Oscar Predictions – Wicked: For Good

Ahead of its Friday release, the embargo has lapsed for the eagerly awaited sequel Wicked: For Good and we are seeing just how popular or unpopular it is with critics. Jon M. Chu returns to direct alongside the cast of Cynthia Erivo, Ariana Grande, Jonathan Bailey, Ethan Slater, Bowen Yang, Marissa Bode, Michelle Yeoh, and Jeff Goldblum.

Based on the Broadway phenomenon, Good is expected to generate massive box office dollars. Will it be able to match or exceed the Oscar performance of its predecessor from last year? At the 97th Academy Awards, Wicked picked up 10 nominations – Best Picture, Actress (Erivo), Supporting Actress (Grande), Costume Design, Film Editing, Makeup and Hairstyling, Original Score, Production Design, Sound, and Visual Effects. It won for Costume Design and Production Design.

We’ll get into all those in a second, but let’s start with the headline. As one of the final pieces to this grand awards puzzle, Good‘s reviews aren’t as strong as part 1’s. 2024’s original had 88% on Rotten Tomatoes and 73 on Metacritic. At the time of publication, RT for Good is 71% with Metacritic at 61.

In short, that makes its prospects murkier in most categories starting with BP. On Sunday when I posted my latest update, I dropped the follow-up from 6th to 8th in that race. I wouldn’t be surprised to see it slide further in my next update and I certainly don’t expect it to go up. Anywhere from 8-10 seems reasonable with the possibility that it could miss the cut. A Directing nod for Chu appears out of reach.

Since April when I did my first projections, I’ve had Erivo and Grande getting back to back noms as the Wicked Witch and Glinda the Good. That’s likely to continue though I’m less confident that they’re both slam dunk inclusions. Actress is crowded and Erivo faces tough competition. I think Grande in Supporting Actress is safer. She was probably runner-up for the victory last year when she fell short to Zoe Saldaña in Emilia Pérez. Grande has been ranked 1st for months on this blog and I still believe she could make the podium walk. The mixed overall reaction opens up victory narratives for others, including Teyana Taylor in One Battle After Another, Elle Fanning or Inga Ibsdotter Lilleass in Sentimental Value, and maybe even Amy Madigan for Weapons (though I’ve yet to predict her).

As for the tech races, Costume Design, Makeup and Hairstyling, and Production Design are close to shoo-in noms. I’m a little less assured about Sound and Visual Effects and far less so for Film Editing and Original Score.

Then there’s categories where the second helping of Wicked could pop up where Wicked did not. That includes original song. Universal is submitting “The Girl in the Bubble” and “No Place Like Home” for the tune derby. I included both in my quintet on Sunday. Some critical reaction indicates the new songs (in other words – not in the Broadway show) are not standouts. I still think one gets in (“Bubble”) but you never know.

The 98th Academy Awards marks the first year for the Best Casting prize. Had this existed last year, Wicked would have had 11 mentions instead of 10. Like most other races mentioned above, For Good making this list of five (or ten in BP) in tenuous.

Bottom line – the range of nominations for Wicked: For Good could be anywhere from 3 to maybe matching the 10 of Wicked in a best case scenario. My Oscar Prediction posts will continue…

98th Academy Awards: The State of the Supporting Actress Race (October Edition)

Instead of writing a full update on my Oscar predictions this week, I’m doing a deep dive on the six highest profile races: Picture, Director and the four acting derbies. It began with Supporting Actor and continues today with Supporting Actress. If you missed my write-up on Supporting Actor, you can find it here:

I published my first preview of the Supporting Actress field on April 6th. In that post, I listed my initial predictions for the quintet of hopefuls along with ten other possibilities. At that impossibly early stage of the game, my selections were:

Ayo Edebiri, After the Hunt

Ariana Grande, Wicked: For Good

Angelina LookingGlass, The Rivals of Amziah King

Gwyneth Paltrow, Marty Supreme

Teyana Taylor, One Battle After Another

Let’s dispense with a couple of those names. Angelina LookingGlass’s heralded work in The Rivals of Amziah King has not been scheduled for 2025. At this point, I’m assuming it will come out in 2026.

