In 2023, Disney finds itself in the rather rare position of not having a Best Animated Feature frontrunner at the Oscars. The category started in 2001 and 15 of the 22 previous winners have been released by the Mouse House. This summer’s Elemental got decent enough reviews that it probably has a spot in the eventual five nominees.
I’m not sure the same can be said for Wish. The musical from directors Chris Buck and Fawn Veerasunthorn and featuring the voices of West Side Story gold statue recipient Ariana DeBose and Chris Pine comes out over the Thanksgiving holiday. With its review embargo lifted, the Tomato meter is at only 62%. That is certainly below most Disney animated offerings and it brings awards viability into question.
In my view, Elemental (a bit fresher at 74%) is behind Spider-Man: Across the Spider-Verse (definitely the favorite) and The Boy and the Heron. I still think it gets in. That leaves two spots. Wish will need to compete with Teenage Mutant Ninja Turtles: Mutant Mayhem, Chicken Run: Dawn of the Nugget, Nimona, and The Peasants to make the cut. Its legendary studio will need to work their campaigning magic to have two competitors in the race.
Wish may have a slightly better shot at Original Song with DeBose singing “This Wish”. Yet it’s quite possible that Wish could be granted zero nominations. My Oscar Prediction posts will continue…
Blogger’s Update (11/20): Middling reviews have led to a downgrade in my estimate to low 30s for the three-day and mid 40s for the five.
Disney seeks a return to a Thanksgiving tradition by having an animated offering in the top spot with the release of Wish on November 22nd. Chris Buck (who co-helmed the Frozen features) and Fawn Veerasunthorn direct with a voice cast including Ariana DeBose, Chris Pine, Alan Tudyk, Angelique Cabral, Victor Garber, Harvey Guillén, Evan Peters, Ramy Youssef, and Jon Rudnitsky.
The musical fantasy would love to replicate the performance of the Frozen entries, but would certainly settle for the earnings of pre-COVID Turkey weekend offerings. In 2016, Moana opened to $56 million from Friday to Monday and $82 million when counting Wednesday and Thursday of the holiday frame. Coco in 2017 started off with $50 million over the three-day and $72 million for the five-day. In 2018, Ralph Breaks the Internet took in $56 million from Friday to Monday and $84 million over the extended holiday.
On the other hand, the Mouse House wants to avoid a Good Dinosaur level performance from 2015. It made $39 million for the three-day and $55 million with the extras.
My hunch is that Wish is granted a performance closest to Coco levels while not quite reaching those figures. I’ll project a mid to high 40s output over the regular weekend and mid to high 60s when factoring in those extra days when kiddos are out of school.
Wish opening weekend prediction: $32.2 million (Friday to Monday); $46.4 million (Wednesday to Sunday)
When the Sundance Film Festival screened the psychological drama Magazine Dreams back in January, the Best Actor competition at the Oscars appeared to pick up a likely contender at an early stage. Jonathan Majors was on a roll having appeared as antagonist Kang the Conquerer in Ant-Man and the Wasp: Quantumania with his villainous role in Creed III on deck.
Dreams, while not achieving across the board raves for the picture itself, saw its lead heavily praised. Portraying a mentally unbalanced bodybuilder, Majors immediately garnered awards buzz. Disney (via subsidiary Searchlight) acquired distribution rights with plans for a spirited campaign in the lead actor race. When I wrote my Oscar Predictions post for Dreams at that time, I felt that Majors might be a can’t miss prospect for one of the five spots.
On March 25th, Majors was arrested on various assault charges. Earlier this week, his trial was set for late November. And today, Disney/Searchlight pulled Dreams from December 8th to a dreaded TBD status.
Obviously there are issues bigger than film and this is one of them. The career of Majors will be majorly impacted by the result of the pending proceedings. Yet Oscar speculation is what I focus on with this blog. The rescheduling news probably confirms that this performance is no longer a viable prospect this year or any other. Do not be surprised if Dreams is relegated to a Hulu streaming bow sometime next year with no theatrical output at all. It’s a remarkable turnaround from where we were in January.
The September triumvirate of high profile festivals (Venice, Toronto, Telluride) is in the rearview mirror. The New York Film Festival is happening now though there’s not a huge number of pictures that didn’t already premiere at earlier fests. One that did – Garth Davis’s Foe – proved to be an awards bust. With a 21% Rotten Tomatoes score, you can assume this is the last time it will be mentioned in these prediction posts.
