Blogger’s Update (07/26): A rather low reported 1900 screen count for Talk to Me has lowered my estimate from $4.8 million to $3.6 million. That likely leaves it outside of the top six.
After a historic box office weekend, July closes out with a pair of new releases in Disney’s Haunted Mansion and A24’s critically acclaimed Talk to Me. Neither are likely to dislodge the potent 1-2 punch of Barbenheimer. My detailed prediction posts on the newbies are here:
I don’t really see audiences clamoring for a fresh spin on Haunted Mansion (nearly 20 years after the one with Eddie Murphy) and buzz seems light. Family crowds should get it to a ho-hum mid 20s gross and that would place it in third.
Even if it made $30-35 million, that wouldn’t mean top two. Those spots are reserved for Barbie and Oppenheimer after their amazing starts (more on that below). The question is how far each dips in weekend #2.
For Barbie, the event status that it took on makes it somewhat naturally front loaded. A worst case decline might be around 55-60%. Considering the A Cinemascore grade and chance for repeat business, I’ll say 45-50% is more feasible and that means low to possibly mid 80s.
Oppenheimer also nabbed an A Cinemascore grade and perhaps some adult viewers are content for the IMAX screenings to be a bit less packed. I’ll say it doesn’t quite fall 50% with a take of over $40 million.
Sound of Freedom should continue its meager percentage decreases while Mission: Impossible – Dead Reckoning Part One hopes to right the ship after a turbulent two weeks. They should place fourth and fifth, respectively.
While Talk to Me is generating impressive reviews, this could be the type of A24 elevated horror experience that doesn’t bring genre fans out in droves. A lot of them just got their fright fix with Insidious: The Red Door as well.
And with that, here’s how I see the top 6 playing out:
1. Barbie
Predicted Gross: $82.6 million
2. Oppenheimer
Predicted Gross: $43.8 million
3. Haunted Mansion
Predicted Gross: $25.4 million
4. Sound of Freedom
Predicted Gross: $14.7 million
5. Mission: Impossible – Dead Reckoning Part One
Predicted Gross: $10.6 million
Box Office Results (July 21-23)
Racking up the fourth highest financial frame in history, Greta Gerwig’s Barbie and Christopher Nolan’s Oppenheimer gave us the best weekend in over four years.
Barbie captured the zeitgeist and an especially sizable female audience to the tune of $162 million, right on pace with my $160.8 million prediction. That’s the best three-day opening of 2023 and my hunch is that it will remain so. It’s also the #1 premiere for a female directed feature and 20th overall.
Oppenheimer gave Mr. Nolan his personal best third start (after The Dark Knight Rises and The Dark Knight). Blasting beyond my $65.3 million estimate, the three-hour Oscar contender amassed $82.4 million for an astonishing runner-up showing. Those packed IMAX screenings didn’t hurt.
Sound of Freedom was third as it continued its low declines with $19.8 million, just below my $21 million projection. The brilliantly marketed action thriller sits at $124 million.
And this is where the good news stops. Mission: Impossible: Dead Reckoning, after a less than expected opening, had a free fall from 1st to 4th. The Barbenheimer phenomenon helped it plummet 65% to $19.3 million compared to my $25.5 million call. The ten-day tally is $118 million.
Indiana Jones and the Dial Destiny and Insidious: The Red Door were fifth and sixth, respectively. Each made $6.6 million. Indy‘s four-week earnings are at $158 million while Insidious‘s three-week bounty is $71 million.
I incorrectly had Elemental in fifth, but it was seventh with $5.7 million (I said $6.7 million) for $137 million overall.
It is the weekend of “Barbenheimer” as Greta Gerwig’s Barbie and Christopher Nolan’s Oppenheimer are posting fantastic results at the box office. With their review embargoes lifted, the always to be inextricably linked pics have established themselves as Oscar players.
When I did my previous predictions two weeks ago, one of the questions centered on which performers could be singled out for recognition. Obviously we knew about Cillian Murphy and Margot Robbie and Ryan Gosling’s supporting turn, but what else? The answer it seems is Robert Downey Jr. and Emily Blunt for Oppenheimer and maybe America Ferrera for Barbie. Matt Damon is still worth mentioning for Oppenheimer, but Downey Jr. clearly has the most significant buzz.
And… surprise! This is the first write-up where I am including all races covering feature-length motion pictures. I do so at a precarious time. While “Barbenheimer” is viable in many competitions, the release calendar for the remainder of 2023 is unpredictable.
That is, of course, due to the SAG-AFTRA strike and a fear that it could drag on for weeks or months. On Friday, Luca Guadagnino’s Challengers gave up its prime spot opening the Venice Film Festival and moved from September to April 2024. If you believe it’ll be the last movie to do so, think again. There’s already rumors that Dune: Part Two and/or The Color Purple (two potential heavy hitters) could move to ’24. I am keeping all currently scheduled titles in the mix until I hear different. Just know that some of the projects listed below may not be here for long.
Sometimes a trailer can either boost your hopes for a film’s awards potential or dilute it. I could be wrong, but Alexander Payne’s The Holdovers is an example of the latter when its first look was revealed this week. Soon enough we’ll see if my first impression was on the money.