After the Hunt has lost its awards luster after a poor commercial and critical reaction. While her costar Julia Roberts may have a long shot chance at making the Actress cut, I don’t see the same for Edebiri.

The other three names are very much viable. Ariana Grande was nominated last year as Glinda the Good Witch and was probably runner-up to Zoe Saldaña (Emilia Pérez). While For Good has yet to screen, it stands to reason that she could make a return to the lineup. I’ve had her ranked first the whole year and we’ll see if that remains when word-of-mouth comes in.

Teyana Taylor’s performance dominates the first third of One Battle After Another (arguably the BP frontrunner). That should be enough for her to be the most likely Supporting Actor nominee in the film and we’ll get to Regina Hall shortly.

Gwyneth Paltrow is not a guaranteed competitor like her costar Timothée Chalamet is in lead actor. However, her work in Marty Supreme is definitely viable in this unformed race. The same could be said for her costar Odessa A’Zion though I’d put Paltrow ahead.

My 10 other possibilities that I listed back in April are:

Emily Blunt, The Smashing Machine

Glenn Close, Wake Up Dead Man: A Knives Out Mystery

Laura Dern, Jay Kelly

Elle Fanning, Sentimental Value

America Ferrera, The Lost Bus

Regina Hall, One Battle After Another

Greta Lee, Late Fame

Nia Long, Michael

Jennifer Lopez, Kiss of the Spider Woman

Emily Watson, Hamnet

Let’s start with Regina Hall. When it was announced that Chase Infiniti would compete in lead Actress for Battle, it opened the door for Hall. I maintain that she’s behind her costar Taylor. I currently have her on the outside looking in, but wouldn’t be surprised if she hears her name called. In the 21st century, we’ve seen double nominees in this category 10 out of 25 times. The last example was 2022 when Jamie Lee Curtis won for Everything Everywhere All at Once while her cast mate Stephanie Hsu was also up. The other times were as follows:

2000: Frances McDormand and Kate Hudson, Almost Famous

2001: Helen Mirren and Maggie Smith, Gosford Park

2002: Catherine Zeta-Jones (winner) and Queen Latifah, Chicago

2006: Adriana Barraza and Rinko Kikuchi, Babel

2008: Amy Adams and Viola Davis, Doubt

2009: Vera Farmiga and Anna Kendrick, Up in the Air

2010: Melissa Leo (winner) and Amy Adams, The Fighter

2011: Octavia Spencer (winner) and Jessica Chastain, The Help

2018: Emma Stone and Rachel Weisz, The Favourite

Another possibility of two nominees from the same pictures lies with Elle Fanning (Sentimental Value) and her costar Inga Ibsdotter Lilleass. The former seems marginally more likely but Lilleass is absolutely a threat to make the quintet.

A third possibility of two actresses from one feature is Wunmi Mosaku and Hailee Steinfeld from Sinners. That’s a more remote possibility and the film would really have to over perform for either to get in.

Back to those 10 other possibilities. Michael was pushed to 2026 so there goes Nia Long. Laura Dern, America Ferrera, Greta Lee and Emily Watson are all long shots at best after their movies screened. For Dern and Watson, they could see some of their costars nominated.

Emily Blunt could factor in if she manages SAG or Critics Choice or a Globe nod. Yet The Smashing Machine was a major box office flop and that doesn’t help. The same logic applies to Jennifer Lopez for Kiss of the Spider Woman.

Glenn Close is arguably considered the best thespian who hasn’t won an Oscar despite eight attempts. That could help her cause in Rian Johnon’s latest murder mystery, but none of the actors from Knives Out and Glass Onion made it despite respective buzz for Ana de Armas and Janelle Monae.

One name not on my radar in April was Amy Madigan in Weapons. The summer sleeper gave the veteran actress an unforgettably creepy role that should inspire many a Halloween costume next week. I’m starting to really think she could find herself in the quintet.

So there you have it, readers! I would say Grande, Taylor, Fanning, Lilleass, Madigan, Paltrow and Hall are the seven likeliest contestants with potential surprises including Close, Lopez, Blunt and Mosaku. I will zone in on Best Actor in the next write-up!

