The Hunger Games: The Ballad of Songbirds & Snakes is out November 17th with the review embargo having lifted this week. The prequel brings back Francis Lawrence, director of parts II-IV of the massive Jennifer Lawrence franchise. Tom Blyth (as the younger version of Donald Sutherland’s Snow) and Rachel Zegler lead the cast.
The film is nearly certain to have the lowest opening of the five features in the series. It would need to break $100 million not to and it might be fortunate to take in half of that out of the gate. Snakes currently has the lowest Rotten Tomatoes meter in the quintet at 67%, just under the 70% earned by both editions of Mockingjay.
Despite lauded production design and some decent original songs, Oscar voters completely ignored all previous Games. The best and probably only shot that Ballad has is a ballad from Olivia Rodrigo titled “Can’t Catch Me Now”. My guess is the Academy will still show no appetite for Hunger. My Oscar Prediction posts will continue…
Serving as a prequel to the four films that generated nearly $3 billion worldwide, The Hunger Games: The Ballad of Songbirds & Snakes is out November 17th. The dystopian adventure returns Francis Lawrence (who made the second through fourth editions) to the director’s seat. Tom Blyth (as a younger version of Donald Sutherland’s Snow), Rachel Zegler, Peter Dinklage, Hunter Schafer, Josh Andrés Rivera, Jason Schwartzman, and Viola Davis lead the cast.
Arriving eight years after Jennifer Lawrence’s Katniss concluded her boffo business, Snakes is expected to have the lowest start of the Games… by a wide margin. Based on the 2020 novel from Suzanne Collins, this series may not be the phenomenon that it was onscreen from 2012-15. That quartet of titles all made over $100 million during their opening weekends with 2013’s Catching Fire setting the high mark at $158 million.
Early word-of-mouth is pretty decent, but this may earn about half of what 2015’s Mockingjay: Part 2 accomplished out of the gate ($102 million). If you’re setting the over/under at $50 million (which is reasonable), I’d suggest the under (if not by much).
The Hunger Games: The Ballad of Songbirds & Snakes opening weekend prediction: $48.3 million
For my Trolls Band Together prediction, click here:
Mr. Harrigan’s Phone is the second best Blumhouse Production this year with a phone featured prominently in the plot and adapted from a work by Stephen King or someone in his immediate family. That might be praiseworthy if there were ten, but there’s just The Black Phone (stemming from a story by Stephen’s son Joe Hill) and this one from Dad.
In 2003, young Craig (Colin O’Brien) loses his mother and leads a lonely life in Maine with his father (Joe Tippett). The grieving is broken up when the wealthiest man in the state Mr. Harrigan (Donald Sutherland) gives him a job. Craig travels to his mansion three times a week to read thick novels to the elderly listener whose eyesight is weak – from Crime and Punishment to Lady Chatterly’s Lover and Heart of Darkness. These classic tales hold more meaning for Craig as five years pass and he grows into Jaeden Martell (from a far stronger King adaptation It). So does his friendship with Harrigan as they both are seeking meaningful companionship.
By 2008, a bad apple threatens to poison the bond. That would be Apple’s iPhone. The new device is all the rage and Craig eventually convinces his dad to get him one. This game of telephone continues when the teenager gifts one to his billionaire reading club compadre. The once uninterrupted reading sessions are briefly disrupted by the device’s easy ability to distract.
It takes an unnecessarily long time to reach this point, but (spoiler alert?) Harrigan dies (something revealed in the trailer). Craig makes the seemingly kind gesture of placing the departed’s Steve Jobs application in the casket. Saved under his contacts as The Pirate King (would’ve been a better title than this extremely generic one), Craig soon discovers a potentially supernatural connection with his late friend.
Phone comes from John Lee Hancock, whose biggest hits have been inspirational sports dramas like The Rookie and The Blind Side. This could’ve used a lot more pep as this is a frequently drab affair. There were creepier consistencies in his last picture The Little Things, which I found far more recommendable than this. In fact, this is about as frightening as The Rookie or The Blind Side.
