Oscar Predictions – Alien: Romulus

The six Alien features that preceded Alien: Romulus in the last four and a half decades have yielded an impressive 11 Oscar nominations and 3 victories. Fede Àlvarez, best known for 2013’s Evil Dead remake and Don’t Breathe, directs the first entry in seven years as Romulus attacks theaters this weekend. Cailee Spaeny (who probably came fairly close to an Academy nom last year for Priscilla), David Jonsson, Archie Renaux, Isabela Merced, and Spike Fearn star.

Reviews are doling out praise for its vibe that many critics say closely resemble the classic first two tales (1979’s Alien and 1986’s Aliens). On the other hand, some write-ups say it relies too much on nostalgia. The RT score is 82% and that tops the scores of its four immediate predecessors and places it third behind the aforementioned genre landmarks.

Let’s take a quick trip through awards history with the series. The original Alien from Ridley Scott won Best Visual Effects and was nominated for Art Direction (losing to All That Jazz). James Cameron’s 1986 follow-up Aliens landed a whopping seven nods and took Visual Effects and Sound Effects Editing. The other handful of mentions were for Sigourney Weaver in Actress (who fell short to Marlee Matlin from Children of a Lesser God), Art Direction (A Room with a View won), Original Score (which went to Round Midnight), and Film Editing and Sound (both of which that year’s BP victor Platoon picked up). 1992’s Alien 3 was a Visual Effects nominee with Death Becomes Her grabbing the prize. Five years later, Alien: Resurrection went empty-handed in terms of mentions. 2012’s Prometheus returned Ridley Scott to the director’s chair and a Visual Effects nom occurred with Life of Pi victorious. Finally, 2017’s Alien Covenant did not factor into any race.

So where does that leave Romulus? The production design and visual effects are being noted. The latter is where it is likeliest to contend. That said it would be behind Dune: Part Two, Kingdom of the Planet of the Apes, and probably Furiosa: A Mad Max Saga already. There’s plenty of other contenders already out or scheduled for fall. Don’t be surprised if this is the second Alien saga to be left off the Academy’s ballots, but VE is feasible. My Oscar Prediction posts will continue…

Alien: Romulus Box Office Prediction

Fede Álvarez, best known for his Evil Dead remake and Don’t Breathe, takes over a classic 45-year-old franchise when Alien: Romulus touches down on August 16th. Set between the events of Alien and Aliens, the seventh entry in the series (not counting those two battles with Predator) features Civil War‘s Cailee Spaeny, David Jonsson, Archie Renaux, Isabela Merced, and Spike Fearn.

Originally conceived as a Hulu streaming release, 20th Century Studios rethought their strategy to allow a summer theatrical bow. This is the first Alien feature in seven years since Ridley Scott’s Alien: Covenant and the first since Disney acquired the property.

If Romulus matched the $36 million that Covenant started off with, that should be considered a win. I say that because the predecessor plummeted after its first weekend and grossed an underwhelming $74 million overall domestically.

I’ll project that this gets a bit under that starting Covenant figure as it’ll hope to have sturdier legs in subsequent weekends.

Alien: Romulus opening weekend prediction: $35.2 million

For my Ryan’s World the Movie: Titan Universe Adventure prediction, click here:

April 28-30 Box Office Predictions

Blogger’s Update (04/26): I am revising my Big George Foreman estimate down from $8.5M to $5.7M

The Super Mario Bros. Movie should have a fourth and final weekend atop the charts before Guardians of the Galaxy Vol. 3 kicks off May and the summer cinematic season. Coming-of-age dramedy Are You There God? It’s Me, Margaret and boxing biopic Big George Foreman also the newbies entering the ring. You can peruse my detailed prediction posts on them here:

The revolving door at #2 should belong to Margaret, based on the 1970 Judy Blume bestseller. While a gross approaching $20 million is feasible, I’ll say mid teens is where it lands. It will bank on strong holds in its subsequent frames.

As for Big George Foreman, it might find itself in a close race with the second weekend of Evil Dead Rise for third position. I have Rise falling in the low to mid 60s (similar to the 2013 predecessor Evil Dead). If that occurs, it might win a close decision vs. Foreman.

Mario should have no trouble dominating once again and a mid 30s dip would give it just under $40 million in that fourth outing.

Finally, I have holdover John Wick: Chapter 4 in fifth. That slot could go to Guy Ritchie’s The Covenant or Air, though I have Keanu and company experiencing the smallest decline.

Here’s how I envision the top 5 shaking out:

1. The Super Mario Bros. Movie

Predicted Gross: $39.4 million

2. Are You There God? It’s Me, Margaret

Predicted Gross: $15.3 million

3. Evil Dead Rise

Predicted Gross: $8.8 million

4. Big George Foreman

Predicted Gross: $5.7 million

5. John Wick: Chapter 4

Predicted Gross: $4.1 million

Box Office Results (April 21-23)

As anticipated, it was a three-peat for The Super Mario Bros. Movie as it collected another $59.9 million in coinage. Blasting beyond my $54.8 million prediction, Illumination’s animated juggernaut has amassed $436 million domestically.

Evil Dead Rise proved there’s no horror fatigue for audiences following recent efforts Scream VI, The Pope’s Exorcist, and Renfield. The fifth pic in the franchise opened with an impressive $24.5 million, elevating past my $16.7 million take. That’s just a shade behind what 2013’s Dead ($25.7 million) kicked off with.

Afghanistan War drama Guy Ritchie’s The Covenant with Jake Gyllenhaal couldn’t fill its theaters with a middling $6.3 million. It did premiere a tad ahead of my $5.6 million forecast, but that’s still an unimpressive result.

John Wick: Chapter 4 was fourth with $5.8 million compared to my $4.7 million projection with $168 million in the coffers.

Fifth place belonged to Dungeons & Dragons: Honor Among Thieves with $5.5 million (I said $4.3 million) as the franchise hopeful is straining to reach nine digits at $82 million.

Air was sixth with $5.4 million in the third weekend – in line with my $4.6 million guesstimate. Total is $41 million.

Plummeting from 2nd to 7th is The Pope’s Exorcist, falling victim to the power of Evil Dead . Down 62% in its sophomore frame with $3.4 million, I was more generous at $4.6 million. The ten-day tally is $15 million.

The story is similar for Renfield, down 59% in weekend #2 with $3.2 million (I went with $3.9 million). The tepid two-week total is $13 million.

Finally, Beau Is Afraid with Joaquin Phoenix (generating wildly divergent reactions) played well in very limited NY/LA showings last weekend. Yet it stumbled in wider release. The multi-genre odyssey made $2.7 million on just under 1000 screens. I was higher at $4.4 million.

And that does it for now, folks! Until next time…

And in the meantime, listen to my box office thoughts on your favorite podcast platform by searching Movies at the Speed of Speculation!