The Super Mario Galaxy Movie is ready to launch in theaters over Easter weekend and expected to dominate the charts. The sequel to 2023’s box office juggernaut The Super Mario Bros. Movie, Aaron Horvath and Michael Jelenic are back directing Illumination Entertainment’s comedic adventure based on the Nintendo IP. Voiceover contributions come from Chris Pratt, Anya Taylor-Joy, Charlie Day, Jack Black, Keegan-Michael Key, Benny Safdie, Donald Glover, Brie Larson, and Glen Powell.
While audiences gobbled up the 2023 offering and are likely to do the same here, critics were mostly lukewarm. The original rated at 59% on Rotten Tomatoes with a 46 Metacritic. Despite some buzz for its song “Peaches”, Mario wasn’t represented in Original Song or in the Animated Feature category at the 96th Academy Awards.
Reviews are on the downslide for the follow-up with a 44% RT and 37 Meta. We’ve already seen one animated effort (Disney/Pixar’s Hoppers) that probably has a reserved slot in the Animated Feature quintet at the 99th ceremony. That’s not the case with Galaxy. My Oscar Prediction posts will continue…
The Super Mario Galaxy Movie should play to domestic and worldwide domination over the Easter holiday as April dawns. Illumination Entertainment’s animated sequel debuts alongside Zendaya and Robert Pattinson in The Drama. You can peruse my detailed prediction posts on the newbies here:
Three Easters back, The Super Mario Bros. Movie blew past expectations with nearly $150 million from Friday to Sunday and over $200 million when counting Wednesday and Thursday. Galaxy is smartly following the same release pattern. While I don’t think the results will be quite as much, it should surpass Project Hail Mary as the year’s largest premiere.
Speaking of Mary, there’s something about its second weekend that was remarkable (more on that below). The sci-fi tale with Ryan Gosling should have no trouble being strong in the runner-up position after two weeks on top.
As for The Drama, it’s more of a question mark. It looks to draw upon the star appeal of its young leads. I have it earning a tad more than Zendaya’s Challengers from 2024 in the mid teens for a third place showing.
Holdovers Hoppers and Reminders of Him should round out the top five and here’s how I have it rolling out:
1. The Super Mario Galaxy Movie
Predicted Gross: $126.5 million (Friday to Sunday); $171.2 million (Wednesday to Sunday)
2. Project Hail Mary
Predicted Gross: $35.2 million
3. The Drama
Predicted Gross: $16.7 million
4. Hoppers
Predicted Gross: $8 million
5. Reminders of Him
Predicted Gross: $2.9 million
Box Office Results (March 27-29)
Amazon MGM had a banner sophomore frame with Project Hail Mary. After launching to $80 million, the acclaimed adaptation of Andy Weir’s novel declined a meager 33% to $54 million for a two-week haul of $163 million. Eclipsing my $44.8 million prediction, a domestic end run of over $300 million appears to be happening as the crowd favorite builds Oscar steam.
Hoppers remained in second with $12.1 million, right in line with my $12 million call. Disney/Pixar’s original story has risen to $138 million after four weeks.
Comedic horror entry They Will Kill You was DOA in its unveiling. With $4.9 million in third, the Warner Bros release failed to hit my $6.3 million forecast. Look for it to fade fast.
Reminders of Him was fourth with $4.7 million, on target with my $4.3 million estimate. The romantic drama has made a respectable $41 million after three weeks.
Dhurandhar: The Revenge was right behind in fifth with $4.6 million and I incorrectly had it outside of the high five. The total is $22 million after two weeks.
Also in its second outing, Ready or Not 2: Here I Come fell 54% to $4.1 million (I said $4.2 million). The underwhelming sequel sits at $16 million.
Project Hail Mary touched down with fantastic results as it looks to easily repeat in 1st place as March closes out. Horror comedy They Will Kill You is the sole wide release newcomer and my detailed prediction post on it can be accessed here:
A best case scenario for They Will Kill You might be a second place finish in the low double digits or low teens. I’m going lower in the mid single digits for a third place start.
Space set Hail Mary opened at the top end of its expected range for 2026’s highest premiere (more on that below). It scored the second largest debut for a non-franchise, non-sequel behind Oppenheimer and Ryan Gosling’s second best unveiling after Barbie. I suspect the sophomore dip will be in the mid 40s (similar to Oppenheimer).
