally loses traction in the rear wheels to get through corners, etc… And that’s straight from Wikipedia, folks, so ya know it’s true! We even get a couple of monologues after how drifting makes you feel like a free person. Or some nonsense like that.

The movie takes a long way to get where it’s going and the first hour is quite a bore. When we finally get a pretty badass race through the streets of Tokyo, Drift makes a rather severe shift in tone that feels a bit jarring.

Although there is that aforementioned race that works and the climactic race down a mountain that is effective, Tokyo Drift is mostly weak sauce. None of the acting is particularly memorable and the screenplay feels lazy (lame references to Justin Timberlake and Beyonce stand out). Director Justin Lin takes over the franchise and he can direct action, but there’s not enough of it. Some of the production design is rather sweet looking so props to the team behind that.

By the end, we do get a cameo from a major star in the franchise. I don’t wanna give too much away, but here’s a hint. It’s not Viola Davis, but it’s an actor with the same initials. Perhaps I’ve said too much.

The original was a mixed bag that had a lot of solid moments. I found the second to be an improvement because it knew it was trash, but was often fun as hell. Tokyo Drift simply doesn’t have much going for it and it definitely the worst of the bunch so far.

** (out of four)

The blog series will continue with film #4 Fast&Furious.

Box Office Results: May 31-June 2

It’s certainly not every weekend that you can describe the box office results as truly shocking. However, this weekend… they were truly shocking. 

This is for two reasons: the over performance of Now You See Me and the under performance of After Earth. No one figured the caper flick Now You See Me had a chance of making more than Will Smith’s sci-fi pic After Earth. That’s precisely what happened.

We begin where we should though and that’s with Fast and Furious 6 remaining in the top spot with $35.1 million, a tad below my $36M projection. The sixth F+F installment experienced a sophomore weekend decline right in line with other entries in the franchise.

This brings us to #2… Now You See Me. And that would be an epic failure of predicting on my part. I grossly underestimated the picture and predicted it’d open sixth with $14.2 million. Boy, was I wrong. Garnering a rock solid A- Cinemascore average, See Me took the runner-up spot with an impressive $29.3 million. Audiences clearly were in the mood for something original and different and this seemed to be just the ticket.

And now to the enormous failure of After Earth. The M. Night Shyamalan directed sci-fi pic starring Will and Jaden Smith earned brutal reviews and, as it turns out, audience ambivalence. I incorrectly figured Smith’s star power would propel the film to a #1 opening and a $39.1 million opening weekend. Again… boy, was I wrong! Placing third, Earth debuted with a very weak $27.5 million. Earning a tepid B Cinemascore grade, expect Earth to fade fast in subsequent weekends.

Star Trek Into Darkness took fourth with $16.7 million, edging out fifth place Epic at $16.6 million. I predicted a bit more for each at $18.5M and $17.7M, respectively. And continuing its disappointing results in sixth place was The Hangover Part III, which made $16.3 million in its sophomore weekend (I predicted $17.1M).

RECAP

Fast and Furious 6

Gross: $35.1 million. Todd’s Prediction: $36 million.

Now You See Me

Gross: $29.3 million. Todd’s Prediction: $14.2 million.

After Earth

Gross: $27.5 million. Todd’s Prediction: $39.1 million.

Epic

Gross: $16.6 million. Todd’s Prediction: $17.7 million.

Star Trek Into Darkness

Gross: $16.7 million. Todd’s Prediction: $18.5 million.

The Hangover Part III

Gross: $16.3 million. Todd’s Prediction: $17.1 million.

So there you have it – not a great weekend for me predicting the new openers at all. I’ll try to do better next weekend. Tomorrow on the blog, I’ll have my opening weekend prediction for the Vince Vaughn/Owen Wilson comedy The Internship. Tuesday, my opening prediction for The Purge starring Ethan Hawke. And Wednesday, my usual Top Five predictions. Stay tuned!

The Fast and the Furious Movie Review

Being that the top two grossing opening weekends in Universal Pictures history is the last two installments of the Fast and Furious franchise, I felt it was time for yours truly to take a look at the series.

Yes, believe it or not, I have only seen the original F+F picture. That was twelve years ago and I barely remembered it. So what’s a blogger to do? Why go out and buy the first five flicks and review them all for your perusal. Hopefully, I’ll watch ’em in enough time to catch the sixth feature in the theater and blog about it as well.