Sutherland and Martell are of no fault. Their chemistry makes the first half or so far more tolerable. The film’s concept probably better fit the short story format that the legendary author framed it in. When Harrigan is buried, this becomes a ho hum revenge saga with a boring high school bully (Cyrus Arnold) and then a kindly teacher (Kirby Howell-Baptiste) who is wronged. It also stumbles with its attempts to say something about our overuse of technology.
Despite the chemistry of the two leads, the screenplay from Hancock is a disservice to them. I took the novel approach with Mr. Harrigan’s Phone – meaning reading one by King or one of the ones Craig recites would have been a wiser use of my minutes.
Roland Emmerich, maker of Independence Day, The Day After Tomorrow, and 2012, has never met a disaster scenario he didn’t like. So let’s have the moon hurtle toward Earth and potentially destroy humanity, shall we? That’s the concept of Moonfall, out February 4th. The sci-fi extravaganza comes with a whopping reported budget of $140 million and its cast includes Halle Berry, Patrick Wilson, John Bradley, Michael Pena, Charlie Plummer, Kelly Yu, and Donald Sutherland.
This one could have a tough time making that budget back and it better hope for robust international grosses. Emmerich is not the drawing power he was a quarter century ago. His last feature, 2019’s Midway, started with just over $17 million (though it is worth noting that was slightly above expectations).
It also might not help that moviegoers looking for mindless entertainment have Jackass Forever debuting directly against it. The best scenario for Moonfall could be $20 million, but that could be a giant leap. I’m thinking a premiere similar to Geostorm (which started north of $13 million) might be where this lands.
Moonfall opening weekend prediction: $12.8 million
It is officially summertime 2021 and that brings my annual seasonal three-part series where I take a look back at the top ten pics, flops, and other notable selections from 30, 20, and 10 years ago. That means I’ll begin with 1991 at a time where Arnold Schwarzenegger said hasta la vista to all competitors.
Let’s count down from #10 to numero Ah-nuld along with other entries worthy of discussion (both good and bad).
10. Doc Hollywood
Domestic Gross: $54 million
Michael J. Fox had a midsize hit with this fish out of water comedy about an uppity surgeon stuck in the rural south. It marks the star’s last solid performer that he headlined.
9. Boyz n the Hood
Domestic Gross: $57 million
John Singleton had one of cinema’s most memorable directorial debuts with this coming-of-age drama set in South Central. He would become the youngest filmmaker ever to be nominated at the Oscars and the critically hailed pic kickstarted the careers of Cuba Gooding Jr. and Ice Cube.
8. One Hundred and One Dalmatians
Domestic Gross: $60 million
Disney re-released their 1961 classic three decades after its release and picked up a cool $60 million for it. Later in 1991, the studio would begin another renaissance with Beauty and the Beast becoming the first animated film to nab a Best Picture nomination. Five years later, Glenn Close would headline the live-action version and another reboot, Cruella with Emma Stone, is currently in the top five.
Bill Murray had one of his signature roles as the multi-phobic patient tormenting shrink Richard Dreyfuss on his vacation. Apparently this comedy was a bit dramatic behind the scenes with the two leads having an actual antagonistic relationship.
6. Hot Shots!
Domestic Gross: $69 million
Spoofs were a hot commodity in the early 90s following the success of 1988’s The Naked Gun. Jim Abrahams, one of that film’s writers, created this sendup of Top Gun and many others that starred Charlie Sheen. A sequel would follow two years later.
5. Backdraft
Domestic Gross: $77 million
Ron Howard directed this firefighting drama that heated up the box office with Kurt Russell, William Baldwin, Robert De Niro, and a creepy Donald Sutherland as a pyromaniac. There was even a sequel released in 2019 with Baldwin and Sutherland that went direct to streaming and that I frankly forgot existed.
