As we do every year on this here blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.
It began with the ten Best Picture contenders and now alternates alphabetically between the hopefuls in the other five races. The BP nominee posts are up and they’re readily available for your perusing pleasure. Today is our next entry in Best Director and that’s Jacques Audiard for Emilia Pérez. If you missed my posts covering Sean Baker from Anora and Brady Corbet for The Brutalist, they’re linked at the bottom.
Previous Directing Oscar Nominations:
None
The Case for Jacques Audiard:
While his 2009 drama A Prophet was up for International Feature Film a decade and a half ago, his behind the camera work for Pérez marks his first BP nominee and inaugural directing nod. The Jury prize winner from Cannes has yielded him directorial mentions at DGA, the Golden Globes, BAFTA, and Critics Choice.
The Case Against Jacques Audiard:
DGA went to Sean Baker for Anora while the Globe and BAFTA was bestowed to The Brutalist‘s Brady Corbet. For Critics Choice, it was Jon M. Chu in Wicked (he didn’t make the Academy’s quintet). The controversy swirling around lead actress Karla Sofia Gascón’s past social media posts likely hurt the film in any race that’s not Supporting Actress where Zoe Saldaña is still favored.
The Verdict:
Audiard was somewhat of a long shot before the bad press. He’s more so now.
My Case Of posts will continue with the fourth hopeful in Best Actress and that’s Demi Moore in The Substance…
As we do every year on this here blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.
It began with the ten Best Picture contenders and now alternates alphabetically between the hopefuls in the other five races. The BP nominee posts are up and they’re readily available for your perusing pleasure. Today is our third entry in Best Supporting Actress and that’s Felicity Jones in Brady Corbet’s The Brutalist. If you missed my posts covering Monica Barbaro (A Complete Unknown) and Ariana Grande from Wicked, they’re linked at the bottom.
Previous Acting Oscar Nominations:
Best Actress (2014, The Theory of Everything) – lost to Julianne Moore (Still Alice)
The Case for Felicity Jones:
A decade after contending in lead actress for The Theory of Everything, Jones gets her second Academy try in the picture tied for the second most nominations. She also received mentions at BAFTA and the Golden Globes.
The Case Against Felicity Jones:
Jones was not nominated at Critics Choice or SAG and nearly all chatter of an actor winning for The Brutalist has focused on Adrien Brody in Best Actor. Zoe Saldaña (Emilia Pérez) has swept the season so far and with SAG the only precursor left, Jones has no chance of picking up any hardware before the big show.
The Verdict:
It was a question mark as to whether Jones would make the final five. It’s an honor to be nominated.
My Case Of posts will continue with the third hopeful in Supporting Actor and that’s Edward Norton in A Complete Unknown…
The 31st SAG Awards hosted by Kristen Bell air on Netflix this Sunday and are the last major precursor before the Oscars on March 2nd. The winners here will not influence the Academy since voting closed this week.
That said, the correlation between SAG victors and Oscar winners can be high. In Actress over the past decade, it’s 7 out of 10. For Actor – 8 out of 10. In the supporting fields, we’re looking at a whopping 9/10 for both.
At SAG, the top prize is Best Ensemble and not Best Picture. Therefore we have less frequency between those competitions matching. Yet it’s a decent 6 out of 10 including the last 3 with CODA, Everything Everywhere All at Once, and Oppenheimer.
Let’s walk through each race and I’ll give you my winner pick and a runner-up. I’ll have a recap posted Sunday evening!
Outstanding Performance by a Cast in a Motion Picture
Anora, A Complete Unknown, Conclave, Emilia Pérez, Wicked
All 5 nominees here are BP hopefuls at Oscar and that’s the first occurrence of that since 2014. Unknown and the scandal plagued Pérez are long shots. The other three are all stronger possibilities. Conclave is fresh off the BAFTA coronation while Anora recently completed the hat trick of DGA/PGA/Critics Choice. That said, Wicked really over performed with nods in Actress, both supporting fields, and Stunt Ensemble. And (spoiler alert) I’m not predicting it to win any of those. It isn’t rare for the Ensemble recipient to blank everywhere else – Black Panther, Parasite, and The Trial of the Chicago 7 all did so from 2018-2020. I’ll give a slight edge to the musical adaptation.
