Having grossed nearly $150 million in Japan and other territories, animated fantasy adventure One Piece Film: Red arrives on November 4th. The 15th feature in the franchise that began in 2000, the Toei Animation title comes from director Gorõ Taniguchi.
This is the same studio that gave us Dragon Ball Super: Broly and Dragon Ball Super: Super Hero. The former made nearly $10 million in its opening frame in January 2019 while Super Hero swooped to a remarkable $21 million start in August.
One Piece is currently the highest grosser of the year in Japan. Comparisons to Dragon Ball are tricky since the predecessors in this series have not received wide North American distribution. One Piece: Stampede preceded this and made just over $1 million domestically in 2019.
A further complication is that I’ve yet to see a screen count. The aforementioned Super Hero flew to its $20M+ premiere in 3000 venues. I doubt this will reach those numbers. That said, I’ve underestimated this genre before and it seems sensible to project this could debut right above or right below $10 million.
One Piece Film: Red opening weekend prediction: $10.2 million
For my The Banshees of Ininsherin prediction, click here:
For the first time since May of 2021, we may have a box office outing where no picture tops $10 million. We’re in a bit of a late August spiral as the YA centered vampire tale The Invitation and George Miller’s genie saga Three Thousand Years of Longing debut. You can peruse my detailed prediction posts on them here:
I’m not expecting much out of either. This isn’t a time when studios typically bring out heavy hitters (though it is worth noting that Universal impressed on this same weekend last year with Candyman‘s $22 million haul). I wouldn’t anticipate the newcomers coming anywhere close to that.
My Invitation estimate would give it to #1 spot while Longing could place anywhere from 2-7. I’m thinking #7 is more probable than second as the Tilda Swinton/Idris Elba fantasy seems to be suffering from a quiet marketing campaign.
The runner-up position could be determined by the sophomore drop of current champ Dragon Ball Super: Super Hero, which easily surpassed expectations (more on that below). It’s worth noting that its immediate predecessor Dragon Ball Super: Broly experienced a second frame plummet of nearly 70%. Broly actually premiered on a Wednesday before MLK weekend in 2018. In six days, it took in $22 million (similar to Hero‘s three-day mark). Broly only managed $3 million in weekend #2. I think Hero should surpass that, but don’t be surprised it drops in the low 70s.
If so, Beast could stay in second place if it only loses half its audience. While its B Cinemascore grade isn’t great, the lack of competition could mean it avoids a precipitous fall. Bullet Train, Top Gun: Maverick, and DC League of Super-Pets should all hold solidly and that could place them above Longing.
And with that, here’s how I envision the top 7 looking:
1. The Invitation
Predicted Gross: $8.1 million
2. Beast
Predicted Gross: $5.7 million
3. Bullet Train
Predicted Gross: $5.5 million
4. Top Gun: Maverick
Predicted Gross: $5.2 million
5. Dragon Ball Super: Super Hero
Predicted Gross: $5 million
6. DC League of Super-Pets
Predicted Gross: $4.6 million
7. Three Thousand Years of Longing
Predicted Gross: $4 million
Box Office Results (August 20-22)
As mentioned, it was a bountiful harvest for Dragon Ball Super: Super Hero as the animated Japanese martial arts fantasy crunched an impressive $21 million. That’s well above my $13.2 million projection. These titles are extremely front loaded so expect a sharp downturn, but that’s a terrific gross and we can anticipate plenty more wide openings for these genre titles.
Idris Elba battled a Beast in the form of a lion and the picture opened in line with most estimates. At $11.5 million (I said $11.3 million), it will hope to match its $36 million budget stateside in coming weeks.
Bullet Train was third with $8 million, rising ahead of my $7 million call. The three-week total is $69 million as it hopes to reach nine figures domestically.
Top Gun: Maverick soared to new heights with $5.9 million, a little under my $6.7 million prediction. In its 13th (!) weekend, Maverick surpassed Avengers: Infinity War to become the 6th largest domestic earner of all time. The tally is $683 million as it looks to top Black Panther‘s $700 million next.
Finally, DC League of Super-Pets rounded out the top five with $5.6 million (I went with $5 million). The overall gross after 4 weeks is $67 million.
Over three and a half years ago, Dragon Ball Super: Broly significantly exceeded expectations stateside. As summer closes out, the follow-up Super Hero hopes to do the same. The martial arts fantasy from Toei Animation is actually the 21st feature in the long running Japanese franchise. Tetsuro Kodama directs.
The pic already did brisk business in its native country when it opened in June. Over the long MLK frame in 2019, Broly got a kickstart to the weekend with a Wednesday bow. In its first two days of release, it captured $10.4 million with a six-day overall haul of over $22 million.
Hero is not slated for a hump day start nor is it premiering over a holiday. That makes comparisons to Broly a little tricky. There’s no doubt that this genre is extremely front loaded and I certainly see it hitting double digits. It could find itself in a battle for #1 with the Idris Elba headlined survival thriller Beast. Both could be competing for some of the same eyeballs. I’ll project $12-14 million is where this lands and that puts it barely behind where I have Beast at.
Dragon Ball Super: Super Hero opening weekend prediction: $13.2 million
Two new titles attempt to gather eyeballs this weekend with the kiddie rendering of the King Arthur legend TheKidWhoWouldBeKing and Matthew McConaughey/Anne Hathaway thriller Serenity. You can peruse my detailed prediction posts on each of them here:
I’ll say the Kid manages to just top double digits and that could give it a second place showing. As for Serenity, my mid single digits forecast of $5.1 million puts it just outside the top five in sixth.
Current champ Glass should have little trouble staying in first place, but I am predicting a sophomore frame drop of over 50% due to middling critical and audience reaction.
Holdovers TheUpside, Aquaman, and Spider–Man: IntotheSpider–Verse should round out the top half of the charts. As for DragonBallSuper: Broly, it debuted with terrific results this past weekend (more on that below). However, I anticipate a front-loaded nature for its earnings and a fall in the mid 50s range. That puts it outside the top 5 in my view.
Here are my projections for the weekend ahead:
1. Glass
Predicted Gross: $19.6 million
2. TheKidWhoWouldBeKing
Predicted Gross: $10.8 million
3. TheUpside
Predicted Gross: $9.8 million
4. Aquaman
Predicted Gross: $6.4 million
5. Spider–Man: IntotheSpider–Verse
Predicted Gross: $5.2 million
BoxOfficeResults (January18–21)
The long MLK weekend saw M. Night Shyamalan’s Glass rule with the third highest opening of this particular holiday at $46.5 million. That is a bit below expectations and under my $58.1 million estimate. However, it nearly doubled its reported $25 million budget in four days.
TheUpside went down to second with $18.3 million, ahead of my $15.4 million prediction. The Kevin Hart/Bryan Cranston comedic drama stands at a strong $46 million after two weeks.
Aquaman was third with $12.7 million (I said $13.8 million) as it crossed the triple century mark at $306 million.
The aforementioned DragonBallSuper: Broly was fourth with a fantastic $11.9 million over the traditional weekend and $22 million since its Wednesday premiere. I’ll sheepishly admit that the anime feature was not properly on my radar and I didn’t do a projection for it.
Spider–Man: IntotheSpider–Verse was in the five-spot with $10.1 million compared to my guesstimate of $8.3 million. Overall haul is $161 million.
ADog’sWayHome was sixth at $9.9 million (I said $9.1 million) for a two-week tally of $24 million.
All My Life... I Wanted To Be A Blogster 