Tag: Emmanuel Lubezki

The Revenant Movie Review

Chewing scenery.

It’s a movie term used for describing when performers overact. Think Al Pacino or John Travolta over the last 20 years. In Alejandro G. Inarritu’s The Revenant, we can use it differently. The landscapes presented here are a feast for us. They’re stunning. This is a tale of revenge best served cold with wintry scenes of blood soaked beauty.

Set in 1823 in the U.S. territories that later became the Dakotas (though this was mostly filmed in Canada), Leonardo DiCaprio is Hugh Glass, based on a real frontiersman. Along with his half Native American boy Hawk (Forrest Goodluck), widowed Glass is assisting a team of trappers through the rough terrain. The group is attacked and the few survivors includes schemer Fitzgerald (Tom Hardy), who clearly has not taken a liking to Glass and his mixed offspring.

The violent scenes of the trappers being massacred pale in comparison to the grisly scene that soon follows courtesy of a grizzly bear that attacks Glass, pummeling him to within an inch of his life. The surviving crew (including Domhnall Gleeson’s Army captain Andrew Henry and Will Poulter’s noble Jim) do what they can to help him. Fitzgerald has other ideas and his plan leaves Hawk dead and Glass left for dead.

The Revenant follows Glass’s journey back through the wild to find Fitzgerald under hellish conditions. Famously, Inarritu’s production reportedly could have used the same word for its conditions. The pic is shot using only natural light courtesy of master cinematographer Emmanuel Lubezki, who might as well been given his Oscar the day shooting commenced. There’s also little reliance on CG effects. That bear attack looks real. Frighteningly so.

Whatever harsh times Inarritu and his team experienced, the rewards are present onscreen. DiCaprio is one of his generation’s very finest actors and his commitment here is evident. In Mad Max: Fury Road (what a 2015 for Hardy), the actor barely said a word. By contrast, he’s a chatterbox here who’s constantly rationalizing his devious behavior in his Southern drawl. DiCaprio is the quiet one. He grunts more in pain than verbalizing it. Both performances are remarkable.

The unflinching violence comes infrequently in The Revenant, but when it does it is effective and jarring. Yes, the two and a half hour runtime probably could have been trimmed. After all, this is essentially a B movie revenge story told with an A Team of technicians, led by its director. Having said that, it would’ve left less minutes for those landscapes. Those amazing landscapes.

***1/2 (out of four)

 

Oscar Watch: The Revenant

One of the huge shoes left to drop in the 2015 Oscar race did so as Alejandro Gonzalez Inarritu’s The Revenant screened for Academy voters last night. While official reviews are embargoed until next Friday, there was plenty of word that leaked out and it’s given us a general direction on its Oscar prospects.

The verdict? It sounds as if The Revenant is well on its way to a Best Picture and Director nomination. Some watchers loved it while others were more cautious, but its inclusion as a nominee in these big races seems pretty much assured right now.

Furthermore, last evening’s word of mouth indicates an unquestionable nomination for star Leonardo DiCaprio, who’s been nominated four times and never won. The fifth time, in a Best Actor race that is less competitive than in recent year, could finally be the charm. It appears less certain whether or not Tom Hardy will be a player in Supporting Actor, though that should become more clear when reviews are out late next week.

Cinematographer Emmanuel Lubezki is also being heaped with praise and he could be the first individual to win the race three times in a row (after Gravity and Birdman).

Of course, director Inarritu is the man behind Birdman and he saw that effort win himself an Oscar, as well as the film itself last year. History has a shot of repeating itself this time. And for all the deserved chatter over the years about the craziness of Leo being Oscar-less, it could be well on its way to changing quite soon.