Truth be told, there are just a few Oscar bait titles left to screen. They include The Color Purple, Napoleon, Disney’s Wish, The Iron Claw, and Wonka (in some tech races).
I thought this might be an opportune time to tell you how my 2022 predictions from this same time of year stood up. Last year, when I did forecasts for the 95th Academy Awards on October 5th, it yielded an impressive 8 of the eventual nominees (winner Everything Everywhere All at Once, All Quiet on the Western Front, The Banshees of Inisherin, The Fabelmans, Tár, Top Gun: Maverick, Triangle of Sadness, Women Talking). The other two nominees (Avatar: The Way of Water and Elvis) were both listed in other possibilities.
For Best Director, I correctly called three of the five (winners the Daniels for Everything Everywhere, Todd Field for Tár, Steven Spielberg with The Fabelmans). Martin McDonagh (The Banshees of Inisherin) and Rüben Ostlund (Triangle of Sadness) were identified as other possibilities.
The #3 also applied to Actress as I named winner Michelle Yeoh (Everything Everything) along with Cate Blanchett (Tár) and Michelle Williams (The Fabelmans). Ana de Armas (Blonde) was tagged under other possibilities while Andrea Riseborough (To Leslie) was not yet on the radar screen. Same goes for Best Actor (3) where I had winner Brendan Fraser (The Whale), Austin Butler (Elvis), and Colin Farrell (The Banshees of Inisherin) and Bill Nighy (Living) in othjer possibilities. Paul Mescal (Aftersun) was outside of the top ten.
In the supporting derbies, my 2022 early October projections gave you only two of the eventual five in Supporting Actress with Kerry Condon (The Banshees of Inisherin) and Hong Chau (The Whale). Stephanie Hsu (Everything Everywhere) was an other possibility. The winner Jamie Lee Curtis (Everything Everywhere) was not yet in my listed ten nor was fellow nominee Angela Bassett (Black Panther: Wakanda Forever). For Supporting Actor, I correctly had three with winner Ke Huy Quan (Everything Everywhere) and Banshees costars Brendan Gleeson and Barry Keoghan. Judd Hirsch (The Fabelmans) was in other possibilities while Brian Tyree Henry (Causeway) had not entered my mix.
Whew. For those keeping score, that means I predicted 22 of the 35 movies, directors, and actors in those six races at this same juncture in 2022.
My first October projections contain a few alterations from my final September write-up. As much as I don’t like taking Toronto’s People’s Choice Award victor American Fiction out of my BP lineup, I’m doing so with The Zone of Interest back in that list. On the same note, Zone‘s filmmaker Jonathan Glazer returns to my directing quintet with Celine Song (Past Lives) on the outside looking in.
Greta Lee (Past Lives) jumps back in Actress with Margot Robbie (Barbie) omitted. However, Lee’s costar John Magaro is dropped from Supporting Actor in favor of Charles Melton (May December).
You can read all the movement below!
