Six years after her feature Honeyland was nominated for Best International Feature Film and Best Documentary Feature, Tamara Kotevska will try to achieve the same with follow-up The Tale of Silyan. The Macedonian production marks the filmmaker’s first solo effort as Ljubomir Stefanov was her partner on previous works.
Centered on a farmer nursing an injured stork back to life, Silyan played the Venice Film Festival and was picked up by National Geographic domestically. Reviews are impressive with 100% on RT and an 84 Metacritic. A limited (and Oscar qualifying) run arrives November 28th followed by a Disney+ release. Macedonia has already announced it as their selection for the international competition.
The combo of Nat Geo and the Mouse House campaigning could bode well for its prospects. I’ve yet to list this in either IFF or Doc Feature as a possibility, but that might change with my next update. I do feel it has a stronger shot in the latter as IFF is plenty crowded already. My Oscar Prediction posts will continue…
Predator: Badlands looks to awaken a dormant box office when it debuts November 7th. It marks the ninth overall feature in the nearly 40-year-old franchise that began with the Arnold Schwarzenegger classic. Dan Trachtenberg directs his second pic in the series after helming the 2022’s Prey and the animated Predator: Killer of Killers back in June. Both were acclaimed and they premiered via streaming on Hulu. Elle Fanning stars alongside Dimitrius Schuster-Koloamatangi and Mike Homik.
Technically AVP: Alien vs. Predator holds the record for best start among the films at $38 million back in 2004. As far as Predator titles without an iconic sparring partner, 2010’s Predators and 2018’s The Predator experienced virtually identical openings of $24.7 and $24.6 million, respectively.
Early word-of-mouth for Badlands is solid yet some fans may choose to wait for to Disney+/Hulu. It could manage to top expectations because there’s not much else out there. I also wouldn’t be surprised at all if it sees a mid 20s output similar to what we witnessed in 2010 and 2018 and that would be considered a letdown. I’ll give it slightly more.
Predator: Badlands opening weekend prediction: $27.6 million
Demon Slayer: Kimetsu no Yaiba – The Movie: Infinity Castle seeks to conquer the box office while Downton Abbey: The Grand Finale, Stephen King adaptation The Long Walk and mockumentary sequel Spinal Tap II: The End Continues hope for strong showings. My detailed prediction posts on the quartet of newcomers can be accessed here:
The influx of material could cause the top 5 to consist of 80% fresh product. Demon Slayer appears primed for a breakout performance that doubles the best in show previous start of the franchise in 2021. My low to mid 50s estimate should easily give it the top spot.
The Conjuring: Last Rites vastly blew past expectations (more on that below). In its sophomore frame, a slippage in the mid to even high 60s could occur and would be perfectly understandable.
Franchise finale Abbey should debut in range with its 2022 predecessor in the mid to higher teens for a likely third place posting.
Despite impressive reviews, The Long Walk could struggle to each double digits (it doesn’t help that Conjuring is still out there).
Finally, Spinal Tap II might see mid single digits and that may be enough for fifth place.
Here’s how I have it shaking out:
1. Demon Slayer: Kimetsu no Yaiba – The Movie: Infinity Castle
Predicted Gross: $64.6 million
2. The Conjuring: Last Rites
Predicted Gross: $28.5 million
3. Downton Abbey: The Grand Finale
Predicted Gross: $18.1 million
4. The Long Walk
Predicted Gross: $8.7 million
5. Spinal Tap II: The End Continues
Predicted Gross: $3.4 million
Box Office Results (September 5-7)
Even the rosiest of prognoses didn’t match what The Conjuring: Last Rites managed to accomplish. The ninth overall pic in the franchise and fourth with a Conjuring moniker scared up $84 million and ghosted my measly $58.2 million prediction. Rites surpassed the best opening of the series (The Nun at $53 million) with plenty of room to spare. Warner Bros continued its remarkable 2025 in the horror genre (Sinners, Weapons).
Hamilton, a filmed version of the already iconic play, was second with $10.1 million on its 10th anniversary. That’s ahead of my $8.7 million estimate and a commendable gross considering this has been streaming on Disney+ for five years. This is only a one-week engagement which explains why you won’t find it in the top 5 above.
Weapons was third with $5.2 million, in range with my $5.5 million call. In five weeks, it has amassed $142 million.