Oscar Predictions: Souleymane’s Story

The immigration drama Souleyman’s Story premiered at Cannes all the way back in May 2024, but the French release is getting a limited U.S. release this weekend. From director Boris Lojkine, Abou Sangaré drew raves as the title character with Nina Meurisse providing support in a César (French equivalent to Oscars) winning Supporting Actress performance.

In the Un Certain Regard portion at Cannes, Story picked up honors for Sangaré’s performance and an overall jury prize. With 100% on Rotten Tomatoes and an 81 Metacritic, this could’ve been a solid French choice for International Feature Film submission at the Academy Awards. Last year, they understandably went with Emilia Pérez. Controversial comments by lead Karla Sofia Gascón likely sunk its chances at a victory. Frankly I’m not sure if the French could make it their horse in 2025 since they released it last October. Odds are they’ll go with Richard Linklater’s Nouvelle Vague (which played Cannes this year).

Bottom line: while Story drew its share of kudos and European fest love, it probably missed its window from the Academy. My Oscar Prediction posts will continue…

Oscar Predictions: Nouvelle Vague

Could France’s selection for International Feature come from Texas’s Richard Linklater? Judging from reaction at Cannes, that’s a distinct possibility with Nouvelle Vague. The period piece recounts the filming of the landmark French New Wave pic Breathless with Guillaume Marbeck as director Jean-Luc Godard and Zoey Deutch as star Jean Seberg.

It’s no surprise that viewers in Cannes are appreciating Nouvelle as it stands at 100% on Rotten Tomatoes. How it translates outside of its native country remains to be seen. The French have gotten 8 of their contenders for IFF nominated in the 21st century including last year’s Emilia Pérez. You have to go back to 1992 and Indochine for their previous winner.

If this were their pick in the international race, there could be enough support to make the quintet. I’m not sure if branches out anywhere beyond that despite praise for its two leads. My Oscar Prediction posts will continue…

98th Academy Awards: FIRST Predictions in Best Director

And we are off to the races with my first Oscar predictions for the 98th Academy Awards.

It is just over a month removed from the 97th ceremony so let us begin some ridiculously early speculation! These are my inaugural glimpses at the four acting derbies, Director, and Picture. They have been unfolding on the blog over the next few days. I already posted my take in the acting fields and they can be found here:

That brings us to Best Director. This is the one major race of these first six where I named none of the eventual nominees for 97th ceremony back in April of 2024. That means the winner Sean Baker (Anora) and the other quartet of contenders (Jacques Audiard for Emilia Pérez, Brady Corbet for The Brutalist, Coralie Fargeat for The Substance, James Mangold for A Complete Unknown) had yet to reach my radar screen. Two years ago, I already had eventual recipient Christopher Nolan (Oppenheimer) in my high five during the inaugural guesstimate.

Let’s get some caveats out of the way… it’s early. Some movies listed are likely to be pushed back or simply not turn out to be awards contenders. Others will rise up through the festival system much like Anora, Pérez, The Substance, and The Brutalist last time around.

This premiere post projects a return to competition for previous honoree Chloe Zhao with heavy hitters like Paul Thomas Anderson and Guillermo del Toro on the outside looking in.

Here’s the first snapshot with Best Picture up next!

TODD’S FIRST OSCAR PREDICTIONS FOR BEST DIRECTOR AT THE 98TH ACADEMY AWARDS

Park Chan-wook, No Other Choice

Luca Guadagnino, After the Hunt

Andrew Patterson, The Rivals of Amziah King

Josh Safdie, Marty Supreme

Chloe Zhao, Hamnet

Other Possibilities:

Paul Thomas Anderson, One Battle After Another

Noah Baumbach, Jay Kelly

Edward Berger, The Ballad of a Small Player

James Cameron, Avatar: Fire and Ash

Jon M. Chu, Wicked: For Good

Guillermo del Toro, Frankenstein

Mike Flanagan, The Life of Chuck

Yorgos Lanthimos, Bugonia

Spike Lee, Highest 2 Lowest

Joachim Trier, Sentimental Value

98th Academy Awards: FIRST Predictions in Best Supporting Actress

And we are off to the races with my first Oscar predictions for the 98th Academy Awards.

