Orion and the Dark is streaming as of today on Netflix. Produced by DreamWorks Animation and marking the directorial debut of Sean Charmatz, the animated fantasy deals with themes of existentialism and fear. This is not too surprising considering the script comes from Charlie Kaufman, adapting Emma Yarlett’s children’s book. The voice cast includes Jacob Tremblay, Colin Hanks, Paul Walter Hauser, Angela Bassett, Ike Barinholtz, Natasia Demetriou, Nat Faxon, Carla Gugino, and Werner Herzog.
Kaufman is no stranger to the genre. He wrote and directed 2015’s Anomalisa. That critically acclaimed effort was up for Animated Feature at the Oscars, ultimately losing to Pixar’s Inside Out. Netflix knows how to get their animated material awards attention. Recent nominees include The Mitchells vs. the Machines, The Sea Beast, the victorious Guillermo del Toro’s Pinocchio, and Nimona.
Orion is getting a warm reception so far with 88% on Rotten Tomatoes. We don’t know yet what this category’s landscape will look like several months down the road. However, I wouldn’t underestimate the chances for this to make it in. My Oscar Prediction posts will continue…
November closed out at the box office with an unpredictable Thanksgiving frame where I had the entirety of the top four in the wrong spots. The head scratching will continue as December arrives with a quintet of newcomers (four of which could post very similar earnings). We have the concert pic Renaissance: A Film by Beyoncé, Japanese monster mash Godzilla Minus One, John Woo’s dialogue free action thriller Silent Night, sci-fi drama The Shift from Angel Studios, and Hindi-language shoot-em-up Animal. My detailed prediction posts on all of them can be accessed here:
Beyoncé’s tour doc might be the only new entry in the top five. While it shouldn’t approach the near $100M out of the gate that Taylor Swift accomplished, a mid to high 20s output would firmly put it in first position.
It is common to see hefty drops after the Turkey Day weekend and that should apply to the leftovers. The Hunger Games: The Ballad of Songbirds and Snakes (after surprisingly staying at #1 over the holiday) should slide to second with a mid 50s decline.
After that… it’s a crapshoot. Any of the newcomers could post better figures than my calls. However, I have all four making between $5-8 million and each falling outside the top five.
That’s because Napoleon, Wish, and Trolls Band Together may all flirt with $10 million. I’ve got the trio falling under that for a close finish between 3-5.
With all the newbies, I’ll expand to a top ten outlook and here’s how I see it:
1. Renaissance: A Film by Beyoncé
Predicted Gross: $20.7 million
2. The Hunger Games: The Ballad of Songbirds and Snakes
Predicted Gross: $13.1 million
3. Wish
Predicted Gross: $9.3 million
4. Napoleon
Predicted Gross: $9.2 million
5. Trolls World Tour
Predicted Gross: $8.5 million
6. Godzilla Minus One
Predicted Gross: $7.6 million
7. Silent Night
Predicted Gross: $5 million
8. The Shift
Predicted Gross: $4.6 million
9. Animal
Predicted Gross: $4 million
10. Thanksgiving
Predicted Gross: $3.3 million
Box Office Results (November 24-26)
In one of the most unexpected upsets in recent memory, The Hunger Games: The Ballad of Songbirds and Snakes had a far better than anticipated sophomore hold to rather easily take the holiday weekend. The franchise prequel eased a mere 35% for $29 million from Friday to Sunday, surpassing my $20.3 million projection with flying colors. The ten-day take is now $98 million.
Ridley Scott’s bio-epic Napoleon with Joaquin Phoenix was second as it slightly rose above forecasts. It made $20.6 million from Friday to Sunday and $32.7 million when counting Wednesday and Thursday. That’s ahead of my respective $18.2 million and $28.5 million takes. With a weak B- Cinemascore grade, it may fade rather quickly.
After the massive flop that was The Marvels, the news didn’t get better for the Mouse House as the animated Wish was granted a tepid start in third. With ho-hum reviews, the Disney title fell far short of hopes with $19.6 million over the three-day and $31.6 million since Wednesday. I (along with most others) predicted a first place showing and had it at $32.2 million and $46.4 million. Ouch.
Trolls Band Together, in weekend two, was fourth with $17.8 million. I was more generous at $22.6 million and the DreamWorks Animated sequel has made $64 million after ten days.
Eli Roth’s slasher Thanksgiving capitalized on that title with a fifth place slot and $7 million (I said $6.5 million). The ten-day tally is a respectable $24 million, especially since it comes with a low budget.