Hoppers should remain in the runner-up position as it heads into the Easter frame. The 4-5 spots should be close between Reminders of Him and Ready or Not 2: Here I Come after its meh debut.
Here’s how I see the top 5 shaking out:
1. Project Hail Mary
Predicted Gross: $44.8 million
2. Hoppers
Predicted Gross: $12 million
3. They Will Kill You
Predicted Gross: $6.3 million
4. Reminders of Him
Predicted Gross: $4.3 million
5. Ready or Not 2: Here I Come
Predicted Gross: $4.2 million
Box Office Results (March 20-22)
Project Hail Mary reached for the stars and achieved a remarkable launch with $80.5 million, zooming beyond my $69 million prediction. With solid reviews and awards buzz, it turned out to be the event film that Amazon MGM was hoping for. The future looks bright as it faces no obstacles topping the charts again.
Hoppers, after two weeks in 1st, was second with $17.8 million. That’s on target with my $18.4 million call as Disney/Pixar’s latest hit $120 million after three weeks.
Indian action sequel Dhurandhar: The Revenge managed bragging rights by outgrossing the Ready or Not follow-up. With the second best per theater average, it made $10 million compared to my $7.8 million forecast with $14 million in the bank since its Wednesday bow.
Ready or Not 2: Here I Come stumbled in fourth with $9 million, under my $11.2 million take. The horror sequel showed that most genre fans fell on the not ready side.
Reminders of Him rounded out the top five with $8 million (I said $9.2 million) for a two-week tally of $33 million.
Scream 7 was sixth with $4.3 million. I went with $5.3 million as the latest franchise entry’s four-week earnings rose to $114 million.
Blogger’s Update (03/19): Upping my Project Hail Mary prediction from $59 million to $69 million and adding Dhurandharthe Revenge to the #5 spot at $7.8 million.
Amazon MGM space adventure Project Hail Mary looks to dominate the box office this weekend while Searchlight searches for horror fans to boost Ready or Not 2: Here I Come. You can peruse my detailed prediction posts on the newcomers here:
With high star reviews, Mary appears poised for an impressive showing out of the gate (it will need it with the reported $200M+ budget). My prediction has it reaching nearly $60 million as it hopes for a long run in the coming weeks.
Barring a significant overperformance, Ready or Not 2: Here I Come should place third in low double digits behind the third frame of current champ Hoppers.
The remainder of the top five should go to holdovers Reminders of Him in its sophomore frame (more on its solid performance below) and Scream 7.
Here’s how I see it shaking out:
1. Project Hail Mary
Predicted Gross: $69 million
2. Hoppers
Predicted Gross: $18.4 million
3. Ready or Not 2: Here I Come
Predicted Gross: $11.2 million
4. Reminders of Him
Predicted Gross: $9.2 million
5. Dhurandhar The Revenge
Predicted Gross: $7.8 million
6. Scream 7
Predicted Gross: $5.3 million
Box Office Results (March 13-15)
As anticipated, Disney/Pixar’s Hoppers stayed in 1st place while newcomers managed to outdo my projections. Hoppers made off with $28.6 million, just ahead of my $27.2 million prediction. The two-week earnings jumped to $86 million.
Reminders of Him, the romantic drama based on the Colleen Hoover novel, came in at the high end of expectations with $17.9 million in second. That’s well beyond my $10.4 million call. Look for it to drop in the high 40s in its second week.
Low-budget Canadian horror pic Undertone was third with $9.3 million. Like Reminders, it started out at the top of its expected range and past my meager $4.9 million take. I do think it will drop out of the top 5 this weekend with a percentage dip in the high 50s or more.
Scream 7 was fourth with $8.5 million, ahead of my $6.9 million forecast for a three-week tally of $106 million. It will match the $108 million take of its 2023 predecessor this week.
Goat rounded out the top five with $4.6 million (I said $4.3 million) as the animated sports tale is nearly at nine digits with $90 million.
Finally, The Bride! plummeted 70% in weekend #2 with just $2 million. I was more generous at $2.6 million. The two-week total for the WB flop is $11 million.
Two new features vie for audience attention as romantic drama Reminders of Him and low-budget Canadian horror flick Undertone make their way to multiplexes. You can peruse my detailed prediction posts on them here:
It is highly unlikely that either comes close to bouncing Hoppers from a repeat performance in first. Reminders, based on a Colleen Hoover novel, should be second though I have it just topping $10 million for a subpar start.
