David Cronenberg’s body horror thriller The Shrouds is out on the coasts today before an expansion next weekend. Vincent Cassel, Diane Kruger, Guy Pearce, and Sandrine Holt star in the Canadian filmmaker’s latest which played at Cannes and Toronto last year.
In the mid 2010s, the director had a minor awards run when 2005’s A History of Violence received Oscar nods for Supporting Actor (William Hurt) and Adapted Screenplay and Viggo Mortensen was up for lead Actor in 2007’s Eastern Promises. In recent years, Cronenberg projects Cosmopolis, Maps to the Stars, and Crimes of the Future have not been in the conversation.
That should hold true for The Shrouds as well with its 69% Rotten Tomatoes rating and 59 on Metacritic. My Oscar Prediction posts will continue…
Western The Dead Don’t Hurt marks Viggo Mortensen’s second directorial feature after 2020’s Falling. In addition to his behind the camera work, he’s the star, writer, coproducer, and even composed the score. It premiered last fall at the Toronto Film Festival and is being readied for a semi-wide May 31st theatrical bow. Vicky Krieps, acclaimed alongside Daniel Day-Lewis for 2017’s Phantom Thread, co-headlines with a supporting cast including Garret Dillahunt, Solly McLeod, and Danny Huston.
Reviews out of Canada were more respectful than gushing with an 85% RT rating. Mortensen, a two-time nominee for Eastern Promises and Captain Fantastic, is unlikely to see any of his many jobs on the project rewarded during awards season. That goes for everything in the picture. If there’s a slight chance for recognition, it would be with Krieps (whose performance is being singled out). The better odds are that The Dead is forgotten by voters a few months from now. My Oscar Prediction posts will continue…
David Cronenberg came to prominence over four decades ago with his wild mix of gore and sci-fi that resulted in such notable pics as Scanners, Videodrome, and The Fly. In the 20th century, his crime thrillers A History of Violence and Eastern Promises were met with acclaim and acting nominations for William Hurt in Supporting Actor and Viggo Mortensen in lead, respectively.
At the Cannes Film Festival, the 79-year-old auteur returns to the body horror genre that made him known with Crimes of the Future. Like his earlier fare, critics indicate this may not be for everyone (including those with weak stomachs). Yet the Rotten Tomatoes score is currently a sturdy 90%.
Starring frequent collaborator Viggo Mortensen, Lea Seydoux, and Kristen Stewart (fresh off her Spencer nomination), I don’t see this staying fresh in awards voters brains after its stateside debut on June 3rd even as it may satisfy admirers of Cronenberg’s early work. My Oscar Prediction posts will continue…
As the Oscars honoring the best of 2019 are set to air in two weeks, today brings the first of many Oscar Watch posts for 2020. Does that seem impossibly early? Not when the Sundance Film Festival is in full effect this weekend in Utah. For decades, the fest has served as a launching pad for Oscar contenders such as Little Miss Sunshine, Precious, Boyhood, Whiplash, Manchester by the Sea and Get Out, to name a few. It is worth noting that last year’s selections (with the exception of some documentaries) failed to get Academy attention. This included such high profile titles as The Farewell, Luce, and The Report.
We begin with Falling, a family drama that marks the directorial debut of Viggo Mortensen (who also cowrote the screenplay). The actor has been nominated for three acting Oscars in the past for Eastern Promises, Captain Fantastic (which also debuted at Sundance), and Green Book. Early reviews suggest he’s got a winner on his hands. With the right distribution and campaign, Mortensen could find himself in the awards mix again.
Interestingly, critical reaction seems more focused on Mortensen’s costar Lance Henriksen. The 80-year-old character actor has appeared in hundreds of films. Some of those notables include The Terminator and Aliens. Perhaps a spirited campaign could materialize to nab Henriksen a Best Actor nomination.
Bottom line: it’s too early to know for sure, but Falling looks like a potential player a year for now with Henriksen’s work in particular. My Oscar Watch posts will continue…
Lance Henriksen and Viggo Mortensen appear in Falling by Viggo Mortensen, an official selection of the Premieres program at the 2020 Sundance Film Festival. Courtesy of Sundance Institute | photo by Brendan Adam-Zwelling.nnAll photos are copyrighted and may be used by press only for the purpose of news or editorial coverage of Sundance Institute programs. Photos must be accompanied by a credit to the photographer and/or ‘Courtesy of Sundance Institute.’ Unauthorized use, alteration, reproduction or sale of logos and/or photos is strictly prohibited.
If the name Peter Farrelly rings a bell, it’s likely because you usually hear it as part of the Farrelly Brothers. They’re the comedy team responsible for directing such massive hits as DumbandDumber and There’sSomethingAboutMary. At the Toronto Film Festival, Peter has made his first solo venture and it’s a more serious effort in the form of GreenBook.
The true life pic tells the story of an Italian American bouncer (Viggo Mortensen) chauffeuring jazz pianist Don Shirley (Mahershala Ali) through the Deep South in 1962. Critical reaction is out and the term crowd pleaser is a common one in the notices. There’s even been some comparisons to DrivingMiss Daisy, based on its themes. That won Best Picture nearly three decades ago.
GreenBook would really need to turn into a major hit to get Best Picture attention. As for Mortensen and Ali, their work has been praised. There is some confusion which categories they’ll be placed in, but buzz up north suggests they’re both unquestionably leads. If that holds true for the Oscar campaign, they enter into a crowded race with the risk of splitting one another’s votes. Both men are no stranger to Academy attention. Mortensen is a two-time nominee for 2007’s EasternPromises and 2016’s CaptainFantastic. Ali took the Supporting Actor statue two years ago with Moonlight.
On the brighter side, the Original Screenplay category is looking a little light right now. That could be the perfect place for this to be recognized.
Bottom line: if things go really well for GreenBook, it could be a factor in more than one big race. Original Screenplay looks more possible.
The film debuts November 21. My Oscar Watch posts will continue…
All My Life... I Wanted To Be A Blogster 