PREDICTED WINNER: WICKED
Runner-Up: Anora
Outstanding Performance by Female Actor in a Leading Role
Pamela Anderson (The Last Showgirl), Cynthia Erivo (Wicked), Karla Sofia Gascón (Emilia Pérez), Mikey Madison (Anora), Demi Moore (The Substance)
This really has the feel of a coin flip after Madison is the recently minted BAFTA winner while Moore has the Golden Globe and Critics Choice. I just think this group of actors might be swayed by the comeback narrative. Nevertheless this seems so close.
PREDICTED WINNER: DEMI MOORE, THE SUBSTANCE
Runner-Up: Mikey Madison, Anora
Outstanding Performance by a Male Actor in a Leading Role
Adrien Brody (The Brutalist), Timothée Chalamet (A Complete Unknown), Daniel Craig (Queer), Colman Domingo (Sing Sing), Ralph Fiennes (Conclave)
Many believe this is Chalamet’s best opportunity to interrupt Brody’s potential sweep. I wouldn’t be surprised if that happens since Felicity Jones and Guy Pearce from The Brutalist both missed here and are Oscar nominees. The smart money is on Brody but I’m going with the mild upset in this one.
PREDICTED WINNER: TIMOTHÉE CHALAMET, A COMPLETE UNKNOWN
Runner-Up: Adrien Brody, The Brutalist
Outstanding Performance by a Female Actor in a Supporting Role
Monica Barbaro (A Complete Unknown), Jamie Lee Curtis (The Last Showgirl), Danielle Deadwyler (The Piano Lesson), Ariana Grande (Wicked), Zoe Saldaña (Emilia Pérez)
Don’t discount Grande with Wicked‘s nomination haul. However, Saldaña has swept thus far and seems immune to any controversy with the picture.
PREDICTED WINNER: ZOE SALDAÑA, EMILIA PÉREZ
Runner-Up: Ariana Grande, Wicked
Outstanding Performance by a Male Actor in a Supporting Role
Jonathan Bailey (Wicked), Yura Borisov (Anora), Kieran Culkin (A Real Pain), Edward Norton (A Complete Unknown), Jeremy Strong (The Apprentice)
Norton is maybe the only real threat to Culkin’s seasonal sweep. I don’t believe it’ll be interrupted.
PREDICTED WINNER: KIERAN CULKIN, A REAL PAIN
Runner-Up: Edward Norton, A Complete Unknown
Outstanding Performance by a Stunt Ensemble in a Motion Picture
Deadpool & Wolverine, Dune: Part Two, The Fall Guy, Gladiator II, Wicked
This could go to Dune: Part Two (though the first one lost to No Time to Die) or even Wicked, but this might be a layup for SAG to honor the movie about stunt ensembles.
As we do every year on this here blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.
It began with the ten Best Picture contenders and now alternates alphabetically between the hopefuls in the other five races. The BP nominee posts are up and they’re readily available for your perusing pleasure. Today is our third entry in Best Actress and that’s Mikey Madison in Sean Baker’s Anora. If you missed my posts covering Cynthia Erivo (Wicked) and Karla Sofia Gascón (Emilia Pérez), they’re linked at the bottom.
Previous Acting Oscar Nominations:
None
The Case for Mikey Madison:
She’s the titular character in arguably the Best Picture frontrunner. and Cannes Palme d’Or recipient. The 25-year-old has been nominated at the Golden Globes, Critics Choice, SAG, and BAFTA. Just yesterday, she won the BAFTA in an unexpected development over the favored Demi Moore (The Substance).
The Case Against Mikey Madison:
Her BAFTA trophy was a bit of a surprise because Moore was victorious over her at the Globes and Critics Choice. Moore’s narrative might be too enticing for Academy voters to ignore and they might figure Madison has plenty of time for a return engagement.
The Verdict:
This race definitely seems headed for a showdown between Madison and Moore. All eyes are on SAG this weekend to determine who might have the slight edge.