For these initial projections covering all races, I’ll keep it at 25 possibilities for BP and 15 for the other top of the line derbies (the four acting ones and two screenplay contests). For all others, I will list my top 10.
With all that said, let’s get into it!
Best Picture
Predicted Nominees:
1. Killers of the Flower Moon (Previous Ranking: 1) (E)
2. Past Lives (PR: 2) (E)
3. Oppenheimer (PR: 5) (+2)
4. Dune: Part Two (PR: 3) (-1)
5. The Color Purple (PR: 4) (-1)
6. The Zone of Interest (PR: 6) (E)
7. Saltburn (PR: 7) (E)
8. Anatomy of a Fall (PR: 12) (+4)
9. Air (PR: 10) (+1)
10. Maestro (PR: 11) (+1)
Other Possibilities:
11. Barbie (PR: 13) (+2)
12. Poor Things (PR: 9) (-3)
13. Spider-Man: Across the Spider-Verse (PR: 14) (+1)
14. The Holdovers (PR: 8) (-6)
15. Napoleon (PR: 16) (+1)
16. May December (PR: 15) (-1)
17. Asteroid City (PR: 18) (+1)
18. Next Goal Wins (PR: 20) (+2)
19. Rustin (PR: 21) (+2)
20. The Piano Lesson (PR: 19) (-1)
21. The Killer (PR: 25) (+4)
22. Ferrari (PR: 24) (+2)
23. BlackBerry (PR: Not Ranked)
24. The Nickel Boys (PR: 23) (-1)
25. The Book of Clarence (PR: 22) (-3)
Dropped Out:
Challengers
Best Director
Predicted Nominees:
1. Martin Scorsese, Killers of the Flower Moon (PR: 1) (E)
2. Christopher Nolan, Oppenheimer (PR: 4) (+2)
3. Denis Villeneuve, Dune: Part Two (PR: 2) (-1)
4. Celine Song, Past Lives (PR: 3) (-1)
5. Jonathan Glazer, The Zone of Interest (PR: 5) (E)
Other Possibilities:
6. Justine Triet, Anatomy of a Fall (PR: 10) (+4)
7. Blitz Bazawule, The Color Purple (PR: 6) (-1)
8. Emerald Fennell, Saltburn (PR: 7) (-1)
9. Bradley Cooper, Maestro (PR: 12) (+3)
10. Greta Gerwig, Barbie (PR: 11) (+1)
11. Yorgos Lanthimos, Poor Things (PR: 8) (-3)
12. Ridley Scott, Napoleon (PR: 14) (+2)
13. Alexander Payne, The Holdovers (PR: 9) (-4)
14. David Fincher, The Killer (PR: Not Ranked)
15. Wes Anderson, Asteroid City (PR: 15) (E)
Dropped Out:
Ben Affleck, Air
Best Actress
Predicted Nominees:
1. Fantasia Barrino, The Color Purple (PR: 1) (E)
2. Greta Lee, Past Lives (PR: 2) (E)
3. Sandra Hüller, Anatomy of a Fall (PR: 4) (+1)
4. Jessica Lange, Long Day’s Journey Into Night (PR: 6) (+2)
5. Emma Stone, Poor Things (PR: 3) (-2)
Other Possibilities:
6. Margot Robbie, Barbie (PR: 9) (+3)
7. Annette Bening, Nyad (PR: 8) (+1)
8. Natalie Portman, May December (PR: 5) (-3)
9. Carey Mulligan, Maestro (PR: 7) (-2)
10. Cailee Spaeny, Priscilla (PR: 11) (+1)
11. Kate Winslet, Lee (PR: 12) (+1)
12. Regina King, Shirley (PR: 13) (+1)
13. Teyana Taylor, A Thousand and One (PR: Not Ranked)
14. Helen Mirren, Golda (PR: 14) (E)
15. Judy Greer, Eric Larue (PR: 15) (E)
Dropped Out:
Zendaya, Challengers
Best Actor
Predicted Nominees:
1. Leonardo DiCaprio, Killers of the Flower Moon (PR: 1) (E)
2. Colman Domingo, Rustin (PR: 2) (E)
3. Cillian Murphy, Oppenheimer (PR: 4) (+1)
4. Bradley Cooper, Maestro (PR: 3) (-1)
5. Barry Keoghan, Saltburn (PR: 5) (E)
Other Possibilities:
6. Paul Giamatti, The Holdovers (PR: 6) (E)
7. Anthony Hopkins, Freud’s Last Session (PR: 8) (+1)
8. Joaquin Phoenix, Napoleon (PR: 10) (+2)
9. Kingsley Ben-Adir, Bob Marley: One Love (PR: 9) (E)
10. Teo Yoo, Past Lives (PR: 7) (-3)
11. Matt Damon, Air (PR: 14) (+3)
12. Michael Fassbender, Next Goal Wins (PR: 11) (-1)
13. Ed Harris, Long Day’s Journey Into Night (PR: Not Ranked)
14. David Strathairn, A Little Prayer (PR: 13) (-1)
15. Adam Driver, Ferrari (PR: Not Ranked)
Dropped Out:
Andre Holland, The Actor
Koji Yakusho, Perfect Days
Best Supporting Actress
Predicted Nominees:
1. Lily Gladstone, Killers of the Flower Moon (PR: 1) (E)
2. Danielle Brooks, The Color Purple (PR: 2) (E)
3. Taraji P. Henson, The Color Purple (PR: 3) (E)
4. Emily Blunt, Oppenheimer (PR: Not Ranked)