Freakier Friday, also in week 5, was fourth with $3.8 million (I said $3.9 million) for $87 million total. It should fall just under or place just over $100 million.
Caught Stealing rounded out the top five with a hefty 59% decline at $3.1 million. I went a bit higher at $4 million. The two-week take is an underwhelming $14 million.
Timed to coincide with the 10th anniversary of the Broadway phenomenon, Disney is at last releasing Hamilton on the big screen on September 5th. The biographical musical turned Lin-Manuel Miranda into a sensation when it premiered back in 2015 with the play nabbing 11 Tonys and a Pulitzer to boot.
A filmed version of the production with the original cast was slated for theatrical output in October 2021. COVID interrupted those plans and Mouse House execs opted to unveil it on Disney+ in July 2020. That original cast includes Miranda in the title role alongside Leslie Odom Jr., Daveed Diggs, Renée Elise Goldsberry, Phillipa Soo, Anthony Ramos, Jonathan Groff, and Jasmine Cephas Jones.
Obviously Hamilton has its legions of fans who have seen it on Broadway, at regional offshoots, and now on streaming for the past five years. That could certainly limit the excitement factor than an October ’21 release would have brought.
I could alter my estimate based on an eventual screen count. In 2021, I might have leaned toward a $20 million plus start. Now I think it’ll be fortunate to achieve half of that figure.
Hamilton opening weekend prediction: $8.7 million
For my The Conjuring: Last Rites prediction, click here:
In 2022, Dan Trachtenberg took over the Predator franchise after invigorating the Cloverfield series with 10 Cloverfield Lane. The result was the acclaimed Hulu prequel Prey. This November, futuristic follow-up Predator: Badlands will touch down in theaters. In the meantime, Trachtenberg has helmed the R-rated animated Predator: Killer of Killers which is available for your streaming pleasure via Hulu and Disney+ this weekend.
Prey was a pleasantly bloody surprise to most critics and Killers can proclaim the same. The Rotten Tomatoes score is 98% with Metacritic at 78 with reviewers praising the anthology tale. Is it enough that the Academy would consider this for a Best Animated Feature slot? If so, it would mark the franchise’s second nom after the 1987 original was up for Visual Effects and lost to Innerspace.
Even with the high marks, I just don’t see this contending at the moment. Let’s see how the competition shakes out for the rest of the year though. My Oscar Prediction posts will continue…
Blogger’s Update (05/21/25): I am upping my Lilo & Stitch estimate considerably from $118.6 million from Friday to Sunday and $143.7 million from Friday to Monday to $159.7 million for the three-day and $196.6 million for the four-day. That would easily be a new Memorial Day weekend record.
23 summers ago, Disney’s animated Lilo & Stitch narrowly opened in second to Minority Report with Tom Cruise. This Memorial Day weekend, the Mouse House’s live-action (and also animated) remake will attempt to outpace Cruise’s Mission: Impossible – The Final Reckoning. That’s a mission it should achieve with room to spare.
Dean Fleischer Camp, maker of the acclaimed Marcel the Shell with Shoes On, is behind the camera. Chris Sanders, who wrote and directed the 2002 original, still provides the voice of Stitch with Maia Keoloha as Lilo. The supporting cast includes Sydney Elizebeth Agudong, Billy Magnussen, Hannah Waddingham, Courtney B. Vance, Zach Galifianakis, Tia Carrere, Amy Hill, and Jason Scott Lee.
Expectations are high for a project that once was anticipated to be a Disney+ streaming premiere. Tracking suggests a nine digit performance over the holiday frame. The studio is no stranger to Memorial Day outputs and that includes these remakes. In 2019, Aladdin took in $91 million from Friday to Sunday and $116 million when factoring in Monday. Two years ago, The Little Mermaid made $95 million for the three-day and $118 million over four.
Lilo took in $273 million worldwide for its run nearly a quarter century ago and spawned direct-to-video sequels. A nostalgia factor and a dearth of competition for family audiences (as A Minecraft Movie winds down) could mean an even stronger opening than the aforementioned titles. I’ll say it manages to get close to $120 million from Friday to Sunday and over $140 million adding Monday. That would give it the second all-time Memorial weekend behind Top Gun: Maverick (more Cruise comparisons!) and just ahead of Disney’s Pirates of the Caribbean: Dead Men’s Chest.