4. The Naked Gun 2 1/2: The Smell of Fear
Domestic Gross: $86 million
The spoofing love continued as Leslie Nielsen reprised his role as doofus detective Frank Drebin in this sequel to the 1988 classic. It couldn’t hold up the original, but it was better than part 3 which followed in 1994. And, needless to say, this was a simpler time for costar O.J. Simpson.
3. City Slickers
Domestic Gross: $124 million
As New Yorkers learning life lessons on a cattle drive, Billy Crystal, Daniel Stern, and Bruno Kirby starred in the comedy smash of the summer and costar Jack Palance even ended up with a Best Supporting Actor victory. A less regarded follow-up would come in 1994.
2. Robin Hood: Prince of Thieves
Domestic Gross: $165 million
While his accent was spotty at best, Kevin Costner parlayed his Oscar success from the previous year’s Dances with Wolves into this blockbuster about the robbing from the rich and giving to the poor hero. The highlight was Alan Rickman’s sublime work as the Sheriff of Nottingham while critics mostly turned up their noses.
1. Terminator 2: Judgment Day
Domestic Gross: $204 million
Arnold Schwarzenegger’s android went from being the bad guy in the 1984 original to the good robot in James Cameron’s sequel that gave us eye popping and revolutionary special effects and a dynamite Linda Hamilton returning as a buffed up Sarah Connor. There’s been four more entries in the franchise and none have matched the potency of this one.
Now let’s turn the focus to some other notable releases:
Thelma & Louise
Domestic Gross: $45 million
Susan Sarandon and Geena Davis both scored lead actress Academy nods for Ridley Scott’s now iconic tale of feminism and revenge with an unforgettable ending. This also marked audiences falling in love with a then unknown actor by the name of Brad Pitt.
Point Break
Domestic Gross: $43 million
Patrick Swayze starred in the previous summer’s high earner with Ghost. This surfing action pic from director Kathryn Bigelow paired the actor with Keanu Reeves and has amassed a deserved cult following. An unnecessary remake wiped out in 2015.
Dead Again
Domestic Gross: $38 million
Kenneth Branagh’s sophomore effort after the acclaim of his Shakespearian Henry V was this Hitchcock homage costarring his then wife Emma Thompson, Andy Garcia, and Robin Williams. As tributes to the Master of Suspense go, this is one of the best.
Soapdish
Domestic Gross: $38 million
Sally Field, Kevin Kline, Robert Downey, Jr., and Whoopi Goldberg are part of the ensemble in this comedy set in the world of the afternoon melodramas that populate the airwaves. Not a big hit at the time, its reception has since grown.
Jungle Fever
Domestic Gross: $32 million
Spike Lee’s tale of an interracial couple played by Wesley Snipes and Annabella Sciorra received critical kudos. The two most memorable performances come from Samuel L. Jackson as a crack addict and Halle Berry (in her feature debut) as his girlfriend.
Madonna: Truth or Dare
Domestic Gross: $15 million
As she often is, Madonna was ahead of the cultural curve with this documentary set during her 1990 Blond Ambition Tour. This was reality programming before it exploded.
Barton Fink
Domestic Gross: $6 million
The Coen Brothers pitch black comedy was the darling of the Cannes Film Festival, winning Picture, Director, and Actor for John Turturro. It would land three Academy nominations including Michael Lerner in Supporting Actor.
Now it’s time for the pictures that either didn’t land with audiences or critics (or both):
The Rocketeer
Domestic Gross: $46 million
Disney was hoping for a new franchise with this comic book based property. Yet the period adventure underwhelmed at the box office. This was a different era for the genre before the MCU changed everything. Director Joe Johnston, coincidentally, would go on to make Captain America: The First Avenger 20 years later.
Dying Young
Domestic Gross: $33 million
This seems hard to believe now, but Premiere magazine predicted this romance would be the largest grossing feature of the summer. Not so much. However, Julia Roberts was just coming off her smash breakthrough Pretty Woman. This didn’t land with audiences in the same way.