5. Viola Davis, Air (PR: 5) (E)
Other Possibilities:
6. Da’Vine Joy Randolph, The Holdovers (PR: 4) (-2)
7. Julianne Moore, May December (PR: 6) (-1)
8. Rosamund Pike, Saltburn (PR: 7) (-1)
9. Jodie Foster, Nyad (PR: 10) (+1)
10. Aunjanue Ellis, The Nickel Boys (PR: 9) (-1)
11. Danielle Deadwyler, The Piano Lesson (PR: 8) (-3)
12. America Ferrera, Barbie (PR: Not Ranked)
13. Audra McDonald, Rustin (PR: 11) (-2)
14. Vanessa Kirby, Napoleon (PR: Not Ranked)
15. Rachel McAdams, Are You There God? Its Me, Margaret (PR: Not Ranked)
Dropped Out:
Florence Pugh, Oppenheimer
Tilda Swinton, The Killer
Lashana Lynch, Bob Marley: One Love
Rebecca Ferguson, Dune: Part Two
Best Supporting Actor
Predicted Nominees:
1. Robert De Niro, Killers of the Flower Moon (PR: 1) (E)
2. Ryan Gosling, Barbie (PR: 7) (+5)
3. Robert Downey, Jr., Oppenheimer (PR: Not Ranked)
4. John Magaro, Past Lives (PR: 2) (-2)
5. Colman Domingo, The Color Purple (PR: 6) (+1)
Other Possibilities:
6. Willem Dafoe, Poor Things (PR: 4) (-2)
7. Samuel L. Jackson, The Piano Lesson (PR: 3) (-4)
8. Charles Melton, May December (PR: 5) (-3)
9. Ben Affleck, Air (PR: 8) (-1)
10. Glynn Turman, Rustin (PR: 12) (+2)
11. Glenn Howerton, BlackBerry (PR: 14) (+3)
12. Jesse Plemons, Killers. of the Flower Moon (PR: 9) (-3)
13. Matt Bomer, Maestro (PR: 15) (+2)
14. Mark Ruffalo, Poor Things (PR: 10) (-4)
15. Dominic Sessa, The Holdovers (PR: 11) (-4)
Dropped Out:
Richard E. Grant, Saltburn
Best Original Screenplay
Predicted Nominees:
1. Past Lives (PR: 1) (E)
2. Saltburn (PR: 2) (E)
3. Anatomy of a Fall (PR: 6) (+3)
4. Air (PR: 4) (E)
5. May December (PR: 5) (E)
Other Possibilities:
6. Maestro (PR: 7) (+1)
7. The Holdovers (PR: 3) (-4)
8. Asteroid City (PR: 9) (+1)
9. Rustin (PR: 10) (+1)
10. Napoleon (PR: 14) (+4)
11. Drive Away Dolls (PR: 13) (+2)
12. The Book of Clarence (PR: 12) (E)
13. The Boy and the Heron (PR: Not Ranked)
14. Fair Play (PR: 11) (-3)
15. The Iron Claw (PR: 15) (E)
Dropped Out:
Challengers
Best Adapted Screenplay
Predicted Nominees:
1. Killers of the Flower Moon (PR: 1) (E)
2. Oppenheimer (PR: 3) (+1)
3. Dune: Part Two (PR: 4) (+1)
4. Barbie (PR: 7) (+3)
5. Poor Things (PR: 2) (-3)
Other Possibilities:
6. The Zone of Interest (PR: 5) (-1)
7. The Color Purple (PR: 6) (-1)
8. Spider-Man: Across the Spider-Verse (PR: 8) (E)
9. BlackBerry (PR: 14) (+5)
10. The Piano Lesson (PR: 9) (-1)
11. The Killer (PR: 15) (+4)
12. The Nickel Boys (PR: 11) (-1)
13. Next Goal Wins (PR: 10) (-3)
14. Dumb Money (PR: Not Ranked)
15. Freud’s Last Session (PR: 12) (-3)
Dropped Out:
Long Day’s Journey Into Night
Best International Feature Film
Predicted Nominees:
1. The Zone of Interest
2. Anatomy of a Fall
3. Monster
4. About Dry Grasses
5. The Pot-au-Feu
Other Possibilities:
6. The Boy and the Heron
7. Perfect Days
8. The Delinquents
9. Fallen Leaves
10. La Chimera
Best Animated Feature Film
Predicted Nominees:
1. Spider-Man: Across the Spider-Verse
2. The Boy and the Heron
3. Elemental
4. Wish
5. Chicken Run: Dawn of the Nugget
Other Possibilities:
6. Nimona
7. Teenage Mutant Ninja Turtles: Mutant Mayhem
8. Robot Dreams
9. The Magnificent Life of Marcel Pagnol
10. The Super Mario Bros. Movie
Best Documentary Feature
Predicted Nominees:
1. Beyond Utopia
2. Still: A Michael J. Fox Movie
3. The Eternal Memory
4. The Mother of All Lies
5. Wild Life
Other Possibilities:
6. 20 Days in Mariupol
7. Every Body
8. Kokomo City
9. Black Ice
10. It Ain’t Over
Best Cinematography
Predicted Nominees:
1. Oppenheimer
2. Dune: Part Two
3. Killers of the Flower Moon
4. Napoleon
5. The Color Purple
Other Possibilities:
6. The Killer
7. Poor Things
8. The Zone of Interest
9. Ferrari
10. Asteroid City