The Thanksgiving box office gives us two high-profile releases mixed with the leftovers as Disney’s Wish and Ridley Scott’s Napoleon come out Wednesday. You can peruse my detailed prediction posts on the newcomers here:
The Mouse House certainly wishes that Wish was getting better reviews and word-of-mouth. That said, the studio should have no trouble nabbing the top spot over the holiday frame. I’ve got the three-day in the low 30s and five-day in the mid 40s.
Napoleon with Joaquin Phoenix as the military leader is also generating so-so buzz. It is a viable option for adults looking a Turkey Day frame trip to the multiplex. A high teens Friday to Sunday might leave it in fourth position with a five-day approaching $30 milion.
After a premiere in the lower end of its anticipated range, The Hunger Games: The Ballad of Songbirds & Snakes may ease 50-55% in its sophomore outing. That might mean a drop to third as Trolls Band Together should see a more meager slide (20-25%) in its second weekend and stay in the runner-up spot.
Eli Roth’s slasher Thanksgiving could capitalize on its name and have a smaller than normal decline for its genre. If it eases 40% or so, it should round out the high five as The Marvels might not make the top quintet (more on its poor performance below).
Here’s how I see it shaking out:
1. Wish
Predicted Gross: $32.2 million (Friday to Sunday); $46.4 million
2. Trolls Band Together
Predicted Gross: $22.6 million
3. The Hunger Games: The Ballad of Songbirds & Snakes
Predicted Gross: $2o.3 million
4. Napoleon
Predicted Gross: $18.2 million (Friday to Sunday); $28.5 million
5. Thanksgiving
Predicted Gross: $6.5 million
Box Office Results (November 17-19)
The Hunger Games: The Ballad of Songbirds & Snakes, as expected, ruled the charts like its predecessors. Yet it came in considerably below the four entries it prequels. While parts I-IV from 2012-15 all opened to more than $100 million, Ballad managed $44.6 million (a touch under my $48.3 million projection). It’s not a disaster considering the reported $100 million budget, but it’s definitely not a shining victory.
Trolls Band Together opened in second with a solid $30 million, surpassing my $26.7 million take. The DreamWorks Animated threequel should hold up well during the holiday season.
Thanksgiving cut a $10.3 million gross for third place as the fake trailer turned feature came in just behind my $11.4 million forecast. Not too shabby as the budget is listed at $12.6 million.
The Marvels fell from first to fourth with a disastrous second weekend after a disastrous first. The MCU bomb (first time you’ve ever heard it) plummeted 78% to $10.1 million. I was more kind at $15.6 million. With $64 million in the bank after 10 days, it’s questionable whether Captain Marvel and her friends even reach $100 million domestically.
Five Nights at Freddy’s rounded out the top five with $3.5 million (I said $4.5 million) to brings its four-week total to $132 million.
Finally, Taika Waititi’s oft-delayed sports dramedy Next Goal Wins couldn’t find an audience. It was 8th with $2.5 million compared to my $3.8 million prediction.
And that does it for now, folks! Have a great Thanksgiving!
A quartet of new titles enter the pre-Thanksgiving frame marketplace with prequel The Hunger Games: The Ballad of Songbirds & Snakes expected to lead the way and DreamWorks Animation’s threequel Trolls Band Together in the runner-up spot. We also have Eli Roth’s slasher flick Thanksgiving and Taika Waititi’s sports dramedy Next Goal Wins out. You can peruse my detailed prediction posts on them here:
All four Hunger Games titles (released from 2012-15) debuted to over $100 million, but that streak is sure to end with Songbirds. It may only fly to around $50 million and I’ve got it achieving just a smidge under that.
Barring a significant Hunger underperformance, Trolls should settle for #2 in the mid 20s as it hopes to leg out impressively in future holiday weekends.
The Marvels experienced a historically low start for an MCU offering (more on that below). With a weak B Cinemascore grade, it could be headed for a catastrophic fall in the mid 60s or more in its sophomore frame (similar to The Flash this summer). That’s not the comparison it wanted and it likely means a third place showing.
I’ll say Thanksgiving carves up a little over $10 million and that would put it in fourth. The news is bleaker for the frequently delayed Next Goal Wins as it failed to generate awards buzz on the fest circuit and seems to have little heat attached to it. I’m putting it in sixth behind Five Nights at Freddy’s in weekend #4.