We are just over a month removed from the 97th ceremony so let us begin some ridiculously early speculation! These are my inaugural glimpses at the four acting derbies, Director, and Picture. They will unfold on the blog over the next few days. I already posted my take on Supporting Actor and it can be found here:

We move to Supporting Actress. When I gave you my first picks in 2024, it yielded one eventual nominee and that’s Isabella Rossellini for Conclave. The eventual winner Zoe Saldaña (Emilia Pérez) as well as Monica Barbaro (A Complete Unknown), Ariana Grande (Wicked), Felicity Jones (The Brutalist), were not identified at this early juncture.

Let’s get some caveats out of the way… it’s early. Some movies listed are likely to be pushed back or simply not turn out to be awards contenders. Actresses listed here could end up being campaigned in lead actor and vice versa when I get to Best Actress. And there will be movies we’re not even anticipating that will rise up with performances currently not on the radar. Last year in April 2024, I had Cynthia Erivo (Wicked) slotted in Supporting Actress in Other Possibilities. She ended up going lead and nabbing a nod.

This premiere posts projects Erivo’s costar Ariana Grande will be a repeat nominee for Wicked: For Good. I’m also forecasting that Gwyneth Paltrow will return to the awards mix over a quarter century behind her Shakespeare in Love Actress victory.

Here’s the first snapshot with Best Actor up next!

TODD’S FIRST OSCAR PREDICTIONS FOR SUPPORTING ACTRESS AT THE 98TH ACADEMY AWARDS

Ayo Edebiri, After the Hunt

Ariana Grande, Wicked: For Good

Angelina LookingGlass, The Rivals of Amziah King

Gwyneth Paltrow, Marty Supreme

Teyana Taylor, One Battle After Another

Other Possibilities:

Emily Blunt, The Smashing Machine

Glenn Close, Wake Up Dead Man: A Knives Out Mystery

Laura Dern, Jay Kelly

Elle Fanning, Sentimental Value

America Ferrera, The Lost Bus

Regina Hall, One Battle After Another

Greta Lee, Late Fame

Nia Long, Michael

Jennifer Lopez, Kiss of the Spider Woman

Emily Watson, Hamnet

Oscars: The Case of Zoe Saldaña in Emilia Pérez

As we do every year on this here blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.

It began with the ten Best Picture contenders and now alternates alphabetically between the hopefuls in the other five races. The BP nominee posts are up and they’re readily available for your perusing pleasure. Today is our fifth and final entry in Best Supporting Actress and that’s Zoe Saldaña in Jacques Audiard’s Emilia Pérez. If you missed my posts covering the other nominees, they’re linked at the bottom.

Previous Acting Oscar Nominations:

None

The Case for Zoe Saldaña:

After a career mostly known for appearances in the Star Trek, Avatar, and Guardians of the Galaxy franchises, Saldaña’s work as a singing defense attorney to the title character has earned across the board precursor victories. That includes the Golden Globe, SAG, Critics Choice, and BAFTA.

The Case Against Zoe Saldaña:

If the controversy regarding costar Karla Sofia Gascón’s past social media postings translate to all Pérez categories, Saldaña could be in trouble.

The Verdict:

Saldaña appears immune to the Gascón firestorm and the sweep appears assured. Anyone other than her winning on Sunday evening would constitute a major upset.

My Case Of posts will continue with the final hopeful in Supporting Actor and that’s Jeremy Strong in The Apprentice…

31st SAG Awards Reaction

The 31st SAG Awards added to the unpredictability of Oscar night in one week by crowning Conclave as the Best Ensemble recipient. This occurs seven days after it got BAFTA’s largest prize. The correlation between the Academy’s Best Picture and SAG ensemble is 6/10 in the past decade. Conclave still may not be the frontrunner next Sunday but its chances are looking better.