Only the Lonely
Domestic Gross: $25 million
Chris Columbus was basking in the box office bonanza that was Home Alone. This rom com with John Candy and Ally Sheedy that followed six months later didn’t cause many filmgoers to leave their homes.
Mobsters
Domestic Gross: $20 million
1990 was gave us lots of mobster fare such as GoodFellas, The Godfather Part III, and Miller’s Crossing. Crowds and critics didn’t take to the Christian Slater and Patrick Dempsey versions of Lucky Luciano and Meyer Lansky, respectively.
Hudson Hawk
Domestic Gross: $17 million
Bruce Willis’s vanity project is considered one of the gargantuan flops in history. Grossing only about a fourth of its $65 million budget, it was awarded the Golden Raspberry for Worst Picture of the year.
V.I. Warshawski
Domestic Gross: $11 million
Based on a series of successful novels, audiences didn’t take to Kathleen Turner in the title role for this detective action comedy. It made less than half its budget.
Delirious
Domestic Gross: $5 million
Also set in the world of soap operas, this marked another dud for John Candy in the same season.
Another You
Domestic Gross: $2 million
Richard Pryor and Gene Wilder are a classic combo with well-regarded comedies like Silver Streak and Stir Crazy. Even See No Evil, Hear No Evil in 1989, despite critical scorn, performed well. That’s not the case with their last collaboration (which reviewers also drubbed).
And that concludes my look back at summer 1991. Next up is the sweltering season of 2001!
Roy McBride has major dad issues in James Gray’s Ad Astra, a space epic that’s more consumed with the personal. As played by Brad Pitt, McBride is a supremely subdued astronaut with a legendary father. He disappeared years ago and is assumed deceased after his mission to Neptune to find extraterrestrial life. This is all a giant metaphor for a father and son relationship that’s literally and figuratively separated by billions of miles. Tommy Lee Jones plays distant papa Clifford and Roy accepts a classified mission to retrieve him after it turns out he may be alive. Only the Earth’s fate hangs in the balance as all of human life is threatened and perhaps by dad’s activities far far away.
We are told that Ad Astra takes place in the near future, but there’s been time for moon bases, plenty of Mars exploration, and the capacity to get to Neptune in a relatively short period of time. Roy is not just estranged from Clifford, but so focused on work that his emotions leave him ambivalent about his wife (Liv Tyler) leaving him. For both him and the father who abandoned him, the mission of work trumps anything familial.
Much credit should be given to the design of Ad Astra. This is a beautiful looking picture as Roy’s travelogue takes him to stunningly desolate set pieces. Director Gray and his team pay attention to how this future world functions in a way that Minority Report did. Those details are worth exploring. It’s the rather tired dynamic between Roy and Clifford that gets in the way. The screenplay seems to think their relationship and what it represents is more profound than it is.
Astra is certainly a visual feast and a bit of a non-starter on a poignancy level. Midway through, I thought of the Dave Matthews Band track “The Space Between”. That could have been the title of this picture, which is more admirable than engrossing. There’s been efforts in this genre with parental themes (Gravity and Interstellar to name two) that landed the emotional stuff with more accurate precision. They didn’t leave me with Dave Matthews warbling gooey lyrics in my head either.
Mr. Pitt goes to space next weekend in James Gray’s AdAstra and the reported $80 million plus budgeted sci fi pic hopes for a stealthy launch. Brad Pitt is an astronaut who leaves Earth to find his lost father (Tommy Lee Jones). Costars include Ruth Negga, Liv Tyler, and Donald Sutherland.
Astra premiered last month at the Venice Film Festival to mostly positive critical reaction. It stands at 86% on Rotten Tomatoes, but seems to lack the awards buzz that could help its grosses. Competition for male moviegoers could be hindered a bit by the opening of Rambo: LastBlood.