My Case Of posts will continue with the third hopeful in Best Actor and that’s Colman Domingo in Sing Sing…
The 78th British Academy Film Awards (or BAFTAs) have occurred across the pond. What will be the ripple effect for the Oscars in two weeks? Let’s get into it!
Last weekend, the PGA/DGA/Critics Choice Awards troika rightfully vaulted Sean Baker’s Anora to frontrunner status at the Academy Awards. My feeling (shared by plenty of prognosticators) is that Anora would have a tougher time taking top prize at BAFTA. That turned out to be true, but it did nab an award that could shake up another major competition.
Edward Berger’s Conclave is your BAFTA Best Film and I correctly called that. It wins two years after the director’s All Quiet on the Western Front did the same. A very important reminder: Best Picture at the Oscars and Best Film at BAFTA have matched just twice in the past decade. For those thinking this vaults Conclave into winning status in two weeks, think again. If it can be named Best Ensemble at SAG next weekend, chances improve.
Brady Corbet is Best Director for The Brutalist (another correct call). This adds intrigue to the Academy’s directorial competition as Sean Baker won DGA last weekend for Anora. They should battle it out for Oscar.
Overall I went 17 for 24 in my projections. Before I get into the acting derbies and screenplay contests, let’s do a quick review on where I went right elsewhere. Wallace & Gromit: Vengeance Most Fowl is the honoree for Animated Film while Emilia Pérez escaped its controversies to become Best Film Not in the English Language. The Brutalist took Cinematography and Original Score. Wicked is both your Costume Design and Production Design victor. Make Up & Hair went to The Substance. Conclave won Editing with Dune: Part Two emerging in Sound. Outstanding British Debut by a Writer, Director or Producer went to Kneecap with Conclave predictably taking Outstanding British Film.
Here’s where I went wrong in the down the line competitions. I went out on a limb with Better Man in Special Visual Effects and it was Dune: Part Two. In the Rising Star Competition, the Brits chose one of their own (David Jonsson) instead of Mikey Madison. Jonsson received plenty of complimentary notices in 2024 for Alien: Romulus. We are not done with Madison though.
In the newly created Children’s and Family Film race, it was Wallace & Gromit again and not my predicted The Wild Robot. And Anora aced Best Casting over Conclave. Finally, Super/Man: The Christopher Reeve Story is your Best Documentary despite not being up at Oscar. I went with No Other Land which is considered the soft Academy favorite.
Now let’s get to our acting and writing showdowns. In maybe the biggest upset of all, Jesse Eisenberg won Original Screenplay for A Real Pain. I had Anora projected with The Brutalist as my runner-up. Truth be told, my second runner-up would’ve been The Substance so Pain managing this was truly unexpected. On the other hand, Conclave is the Adapted Screenplay winner which was expected.
Three of the four frontrunners in the acting races made English podium walks today and solidified their positions. That would be Adrien Brody (The Brutalist) as Best Actor and Zoe Saldaña (Emilia Pérez) and Kieran Culkin (A Real Pain) in their respective supporting fields. For any of this trio to be denied a sweep, the SAG Awards would need to provide that disruption next weekend.
The other frontrunner after winning the Golden Globe and Critics Choice was Demi Moore in The Substance. Yet the BAFTAs went with Mikey Madison (Anora) and this sets up an unpredictable competition between them.
Bottom line: the BAFTAs made Best Actress and Director more intriguing while I wouldn’t read too much into the Conclave selection. Keep an eye on the blog for more speculation as we hurdle toward Oscar night.
Here’s the breakdown of movies that won BAFTAs:
4 Wins
The Brutalist, Conclave
2 Wins
Anora, Dune: Part Two,Emilia Pérez, A Real Pain, Wallace & Gromit: Vengeance Most Fowl, Wicked
1 Win
Kneecap, The Substance, Super/Man: The Christopher Reeve Story
As we do every year on this here blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.
It began with the ten Best Picture contenders and now alternates alphabetically between the hopefuls in the other five races. The BP nominee posts are up and they’re readily available for your perusing pleasure. Today is our second entry in Best Supporting Actress and that’s Ariana Grande in Jon M. Chu’s Wicked. If you missed my post on Monica Barbaro in A Complete Unknown, it’s linked at the bottom.