I’m not expecting much from Undertone, but it could manage a 4th or 5th place showing considering The Bride! should plummet out of the top 5 after a dismal debut (more on that below).
Hoppers, as mentioned, should be #1 assuming a slide in the high 30s or low 40s with Scream 7 and Goat placing third and fourth.
Here’s how I see the top 6 shaking out:
1. Hoppers
Predicted Gross: $27.2 million
2. Reminder of Him
Predicted Gross: $10.4 million
3. Scream 7
Predicted Gross: $6.9 million
4. Undertone
Predicted Gross: $4.9 million
5. Goat
Predicted Gross: $4.3 million
6. The Bride!
Predicted Gross: $2.6 million
Box Office Results (March 6-8)
Disney/Pixar had a commendable opening for an original title as Hoppers earned $45.3 million, slightly topping my $43.6 million prediction. That’s a cut above recent studio originals Elemental and Elio which both failed to reach $30 million in their unveilings.
Scream 7 was runner-up and dropped a severe 73% in weekend #2 to $17 million, under my $19.5 million call. The latest franchise entry is up to $93 million.
The Bride!, Maggie Gyllenhaal’s monster mash with Jessie Buckley and Christian Bale, failed to collect RSVPs with only $7 million in third. I projected more at $10.3 million. With a reported $85 million price tag, this is a costly dud for Warner Bros.
Goat was fourth with $6.4 million (I said $5.8 million) as the animated tale has amassed $83 million in four weeks.
Wuthering Heights rounded out the top five with $3.7 million, in range with my $3.4 million forecast. The period romance, in its fourth week, stands at $78 million.
Disney/Pixar looks to jump to the top of the box office charts with Hoppers while Warner Bros hopes moviegoers RSVP for The Bride!, Maggie Gyllenhaal’s take on The Bride of Frankenstein starring Jessie Buckley and Christian Bale. You can peruse my detailed prediction posts on the newcomers here:
Recent original Pixar titles (Elemental, Elio) have struggled out of the gate with openings below $30 million. With encouraging reviews, I suspect that won’t be the case with Hoppers and I’m going with a start in the mid 40s.
As for The Bride!, I am forecasting a subpar premiere barely topping $10 million. As I mentioned in my post, the second weekend of Scream 7 and especially similar subject matter being covered in Guillermo del Toro’s Frankenstein on Netflix could hinder this.
Speaking of Scream 7, it had a terrific debut (more on that below) that easily set a franchise record. The horror genre usually sees substantial declines in their second frames and I envision a mid to high 60s plummet for the latest adventures of Ghostface. Goat and Wuthering Heights should round out the top five.
Here’s I how I envision it shaking out:
1. Hoppers
Predicted Gross: $43.6 million
2. Scream 7
Predicted Gross: $19.5 million
3. The Bride!
Predicted Gross: $10.3 million
4. Goat
Predicted Gross: $5.8 million
5. Wuthering Heights
Predicted Gross: $3.4 million
Box Office Results (February 27-March 1)
As mentioned, Scream 7 had no trouble making loud noises at multiplexes with a series best $63.6 million, trouncing the $44 million that 2023 predecessor Scream VI pulled in. It also eclipsed my meager $47.6 million prediction for the best start yet in 2026.
Goat dropped to second with $12 million, down only 29% for a three-week tally of $73 million. I went a little lower at $10.8 million.
Wuthering Heights was third with $6.7 million (I said $6.9 million) and its three-week total is $72 million. The Margot Robbie-Jacob Elordi romance should fall a bit short of nine digits.
I did not have the rest of the high five being populated with music docs, but that was the result. Twenty One Pilots: More Than We Ever Imagined was fourth with $3.7 million. The King was fifth as EPiC: Elvis Presley in Concert made $3.5 million to bring its earnings to nearly $8 million. Crime 101 was sixth with $3.7 million. I didn’t do a prediction for it and it’s made $30 million after three weeks.
I Can Only Imagine 2 fell a sharp 59% after a disappointing debut to $3.1 million in seventh. I forecasted a bit more at $4 million. The faith-based sequel stands at $13 million after ten days.
Send Help was eighth with $2.8 million (I went with $2.6 million) for a five-week gross of $59 million.