A debut above $20 million is certainly feasible and Pitt is fresh off Quentin Tarantino’s hit OnceUponaTimeinHollywood, which is earning him Oscar chatter. However, I’ll say high teens is where this lands with a similar number to last fall’s FirstMan.
James Gray’s space opera AdAstra premiered overseas at the Venice Film Festival today and the Brad Pitt led saga certainly has its ardent admirers already. Some reviews are proclaiming it a masterpiece while others are more mixed.
Director Gray has had his share of appreciated works such as TheImmigrant and TheLostCityofZ. He has yet to garner any attention from the Academy. This is his first major Hollywood production with a considerable budget and it’s a bit unclear at the moment whether Oscar voters will reward this effort. Pitt is being praised for his starring role and would stand the best shot at any recognition over costars including Tommy Lee Jones, Ruth Negga, Liv Tyler, and Donald Sutherland.
That said, Pitt (who’s never won a gold statue) is already a serious contender to win Supporting Actor for Quentin Tarantino’s OnceUponaTimeinHollywood. That could detract from him being named as lead for Astra. The film’s best hope could be in some tech races, but I’ll wait and see further critical and audience reaction before rendering final judgment. My Oscar Watch posts will continue…
My weekly round of Thursday Oscar predictions in the eight major categories brings a couple of updates from the past week:
Woody Allen’s Wonder Wheel premiered at the New York Film Festival and the mixed reaction has caused it to roll all the way out of the top 25 possibilities for Best Picture. Kate Winslet still stands a decent shot at Best Actress in a very crowded race, but her nomination seems a bit less assured to me now. The film also takes a hit in the Original Screenplay derby.
It’s looking like The Leisure Seeker with Donald Sutherland will not be released until 2018. I’ve had the actor on the lower rungs of possibility for Best Actor, but until I see confirmation of an awards qualifying end of year release date, he’s out for now.
And with that, let’s get to it!
Best Picture
Predicted Nominees:
1. Dunkirk (Previous Ranking: 1)
2. The Post (PR: 2)
3. The Shape of Water (PR: 3)
4. Call Me by Your Name (PR: 6)
5. Darkest Hour (PR: 4)
6. Three Billboards Outside Ebbing, Missouri (PR: 5)
It’s Thursday and that means a fresh round of my weekly Oscar predictions in the eight major categories. Some thoughts from the past week:
I can’t help but wonder if the disappointing box office performance of Blade Runner 2049 will hurt its chances at nominations for Picture and Director. It certainly doesn’t help. I had the film and director Denis Villeneuve getting in last week. Today that changes, but we’ll see if it manages to rise back up in subsequent weeks.
Woody Allen’s Wonder Wheel is slated to premiere at the New York Film Festival tonight and that means reviews will be up. I have it getting nominations in Picture, Actress, and Original Screenplay right now, but lots of questions will be answered in a matter of hours.
Sean Baker’s The Florida Project seems to be garnering a lot of goodwill and for the first time, I have it taking a major jump into an actual nomination. We’ll see if that sticks.
Finally, it appears Steven Spielberg’s The Post will qualify for Original Screenplay and not Adapted as previously thought. That change has been reflected here.
Let’s get to it!