Best Picture
Predicted Nominees:
1. Oppenheimer (Previous Ranking: 1) (Even)
2. Killers of the Flower Moon (PR: 2) (E)
3. Poor Things (PR: 3) (E)
4. Barbie (PR: 4) (E)
5. The Color Purple (PR: 6) (+1)
6. Past Lives (PR: 5) (-1)
7. Maestro (PR: 8) (+1)
8. The Holdovers (PR: 7) (-1)
9. Anatomy of a Fall (PR: 9) (E)
10. The Zone of Interest (PR: 11) (+1)
Other Possibilities:
11. American Fiction (PR: 10) (-1)
12. Air (PR: 12) (E)
13. Napoleon (PR: 15) (+2)
14. Spider-Man: Across the Spider-Verse (PR: 14) (E)
15. Origin (PR: 13) (-2)
Best Director
Predicted Nominees:
1. Christopher Nolan, Oppenheimer (PR: 1) (E)
2. Martin Scorsese, Killers of the Flower Moon (PR: 2) (E)
3. Yorgos Lanthimos, Poor Things (PR: 3) (E)
4. Greta Gerwig, Barbie (PR: 4) (E)
5. Jonathan Glazer, The Zone of Interest (PR: 8) (+3)
Other Possibilities:
6. Justine Triet, Anatomy of a Fall (PR: 6) (E)
7. Celine Song, Past Lives (PR: 5) (-2)
8. Bradley Cooper, Maestro (PR: 9) (+1)
9. Alexander Payne, The Holdovers (PR: 7) (-2)
10. Blitz Bazawule, The Color Purple (PR: 10) (E)
Best Actress
Predicted Nominees:
1. Emma Stone, Poor Things (PR: 1) (E)
2. Lily Gladstone, Killers of the Flower Moon (PR: 2) (E)
3. Carey Mulligan, Maestro (PR: 3) (E)
4. Sandra Hüller, Anatomy of a Fall (PR: 4) (E)
5. Greta Lee, Past Lives (PR: 7) (+2)
Other Possibilities:
6. Fantasia Barrino, The Color Purple (PR: 6) (E)
7. Margot Robbie, Barbie (PR: 5) (-2)
8. Cailee Spaeny, Priscilla (PR: 9) (+1)
9. Annette Bening, Nyad (PR: 8) (-1)
10. Natalie Portman, May December (PR: 10) (E)
Best Actor
Predicted Nominees:
1. Cillian Murphy, Oppenheimer (PR: 1) (E)
2. Bradley Cooper, Maestro (PR: 5) (+3)
3. Leonardo DiCaprio, Killers of the Flower Moon (PR: 2) (-1)
4. Colman Domingo, Rustin (PR: 3) (-1)
5. Paul Giamatti, The Holdovers (PR: 4) (-1)
Other Possibilities:
6. Jeffrey Wright, Amerian Fiction (PR: 6) (E)
7. Andrew Scott, All of Us Strangers (PR: 7) (E)
8. Joaquin Phoenix, Napoleon (PR: 9) (+1)
9. Barry Keoghan, Saltburn (PR: 10) (+1)
10. Anthony Hopkins, Freud’s Last Session (PR: Not Ranked)
Dropped Out:
Teo Yoo, Past Lives
Best Supporting Actress
Predicted Nominees:
1. Danielle Brooks, The Color Purple (PR: 1) (E)
2. Da’Vine Joy Randolph, The Holdovers (PR: 2) (E)
3. Emily Blunt, Oppenheimer (PR: 4) (+1)
4. Taraji P. Henson, The Color Purple (PR: 3) (-1)
5. Viola Davis, Air (PR: 5) (E)
Other Possibilities:
6. Penelope Cruz, Ferrari (PR: 6) (E)
7. Julianne Moore, May December (PR: 7) (E)
8. Jodie Foster, Nyad (PR: 9) (+1)
9. Rosamund Pike, Saltburn (PR: 8) (-1)
10. America Ferrera, Barbie (PR: 10) (E)
Best Supporting Actor
Predicted Nominees:
1. Robert Downey Jr., Oppenheimer (PR: 1) (E)
2. Ryan Gosling, Barbie (PR: 2) (E)
3. Mark Ruffalo, Poor Things (PR: 3) (E)
4. Robert De Niro, Killers of the Flower Moon (PR: 4) (E)
5. Charles Melton, May December (PR: 7) (+2)
Other Possibilities:
6. Willem Dafoe, Poor Things (PR: 6) (E)
7. Colman Domingo, The Color Purple (PR: 8) (+1)
8. John Magaro, Past Lives (PR: 5) (-3)
9. Jesse Plemons, Killers of the Flower Moon (PR: Not Ranked)
10. Glenn Howerton, BlackBerry (PR: 9) (-1)
Dropped Out:
Sterling K. Brown, American Fiction
Best Original Screenplay
Predicted Nominees:
1. Barbie (PR: 1) (E)
2. Past Lives (PR: 2) (E)
3. The Holdovers (PR: 3) (E)
4. Anatomy of a Fall (PR: 4 ) (E)
5. Air (PR: 5) (E)
Other Possibilities:
6. Maestro (PR: 6) (E)
7. May December (PR: 7) (E)
8. Asteroid City (PR: 8) (E)
9. Fair Play (PR: 10) (+1)
10. Saltburn (PR: 9) (-1)
Best Adapted Screenplay
Predicted Nominees:
1. Poor Things (PR: 1) (E)