Previous Acting Oscar Nominations:
None
The Case for Ariana Grande:
As Glinda the Good in the hugely popular adaptation of the stage play, Grande scored big love from audiences and critics. It resulted in nominations at the Globes, SAG, Critics Choice, and BAFTA. This is an opportunity for the Academy to recognize one of the most widely seen performances of the evening.
The Case Against Ariana Grande:
At the Globes and Critics Choice, she’s fallen short to another musical performance in Zoe Saldaña from Emilia Pérez.
The Verdict:
Grande is in the same boat as my previous post with Timothée Chalamet in A Complete Unknown. Both are considered the runner-ups because they’ve yet to win a significant precursor. Like Chalamet, I think Grande needs to take SAG in order to have any real shot of taking gold over Saldaña. She could score a mild upset if the recent Pérez controversy extends beyond Karla Sofia Gascón.
My Case Of posts will continue with the next contender in Supporting Actor and that’s Kieran Culkin in A Real Pain…
As we do every year on this here blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.
It began with the ten Best Picture contenders and now alternates alphabetically between the hopefuls in the other five races. The BP nominee posts are up and they’re readily available for your perusing pleasure. Today is our second entry in Best Actress and that’s Karla Sofia Gascón for Jacques Audiard’s Emilia Pérez. If you missed my post on Cynthia Erivo (Wicked), it’s linked at the bottom.
Previous Acting Oscar Nominations:
None
The Case for Karla Sofia Gascón:
The Spanish actress has been nominated in the key quartet of precursors with the Golden Globes, SAG, Critics Choice, and BAFTA. Playing the title character in the most nominated picture, a Gascón victory would be history making as she’s the first transgender performer nominated in the category.
The Case Against Karla Sofia Gascón:
Well… it’s voluminous but let’s start with the non-obvious. There’s been no precursor wins of note and she lost to Demi Moore (The Substance) at the Globes and Critics Choice. While she may play the titular role, her costar Zoe Saldaña has been the focus of attention in Supporting Actress. Then there’s the headline making controversy. Last month, a number of Gascón’s social media posts from a few years back resurfaced containing troubling comments. The firestorm was enough for Netflix to essentially drop any campaign for her in Best Actress and refocus all attention on its other nominations.
The Verdict:
Gascón wasn’t a real threat to win before the scandal and is even less so now.
My Case Of posts will continue with the second contender in Best Actor and that’s Timothée Chalamet in A Complete Unknown…
The 78th edition of the BAFTAs, the U.K.’s version of the Academy Awards, occur this Sunday and it could help shape an already topsy-turvy awards season.
I’m going to give you a winner and runner-up prediction for each feature film race. I won’t spend much time pontificating as I do enough of that for the Oscars. However, it is worth noting BAFTA’s Best Film and the Academy’s Best Picture have matched just twice in the past 10 ceremonies (2020’s Nomadland, last year’s Oppenheimer). With victories at Critics Choice/PGA/DGA last weekend, Anora has anointed itself the Oscar frontrunner. And you could argue that it makes it easier not to select Sean Baker’s pic for BAFTA’s biggest prize.
That’s what I’m doing as I believe Conclave and The Brutalist could battle for BAFTA and I’m giving the slight edge to the former. We’re talking coin flip territory. Don’t get me wrong. Anora could take this and solidify its status even more so. I just have a hunch otherwise.
BAFTA/Oscar matches improve in other major races. For Director and Supporting Actress, it’s 7 out of the past 10. For Actor and Supporting Actor, it is 8 and we have 9/10 in Actress. The Golden Globes and Critics Choice have elevated Demi Moore, Adrien Brody, Zoe Saldaña, and Kieran Culkin to favorited status. The smart money is on that quartet and I’m not projecting an upset.
Here’s my rundown and I’ll have recap up Sunday!