Best Picture
Predicted Nominees:
1. Dunkirk (Previous Ranking: 1)
2. The Post (PR: 2)
3. The Shape of Water (PR: 3)
4. Darkest Hour (PR: 4)
5. Three Billboards Outside Ebbing, Missouri (PR: 6)
6. Call Me by Your Name (PR: 5)
7. Mudbound (PR: 7)
8. Wonder Wheel (PR: 9)
9. The Florida Project (PR: 19)
Other Possibilities:
10. Blade Runner 2049 (PR: 8)
11. Last Flag Flying (PR: 12)
12. Detroit (PR: 13)
13. Battle of the Sexes (PR: 11)
14. The 15:17 to Paris (PR: 15)
15. Phantom Thread (PR: 10)
16. The Greatest Showman (PR: 14)
17. I, Tonya (PR: 17)
18. Downsizing (PR: 18)
19. Get Out (PR: 16)
20. All the Money in the World (PR: 21)
21. Wonderstruck (PR: 24)
22. Lady Bird (PR: 20)
23. The Big Sick (PR: 22)
24. Wind River (PR: Not Ranked)
25. Star Wars: The Last Jedi (PR: Not Ranked)
Dropped Out:
Goodbye Christopher Robin
Molly’s Game
Best Director
Predicted Nominees:
1. Christopher Nolan, Dunkirk (PR: 1)
2. Steven Spielberg, The Post (PR: 2)
3. Guillermo del Toro, The Shape of Water (PR: 3)
4. Joe Wright, Darkest Hour (PR: 4)
5. Dee Rees, Mudbound (PR: 6)
Other Possibilities:
6. Luca Guadagnino, Call Me by Your Name (PR: 7)
7. Denis Villeneuve, Blade Runner 2049 (PR: 5)
8. Martin McDonagh, Three Billboards Outside Ebbing, Missouri (PR: 8)
9. Woody Allen, Wonder Wheel (PR: 9)
10. Sean Baker, The Florida Project (PR: Not Ranked)
11. Kathryn Bigelow, Detroit (PR: 11)
12. Clint Eastwood, The 15:17 to Paris (PR: 14)
13. Paul Thomas Anderson, Phantom Thread (PR: 10)
14. Richard Linklater, Last Flag Flying (PR: 12)
15. Jordan Peele, Get Out (PR: 13)
Dropped Out:
Jonathan Dayton and Valerie Faris, Battle of the Sexes
Best Actor
Predicted Nominees:
1. Gary Oldman, Darkest Hour (PR: 1)
2. Daniel Day-Lewis, Phantom Thread (PR: 2)
3. Hugh Jackman, The Greatest Showman (PR: 4)
4. Tom Hanks, The Post (PR: 3)
5. Timothee Chalamet, Call Me by Your Name (PR: 5)
Other Possibilities:
6. Jake Gyllenhaal, Stronger (PR: 6)
7. Steve Carell, Last Flag Flying (PR: 8)
8. Denzel Washington, Roman J. Israel Esq. (PR: 7)
9. Andrew Garfield, Breathe (PR: 11)
10. James Franco, The Disaster Artist (PR: 9)
11. Donald Sutherland, The Leisure Seeker (PR: 10)
12. Jeremy Renner, Wind River (PR: 13)
13. Christian Bale, Hostiles (PR: 12)
14. Algee Smith, Detroit (PR: Not Ranked)
15. Jason Clarke, Chappaquiddick (PR: 15)
Dropped Out:
Domhnall Gleeson, Goodbye Christopher Robin
Best Actress
Predicted Nominees:
1. Meryl Streep, The Post (PR: 1)
2. Frances McDormand, Three Billboards Outside Ebbing, Missouri (PR: 2)
3. Margot Robbie, I, Tonya (PR: 3)
4. Kate Winslet, Wonder Wheel (PR: 4)
5. Emma Stone, Battle of the Sexes (PR: 5)
Other Possibilities:
6. Sally Hawkins, The Shape of Water (PR: 7)
7. Jessica Chastain, Molly’s Game (PR: 6)
8. Judi Dench, Victoria and Abdul (PR: 8)
9. Saoirse Ronan, Lady Bird (PR: 9)
10. Daniela Vega, A Fantastic Woman (PR: 10)
11. Brooklyn Prince, The Florida Project (PR: 13)
12. Annette Bening, Film Stars Don’t Die in Liverpool (PR: 11)
13. Diane Kruger, In the Fade (PR: 12)
14. Carey Mulligan, Mudbound (PR: Not Ranked)
15. Michelle Williams, All the Money in the World (PR: 14)
Dropped Out:
Jennifer Lawrence, mother!