Lilo & Stitch opening weekend prediction: $159.7 million (Friday to Sunday); $196.6 million (Friday to Monday)
For my Mission: Impossible – The Final Reckoning prediction, click here:
Of the three previous Marvel Cinematic Universe monikered Captain America pics, there is just one Oscar nomination among them. That would be middle feature The Winter Soldier from 2014 which was up in Visual Effects and lost to Interstellar.
This Friday marks the 4th feature in the sub-franchise and 35th overall MCU title with Captain America: Brave New World. Anthony Mackie takes on the title role for the first time in the Julius Onah directed adventure. Danny Ramirez, Shira Haas, Carl Lumbly, Xosha Roquemore, Jóhannes Haukur Jóhannesson, Giancarlo Esposito, Tim Blake Nelson, and Harrison Ford costar.
Not all reviews are subpar but a lot of them are breaking bad. The Rotten Tomatoes score is 51% with Metacritic at 43. That’s certainly on the lower rung of the record setting franchise’s numbers and by far the worst of the America quartet (which is said to be more of a sequel to 2008’s The Incredible Hulk).
Most MCU fare is only Academy competitive in Visual Effects. Beginning with 2008’s Iron Man, they’re 0 for 14 in that race. Some critics are complaining that World has the looks of a direct to Disney+ effort. I wouldn’t expect this to be the 15th hopeful for the visuals. My Oscar Prediction posts will continue…
Moana 2, out this Thanksgiving weekend, was originally conceived as a Disney+ limited series before morphing into a proper sequel with a theatrical release. Now it’s widely expected to set the all-time record Turkey Day frame opening. David Derrick Jr., Jason Hand, and Dana Ledoux Miller direct with Auli’i Cravalho, Dwayne Johnson, Temuera Morrison, Nicole Scherzinger, Rachel House, and Alan Tudyk returning for voiceover work. Khaleesi Lambert-Tsuda, Rose Matafeo, and David Fane are among new cast lending behind the mic talents.
In 2016, Moana set the Friday to Sunday premiere record over Thanksgiving which still stands today… for the moment. The animated adventure also picked up two Oscar nominations in Animated Feature (where it lost to fellow Disney blockbuster Zootopia) and the Original Song “How Far I’ll Go”. That track came up short to “City of Stars” from La La Land.
The Mouse Factory waited until the last minute to lift the review embargo off of the sequel. It has a so-so 72% on Rotten Tomatoes (its predecessor has 95%) and 57 on Metacritic (Moana landed 81). That reaction likely won’t nab it one of the five slots in Animated Feature (though Disney should score a spot with Inside Out 2). As for songs, Lin-Manuel Miranda was involved in the tunes eight years ago. Without his involvement, don’t expect Moana 2‘s ditties to resonate with Academy voters. My Oscar Prediction posts will continue…
Martha Stewart made some headlines this week for badmouthing her own Netflix documentary Martha, which hit the streamer on October 30th. It’s the latest celeb centered effort from R.J. Cutler, who was also behind Belushi, Billie Eilish: The World’s a Little Blurry, and Disney+’s upcoming Elton John: Never Too Late.
The noted and occasionally notorious TV personality and businesswoman disagrees with critics. The RT meter is at 92% with Metacritic at 69. As has been mentioned plenty of times on this blog, this growing subgenre has to break out in a major way to get the Academy’s attention. I wouldn’t expect that occur with this one. My Oscar Prediction posts will continue…
Music by John Williams starts playing on Disney+ tomorrow after premiering at the AFI Fest last week. The documentary centers on the legendary title subject composer and Steven Spielberg protege who is a 54-time Oscar nominee (second only to Walt Disney) and 5x winner. Laurent Bouzereau directs and he’s best known for numerous making of pics for features including Spielberg’s Close Encounters of the Third Kind, Raiders of the Lost Ark, E.T.: The Extra-Terrestrial, and Jurassic Park (all of which Williams scored). He also recently made the Faye Dunaway centered doc Faye.
All reviews are fresh at 100% on Rotten Tomatoes. The Metacritic score is 72 and that tells more of the story. While positive, there’s plenty of write-ups calling it more of a serviceable and satisfactory tribute. I don’t think that’ll be enough for a Documentary Feature nod about the man who’s been to many a ceremony. My Oscar Prediction posts will continue…
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