Best Costume Design
Predicted Nominees:
1. Barbie
2. Dune: Part Two
3. The Color Purple
4. Poor Things
5. Killers of the Flower Moon
Other Possibilities:
6. Napoleon
7. Chevalier
8. Oppenheimer
9. Wonka
10. Asteroid City
Best Film Editing
Predicted Nominees:
1. Dune: Part Two
2. Killers of the Flower Moon
3. Oppenheimer
4. Past Lives
5. Air
Other Possibilities:
6. The Color Purple
7. Saltburn
8. Maestro
9. The Killer
10. Napoleon
Best Makeup and Hairstyling
Predicted Nominees:
1. Dune: Part Two
2. Poor Things
3. Maestro
4. Guardians of the Galaxy Vol. 3
5. Barbie
Other Possibilities:
6. Killers of the Flower Moon
7. Golda
8. Beau is Afraid
9. The Color Purple
10. Priscilla
Best Original Score
Predicted Nominees:
1. Oppenheimer
2. Killers of the Flower Moon
3. Dune: Part Two
4. Elemental
5. Past Lives
Other Possibilities:
6. Poor Things
7. Spider-Man: Across the Spider-Verse
8. Napoleon
9. The Zone of Interest
10. The Killer
Best Original Song
Predicted Nominees:
1. TBD from “The Color Purple”
2. “The Wish” from Wish
3. “What Was I Made For?” from Barbie
4. “Just Ken” from Barbie
5. TBD from The Hunger Games: The Ballad of Songbirds and Snakes
Other Possibilities:
6. “Gonna Be You” from 80 for Brady
7. “Steal the Show” from Elemental
8. “Dance the Night” from Barbie
9. “Quiet Eyes” From Past Lives
10. “Am I Dreaming?” from Spider-Man: Across the Spider-Verse
Best Production Design
Predicted Nominees:
1. Killers of the Flower Moon
2. Dune: Part Two
3. Oppenheimer
4. Poor Things
5. Napoleon
Other Possibilities:
6. Barbie
7. Asteroid City
8. The Zone of Interest
9. The Color Purple
10. Wonka
Best Sound
Predicted Nominees:
1. Oppenheimer
2. Dune: Part Two
3. Napoleon
4. Killers of the Flower Moon
5. Spider-Man: Acrossthe Spider-Verse
Other Possibilities:
6. Ferrari
7. The Color Purple
8. Maestro
9. The Zone of Interest
10. The Killer
Best Visual Effects
Predicted Nominees:
1. Dune: Part Two
2. Oppenheimer
3. Guardians of the Galaxy Vol. 3
4. The Creator
5. Wonka
Other Possibilities:
6. Napoleon
7. Killers of the Flower Moon
8. Poor Things
9. Indiana Jones and the Dial of Destiny
10. Spaceman
And that, ladies and gents, gives us the following number of nominations for these pictures:
12 Nominations
Killers of the Flower Moon, Oppenheimer
11 Nominations
Dune: Part Two
8 Nominations
The Color Purple
7 Nominations
Past Lives
6 Nominations
Barbie
5 Nominations
Poor Things
4 Nominations
Air, Anatomy of a Fall
3 Nominations
Maestro, Napoleon, Saltburn, The Zone of Interest
2 Nominations
Elemental, Guardians of the Galaxy Vol. 3, Spider-Man: Across the Spider-Verse, Wish
1 Nomination
About Dry Grasses, The Boy and the Heron, Beyond Utopia, Chicken Run: Dawn of the Nugget, The Creator, The Eternal Memory, The Hunger Games: The Ballad of Songbirds and Snakes, Long Day’s Journey Into Night, May December, Monster, The Mother of All Lies, The Pot-au-Feu, Rustin, Still: A Michael J. Fox Movie, Wild Life, Wonka
Blogger’s Update (07/19): Rising predictions as Barbie is elevated to $160.8M and Oppenheimer to $65.3M
In one of the most anticipated box office frames in recent memory, two awards hopefuls hoping to score massive grosses are off and running. It’s been deemed the “Barbenheimer” weekend across social media outlets as Greta Gerwig’s Barbie and Christopher Nolan’s Oppenheimer premiere. You can peruse my detailed prediction posts on them here:
The range of possibility for Barbie keeps rising as it appears to have captured the zeitgeist. All ages are expected to attend with a particularly gigantic female crowd and that puts my estimate at over $125 million. That would give it the second biggest three-day haul of any 2023 title behind The Super Mario Bros. Movie.