Best Supporting Actor
Predicted Nominees:
1. Willem Dafoe, The Florida Project (PR: 1)
2. Sam Rockwell, Three Billboards Outside Ebbing, Missouri (PR: 2)
3. Armie Hammer, Call Me by Your Name (PR: 3)
4. Michael Stuhlbarg, Call Me by Your Name (PR: 5)
5. Mark Rylance, Dunkirk (PR: 6)
Other Possibilities:
6. Jason Mitchell, Mudbound (PR: 7)
7. Ben Mendelsohn, Darkest Hour (PR: 4)
8. Michael Shannon, The Shape of Water (PR: 8)
9. Will Poulter, Detroit (PR: 11)
10. Kevin Spacey, All the Money in the World (PR: 9)
11. Christoph Waltz, Downsizing (PR: 13)
12. Richard Jenkins, The Shape of Water (PR: Not Ranked)
13. Patrick Stewart, Logan (PR: 12)
14. Colin Farrell, The Beguiled (PR: Not Ranked)
15. Jim Belushi, Wonder Wheel (PR: 15)
Dropped Out:
Bryan Cranston, Last Flag Flying
Laurence Fishburne, Last Flag Flying
Best Supporting Actress
Predicted Nominees:
1. Allison Janney, I, Tonya (PR: 1)
2. Laurie Metcalf, Lady Bird (PR: 4)
3. Melissa Leo, Novitiate (PR: 2)
4. Hong Chau, Downsizing (PR: 5)
5. Holly Hunter, The Big Sick (PR: 7)
Other Possibilities:
6. Kristin Scott Thomas, Darkest Hour (PR: 3)
7. Mary J. Blige, Mudbound (PR: 8)
8. Octavia Spencer, The Shape of Water (PR: 6)
9. Kirsten Dunst, The Beguiled (PR: 9)
10. Claire Foy, Breathe (PR: 10)
11. Julianne Moore, Wonderstruck (PR: 11)
12. Millicent Simmonds, Wonderstruck (PR: 12)
13. Tatiana Maslany, Stronger (PR: Not Ranked)
14. Juno Temple, Wonder Wheel (PR: 13)
15. Sarah Paulson, The Post (PR: Not Ranked)
Dropped Out:
Margot Robbie, Goodbye Christopher Robin
Cicely Tyson, Last Flag Flying
Best Adapted Screenplay
Predicted Nominees:
1. Call Me by Your Name (PR: 2)
2. Mudbound (PR: 3)
3. Molly’s Game (PR: 5)
4. Last Flag Flying (PR: 4)
5. Wonderstruck (PR: 8)
Other Possibilities:
6. The Beguiled (PR: 10)
7. Victoria and Abdul (PR: 7)
8. Blade Runner 2049 (PR: 6)
9. The 15:17 to Paris (PR: 12)
10. All the Money in the World (PR: 9)
11. The Disaster Artist (PR: 11)
12. Stronger (PR: 13)
13. The Death of Stalin (PR: Not Ranked)
14. Thank You for Your Service (PR: 15)
15. Wonder (PR: 14)
Dropped Out:
The Post (moved to Original Screenplay)
Best Original Screenplay
Predicted Nominees:
1. Three Billboards Outside Ebbing, Missouri (PR: 1)
2. The Post (PR: Not Ranked, moved from Adapted Screenplay)
3. The Shape of Water (PR: 2)
4. Wonder Wheel (PR: 4)
5. Darkest Hour (PR: 3)
Other Possibilities:
6. The Florida Project (PR: 11)
7. The Big Sick (PR: 5)
8. Get Out (PR: 6)
9. Lady Bird (PR: 9)
10. Dunkirk (PR: 7)
11. I, Tonya (PR: 8)
12. Downsizing (PR: 12)
13. Phantom Thread (PR: 13)
14. Wind River (PR: 14)
15. Detroit (PR: Not Ranked)
Dropped Out:
The Greatest Showman
And there you have it! I’ll be back at it next Thursday with fresh predictions…
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