2. Killers of the Flower Moon (PR: 2) (E)
3. Oppenheimer (PR: 3) (E)
4. American Fiction (PR: 4) (E)
5. All of Us Strangers (PR: 5) (E)
Other Possibilities:
6. The Zone of Interest (PR: 8) (+2)
7. Hit Man (PR: 6) (-1)
8. The Color Purple (PR: 7) (-1)
9. Origin (PR: 9) (E)
10. Spider-Man: Across the Spider-Verse (PR: 10) (E)
Best International Feature Film
Predicted Nominees:
1. The Zone of Interest (PR: 1) (E)
2. The Taste of Things (PR: 2) (E)
3. Perfect Days (PR: 3) (E)
4. About Dry Grasses (PR: 5) (-1)
5. Fallen Leaves (PR: 4) (+1)
Other Possibilities:
6. Society of the Snow (PR: 7) (+1)
7. The Peasants (PR: Not Ranked)
8. The Settlers (PR: Not Ranked)
9. The Delinquents (PR: 8) (-1)
10. The Promised Land (PR: 9) (-1)
Dropped Out:
The Teachers’ Lounge
Io capitano
Best Animated Feature
Predicted Nominees:
1. Spider-Man: Across the Spider-Verse (PR: 1) (E)
10. “Peaches” from The Super Mario Bros. Movie (PR: Not Ranked)
Dropped Out:
“High Life” from Flora and Son
Best Production Design
Predicted Nominees:
1. Barbie (PR: 3) (+2)
2. Poor Things (PR: 1) (-1)
3. Killers of the Flower Moon (PR: 2) (-1)
4. Oppenheimer (PR: 4) (E)
5. Asteroid City (PR: 6) (+1)
Other Possibilities:
6. The Color Purple (PR: 5) (-1)
7. Napoleon (PR: 7) (E)
8. Maestro (PR: 8) (E)
9. The Zone of Interest (PR: Not Ranked)
10. Saltburn (PR: 10) (E)
Dropped Out:
Wonka
Best Sound
Predicted Nominees:
1. Oppenheimer (PR: 1) (E)
2. Ferrari (PR: 3) (+1)
3. Napoleon (PR: 4) (+1)
4. The Color Purple (PR: 2) (-2)
5. Spider-Man: Across the Spider-Verse (PR: 6) (+1)
Other Possibilities:
6. Killers of the Flower Moon (PR: 5) (-1)
7. The Creator (PR: Not Ranked)
8. Barbie (PR: 8) (E)
9. The Zone of Interest (PR: 10) (+1)
10. Maestro (PR: 7) (-3)
Dropped Out:
The Killer
Best Visual Effects
Predicted Nominees:
1. Oppenheimer (PR: 1) (E)
2. Guardians of the Galaxy Vol. 3 (PR: 2) (E)
3. The Creator (PR: 3) (E)
4. Napoleon (PR: 6) (+2)
5. Rebel Moon (PR: 5) (E)
Other Possibilities:
6. Indiana Jones and the Dial of Destiny (PR: 7) (+1)
7. Dungeons & Dragons: Honor Among Thieves (PR: 9) (+2)
8. Poor Things (PR: 4) (-4)
9. Barbie (PR: 10) (+1)
10. Killers of the Flower Moon (PR: 8) (-2)
That means I’m projecting these movies will garner these numbers of nominations:
12 Nominations
Killers of the Flower Moon, Oppenheimer
10 Nominations
Poor Things
9 Nominations
Barbie
6 Nominations
The Color Purple, Maestro
5 Nominations
Past Lives
4 Nominations
The Holdovers, The Zone of Interest
3 Nominations
Anatomy of a Fall
2 Nominations
Air, Elemental, Guardians of the Galaxy Vol. 3, Napoleon, Rustin, Spider-Man: Across the Spider-Verse, Wish
1 Nomination
About Dry Grasses, All of Us Strangers, American Fiction, Asteroid City, Beyond Utopia, The Boy and the Heron, Chevalier, The Creator, The Eternal Memory, Fallen Leaves, Ferrari, The Killer, May December, Nimona, Perfect Days, Rebel Moon, Stamped from the Beginning, Still: A Michael J. Fox Movie, The Taste of Things, 20 Days in Mariupol
Pizza loving reptilian crimefighters are back and a giant shark wreaks havoc on humans and animals (again) as Teenage Mutant Ninja Turtles: Mutant Mayhem and Meg 2: The Trench open wide this week. You can peruse my detailed predictions posts on the newcomers here:
Turtles is getting the best reviews of any picture in the 30 year plus franchise as the animated reboot opens on Wednesday. With positive buzz and a healthy nostalgia factor, mid to high 30s over the traditional weekend and a five-day haul topping $50 million appears to be an achievable level of green.