While Oppenheimer won’t reach Barbie territory, Mr. Nolan is one of the few directors whose name can open a picture and I expect that to apply with this likely Oscar hopeful. I believe it can manage a rock solid second place showing north of $50 million (the pricier IMAX showings should provide an assist).
After a smaller than anticipated debut (more on that below), Mission: Impossible – Dead Reckoning Part One could fall victim to the shiny newcomers. I have it dropping over 50%. I do expect it will level off nicely in August and eventually post numbers similar to predecessor Fallout from 2018.
Sound of Freedom landed a jaw dropping second weekend figure when it rose 39%. That’s something we simply don’t see in the summer months (and hardly ever in any season). Truth be told, I have no clue what this anomaly will post in its third frame. I’ll guesstimate a 20-25% decline.
Elemental seems poised for a minimal dip compared to fellow holdovers Insidious: The Red Door and Indiana Jones and the Dial of Destiny and that might keep it in fifth position.
Here’s how I envision that top 5 shaking out:
1. Barbie
Predicted Gross: $160.8 million
2. Oppenheimer
Predicted Gross: $65.3 million
3. Mission: Impossible – Dead Reckoning Part One
Predicted Gross: $25.5 million
4. Sound of Freedom
Predicted Gross: $21 million
5. Elemental
Predicted Gross: $6.7 million
Box Office Results (July 14-16)
Tom Cruise’s seventh adventure as IMF agent Ethan Hunt came in under projections and unable to set franchise records as many figured it would. That includes this blogger. Mission: Impossible – Dead Reckoning Part One made $54.6 million from Friday to Sunday and $78.4 million when factoring in the five-day tally since it opened on Wednesday. That’s considerably below my respective estimates – $72.7 million and $102.3 million. It played more like the sequel to series predecessor Fallout from 2018 and less like Cruise’s immediate follow-up to the phenomenon that was last summer’s Top Gun: Maverick. The earnings left it under Fallout‘s franchise best three-day marker of $61 million.
In the runner-up slot, Sound of Freedom astonished everyone with its near 40% jump to $27.2 million in its sophomore outing. That’s, ahem, more than my $12.1 million prediction as the Angel Studios action thriller is up to $85 million since its July 4th beginning. No one saw these kind of financial fireworks and it could hit $200 million when all is said and done.
Insidious: The Red Door went from 1st to 3rd with an understandable 61% plummet to $13 million. The horror sequel actually held up sturdier than my $11.4 million estimate and the two-week total is $58 million.
Indiana Jones and the Dial of Destiny was fourth in weekend 3 with $12.2 million (I was close at $12.7 million). The subpar tally is $145 million.
Finally, Elemental rounded out the top five with a scant 9% decrease at $9 million compared to my $7.9 million prediction. It’s now at a respectable $125 million.
And that does it for now, folks! Until next time… may all your Barbenheimer dreams come true…
Tom Cruise hopes to follow up the biggest hit of his career with a franchise best opening for the signature franchise as Mission: Impossible – Dead Reckoning Part One opens on Wednesday. It is the only newcomer out and you can peruse detailed prediction post on it here:
Cruise’s star power is the highest it’s been in years coming off the nearly billion and a half plus earning Top Gun: Maverick from last summer. In order to post the largest start among the seven missions, Reckoning will need to top the $61 million made by predecessor Fallout in 2018. I’m projecting it will do so with over $10 million to spare and bring in over $100 million when counting its Wednesday and Thursday numbers.
The real battle should be for second place. Coming off a surprise victory, Insidious: The Red Door should experience the heftiest decline (mid 60s) of the top five. This might cause a drop of 1st to 4th if Indiana Jones and the Dial of Destiny falls in the 50-55% range.
Sound of Freedom, the thriller from upstart Angel Studios, was the real story of the previous frame (more on that below). With an A+ Cinemascore grade, it should have the smallest decline other than Elemental in fifth position. If the dip is lower than my estimated 40%, it might just manage to rise from third to second. I’ll give Indy the slight edge. However, it might be worth keeping an eye on daily grosses throughout the week.
Here’s how I see the high five playing out:
1. Mission: Impossible – Dead Reckoning Part One
Predicted Gross: $72.7 million (Friday to Sunday); $102.3 million (Wednesday to Sunday)
2. Indiana Jones and the Dial of Destiny
Predicted Gross: $12.7 million
3. Sound of Freedom
Predicted Gross: $12.1 million
4. Insidious: The Red Door
Predicted Gross: $11.4 million
5. Elemental
Predicted Gross: $7.9 million
Box Office Results (July 7-9)
As mentioned, horror fans were ready for scares as Insidious: The Red Door opened impressively. The fifth pic in the series which started in 2010 posted the second highest debut behind #2 in 2013 with $33 million. That’s beyond my $25.2 million prediction as the Sony/Blumhouse production has already doubled its reported $16 million budget.
Indiana Jones and the Dial of Destiny was second in weekend #2 after its lackluster beginning. Sliding 55%, the $27.4 million gross was on pace with my $28 million take. The fifth go-round in this franchise is at $122 million after ten disappointing days for Disney.
