Music Biopics: The Name Game

A growing trend in movies for the past few years (and a bit beyond) is the musical biopic that incorporates one of the band or artist’s songs into the title. The latest example will come out this fall with Bohemian Rhapsody, the behind the scenes story of Queen.

2019 will bring us Rocketman with Taron Egerton as the legendary Elton John.

We’ve seen this trend in years past. For instance, the 1980s saw La Bamba about Richie Valens.

The 1990s gave us Angela Bassett in her Oscar nominated role playing Tina Turner in What’s Love Got to Do With It?

In 2005, we had Walk the Line with Joaquin Phoenix in his Academy nominated turn as Johnny Cash and Reese Witherspoon winning as June.

More recent ones have been in the hip hop world with Straight Outta Compton (N.W.A.) and All Eyez on Me (Tupac Shakur). There’s also Get On Up with Chadwick Boseman as the Godfather of Soul, James Brown.

So this got me thinking. What would be some other movie/song titles if certain iconic musicians got their biopic? For this blog post’s purposes, I tried to focus on artists where I feel a big screen treatment on them is at least feasible. In other words, while Rico Suave might be a spectacular title, I don’t envision two hours on Gerardo coming anytime soon.

There is already a Madonna flick reportedly in the works and it takes its name not from a tune, but from one of her tours – Blond Ambition. I suppose Material Girl or Like a Prayer could have worked, but Blond Ambition is just about perfect.

Some choices seem obvious. You gotta call the Bon Jovi story Livin on a Prayer, after all. And My Way seems like the natural fit for Frank Sinatra. And Born to Run for Bruce Springsteen. And there’s Piano Man for Billy Joel.

It doesn’t end there. Respect (Aretha Franklin) and Fire and Rain (James Taylor).

When it comes to some recently dearly departed legends, Prince presents a challenge because you can’t call it Purple Rain. And a number of his other massive hits don’t fit. When Doves Cry is probably the name the studio would go for considering it’s his biggest hit. Personally, I rather like the thought of My Name is Prince, taken from his Love Symbol album of 1992.

With Michael Jackson, Thriller would work but it’s hard to imagine Man in the Mirror not being the choice.

For David Bowie, Starman seems like the winner, but that’s also the name of a fairly well-known 1980s science fiction effort starring Jeff Bridges. That may not matter, but if so, Space Oddity or simply calling it Ziggy Stardust might fit.

Tom Petty? How about Free Fallin or Runnin Down a Dream. George Michael? Faith or Freedom. Whitney Houston? Tough one. Perhaps a studio would want I Will Always Love You. Maybe So Emotional works as well.

Some bands have more than one title that seem appropriate. Aerosmith has three great ones: Dream On, Sweet Emotion, or Walk This Way. With AC/DC – Back in Black or Thunderstruck.

Guns n Roses is an interesting one. Welcome to the Jungle is fantastic, but it was just the subtitle for the blockbuster Jumanji reboot. In this matter, you might have to go with their album name Appetite for Destruction, which is ideal.

Metallica could have For Whom the Bell Tolls or Enter Sandman. Nirvana might have Smells Like Teen Spirit as the studio choice, but I’m a little partial to Come As You Are.

I like Runnin with the Devil for Van Halen and I suppose Stairway to Heaven would be the choice for Led Zeppelin.

Let’s move off rock. How about Britney Spears? That may depend on what direction the studio goes. It could be Toxic or Stronger. Maybe Baby One More Time instead.

Stevie Wonder? Superstition or Sir Duke are possibilities, but I like Higher Ground.

With Bob Marley, maybe Get Up, Stand Up or One Love.

Circling back to hip hop, Fight the Power is the clear pick for Public Enemy and the same may hold true for Mama Said Knock You Out with LL Cool J.

And then there’s my favorite… the Rick James biopic Super Freak. Why hasn’t this been made already?

I could go on, but you get the idea. Let’s see if any of these suggested titles end up playing out in the future. Maybe there will be surprises… Barbie Girl: The Aqua Story, anyone?

