Tag: Dodgeball: A True Underdog Story

Summer 2013: The Top 10 Hits and More

This little blog of mine is over 10 years old now and a summer tradition has been to highlight the cinematic seasons of 30, 20, and 10 years ago. We saw recaps of 1992, 2002, and 2012 around this time in 2022. Now this site is aged enough that I shall only look back at a decade ago. Therefore let’s shine a light on 2013 and the offerings between May and August.

Here’s how it works. I’ll recount the top 10 grossers domestically as well as other notable features and noteworthy flops. It was the summer after The Avengers dominated and Tony Stark still managed to rule in his own franchise.

Let the countdown begin!

10. The Great Gatsby

Domestic Gross: $144 million

Baz Luhrmann’s second collaboration with Leonardo DiCaprio may have drawn mixed critical reaction, but audiences turned up and it won both Oscars it was nominated for (Production Design and Costume Design). It is still the stylish filmmaker’s largest worldwide earner even with last year’s success of Elvis.

9. We’re the Millers

Domestic Gross: $150 million

Jennifer Aniston and Jason Sudeikis headlined this raunchy comedy from Dodgeball maker Rawson Marshall Thurber. Like Gatsby, critics weren’t overly kind but crowds liked what they saw.

8. The Heat

Domestic Gross: $159 million

Sandra Bullock and Melissa McCarthy (hot off Bridesmaids) teamed up for this buddy cop laugher from Paul Feig and it became the summer’s hottest live-action movie in its genre. Bullock would have a massive earner and Oscar nod in the fall with Gravity.

7. World War Z

Domestic Gross: $202 million

Some had it pegged as a potential financial disappointment, but this would turn out to be the biggest grossing zombie flick ever. Despite Brad Pitt’s presence and plenty of development rumors, a planned sequel has yet to materialize.

6. Star Trek Into Darkness

Domestic Gross: $228 million

JJ Abrams helmed this sequel two and a half years before taking on Star Wars: The Force Awakens. It holds the title of best global earning movie of the franchise.

5. Fast & Furious 6

Domestic Gross: $238 million

Vin Diesel and Paul Walker revved the series to unforeseen moneymaking heights at the time though part 7 would outdo it two years later. Six months after 6‘s release, Walker perished tragically in auto accident.

4. Monsters University

Domestic Gross: $268 million

The long gestating sequel to 2001’s Monsters University was a profitable venture for Pixar. It failed to nab an Animated Feature nod from the Academy (rare for the studio), but Disney likely wept into their cash.

3. Man of Steel

Domestic Gross: $291 million

The first picture in the DCEU came with gargantuan expectations with Zack Snyder directing and Henry Cavill donning the S. Reaction from critics and audiences was all over the map. Compared to this summer with the epic failure of The Flash, these were kinda the good ole days for DC.

2. Despicable Me 2

Domestic Gross: $368 million

Illumination dwarfed Pixar in the animated race with this sequel that became parent studio Universal’s most profitable film of all time. It’s also responsible for the season’s ubiquitous ditty “Happy” from Pharrell Williams.

1. Iron Man 3

Domestic Gross: $409 million

Tony Stark’s third solo adventure was generally considered an improvement on #2 as Shane Black handled the behind the camera work. It ended up as the year’s second best grosser behind November’s The Hunger Games: Catching Fire.

Now for some others worthy of discussion:

The Conjuring

Domestic Gross: $137 million

It might be just outside the top ten in 11th, but James Wan’s horror classic spawned a decade’s worth of sequels (two thus far) and spin-offs (Annabelle, The Nun) with no end in sight.

Now You See Me

Domestic Gross: $117 million

The heist pic from Louis Leterrier (who just directed Fast X) was a sleeper smash with a $350 million worldwide haul. A less regarded sequel came in 2016.

The Butler

Lee Daniels helmed this decades spanning tale of Forest Whitaker’s White House employee with Oprah Winfrey as his troubled wife. The studio was likely hoping for more awards attention than it ended up with, but the earnings were impressive.