The aforementioned Sound of Freedom employed shrewd marketing tactics that included a pay it forward method where viewers could purchase tickets for others. Jim Caviezel’s tale of taking on human traffickers reached its intended conservative and faith-based crowd and then some. The Friday to Sunday haul was $19.6 million for third place, easily outpacing my $12.5 million estimate. Since its unveiling on Tuesday, July 4th, the total is $41 million. Needless to say, Angel Studios has established itself as a player in the box office game.
Elemental was fourth with $10 million, ahead of my $8 million projection. Pixar’s latest finally crossed the century mark at $109 million.
Spider-Man: Across the Spider-Verse rounded out the top five with $8 million (I said $7.8 million) for $357 million overall.
Finally, critically acclaimed raunchy comedy Joy Ride stalled. It was sixth with just $5.8 million compared to my $8.4 million prediction.
After a subpar start, Harrison Ford’s fifth go-round as the iconic fedora clad archaeologist hopes to repeat at #1. The fifth edition of a horror franchise could disrupt that as Insidious: The Red Door swings in. We also have the critically acclaimed raunchy comedy Joy Ride and action pic Sound of Freedom from upstart Angel Studios. You can peruse my detailed prediction posts on the newcomers here:
After a lackluster haul (more on that below), Dr. Jones and company might see a sophomore drop in the low 50s. While the B+ Cinemascore grade exceeds the B that crowds gave predecessor Indiana Jones and the Crystal Skull, it still indicates middling enthusiasm moving forward. My high 20s take does mean a repeat performance atop the charts.
That’s because I have Insidious: The Red Door in the mid 20s. While that’s under the $29 million that The Last Key opened with in 2018, it is still a fine result for the 13-year-old franchise.
The weekend’s wild card is Sound of Freedom. Jim Caviezel’s turn as a vigilante taking on human traffickers is being championed by faith-based and conservative groups. This resulted in a terrific $14 million bounty when it started on July 4th. How it legs out is anyone’s guess and I’m going with a low double digits Friday-Sunday number. That would put it solidly in third.
As for Joy Ride, critics are being kind and the studio is hoping for a Crazy Rich Asians style sleeper hit. The hard R rating could prevent that and my sub $10 million projection puts it in fourth just ahead of animated holdovers Elemental and Spider-Man: Across the Spider-Verse.
And with that, here’s how I foresee the top 6 shaking out:
1. Indiana Jones and the Dial of Destiny
Predicted Gross: $28 million
2. Insidious: The Red Door
Predicted Gross: $25.2 million
3. Sound of Freedom
Predicted Gross: $12.5 million
4. Joy Ride
Predicted Gross: $8.4 million
5. Elemental
Predicted Gross: $8 million
6. Spider-Man: Across the Spider-Verse
Predicted Gross: $7.8 million
Box Office Results (June 30-July 2)
Considering Crystal Skull in 2008 made off with $100 million for its Friday to Sunday portion of a holiday weekend, the $60.3 million for Dial of Destiny is a major letdown for Disney. I wasn’t much more generous at $65.3 million. When it premiered in Cannes over a month ago, its mediocre reaction set the table for a disappointing gross. Perhaps more importantly is that it didn’t play for younger audiences whose reverence for the series isn’t matched by the 40 and up crowd.
Disney/Pixar’s Elemental, after a troubling start, continued to level off nicely in weekend #3. It was second with $12.1 million, in line with my $12.7 million prediction for a three-week $89 million tally.
Spider-Man: Across the Spider-Verse was third with $12 million compared to my $13.5 million estimate. The Sony juggernaut has amassed $340 million.
Jennifer Lawrence’s No Hard Feelings was fourth with $7.8 million (I went higher at $89 million). The ten-day take is $29 million which is fairly decent for a genre that’s struggled in recent times.
Transformers: Rise of the Beasts rounded out the top five with $7.3 million. I incorrectly had it on the outside looking in. The total is $136 million.
Finally, DreamWorks Animation’s Ruby Gillman: Teenage Kraken was a major flop in sixth with only $5.5 million. I was kinder at $7.8 million. With serious kiddie competition, parents opted for leftovers like Elemental and Spidey.
The coming-of-age fantasy Ruby Gillman, Teenage Kraken joins a crowded animated marketplace when it debuts this weekend. The DreamWorks project may come in behind holdovers Spider-Man: Across the Spider-Verse and Pixar’s Elemental on the charts. Awards prospects for Kirk DeMicco’s latest directorial effort may also find it playing catch up with those titles.
Reviews for Kraken are at 78% on Rotten Tomatoes though the positive notices aren’t exactly gushing. DeMicco has been in the Animated Feature mix before with 2013’s The Croods. His follow-up, 2021’s Vivo, had a better RT score than Ruby and failed to make that year’s quintet in the competition.
We know Spidey will be a force to reckon with for the 96th Academy Awards. It’s easily the frontrunner and that may not change. Elemental is likely to grab a spot. We are awaiting potential heavy hitters like July’s How Do You Live? from Hayao Miyazaki and Disney’s Wish this fall.