Sherlock Gnomes Box Office Prediction

Seven years after its predecessor posted solid box office numbers, animated sequel Sherlock Gnomes debuts in theaters next weekend. Produced by Paramount Animation and MGM, the 3D computer drawn comedy is the follow-up to 2011’s Gnomeo and Juliet. Returning voices include James McAvoy (Gnomeo), Emily Blunt (Juliet), Michael Caine, and Maggie Smith. Known faces bringing fresh voices to the follow-up include Chiwetel Ejiofor, Mary J. Blige, and Johnny Depp. Elton John contributes some music.

In February 2011, Gnomeo debuted to $25 million and ended up with $99.9 million overall. Fun fact: that makes it the highest grossing domestic earner of all time to not join the century club. One problem with Gnomes matching the first: a lot of the kiddos who went to see Gnomeo are now preteens or teenagers. Unlike Pixar sequels, there may not be enough goodwill for this to warrant them returning or bringing in a fresh batch of youngsters.

That said, competition for family audiences is rather light. I’ll predict Sherlock ends up in the low to mid teens for its start.

Sherlock Gnomes opening weekend prediction: $13.7 million

https://www.youtube.com/watch?v=TR-sefx8ncI

For my Pacific Rim Uprising prediction, click here:

https://toddmthatcher.com/2018/03/13/pacific-rim-uprising-box-office-prediction/

For my Paul, Apostle of Christ prediction, click here:

https://toddmthatcher.com/2018/03/14/paul-apostle-of-christ-box-office-prediction/

For my Midnight Sun prediction, click here:

https://toddmthatcher.com/2018/03/16/midnight-sun-box-office-prediction/

For my Unsane prediction, click here:

https://toddmthatcher.com/2018/03/16/unsane-box-office-prediction/

Kingsman: The Golden Circle Box Office Prediction

British spies join forces with their American counterparts in Kingsman: The Golden Circle, the sequel to the 2015 action/comedy hit Kingsman: The Secret Service. Matthew Vaughn is back directing with returning stars Colin Firth, Taron Egerton, and Mark Strong. We also have some new but very familiar faces that include Channing Tatum, Jeff Bridges, Julianne Moore, Halle Berry, and even Elton John!

Two and a half years ago, the original hit its mark with both critics and moviegoers. Opening to $36 million, The Secret Service went on to gross $128M overall domestically. With the relatively small gap between the sequel and its predecessor, I don’t see sequelitis kicking in here.

Circle could find itself in a real battle for the #1 spot with The Lego Ninjago Movie. Both pictures are expected to post debuts in the low to mid 40s. There’s also the third weekend of It to consider, as it still should be raking in plenty of cash.

I’ll project that the second go-round for the Kingsman (and now the Statesman) debuts about $7 million above the first.

Kingsman: The Golden Circle opening weekend prediction: $43.6 million

For my The Lego Ninjajo Movie prediction, click here:

https://toddmthatcher.com/2017/09/13/the-lego-ninjago-movie-box-office-prediction/

For my Friend Request prediction, click here:

https://toddmthatcher.com/2017/09/17/friend-request-box-office-prediction/

Ladies and Gentlemen: The Best of George Michael

On Christmas Day – the world lost another musical icon in 2016 when George Michael passed at age 53. I’ve been a huge fan of the singer for whole life and I wanted to provide my personal Top 25 list of my favorite GM tunes. The listing also includes songs from his work in Wham! prior to him going solo in 1987. I did make the choice not to include covers. However, check out his covers of Elton John’s “Don’t Let the Sun Go Down on Me” and Queen’s “Somebody to Love” in particular.

For those not intimately familiar with this brilliant singer’s work, I urge you to explore your Apple Music or other streaming service to appreciate just how remarkable he was. And these 25 songs represent a solid start.

RIP George Michael.

25. “Monkey” from Faith (1987)

24. “Spinning the Wheel” from Older (1996)

23. “Outside” from Ladies & Gentlemen: The Best of George Michael (1998)

22. “Fantasy” – B-Side Single (1990)

21. “Move On” from Older (1996)

20. “Amazing” from Patience (2004)

19. “I’m Your Man” from Music from the Edge of Heaven (1986)

18. “I Want Your Sex” from Faith (1987)

17. “Too Funky” from Red Hot + Dance Compilation (1992)

16. “A Different Corner” from Music from the Edge of Heaven (1986)

15. “The Edge of Heaven” from Music from the Edge of Heaven (1986)

14. “Hard Day” from Faith (1987)