BEST FILM
Anora, The Brutalist, A Complete Unknown, Conclave, Emilia Pérez
Predicted Winner: Conclave
Runner-Up: The Brutalist
BEST DIRECTOR
Jacques Audiard (Emilia Pérez), Sean Baker (Anora), Edward Berger (Conclave), Brady Corbet (The Brutalist), Coralie Fargeat (The Substance), Denis Villeneuve (Dune: Part Two)
Predicted Winner: Brady Corbet, The Brutalist
Runner-Up: Edward Berger, Conclave
BEST ACTRESS
Cynthia Erivo (Wicked), Karla Sofia Gascón (Emilia Pérez), Marianne Jean-Baptiste (Hard Truths), Mikey Madison (Anora), Demi Moore (The Substance), Saoirse Ronan (The Outrun)
Predicted Winner: Demi Moore, The Substance
Runner-Up: Mikey Madison, Anora
BEST ACTOR
Adrien Brody (The Brutalist), Timothée Chalamet (A Complete Unknown), Colman Domingo (Sing Sing), Ralph Fiennes (Conclave), Hugh Grant (Heretic), Sebastian Stan (The Apprentice)
Predicted Winner: Adrien Brody, The Brutalist
Runner-Up: Ralph Fiennes, Conclave
BEST SUPPORTING ACTRESS
Jamie Lee Curtis (The Last Showgirl), Selena Gomez (Emilia Pérez), Ariana Grande (Wicked), Felicity Jones (The Brutalist), Isabella Rossellini (Conclave), Zoe Saldaña (Emilia Pérez)
Predicted Winner: Zoe Saldaña, Emilia Pérez
Runner-Up: Ariana Grande, Wicked
BEST SUPPORTING ACTOR
Yura Borisov (Anora), Kieran Culkin (A Real Pain), Clarence Maclin (Sing Sing), Edward Norton (A Complete Unknown), Guy Pearce (The Brutalist), Jeremy Strong (The Apprentice)
Predicted Winner: Kieran Culkin, A Real Pain
Runner-Up: Guy Pearce, The Brutalist
BEST ORIGINAL SCREENPLAY
Anora, The Brutalist, Kneecap, A Real Pain, The Substance
Predicted Winner: Anora
Runner-Up: The Brutalist
BEST ADAPTED SCREENPLAY
A Complete Unknown, Conclave, Emilia Pérez, Nickel Boys, Sing Sing
Predicted Winner: Conclave
Runner-Up: A Complete Unknown
BEST ANIMATED FILM
Flow, Inside Out 2, Wallace & Gromit: Vengeance Most Fowl, The Wild Robot
Predicted Winner: Wallace & Gromit: Vengeance Most Fowl
Runner-Up: Flow
BEST DOCUMENTARY
Black Box Diaries, Daughters, No Other Land, Super/Man: The Christopher Reeve Story, Will & Harper
Predicted Winner: No Other Land
Runner-Up: Daughters
BEST FILM NOT IN THE ENGLISH LANGUAGE
All We Imagine as Light, Emilia Pérez, I’m Still Here, Kneecap, The Seed of the Sacred Fig
Predicted Winner: Emilia Pérez
Runner-Up: I’m Still Here
BEST CASTING
Anora, The Apprentice, A Complete Unknown, Conclave, Kneecap
Predicted Winner: Conclave
Runner-Up: Anora
BEST CINEMATOGRAPHY
The Brutalist, Conclave, Dune: Part Two, Emilia Pérez, Nosferatu
Predicted Winner: The Brutalist
Runner-Up: Dune: Part Two
BEST COSTUME DESIGN
Blitz, A Complete Unknown, Conclave, Nosferatu, Wicked
Predicted Winner: Wicked
Runner-Up: Conclave
BEST EDITING
Anora, Conclave, Dune: Part Two, Emilia Pérez, Nosferatu
Predicted Winner: Conclave
Runner-Up: Dune: Part Two
BEST MAKE UP & HAIR
Dune: Part Two, Emilia Pérez, Nosferatu, The Substance, Wicked
Predicted Winner: The Substance
Runner-Up: Dune: Part Two
BEST ORIGINAL SCORE
The Brutalist, Conclave, Emilia Pérez, Nosferatu, The Wild Robot
Predicted Winner: The Brutalist
Runner-Up: Conclave
BEST PRODUCTION DESIGN
The Brutalist, Conclave, Dune: Part Two, Nosferatu, Wicked
Predicted Winner: Wicked
Runner-Up: Conclave
BEST SOUND
Blitz, Dune: Part Two, Gladiator II, The Substance, Wicked
Predicted Winner: Dune: Part Two
Runner-Up: Wicked
BEST SPECIAL VISUAL EFFECTS
Better Man, Dune: Part Two, Gladiator II, Kingdom of the Planet of the Apes, Wicked
Predicted Winner: Better Man
Runner-Up: Dune: Part Two
Outstanding British Film
Bird, Blitz, Conclave, Gladiator II, Hard Truths, Kneecap, Lee, Love Lies Bleeding, The Outrun, Wallace & Gromit: Vengeance Most Fowl