Here’s how I see it shaking out:
1. The Hunger Games: The Ballad of Songbirds & Snakes
Predicted Gross: $48.3 million
2. Trolls Band Together
Predicted Gross: $26.7 million
3. The Marvels
Predicted Gross: $15.6 million
4. Thanksgiving
Predicted Gross: $11.4 million
5. Five Nights at Freddy’s
Predicted Gross: $4.5 million
6. Next Goal Wins
Predicted Gross: $3.8 million
Box Office Results (November 10-12)
It was indeed the worst of times for the Marvel Cinematic Universe as The Marvels had the lowest debut of all 33 franchise entries dating back to the summer of 2008. Captain Marvel and team made off with a mere $46.1 million, right on pace with my $46.3 million (my projection kept dwindling in the week leading up to its premiere). That’s the worst MCU kickoff by a pretty wide margin as the previous record was held by 2008’s The Incredible Hulk at $55 million. A series that once seemed indestructible is no longer as comic book movies have had a tough 2023 in multiplexes. As mentioned, the B Cinemascore indicates crowds aren’t digging the product.
Five Nights at Freddy’s, after two weeks atop the charts, was second with $8.9 million (a bit ahead of my $7.4 million take). The three-week tally is up to $127 million.
Taylor Swift: The Eras Tour was third with $6 million as took a heftier drop (over 50%) that I figured in its fifth weekend. The record setting concert pic total is $172 million.
In a surprising development, Priscilla was fourth in its sophomore go-round. The biopic increased its theater count and fell only 5% to $4.7 million for $12 million overall. I incorrectly had it outside the top five.
Killers of the Flower Moon was fifth with $4.5 million in weekend four. My guess? $4.5 million for $59 million in the bank.
The Holdovers expanded to nearly 800 screens and the Oscar hopeful made $3.2 million for sixth (I said $3 million).
Finally, faith-based musical Journey to Bethlehem got off to a rougher journey than I forecasted. It was seventh with $2.4 million and I thought it would double that figure with $4.8 million.
Trolls Band Together from DreamWorks is the third animated feature in the musical franchise out November 17th with Anna Kendrick, Justin Timberlake, and many others on crooning duty.
Thus far the critical response is below its two predecessors. 2016’s Trolls sat at 75% on Rotten Tomatoes while 2020 follow-up Trolls World Tour was a hair under at 71%. At press time, Band Together has managed just 56% on the meter.
The two earlier Trolls entries failed to nab Animated Feature nods at the Oscars and this won’t either. In fact, I’d say it’s easily behind three other sequels in Spider-Man: Across the Spider-Verse, Teenage Mutant Ninja Turtles: Mutant Mayhem, and Chicken Run: Dawn of the Nugget.
Seven years ago, this series earned its only Academy mention for Timberlake’s smash hit “Can’t Stop the Feeling” (it lost to “City of Stars” from La La Land). This second sequel does boast an NSYNC reunion after two decades with the track “Better Place”. Yet it is not dominating the charts like band member JT’s aforementioned ditty managed. Like World Tour, Band doesn’t seem primed for an encore come awards time. My Oscar Prediction posts will continue…
The computer animated creatures that first hit the screen seven years ago are back again in Trolls Band Together on November 17th. The DreamWorks musical comedy comes from Walt Dohrn, who co-directed the 2016 original and solely helmed the 2020 sequel. Anna Kendrick, Justin Timberlake, Zooey Deschanel, Christopher Mintz-Plasse, Icona Pop, Anderson Paak, Ron Funches, Kenan Thompson, and Kunal Nayyar reprise their vocal roles. They are joined by Eric André, Kid Cudi, Daveed Diggs, Camila Cabello, Amy Schumer, and RuPaul.
Featuring tracks from Kendrick and Cabello and the first NSYNC track in over two decades, Together hopes to bring in a large crowd. The first Trolls opened to a better than expected $46 million with an eventual $153 million domestic haul. Yet any clues for sequel demand were made complicated by follow-up Trolls World Tour. It went the VOD route due to coming out in April 2020 as movie theaters were shuttered by the COVID pandemic. There are estimates that it took in around $150 million in rentals.
Where does that leave our third song and dance fest? I certainly think this won’t match the mid 40s debut from 2016. This seems likely to start slower though it could have a healthy hold in its second frame over the long Thanksgiving weekend.
I’ll say mid to high 20s to possibly low 30s is where this Band begins as it hopes for pleasing encores over the holidays.