Pacific Rim

Domestic Gross: $101 million

Guillermo del Toro’s monster mashup didn’t wow with a significant domestic take, but the overseas dollars were enough to spawn a panned 2018 sequel. The international haul makes it the Oscar winner’s personal best.

This Is the End

Domestic Gross: $101 million

This end of the world saga from Seth Rogen and Evan Goldberg was a star studded (from Michael Cera to Rihanna) dark comedy with critics on its side.

The Purge

Domestic Gross: $64 million

This dystopian horror pic launched another money minting series and was an early sleeper success for Blumhouse.

Blue Jasmine

Predicted Gross: $33 million

That number marks an impressive one for Woody Allen in the 21st century and this nabbed Cate Blanchett a Best Actress Academy Award.

Fruitvale Station

Domestic Gross: $16 million

Marking the first collaboration between Ryan Coogler and Michael B. Jordan, this indie drama was a critical darling. The pair would achieve colossal success in the years to follow with Creed and Black Panther.

There were lots of hits a decade ago. Yet there’s always the projects that don’t match expectations.

The Hangover Part III

Domestic Gross: $112 million

Audiences were growing weary of The Wolf Pack in the lambasted third entry. It came in well below the previous two.

Elysium

Domestic Gross: $93 million

Neill Blomkamp’s District 9 in 2009 was nominated for Best Picture. This sci-fi follow up with Matt Damon was considered a letdown by not joining the century club.

The Lone Ranger

Domestic Gross: $89 million

I’m gonna go ahead and say you couldn’t green light this $250 million adventure starring Johnny Depp and Armie Hammer today. It turns out Disney shouldn’t have 10 years ago as this came in far under expectations. The box office magic that director Gore Verbinski and Depp created with Pirates of the Caribbean was gone.

White House Down

Predicted Gross: $73 million

Roland Emmerich’s latest with Channing Tatum as a secret service agent and Jamie Foxx as POTUS had its thunder stolen in the spring by the similarly themed and better regarded Olympus Has Fallen (which spawned two sequels).

After Earth

Predicted Gross: $60 million

Moviegoers slapped down M. Night Shyamalan’s sci-fi epic starring the father son duo of Will and Jaden Smith. Reviews were harsh with a 12% Rotten Tomatoes rating.

The Internship

Domestic Gross: $44 million

Vince Vaughn and Owen Wilson’s 2005 romp Wedding Crashers was a $209 million earning smash. Eight years later, very few signed up for this forgettable reunion.

R.I.P.D.

Predicted Gross: $33 million

It might have been going for the Men in Black crowd, but audiences shunned this sci-fi comedy with Jeff Bridges and Ryan Reynolds. Somehow a direct to DVVD prequel was commissioned and released last year.

And there you have it! A look back at 2013 in the multiplex. I’ll have a 2014 recap conjured up next summer…

Daily Streaming Guide: March 28th Edition

In these times, it’s certainly important to laugh and today’s Streaming Guide gives us two goofy comedies currently available on HBO’s viewing services:

2010’s MacGruber is a feature-length treatment starring Will Forte’s inept MacGyver type character that he originally debuted on SNL. It was not a hit upon release, but has found many fans over the past decade. I found it to be frequently uproarious with memorable supporting turns by Kristin Wiig and Val Kilmer. There’s also an, ummm, love scene between Forte and Wiig that won’t leave your psyche anytime soon.

2004’s Dodgeball: A True Underdog Story was a blockbuster a decade and a half ago. Headlined by Vince Vaughn and Ben Stiller, this silly sports tale about something we all played in gym hits more than it misses. In hindsight, the inspirational scene with Lance Armstrong towards the end seems… dated. Yet this is certainly good for some laughs.