The competition from Donatello, Michelangelo, Raphael, and Leonardo could hurt Meg 2 a tad. While the 2018 original premiered with $45 million, a mid 20s gross might be all that the sequel bites off.
This means the newbies may lag behind Barbie (for Turtles) and Oppenheimer (for Trench). Greta Gerwig’s take on the iconic doll should easily spend a third weekend atop the charts after a magnificent sophomore hold (more on that below). Oppenheimer could approach nearly $30 million in its third go-round.
Following a lackluster start, Disney’s Haunted Mansion should see a dip of at least 50% for fifth place.
Here’s how I see the pieces falling into place:
1. Barbie
Predicted Gross: $60.4 million
2. Teenage Mutant Ninja Turtles: Mutant Mayhem
Predicted Gross: $36.1 million (Friday to Sunday); $51.2 million (Wednesday to Sunday)
3. Oppenheimer
Predicted Gross: $29.3 million
4. Meg 2: The Trench
Predicted Gross: $24.5 million
5. Haunted Mansion
Predicted Gross: $11.4 million
Box Office Results (July 28-30)
As mentioned, Barbie was nothing to toy with in its second outing as the phenomenon made off with $93 million (ahead of my $82.6 million prediction). That’s the seventh largest sophomore weekend in box office history between The Avengers and The Super Mario Bros. Movie. My estimate above, incidentally, gives it the seventh best third frame.
Barbie only fell 43% and the same was true for Oppenheimer in second. Christopher Nolan’s Oscar contender took in $46.7 million, reaching a bit higher than my $43.8 million take. The three hour biopic has amassed $174 million thus far.
The Mouse House had another disappointment with Haunted Mansion. With mediocre reviews and scant chatter, the family fright flick was third with $24 million compared to my slightly better $25.4 million projection. Look for it to fade quickly.
Sound of Freedom was fourth with $12.8 million (I said $14.7 million) as the season’s sleeper hit is up to $149 million.
Mission: Impossible – Dead Reckoning Part One rounded out the top five with $10.6 million. My call? $10.6 million! In three weeks, the Tom Cruise sequel has underwhelmed with $139 million.
Finally, A24’s acclaimed low-budget horror pic Talk to Me was a robust sixth with $10.4 million. That’s well beyond my meager guesstimate of $3.6 million. Lesson learned – bet the over on this genre.
In what might be the most egregious Oscar snub in the history of the ceremony, Vanilla Ice’s iconic jam “Ninja Rap” was not (I repeat not) nominated for Original Song with 1991’s Teenage Mutant Ninja Turtles II: The Secret of the Ooze. Therefore the six previous features in the TMNT franchise have had zero presence with the Academy in the 30 years+ of its existence.
That could very well change with Teenage Mutant Ninja Turtles: Mutant Mayhem. The animated pic that includes Seth Rogen and Evan Goldberg among its cowriters opens Wednesday, August 2nd. With the review embargo lifted, the Rotten Tomatoes score is a boisterous and rather shocking 98%! Many critics are saying this is the best Turtles offering the series has seen.
Best Animated Feature is absolutely in play. The catch could be the competition. Spider-Man: Across the Spider-Verse is guaranteed a slot and perhaps the win. Japan’s The Boy and the Heron is probably in and don’t discount Pixar’s Elemental. Disney also has this fall’s Wish and other hopefuls could pop up in the second half of the year.
Yet it’s hard to ignore the positivity for Donatello, Michelangelo, Raphael, and Leonardo. My hunch is that this quartet could make the quintet of animated features in contention. My Oscar Prediction posts will continue…
Disney’s second at bat in adapting their theme park attraction to the big screen arrives in theaters this Friday with Haunted Mansion. Directed by Justin Simien (maker of 2014’s acclaimed Dear White People), the cast includes LaKeith Stanfield, Tiffany Haddish, Owen Wilson, Danny DeVito, Rosario Dawson, Dan Levy, current Supporting Actress Oscar recipient Jamie Lee Curtis, and former Supporting Actor winner Jared Leto.