Trolls Band Together opening weekend prediction: $26.7 million
For my The Hunger Games: The Ballad of Songbirds & Snakes prediction, click here:
After a subpar start, Harrison Ford’s fifth go-round as the iconic fedora clad archaeologist hopes to repeat at #1. The fifth edition of a horror franchise could disrupt that as Insidious: The Red Door swings in. We also have the critically acclaimed raunchy comedy Joy Ride and action pic Sound of Freedom from upstart Angel Studios. You can peruse my detailed prediction posts on the newcomers here:
After a lackluster haul (more on that below), Dr. Jones and company might see a sophomore drop in the low 50s. While the B+ Cinemascore grade exceeds the B that crowds gave predecessor Indiana Jones and the Crystal Skull, it still indicates middling enthusiasm moving forward. My high 20s take does mean a repeat performance atop the charts.
That’s because I have Insidious: The Red Door in the mid 20s. While that’s under the $29 million that The Last Key opened with in 2018, it is still a fine result for the 13-year-old franchise.
The weekend’s wild card is Sound of Freedom. Jim Caviezel’s turn as a vigilante taking on human traffickers is being championed by faith-based and conservative groups. This resulted in a terrific $14 million bounty when it started on July 4th. How it legs out is anyone’s guess and I’m going with a low double digits Friday-Sunday number. That would put it solidly in third.
As for Joy Ride, critics are being kind and the studio is hoping for a Crazy Rich Asians style sleeper hit. The hard R rating could prevent that and my sub $10 million projection puts it in fourth just ahead of animated holdovers Elemental and Spider-Man: Across the Spider-Verse.
And with that, here’s how I foresee the top 6 shaking out:
1. Indiana Jones and the Dial of Destiny
Predicted Gross: $28 million
2. Insidious: The Red Door
Predicted Gross: $25.2 million
3. Sound of Freedom
Predicted Gross: $12.5 million
4. Joy Ride
Predicted Gross: $8.4 million
5. Elemental
Predicted Gross: $8 million
6. Spider-Man: Across the Spider-Verse
Predicted Gross: $7.8 million
Box Office Results (June 30-July 2)
Considering Crystal Skull in 2008 made off with $100 million for its Friday to Sunday portion of a holiday weekend, the $60.3 million for Dial of Destiny is a major letdown for Disney. I wasn’t much more generous at $65.3 million. When it premiered in Cannes over a month ago, its mediocre reaction set the table for a disappointing gross. Perhaps more importantly is that it didn’t play for younger audiences whose reverence for the series isn’t matched by the 40 and up crowd.
Disney/Pixar’s Elemental, after a troubling start, continued to level off nicely in weekend #3. It was second with $12.1 million, in line with my $12.7 million prediction for a three-week $89 million tally.
Spider-Man: Across the Spider-Verse was third with $12 million compared to my $13.5 million estimate. The Sony juggernaut has amassed $340 million.
Jennifer Lawrence’s No Hard Feelings was fourth with $7.8 million (I went higher at $89 million). The ten-day take is $29 million which is fairly decent for a genre that’s struggled in recent times.
Transformers: Rise of the Beasts rounded out the top five with $7.3 million. I incorrectly had it on the outside looking in. The total is $136 million.
Finally, DreamWorks Animation’s Ruby Gillman: Teenage Kraken was a major flop in sixth with only $5.5 million. I was kinder at $7.8 million. With serious kiddie competition, parents opted for leftovers like Elemental and Spidey.
The coming-of-age fantasy Ruby Gillman, Teenage Kraken joins a crowded animated marketplace when it debuts this weekend. The DreamWorks project may come in behind holdovers Spider-Man: Across the Spider-Verse and Pixar’s Elemental on the charts. Awards prospects for Kirk DeMicco’s latest directorial effort may also find it playing catch up with those titles.
Reviews for Kraken are at 78% on Rotten Tomatoes though the positive notices aren’t exactly gushing. DeMicco has been in the Animated Feature mix before with 2013’s The Croods. His follow-up, 2021’s Vivo, had a better RT score than Ruby and failed to make that year’s quintet in the competition.
We know Spidey will be a force to reckon with for the 96th Academy Awards. It’s easily the frontrunner and that may not change. Elemental is likely to grab a spot. We are awaiting potential heavy hitters like July’s How Do You Live? from Hayao Miyazaki and Disney’s Wish this fall.