We are less than two weeks away from KPop Demon Hunters likely giving Netflix a Best Animated Feature victory at the Oscars for the 98th Academy Awards. This Friday, Disney/Pixar is releasing a sci-fi comedy that could easily make the quintet at the 99th. Daniel Chong’s Hoppers features a voice cast including Piper Curda, Bobby Moynihan, Jon Hamm, Kathy Najimy, and Dave Franco.
With 96% on Rotten Tomatoes and a 77 Metacritic, reviews are strong enough that it should become the 21st Pixar title to nab a spot among the contending five. It should have competition from its own studio in the form of this summer’s Toy Story 4. Parts 3 and 4 won the prize and the first two probably would’ve had the category existed when they were released.
Hoppers also features an original song titled “Save the Day” from SZA and the Mouse House will probably mount a campaign for it in Original Song. Besides the fifth edition of Woody and Buzz, there will be other animated fare vying for the votes of Academy members in the coming months. Pixar’s first 2026 offering has already staked its claim for attention. My Oscar Prediction posts will continue…
Three new features could fill the top 3 slots to close out January and begin February. We have Sam Raimi’s horror thriller Send Help, video game based sci-fi pic Iron Lung, and Jason Statham’s latest action effort Shelter all seeking viewers. You can peruse my detailed prediction posts on the trio here:
All of them have the potential to exceed my expectations, but I’m giving Send Help (with mostly impressive reviews) the edge with a gross in the low teens.
As for Lung and Shelter, I have them in a close race for the #2 position and both falling under $10 million. I’ll note that Lung‘s gamer fans and Statham’s previous grosses could suggest I’m underestimating.
Some might say for the same for Melania. Brett Ratner’s documentary about the First Lady is a question mark. I didn’t do an individual post for it. I’ll say $4.2 million and that would leave it outside the top 5.
After an unimpressive start, I look for Mercy to lose over half its audience with Avatar: Fire and Ash perhaps placing and Mercy in fifth. Here’s how I see it all shaking out:
1. Send Help
Predicted Gross: $13.5 million
2. Iron Lung
Predicted Gross: $8 million
3. Shelter
Predicted Gross: $6.9 million
4. Avatar: Fire and Ash
Predicted Gross: $4.9 million
5. Mercy
Predicted Gross: $4.7 million
6. Melania
Predicted Gross: $4.2 million
Box Office Results (January 23-25)
Bad weather, Seahawks, Rams, Patriots, and Broncos contributed to a dismal weekend as Mercy with Chris Pratt and Rebecca Ferguson did manage to become 2026’s first feature to hit #1. The poorly reviewed AI courtroom saga made $10.8 million compared to my $9.3 million prediction. Expect it to fade quickly.
Avatar: Fire and Ash, after five weeks in first, dropped to second with $6.4 million. I’ll note now that all holdovers experienced larger drops than I assumed. I had the James Cameron threequel at $9.8 million. The total is $377 million
Zootopia 2 was third with $5.3 million, under my $6.8 million call. The Disney sequel stands at $401 million after nine weeks.
The Housemaid was fourth with $3.9 million (I said $6.2 million) for a six-week tally of $115 million.
28 Years Later: The Bone Temple plummeted a massive 73% in its sophomore outing with $3.4 million. I was more generous at $5.5 million. At only $20 million in two weeks, it’s a dud despite impressive critical reaction.
Finally, Return to Silent Hill (another video game based offering) debuted in seventh with $3.2 million. It actually managed to exceed my $2.2 million projection.
Chris Pratt and Rebecca Ferguson headline the sci-fi thriller Mercy this weekend and it looks to be the only newbie with a shot at the top spot or top 5 for that matter. You can peruse my detailed prediction post on it here:
With word-of-mouth lacking, Mercy has the air of a streaming title that is going the multiplex route. A debut over $10 million is certainly possible, but I’m going a tad lower. My estimate would put it just behind Avatar: Fire and Ash which I’m giving an unexpected sixth week atop the rankings.
28 Years Later: The Bone Temple was a major disappointment out of the gate (more on that below). Despite an encouraging A- Cinemascore grade (the best of the four features in the long running franchise), it should experience the heftiest decline in the upper half of the charts. That likely means a slide from 2nd to 5th. Holdovers Zootopia 2 and The Housemaid should remain sturdier.