The family friendly horror comedy is drawing mostly indifference from critics. With 55 reviews on Rotten Tomatoes, the meter is at 55%. That’s an upgrade over the 14% for The Haunted Mansion from 2003 starring Eddie Murphy. Yet it’s not exactly in Pirates of the Caribbean: The Curse of the Black Pearl territory or even Jungle Cruise with 62%, to compare Mouse House ride based pictures.
Visual Effects or Production Design are really the only races where Mansion would have any opportunity for Academy attention. I guarantee Disney is far more concerned with this turning a profit (which could be a challenge) than any awards campaign. My Oscar Prediction posts will continue…
Blogger’s Update (07/26): A rather low reported 1900 screen count for Talk to Me has lowered my estimate from $4.8 million to $3.6 million. That likely leaves it outside of the top six.
After a historic box office weekend, July closes out with a pair of new releases in Disney’s Haunted Mansion and A24’s critically acclaimed Talk to Me. Neither are likely to dislodge the potent 1-2 punch of Barbenheimer. My detailed prediction posts on the newbies are here:
I don’t really see audiences clamoring for a fresh spin on Haunted Mansion (nearly 20 years after the one with Eddie Murphy) and buzz seems light. Family crowds should get it to a ho-hum mid 20s gross and that would place it in third.
Even if it made $30-35 million, that wouldn’t mean top two. Those spots are reserved for Barbie and Oppenheimer after their amazing starts (more on that below). The question is how far each dips in weekend #2.
For Barbie, the event status that it took on makes it somewhat naturally front loaded. A worst case decline might be around 55-60%. Considering the A Cinemascore grade and chance for repeat business, I’ll say 45-50% is more feasible and that means low to possibly mid 80s.
Oppenheimer also nabbed an A Cinemascore grade and perhaps some adult viewers are content for the IMAX screenings to be a bit less packed. I’ll say it doesn’t quite fall 50% with a take of over $40 million.
Sound of Freedom should continue its meager percentage decreases while Mission: Impossible – Dead Reckoning Part One hopes to right the ship after a turbulent two weeks. They should place fourth and fifth, respectively.
While Talk to Me is generating impressive reviews, this could be the type of A24 elevated horror experience that doesn’t bring genre fans out in droves. A lot of them just got their fright fix with Insidious: The Red Door as well.
And with that, here’s how I see the top 6 playing out:
1. Barbie
Predicted Gross: $82.6 million
2. Oppenheimer
Predicted Gross: $43.8 million
3. Haunted Mansion
Predicted Gross: $25.4 million
4. Sound of Freedom
Predicted Gross: $14.7 million
5. Mission: Impossible – Dead Reckoning Part One
Predicted Gross: $10.6 million
Box Office Results (July 21-23)
Racking up the fourth highest financial frame in history, Greta Gerwig’s Barbie and Christopher Nolan’s Oppenheimer gave us the best weekend in over four years.
Barbie captured the zeitgeist and an especially sizable female audience to the tune of $162 million, right on pace with my $160.8 million prediction. That’s the best three-day opening of 2023 and my hunch is that it will remain so. It’s also the #1 premiere for a female directed feature and 20th overall.
Oppenheimer gave Mr. Nolan his personal best third start (after The Dark Knight Rises and The Dark Knight). Blasting beyond my $65.3 million estimate, the three-hour Oscar contender amassed $82.4 million for an astonishing runner-up showing. Those packed IMAX screenings didn’t hurt.
Sound of Freedom was third as it continued its low declines with $19.8 million, just below my $21 million projection. The brilliantly marketed action thriller sits at $124 million.
And this is where the good news stops. Mission: Impossible: Dead Reckoning, after a less than expected opening, had a free fall from 1st to 4th. The Barbenheimer phenomenon helped it plummet 65% to $19.3 million compared to my $25.5 million call. The ten-day tally is $118 million.
Indiana Jones and the Dial Destiny and Insidious: The Red Door were fifth and sixth, respectively. Each made $6.6 million. Indy‘s four-week earnings are at $158 million while Insidious‘s three-week bounty is $71 million.