If those pics and others don’t pan out, perhaps Kraken could nab the fifth slot. I wouldn’t bet on it. My Oscar Prediction posts will continue…
Blogger’s Update (06/29): I have my estimate for Ruby Gillman from to $10.8M to $7.8M, which puts it in fifth instead of fourth.
Harrison Ford hopes to retire his iconic character with boffo box office returns as Indiana Jones and the Dial of Destiny whips into theaters. We also have DreamWorks Animation’s Ruby Gillman, Teenage Kraken seeking success amid serious competition. My detailed prediction posts on the newcomers can be perused here:
Disney might not have done itself any favors when it screened Destiny last month at the Cannes Film Festival. The critical reaction was rather weak as it sits with 62% on Rotten Tomatoes. The fifth entry in the franchise’s much maligned 2008 predecessor Kingdom of the Crystal Skull managed 77%. I suspect that expectations should be tempered and I have it hitting mid 60s for what would be considered a significantly disappointing beginning.
Slots 2-4 should be quite animated with Spider-Man: Across the Spider-Verse and Elemental losing around 30-35%. That could put both of them ahead of Ruby. The fact that it’s not based on known IP won’t help and neither will the level of competition. I have it barely topping $10 million for a fourth place start.
No Hard Feelings should round out the top five with a 40% range decline in its sophomore frame.
Here’s how I see it shaking out:
1. Indiana Jones and the Dial of Destiny
Predicted Gross: $65.3 million
2. Spider-Man: Across the Spider-Verse
Predicted Gross: $13.4 million
3. Elemental
Predicted Gross: $12.7 million
4. No Hard Feelings
Predicted Gross: $8.9 million
5. Ruby Gillman, Teenage Kraken
Predicted Gross: $7.8 million
Box Office Results (June 23-25)
Thanks to the disastrous performance of The Flash (we’ll get there shortly), Spider-Man: Across the Spider-Verse swung back into 1st place in week #4. The acclaimed animated sequel took in $19 million. I was right on target with $18.9 million and it’s up to a terrific $316 million with $400 million in its sights.
Pixar’s Elemental, after a poor premiere, was on less shaky ground in its follow-up outing. The A Cinemascore grade probably helped as it dropped a commendable 38% at $18.4 million (I went lower with $16.8 million). That’s the smallest Pixar sophomore frame downslide since Up 14 years ago. The total is $65 million in ten days.
The Flash… wow. After a shockingly low $55 million opening, the DCEU debacle plunged 72% and landed in third with only $15.1 million. I was more generous at $17.5 million. The ten-day take is $87 million and it should be out of the top five in only its third go-round. Embarrassing.
Jennifer Lawrence’s raunchy comedy No Hard Feelings debuted in fourth with $15 million, exceeding my call of $11.7 million. For its genre, that’s a pretty solid haul as comedies have struggled in recent years. It should manage to hold up decently in subsequent weekends.
Transformers: Rise of the Beasts rounded out the top five with $11.7 million, rising above my $9.3 million projection. The three-week gross is $123 million.
Wes Anderson’s Asteroid City expanded nationwide and nabbed the highest per theater average on the chart. The star-studded tale made an impressive $9 million and went above my $7.6 million guesstimate. It’s at $10.2 million when factoring its limited release dollars from the previous weekend.
Finally, The Little Mermaid was seventh with $8.5 million (I said $7 million) to bring its earnings to $270 million in five weeks.
Blogger’s Update (06/29): I have revised my prediction from $10.8 million down to $7.8 million
DreamWorks is banking on young girls and their parents depositing their money and time into Ruby Gillman, Teenage Kraken when it debuts June 30th. The animated coming-of-age fantasy is directed by Kirk DeMicco, who helmed blockbuster The Croods for the studio a decade ago. Lana Condor voices the high school sophomore title character. Other performers mic’d up include Toni Collette, Annie Murphy, Sam Richardson, Colman Domingo, Will Forte, Liza Koshy, and Jane Fonda.
The studio just had a sizable hit with Puss in Boots: The Last Wish over the holidays and they have future entries in the Trolls and Kung Fu Panda series on deck. Kraken has the disadvantage of not being based on known IP and following Spider-Man: Across the Spider-Verse and Pixar’s Elemental.
There doesn’t seem to be much chatter for this one. If Elemental couldn’t hit $30 million out of the gate, I question whether Gillman can reach half of that number. I’ll project that it falls short for an underwhelming premiere.
Ruby Gillman, Teenage Kraken opening weekend prediction: $7.8 million
For my Indiana Jones and the Dial of Destiny prediction, click here:
Following a weekend in which two high profile pictures opened far under what their respective studios hoped for, a pair of comedies debut wide attempting to find an audience. They are Jennifer Lawrence’s raunchy comedy No Hard Feelings and Wes Anderson’s Asteroid City. You can peruse my detailed prediction posts on them here:
Feelings marks Lawrence’s first headlining role in theaters since Red Sparrow over five years ago. This isn’t a genre she’s known for and comedies in general struggle to break out these days in multiplexes. It could be lucky to top $10 million and that should put it in fourth position for a soft start.
Asteroid City performed impressively in its limited NY/LA six theater engagement. Branching out to middle America is another ballgame and my estimate puts it in sixth.