That does it for now, folks! Until next time…

Skyscraper Movie Review

Rawson Marshall Thurber takes a break from directing comedies and Dwayne Johnson is on a hiatus from pairing with jungle animals in Skyscraper. Drawing clear inspiration from The Towering Inferno and Die Hard, the action thriller casts Johnson as Sawyer, an ex FBI agent who lost a leg in a hostage situation gone wrong. It didn’t all turn out badly though because he ends up marrying his surgeon (Neve Campbell) and they have two cute kids. Sawyer now works as a safety analyst for giant buildings and the biggest one has just been erected in Hong Kong by a billionaire entrepreneur (Chin Han). An occupational hazard develops when some terrorists led by Roland Møller set The Pearl (what the 200 plus story structure is named) on fire. Sawyer must then save his family from the burning. If you think one of his kids is asthmatic and the screenplay uses that overused cliché, you sure are right!

For a filmmaker who’s done Dodgeball: A True Underdog Story, We’re the Millers, and Central Intelligence (with Johnson), Thurber keeps this a mostly humor free experience – save for our protagonist’s affinity for duct tape. While I’ve already mentioned its most obvious influences, the climax pays homage to The Man with the Golden Gun, of all Bond pics. That one is on the lower end of 007 efforts and so is this as far as Johnson’s action output.

Skyscraper never bothers to develop worthwhile villains and that’s something Die Hard sure had. The Towering Inferno had cutting edge effects at its time. Not here. And, um, the aforementioned Bond movie had a main bad guy with a third nipple. So that’s something.

Johnson manages to exude some charm, but it can only go so far with this ultimate nondescript affair. I could say something obvious like “Skyscraper didn’t floor me”, but that would be as lame as putting in a kid with asthma.

** (out of four)

Skyscraper Box Office Prediction

Dwayne Johnson has built quite a box office list of hits over the past few months with titles like The Fate of the Furious, Jumanji: Welcome to the Jungle, and Rampage. As for Baywatch… well, nobody’s perfect. Next weekend sees the release of Skyscraper, an action film which appears to be heavily influenced by The Towering Inferno and Die Hard. The pic is directed by Rawson Marshall Thurber who’s best known for comedies like Dodgeball: A True Underdog Story, We’re the Millers, and Central Intelligence (his 2016 blockbuster collaboration with Johnson). Costars include Neve Campbell, Chin Han, Roland Moller, Pablo Schreiber, and Noah Taylor.

Johnson’s last two efforts (Jungle and Rampage) both opened in the mid 30s. However, that’s a little misleading with Jumanji as it opened in a massively crowded Christmas frame and legged out to a gross of over $400 million. Rampage, on the other hand, sits at $98 million total. Central Intelligence, by the way, also premiered in the range at $35 million.

I don’t see any compelling reason why Skyscraper would debut over those titles. And I also don’t see much reason why it would open too far under them. The PG-13 rating should help bring in teens, though the second weekend of Ant–Man and the Wasp does present direct competition. I’ll project Skyscraper for a low to mid 30s start, right on pace with its lead’s other rock solid roll outs.

Skyscraper opening weekend prediction: $33.2 million

For my Hotel Transylvania 3: Summer Vacation prediction, click here:

https://toddmthatcher.com/2018/07/03/hotel-transylvania-3-summer-vacation-box-office-prediction/

Summer 2004: The Top Ten Hits and More

As we’re moving deep into the 2014 Summer Movie Season – on this here blog I’ve been reflecting on what has come in the summers before us. Days ago, I wrote a post reflecting on the hits, notable pictures, and flops from 20 years ago in 1994. Today – we focus on the season from a decade ago with 2004’s summer entries.

We’ll start with the Top Ten, but what is notable is some of the comedies that weren’t on that list that spawned endless catchphrases and became massive cult classics:

Onto the Top Ten:

10. Dodgeball: A True Underdog Story

Domestic Gross: $114 million

Vince Vaughn and Ben Stiller teamed up for this well-received sports comedy which received 70% positive support on Rotten Tomatoes. While this was a solid hit, Vaughn’s biggest comedy would come one summer later with a certain pic costarring Owen Wilson.

9. Fahrenheit 9/11

Domestic Gross: $119 million

It’s not often you see a documentary in the top ten summer hits, but in the summer of 2004 the country was focused on an upcoming Presidential election between Bush and Kerry. Michael Moore’s examination of the Iraq War struck a chord with viewers and became the highest grossing documentary of all time.