I incorrectly had Elemental in fifth, but it was seventh with $5.7 million (I said $6.7 million) for $137 million overall.
Disney is again hoping families wish to check into the Haunted Mansion when it opens July 28th. Based on the half century plus old theme park attraction, Justin Simien directs with a cast featuring LaKeith Stanfield, Tiffany Haddish, Owen Wilson, Danny DeVito, Rosario Dawson, Jamie Lee Curtis, and Jared Leto.
The 2023 version is apparently adhering to the Sean Parker school of thought when it comes to titling. As you may recall, this is now the second pic based on the ride behind 2003’s The Haunted Mansion with Eddie Murphy. It opened over Thanksgiving weekend 20 years ago and grossed a fair $75 million stateside.
I’m not so sure kids are clamoring for a fresh take on this spooky story. Buzz seems quiet and that’s troubling for the Mouse House after the recent commercial disappointment Indiana Jones and the Dial of Destiny.
Two decades ago, our Mansion with the The had a three-day premiere of $24 million and $34 million over the November holiday. The The less Mansion could open similarly in the mid to high 20s from Friday to Sunday. That’s pretty weak stuff considering we’re not adjusting for inflation.
Haunted Mansion opening weekend prediction: $25.4 million
Tom Cruise hopes to follow up the biggest hit of his career with a franchise best opening for the signature franchise as Mission: Impossible – Dead Reckoning Part One opens on Wednesday. It is the only newcomer out and you can peruse detailed prediction post on it here:
Cruise’s star power is the highest it’s been in years coming off the nearly billion and a half plus earning Top Gun: Maverick from last summer. In order to post the largest start among the seven missions, Reckoning will need to top the $61 million made by predecessor Fallout in 2018. I’m projecting it will do so with over $10 million to spare and bring in over $100 million when counting its Wednesday and Thursday numbers.
The real battle should be for second place. Coming off a surprise victory, Insidious: The Red Door should experience the heftiest decline (mid 60s) of the top five. This might cause a drop of 1st to 4th if Indiana Jones and the Dial of Destiny falls in the 50-55% range.
Sound of Freedom, the thriller from upstart Angel Studios, was the real story of the previous frame (more on that below). With an A+ Cinemascore grade, it should have the smallest decline other than Elemental in fifth position. If the dip is lower than my estimated 40%, it might just manage to rise from third to second. I’ll give Indy the slight edge. However, it might be worth keeping an eye on daily grosses throughout the week.
Here’s how I see the high five playing out:
1. Mission: Impossible – Dead Reckoning Part One
Predicted Gross: $72.7 million (Friday to Sunday); $102.3 million (Wednesday to Sunday)
2. Indiana Jones and the Dial of Destiny
Predicted Gross: $12.7 million
3. Sound of Freedom
Predicted Gross: $12.1 million
4. Insidious: The Red Door
Predicted Gross: $11.4 million
5. Elemental
Predicted Gross: $7.9 million
Box Office Results (July 7-9)
As mentioned, horror fans were ready for scares as Insidious: The Red Door opened impressively. The fifth pic in the series which started in 2010 posted the second highest debut behind #2 in 2013 with $33 million. That’s beyond my $25.2 million prediction as the Sony/Blumhouse production has already doubled its reported $16 million budget.
Indiana Jones and the Dial of Destiny was second in weekend #2 after its lackluster beginning. Sliding 55%, the $27.4 million gross was on pace with my $28 million take. The fifth go-round in this franchise is at $122 million after ten disappointing days for Disney.
The aforementioned Sound of Freedom employed shrewd marketing tactics that included a pay it forward method where viewers could purchase tickets for others. Jim Caviezel’s tale of taking on human traffickers reached its intended conservative and faith-based crowd and then some. The Friday to Sunday haul was $19.6 million for third place, easily outpacing my $12.5 million estimate. Since its unveiling on Tuesday, July 4th, the total is $41 million. Needless to say, Angel Studios has established itself as a player in the box office game.
Elemental was fourth with $10 million, ahead of my $8 million projection. Pixar’s latest finally crossed the century mark at $109 million.
Spider-Man: Across the Spider-Verse rounded out the top five with $8 million (I said $7.8 million) for $357 million overall.
Finally, critically acclaimed raunchy comedy Joy Ride stalled. It was sixth with just $5.8 million compared to my $8.4 million prediction.
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