Let’s begin with the franchise’s first entry, 2001’s The Fast and the Furious. Director Rob Cohen brings us into the world of California street racing when LAPD officer Brian (Paul Walker) goes undercover to solve a series of truck hijackings. This introduces him to a team of racers led by Dominic (Vin Diesel). His crew includes his girl Letty (Michelle Rodriguez), the one that doesn’t like Brian, the one whose dad is in jail, and, um, the other one. Of course, Brian also falls in love with Dominic’s sister (Jordana Brewster) in order for him to be emotionally invested.

Dominic’s crew is in a long-standing rivalry with an Asian street gang, led by Johnny Tran (Die Another Day‘s Rick Yune) and it is that crew that Brian initially suspects of being the perps. It just can’t be Dominic, especially after he explains his daddy issues to Brian in a male bonding moment.

Truth be told, The Fast and the Furious is no great of example of writing or, in my cases, acting. Walker is a bit of blank slate and Brewster is rather dull as well. The one with screen presence is definitely Mr. Diesel, as well as Ms. Rodriguez.

It’s worth noting that Fast seems directly influenced by an action pic that came ten years before it, Kathryn Bigelow’s Point Break. Call this Point Brake, if you will. Only it’s not near as good.

Where Fast often succeeds is its well choreographed car sequences that certainly make it highly watchable. Director Cohen directs the pic with energy and style with a soundtrack that bumps with Ludacris and Ja Rule beats for the first half and mostly techno in the second half.

Is it enough for me say the original Fast is a good movie? Not really, but it’s close. I certainly get why legions of moviegoers enjoyed it. If I’m being honest, though, I spent the last few minutes of the film wondering two things:

1) In the climactic truck hijacking, how come there’s zero traffic on a freeway other than the hijacked truck and Brian, Dominic, and crew?

2) Isn’t Paul Walker’s character literally the worst undercover cop in the history of undercover cops?

Still, the o.g. F+F gets the franchise off to a serviceable start. Who knew that this modestly budgeted flick would become the biggest franchise in the world that doesn’t involve superheroes or is based on a wildly popular series of books?

**1/2 (out of four)

We’ll see what the gang is up to as my blog series continues shortly with 2003’s 2 Fast 2 Furious.

Fast and Furious 6 Box Office Prediction

Vin Diesel, Dwayne Johnson, Paul Walker, and company take on the Wolf Pack in an epic showdown at the Memorial Day box office this weekend. It’s beginning to look like Fast will outpace The Hangover franchise.

I wrote extensively yesterday about the Wolf Pack’s chances at the multiplex this weekend and you can peruse that post right here:

https://toddmthatcher.wordpress.com/2013/05/19/the-hangover-part-iii-box-office-prediction/

As mentioned in the blog post, The Hangover seems like a franchise that’s losing steam. We are seeing the opposite with the Furious franchise. Let’s take a trip down franchise memory lane, shall we?

The Fast and the Furious (2001)

Opening Weekend: $40.8M. Total Domestic Gross: $144.5M

2 Fast 2 Furious (2003)

Opening Weekend: $50.4M. Total Domestic Gross: $127.1M

The Fast and the Furious: Tokyo Drift (2006)

Opening Weekend: $23.9M. Total Domestic Gross: $62.5M

Fast and Furious (2009)

Opening Weekend: $70.9M. Total Domestic Gross: $155M

Fast Five (2011)

Opening Weekend: $86.1M. Total Domestic Gross: $209.8M

You will notice that the last two Fast pics were enormous blockbusters. Fast Five not only was by far the franchise’s biggest grosser – it also earned critical respect unlike any other entry. The 2001 original had previously been the highest on Rotten Tomatoes at a decent 52%. Fast Five got 78%! Where does Fast&Furious 6 currently sit? 78%.

This all leads me to the conclusion that the sixth installment is likely to capitalize on the good will brought forth by its predecessor. Additionally, Fast 6 has the benefit of a four-day opening over a holiday weekend. If it performs similar to #5’s numbers with the extra day factored in, we could be looking at a gross of over $100 million for opening weekend.

What could stand in its way? One word: competition. The Hangover Part III and the second weekend of Star Trek Into Darkness are most certainly gunning for the same audience. This fact alone could mean that Fast 6 opens lower than expected.

However, I don’t believe it will. This franchise is red-hot at the right time and looks poised for an massive debut. I’m convinced it will be #1, landing the Wolf Pack a second place finish. Who would’ve thought this unexpected 2001 hit would turn into the franchise it is today? You gotta give Universal a lot of credit and I believe this weekend will keep the momentum going. By the way, #7 will be out next summer.

Fast&Furious 6 opening weekend prediction: $106.8 million

Tomorrow on the blog, look for my prediction for Epic, the animated feature that will attempt to get the kiddos to the theater this weekend. On Wednesday, my prediction for the Top Five including the second weekend of Star Trek Into Darkness.