I predicted Wicked would take Ensemble while plenty of others went with Anora. Had the latter emerged victorious, it would’ve solidified frontrunner positioning in BP. Now Oscar night’s biggest race appears to be a three-way contest between Anora, The Brutalist, and Conclave with genuine suspense as to what will come out on top.

Ensemble was the only category I missed as I went 5/6 in my projections. I’ll gladly take that in this unpredictable season. Both lead acting derbies were coin flips where I managed to make the right call. Demi Moore (The Substance) won and she now has SAG, Critics Choice, and the Globe with Mikey Madison (Anora) claiming BAFTA. I am still deciding who will take the Oscar.

For Best Actor, Timothée Chalamet (A Complete Unknown) picked up his first major trophy over Adrien Brody (The Brutalist). I had a hunch this might happen as the SAG voters ignored Brody’s costars Felicity Jones and Guy Pearce and nominated Chalamet’s cast mates Monica Barbaro and Edward Norton. I’m not convinced the Academy will follow suit, but it’s surely more of a two-way race now.

The supporting fields appear set in stone as Zoe Saldaña (Emilia Pérez) and Kieran Culkin (A Real Pain) have now swept the season. Anyone other than them making podium trips next Sunday would be a rather shocking upset at this juncture.

Finally, The Fall Guy nabbed Best Stunt Ensemble as I figured the movie about stunt performers would.

Keep an eye on the blog as I wrap up my Case Of posts with those final predictions (!) coming Wednesday.

Oscars: The Case of Coralie Fargeat for The Substance

As we do every year on this here blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.

It began with the ten Best Picture contenders and now alternates alphabetically between the hopefuls in the other five races. The BP nominee posts are up and they’re readily available for your perusing pleasure. Today is our fourth entry in Best Director and that’s Coralie Fargeat for The Substance. If you missed my posts covering the first three contenders, they’re linked at the bottom.

Previous Directing Oscar Nominations:

None

The Case for Coralie Fargeat:

The second French filmmaker in the contending quintet behind Jacques Audiard (Emilia Pérez), Fargeat became a three-time nominee for Picture, Director, and Original Screenplay with the trippy and acclaimed The Substance. Additional noms for her behind the camera work include the Golden Globes, BAFTA, and Critics Choice.

The Case Against Coralie Fargeat:

Fargeat missed DGA. Simply stated, Oscar winners for Best Director don’t miss DGA. She’s taken home none of the aforementioned precursors.

The Verdict:

That fact is that the case against is really all that needs to be said. Fargeat has a shot at winning Original Screenplay, but not here where Sean Baker (Anora) and Brady Corbet (The Brutalist) are competing for the statue.

My Case Of posts will continue with the final hopeful in Best Actress and and that’s Fernanda Torres in I’m Still Here…

Oscars: The Case of Isabella Rossellini in Conclave

As we do every year on this here blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.

It began with the ten Best Picture contenders and now alternates alphabetically between the hopefuls in the other five races. The BP nominee posts are up and they’re readily available for your perusing pleasure. Today is our fourth entry in Best Supporting Actress and that’s Isabella Rossellini in Edward Berger’s Conclave. If you missed my posts covering the first three competitors, they’re linked at the bottom.

Previous Acting Oscar Nominations:

None

The Case for Isabella Rossellini:

The Italian ingénue who had her cinematic breakthrough in David Lynch’s Blue Velvet finally gets award attention nearly 50 years after her acting debut. As Sister Agnes, Rossellini scored nods at the Globes, Critics Choice, and BAFTA. Being cinematic royalty (the daughter of director Roberto Rossellini and acting legend Ingrid Bergman) doesn’t hurt.

The Case Against Isabella Rossellini:

Zoe Saldaña’s work in Emilia Pérez is sweeping the season so far. Rossellini’s final chance for a victory has lapsed since she’s not nominated at the SAG Awards. Her 8 minutes of screen time might be considered too minimal for the gold.

The Verdict:

This first nomination will not result in a trip to the stage.

My Case Of posts will continue with the fourth hopeful in Supporting Actor and that’s Guy Pearce in The Brutalist