13. “One More Try” from Faith (1987)

12. “Freedom” from Make It Big (1984)

11. “Kissing a Fool” from Faith (1987)

10. “Father Figure” from Faith (1987)

9. “Last Christmas” from Music from the Edge of Heaven (1986)

8. “Praying for Time” from Listen Without Prejudice (1990)

7. “Wake Me Up Before You Go -Go” from Make It Big (1984)

6. “Careless Whisper” from Make It Big (1984)

5. “Faith” from Faith (1987)

https://youtu.be/lu3VTngm1F0

4. “Fastlove” from Older (1996)

3. “Cowboys and Angels” from Listen Without Prejudice (1990)

2. “Everything She Wants” from Make It Big (1984)

1. “Freedom ’90” from Listen Without Prejudice (1990)

You Could See That Pierre Did Truly Love The Mademoiselle: My Blog Turns 1 Years Old!

It was a Thursday autumn evening one year ago when I was sitting at my computer and on a snap decision, I said to myself, “Screw it – I’m starting a movie blog. Right now.”

I had thought about it before, but obviously never acted on the notion. I knew two things: I seriously love movies. And I seriously love writing about them. That’s all I knew. I had no clue – none – on that Thursday night what the blog would be… other than it would be about movies. I wrote my inaugural post quickly and titled it My Love of Movies. This is what I wrote moments after that snap decision entered my head:

https://toddmthatcher.wordpress.com/2012/10/11/my-love-of-movies/

That same night, I wrote my second post, which was my first entry in my Movie Perfection series. This one is about 1995’s Seven. I have said before that the Movie Perfection posts are my very favorite to write:

https://toddmthatcher.wordpress.com/2012/10/11/movie-perfection-the-final-act-of-seven/

Since then my examples of Movie Perfection has expanded to a Raquel Welch poster leading Tim Robbins to glorious freedom in The Shawshank Redemption. The brilliantly edited sequence in Moneyball where we hear the crack of a baseball bat that signals validation for Brad Pitt’s character. Christian Bale hilariously turning into a music critic as he extols the virtues of Genesis, Huey Lewis, and Whitney Houston in American Psycho. A vehicle full of rockers and groupies coming together to the sound of Elton John’s “Tiny Dancer” in Almost Famous. The birth of Melissa McCarthy’s movie stardom as she tells Kristin Wiig to stop blaming the world for her problems in Bridesmaids. A letter written by Bradley Cooper to Jennifer Lawrence expressing his love for her in Silver Linings Playbook. An absolutely stunningly beautiful and emotional animated montage that chronicles a couple’s life together in Pixar’s Up.

One year ago, it’s hard to describe how terrific that evening was as I began the blog. Those who know me know my passion for film and writing. The fact that it took so long to bring that passion to a blog confounds me now. What took so damn long? Oh well – the point is, it exists now. And truth be told – I cannot imagine it not existing now.

I know it may sound cheesy, but it really does mean a lot to me that this blog has people reading it. Honestly, I can love doing it (and I do), but what’s the point if no one reads the damn thing?

A year ago in that first My Love of Movies post, I described the sense of wonder I experienced when viewing Pulp Fiction on the big screen for the first time. It’s what you hope for every time you go to the theater. Pulp Fiction is filled with moments that reiterate to me why I love movies. One scene is the famous John Travolta/Uma Thurman dance scene set to a rockin Chuck Berry tune. It is yet another example of Movie Perfection, as is nearly everything Quentin Tarantino does. I began this blog discussing the unforgettable title credit sequence set to Dick Dale’s “Misirlou” in Pulp Fiction. A year later, it comes full circle with that fantastic dance scene and Chucky Berry.

As I sit here on another Thursday autumn evening a year later, I am thankful for snap decisions. Mostly, I’m thankful to you for rewarding my snap decision. I started this little blog on a whim and truly wasn’t sure if I would love doing it or not. That is no longer a question in my head. It goes to show you never can tell. There’s a great lyric in that Chucky Berry song where Vincent Vega and Mia Wallace dance and that serves as the title of this anniversary post. “You Could See That Pierre Did Truly Love The Mademoiselle.” In this instance, I’m Pierre. This blog is The Mademoiselle. The readers of this blog are The Mademoiselle, too. Thank you.