Return to Silent Hill is another new offering. I didn’t do an individual post for the horror threequel and I have it at $2.2 million, putting it well outside the top 5.
Here’s how I have it shaking out:
1. Avatar: Fire and Ash
Predicted Gross: $9.8 million
2. Mercy
Predicted Gross: $9.3 million
3. Zootopia 2
Predicted Gross: $6.8 million
4. The Housemaid
Predicted Gross: $6.2 million
5. 28 Years Later: The Bone Temple
Predicted Gross: $5.5 million
Box Office Results (January 16-18)
In an unanticipated twist, Avatar: Fire and Ash managed to place 1st for a fifth week over MLK weekend with $14.4 million from Friday to Sunday. That’s a tad below my $15.5 million forecast as the third pic in the series is up to $364 million.
28 Years Later: The Bone Temple severely underperformed with $12.5 million for runner-up status. Even with the MLK Monday factored in ($14.4 million over four days), that’s less than half of what predecessor 28 Years Later brought in last summer and easily under my $20.1 million take.
Zootopia 2 was third in weekend #8 with $9.1 million, in line with my $8.6 million call. The Disney sequel stands at $390 million with $400 million around the corner.
The Housemaid was fourth with $8.5 million (I said $8.9 million) as the blockbuster thriller crossed nine digits with $107 million after five weeks.
Marty Supreme rounded out the top five and I incorrectly didn’t have it there. With an additional $5.4 million in its coffers, the total stands at $79 million and it has become A24’s largest domestic earner.
Finally, Primate was sixth with $5 million, not matching my $6 million projection. The rabid chimp saga has made $19 million after two weeks.
The initial cinematic experiences of 2026 arrive this weekend via disaster flick sequel Greenland 2: Migration, animalistic horror tale Primate, and the nationwide expansion of dramedy Is This Thing On? You can peruse my detailed prediction posts on the trio here:
My near teens projection for Gerard Butler’s Migration would give it the highest debut of the newcomers, but that won’t be near enough to dislodge Avatar: Fire and Ash from a fourth frame atop the rankings. Now that the Christmas corridor has lapsed, holdovers should generally see declines in the 50% or so range.
Primate could certainly over perform as the genre sometimes does, but I’ve got it in a race with a fellow (and family friendlier) creature feature in the seventh weekend of Zootopia 2. The Housemaid should round out the top five.
As for Bradley Cooper’s third directorial feature Is This Thing On?, my meager $2.6 million take puts it well outside the top half of the charts. It might even fail to make the top 10. I’m expecting the same for Angel Studios’ I Was a Stranger. I didn’t do an individual prediction post for it. I’ll say $2.4 million.
And with that, here’s how I see it shaking out:
1. Avatar: Fire and Ash
Predicted Gross: $20 million
2. Greenland 2: Migration
Predicted Gross: $12.9 million
3. Zootopia 2
Predicted Gross: $9.8 million
4. Primate
Predicted Gross: $9.7 million
5. The Housemaid
Predicted Gross: $8.2 million
Box Office Results (January 2-4)
It was a heap of holiday leftovers as 2026 rang in with Avatar: Fire and Ash dominating with $41.4 million, in line with my $41.4 million call. The James Cameron threequel is up to $307 million after three weeks. This will not reach the heights of its predecessors, but I would imagine the studio would have no qualms with future sequels.
Zootopia 2 only eased 2% in weekend #6 with $19.3 million, toppling my $15.3 million prediction. The Disney blockbuster stands at $364 million.
The Housemaid has developed commendable legs with only a 1% dip at $15.1 million compared to my $12.5 million estimate. The buzzy thriller has earned $75 million after three weeks with nine digits in its sights.
Marty Supreme was fourth with $12.5 million (I went a little higher at $14.2 million) as the potential Timothée Chalamet Oscar winner has grown to $56 million in its second frame of wide release.
Anaconda rounded out the top five with $10 million, slithering beyond my $8 million projection for $45 million after two weeks.
The SpongeBob Movie: Search for SquarePants found itself in sixth with $8.3 millon (I said $7.7 million) for $57 million after three weeks,
Biblical animated pic David was seventh with $7.6 million, a touch ahead of my $6.5 million guesstimate for $69 million in three weeks,
Finally, Song Sung Blue was eighth with $5.8 million (I said $6 million) with $25 million now in the coffers of the musical drama.
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