8. Van Helsing

Domestic Gross: $120 million

Don’t let its #8 ranking fool you because Van Helsing starring Hugh Jackman was considered a major flop upon release. With a reported $160 million budget, it couldn’t recoup that stateside and a potential franchise for Jackman stalled immediately. Good thing he’s got another character he can go back to time and time again.

7. Troy

Domestic Gross: $133 million

Wolfgang Peterson’s Trojan War saga starring Brad Pitt, Orlando Bloom, and Eric Bana under performed a bit domestically (with its reported $175 million budget) but made it up overseas.

6. I, Robot

Domestic Gross: $144 million

While not reaching the heights of his previous summer hits Independence Day or Men in Black – Will Smith’s I, Robot did respectable business. Based on a short story by Isaac Asimov, it received mixed reviews from critics and a planned sequel never materialized.

5. The Bourne Supremacy

Domestic Gross: $176 million

Goodwill left over from the 2002 original The Bourne Identity propelled this Matt Damon sequel to gross over $50 million more than its predecessor. A third Bourne feature would follow three years later before Damon left the franchise and Jeremy Renner took over in 2012.

4. The Day After Tomorrow

Domestic Gross: $186 million

Roland Emmerich returned to doing what he does best (showing the world getting destroyed) and audiences rewarded him for it. Starring Dennis Quaid and Jake Gyllenhall, Tomorrow is the highest non-sequel on the list and it took in over half a billion worldwide.

3. Harry Potter and the Prisoner of Azkaban

Domestic Gross: $249 million

Alfonso Cuaron took over directing duties from Chris Columbus in this third franchise entry. While many (including myself) consider this the best of the series, it surprisingly has the lowest domestic gross of all eight Potter flicks.

2. Spider-Man 2

Domestic Gross: $373 million

Generally considered one of the best superhero movies of all time and the best of this particular franchise, Spider-Man 2 was a massive hit even though it couldn’t quite match the $403 million performance of the 2002 original.

1. Shrek 2

Domestic Gross: $441 million

DreamWorks Animation easily ruled the summer as the sequel featuring the vocal work of Mike Myers, Eddie Murphy, and Cameron Diaz took the top spot. Of the four Shrek entries, it is the biggest grosser and outshined its predecessor by nearly $180 million dollars.

Beyond the top ten, there are four particularly notable pictures which achieved major cult status:

14. Anchorman: The Legend of Ron Burgundy

It made a decent $85 million upon release, but as we all know, the Will Ferrell comedy has gone onto to becoming one of the most quoted flicks in memory. A 2013 sequel followed.

15. The Notebook

Based on the Nicholas Sparks novel, The Notebook caused audiences to fall in love with Ryan Gosling and Rachel McAdams and brought in $81 million.

27. Napoleon Dynamite

With a tiny $400,000 budget – the quirky comedy Napoleon Dynamite with Jon Heder came out of nowhere and posted a $44 million domestic gross. Like Anchorman, it became an endlessly quoted picture.

38. Harold and Kumar Go to White Castle

It made a meager $18 million upon release, but this stoner comedy became an instant cult classic and spawned two sequels.

And now we move to the flops of the summer:

21. The Stepford Wives

Frank Oz’s remake of the 1975 film cost $90 million to make and earned just $59 million. Critics weren’t impressed and audiences ignored the sci-fi comedy starring Nicole Kidman, Matthew Broderick, and Christopher Walken.

25. King Arthur

Training Day director Antoine Fuqua teamed up with Clive Owen and Keira Knightley for this retelling of the medieval legend. With a $120 million budget, Arthur tanked stateside with only $51 million.

29. Catwoman

Warner Bros. surely regrets spending $100 million on this critically lambasted Catwoman feature which starred Halle Berry and Sharon Stone. It earned only $40 million. The silver lining for the studio: one summer later, a certain Chris Nolan would reinvigorate their superhero fortunes with Batman Begins.

And that’s what was going on ten years at the multiplexes, my friends!