As for the #1 spot… well, it gets interesting. Before The Flash premiered, the assumption was it would have two weeks to itself atop the charts. However, the Ezra Miller led DCEU adventure opened way below expectations (more on that below). With a weak B Cinemascore grade, a drop in the mid 60s could occur. If Spider-Man: Across the Spider-Verse sees a small decline in the 30% range, Spidey may return to the top spot over his superhero competitor. I’m guessing that will be the case.
The Flash wasn’t the only bomb as Pixar’s Elemental, for all intents and purposes, had the weakest wide release in the studio’s near 30 year history. It had an A Cinemascore grade so it may only dip in the mid to high 40s for third place.
I have Transformers: Rise of the Beasts falling around 55-60% in its third frame for fifth place with The Little Mermaid right behind Asteroid City in seventh.
Here’s how I see it playing out:
1. Spider-Man: Across the Spider-Verse
Predicted Gross: $18.9 million
2. The Flash
Predicted Gross: $17.5 million
3. Elemental
Predicted Gross: $16.8 million
4. No Hard Feelings
Predicted Gross: $11.7 million
5. Transformers: Rise of the Beasts
Predicted Gross: $9.3 million
6. Asteroid City
Predicted Gross: $7.6 million
7. The Little Mermaid
Predicted Gross: $7 million
Box Office Results (June 16-18)
You can read a whole slew of think pieces as to why The Flash failed so badly in its debut. I had it making $83.2 million. It… um… didn’t. The DCEU title earned an unthinkable $55 million marking a sizable disappointment for Warner Bros. Here’s a figure I can’t stop thinking about. Twelve summers ago, notorious dud Green Lantern rolled out with $53 million. Adjusted for inflation, that’s better than The Flash. Ouch.
If it weren’t for the paragraph above, there would likely be more think pieces about Elemental not connecting with audiences. The Pixar animated feature was second with just $29.6 million. I was on target with a $30.6 million prediction. On the heels of Lightyear flopping last summer, this is two under performers in a row for the Disney property.
Spider-Man: Across the Spider-Verse was third with $27 million, in range with my $27.6 million call. The three-week tally is $279 million and, per above, I see it leaping to first yet again.
Transformers: Rise of the Beasts tumbled 66% in weekend #2 with $20.6 million (I said $21.8 million). The ten-day take is $101 million.
The Little Mermaid rounded out the top five with $11 million, falling below my $13.8 million forecast. The Disney live-action remake has made $253 million thus far in its four weeks.
Finally, horror spoof The Blackening couldn’t translate positive reviews to brisk business. It was sixth with $6 million compared to my $7.7 million projection.
A trio of newcomers hits multiplexes this weekend with the much-publicized DCEU adventure The Flash, Pixar’s Elemental, and horror spoof The Blackening. You can peruse my detailed prediction posts on them here:
There’s little question that The Flash will bolt to #1. The question is with how much. While I don’t see it reaching nine figures, I do believe $80-90 million is within reach. It is worth noting that fresh tracking shows it could fall short of that number so keep an eye on my blog this week to see if I maintain my rosy outlook.
I don’t have a flowery vision for how Elemental will perform. After Pixar experienced a high-profile flop last summer with Lightyear, their latest could find itself in a battle with fellow animated pic Spider-Man: Across the Spider-Verse (in its third frame) for #2. I’ll give Elemental the slight benefit of the doubt, but not by much.
Spider-Verse should only drop a spot because I believe it’ll see around a 50% fall. Transformers: Rise of the Beasts significantly exceeded my projection (more on that below). Yet it could dip in the mid 60s and that would mean a slide from 1st to 4th.
The Little Mermaid should round out the top five with a 40% drop and that brings us to The Blackening. The scary parody is reported to release in only about 1800 venues and that could limit the potential. I’ll say it doesn’t hit $10 million and is in sixth.
And with that, here’s how I envision that top 6:
1. The Flash
Predicted Gross: $83.2 million
2. Elemental
Predicted Gross: $30.6 million
3. Spider-Man: Across the Spider-Verse
Predicted Gross: $27.6 million
4. Transformers: Rise of the Beasts
Predicted Gross: $21.8 million
5. The Little Mermaid
Predicted Gross: $13.8 million
6. The Blackening
Predicted Gross: $7.7 million
Box Office Results (June 9-11)
Transformers: Rise of the Beasts couldn’t match the $100M+ earnings of early franchise entries. However, it did blast past my prediction with $61 million compared to my measly $42.2 million call. That’s on the top end of its anticipated range and, like other Transformers pics, it should perform well overseas. There might just be a little juice left in the series.
Spider-Man: Across the Spider-Verse had a sturdy hold of 54% in its sophomore weekend with $55.5 million, a bit under my $58.4 million forecast. The acclaimed sequel has amassed $225 million in ten days.
The Little Mermaid was third with $23.1 million (on target with my $22.5 million take) for $229 million in three weeks.
Guardians of the Galaxy Vol. 3 was fourth with $7.2 million (I said $6.6 million) for an overall haul of $335 million.
Finally, The Boogeyman held up stronger in weekend #2 that I assumed with $7.1 million. I went lower at $5.8 million. The two-week tally is a so-so $24 million.
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