Predicted Winner: Conclave
Runner-Up: Kneecap
Outstanding Debut by a British Writer, Director or Producer
Flow, Kensuke’s Kingdom, Wallace & Gromit: Vengeance Most Fowl, The Wild Robot
Predicted Winner: The Wild Robot
Runner-Up: Wallace & Gromit: Vengeance Most Fowl
EE Rising Star Award
Marisa Abela, Jharrel Jerome, David Jonsson, Mikey Madison, Nabhaan Rizwan
Predicted Winner: Mikey Madison
Runner-Up: Marisa Abela
And that leaves us with these pictures generating these numbers of victories:
5 Wins
Conclave
4 Wins
The Brutalist
2 Wins
Emilia Pérez, The Substance, Wicked
1 Win
Anora (two if you count Madison’s Rising Star victory), Better Man, Dune: Part Two, Kneecap, No Other Land, A Real Pain, Wallace & Gromit: Vengeance Most Fowl, The Wild Robot
As we do every year on this here blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.
It begins with the ten BP nominees and then alternates alphabetically between the hopefuls in the other five races. I’ve already covered the BP contenders and they’re readily available for your perusing pleasure. Today is our initial entry in Best Supporting Actress and that’s Monica Barbaro in James Mangold’s A Complete Unknown.
Previous Oscar Acting Nominations:
None
The Case for Monica Barbaro:
As Bob Dylan’s on and off again flame Joan Baez, Barbaro has a breakout role as the legendary folk singer. The SAG awards put her in their mix and the picture itself scored an impressive eight nominations overall.
The Case Against Monica Barbaro:
Folks making up the voting branches at Critics Choice, BAFTA, and the Golden Globes did not nominate her. Zoe Saldaña from Emilia Pérez has dominated the precursors.
The Verdict:
Of Unknown‘s three acting nominees – Timothée Chalamet in Actor, Edward Norton in Supporting Actor, and here – I would rank Barbaro third in terms of winning possibility.
My Case Of posts will continue with the first hopeful in Supporting Actor and that’s Yura Borisov from Anora…
The Producers Guild of America (PGA) provided a weekend hat trick for Sean Baker’s Anora as it won their top award over my pick of The Brutalist. This is the same narrative that occurred Friday evening when it took Best Picture at the Critics Choice Awards over Brady Corbet’s epic immigrant drama. Also on Saturday night, Baker was selected as the Directors Guild of America recipient over Corbet. As discussed in the blog post recounting that ceremony, the DGA and Oscar’s Best Director nearly always match.
In one weekend, Anora became the Academy’s frontrunner for Best Picture. There’s no other logical way to look at it. With Emilia Pérez significantly weakened due to Karla Sofia Gascón’s recent controversies and A Complete Unknown, Conclave, and Wicked yet to grab any major BP precursors, Anora is elevated with CCA/PGA/DGA in a 48 hour period. Wicked still could win SAG in a couple of weeks and so could Conclave. I also feel the latter is a possibility for BP at BAFTA. The Brutalist is also a threat at the British equivalent of the Oscars. In other words, Best Picture isn’t over but Anora is your new leader (or continued leader if you had it in first). I have had The Brutalist in that position for months and that’s no longer the case.
As for the PGA’s other two categories, The Wild Robot is your Animated Theatrical Motion Picture while Super/Man: The Christopher Reeve Story (not up at Oscar) is the documentary victor. I correctly called those two competitions.
Keep an eye on the blog throughout the coming days as I continue to post Case Of Oscar write-ups. I’ll also have BAFTA winner predictions up later this week!
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