If those pics and others don’t pan out, perhaps Kraken could nab the fifth slot. I wouldn’t bet on it. My Oscar Prediction posts will continue…
Blogger’s Update (06/29): I have my estimate for Ruby Gillman from to $10.8M to $7.8M, which puts it in fifth instead of fourth.
Harrison Ford hopes to retire his iconic character with boffo box office returns as Indiana Jones and the Dial of Destiny whips into theaters. We also have DreamWorks Animation’s Ruby Gillman, Teenage Kraken seeking success amid serious competition. My detailed prediction posts on the newcomers can be perused here:
Disney might not have done itself any favors when it screened Destiny last month at the Cannes Film Festival. The critical reaction was rather weak as it sits with 62% on Rotten Tomatoes. The fifth entry in the franchise’s much maligned 2008 predecessor Kingdom of the Crystal Skull managed 77%. I suspect that expectations should be tempered and I have it hitting mid 60s for what would be considered a significantly disappointing beginning.
Slots 2-4 should be quite animated with Spider-Man: Across the Spider-Verse and Elemental losing around 30-35%. That could put both of them ahead of Ruby. The fact that it’s not based on known IP won’t help and neither will the level of competition. I have it barely topping $10 million for a fourth place start.
No Hard Feelings should round out the top five with a 40% range decline in its sophomore frame.
Here’s how I see it shaking out:
1. Indiana Jones and the Dial of Destiny
Predicted Gross: $65.3 million
2. Spider-Man: Across the Spider-Verse
Predicted Gross: $13.4 million
3. Elemental
Predicted Gross: $12.7 million
4. No Hard Feelings
Predicted Gross: $8.9 million
5. Ruby Gillman, Teenage Kraken
Predicted Gross: $7.8 million
Box Office Results (June 23-25)
Thanks to the disastrous performance of The Flash (we’ll get there shortly), Spider-Man: Across the Spider-Verse swung back into 1st place in week #4. The acclaimed animated sequel took in $19 million. I was right on target with $18.9 million and it’s up to a terrific $316 million with $400 million in its sights.
Pixar’s Elemental, after a poor premiere, was on less shaky ground in its follow-up outing. The A Cinemascore grade probably helped as it dropped a commendable 38% at $18.4 million (I went lower with $16.8 million). That’s the smallest Pixar sophomore frame downslide since Up 14 years ago. The total is $65 million in ten days.
The Flash… wow. After a shockingly low $55 million opening, the DCEU debacle plunged 72% and landed in third with only $15.1 million. I was more generous at $17.5 million. The ten-day take is $87 million and it should be out of the top five in only its third go-round. Embarrassing.
Jennifer Lawrence’s raunchy comedy No Hard Feelings debuted in fourth with $15 million, exceeding my call of $11.7 million. For its genre, that’s a pretty solid haul as comedies have struggled in recent years. It should manage to hold up decently in subsequent weekends.
Transformers: Rise of the Beasts rounded out the top five with $11.7 million, rising above my $9.3 million projection. The three-week gross is $123 million.
Wes Anderson’s Asteroid City expanded nationwide and nabbed the highest per theater average on the chart. The star-studded tale made an impressive $9 million and went above my $7.6 million guesstimate. It’s at $10.2 million when factoring its limited release dollars from the previous weekend.
Finally, The Little Mermaid was seventh with $8.5 million (I said $7 million) to bring its earnings to $270 million in five weeks.
Blogger’s Update (06/29): I have revised my prediction from $10.8 million down to $7.8 million
DreamWorks is banking on young girls and their parents depositing their money and time into Ruby Gillman, Teenage Kraken when it debuts June 30th. The animated coming-of-age fantasy is directed by Kirk DeMicco, who helmed blockbuster The Croods for the studio a decade ago. Lana Condor voices the high school sophomore title character. Other performers mic’d up include Toni Collette, Annie Murphy, Sam Richardson, Colman Domingo, Will Forte, Liza Koshy, and Jane Fonda.
The studio just had a sizable hit with Puss in Boots: The Last Wish over the holidays and they have future entries in the Trolls and Kung Fu Panda series on deck. Kraken has the disadvantage of not being based on known IP and following Spider-Man: Across the Spider-Verse and Pixar’s Elemental.
There doesn’t seem to be much chatter for this one. If Elemental couldn’t hit $30 million out of the gate, I question whether Gillman can reach half of that number. I’ll project that it falls short for an underwhelming premiere.
Ruby Gillman, Teenage Kraken opening weekend prediction: $7.8 million
For my Indiana Jones and the Dial of Destiny prediction, click here:
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