Tag: Dina Meyer

The Jigsaw Files: Saw IV (2007)

If you think an inconvenience like death is going to stop this sadistic madman and bulk tape recorder purchaser, then you don’t know Jigsaw! And so begins my dive into Saw IV in the Jigsaw Files. My posts on the previous three entries are here:

The Jigsaw Files: Saw (2004)

The Jigsaw Files: Saw II (2005)

The Jigsaw Files: Saw III (2006)

One general feeling I couldn’t escape is that the fourth time is not the charm (if such a word can be used in this franchise). The time to entertain is through. It’s time to wallow in the mire of mostly uninspired new traps, limb splitting demises, and needless backstories and time shifts. The biggest flaw of all might be an over abundance of plot. Watching a Saw movie shouldn’t feel like keeping up with Lost. And I don’t care that two actors from that show were in the original.

Darren Lynn Bousman is back directing for the third time in a row and this is his final contribution. There’s new screenwriters in the mix with Patrick Melton and Marcus Dunstan. The script picks a secondary character from II and III to play Jigsaw’s latest game. Officer Daniel Rigg (Lyriq Bent) is charged with saving Detective Mark Hoffman (Costas Mandylor) and FBI Agent Peter Strahm (Scott Patterson) from doom. None of these law enforcement leads are particularly compelling. Rigg, according to Jigsaw, has a bit of a savior complex and his tests involve leaving behind nefarious types probably not worth rescuing.

Takes one to know one. After all, the dude with the ultimate savior complex is Jigsaw himself. And Saw IV delves deeper into his backstory that we weren’t sure we wanted. After seeing it, I’m sure of it. He does have an engineering background which explains some stuff, but his previous marriage to drug counselor Jill (Betsy Russell) isn’t all that engrossing. It helps explain his motivations, but does it matter at this point?

There are callbacks to previous pics and the most notable involves Donnie Wahlberg’s Detective Matthews. Last seen with a mangled foot courtesy of Amanda (Shawnee Smith), this detective’s story is finally given an icy closure (in an admittedly garishly effective moment). We also know that time is relative in the Sawmatic Universe and this plays into the anticipated twists in the final moments. It all feels more contrived than ever before. It’s now down to bland supporting players from better installments taking the lead and that contributes to an overall secondhand goods vibe.

I could go on with the dull plot points feasting on themselves and the tiresome traps, but seriously… how many damn tape recorders did Jigsaw own? He had to have been Best Buy or RadioShack’s most prolific customer/serial killer.

The Jigsaw Files will continue with Saw V (2008)…

The Jigsaw Files: Saw III (2006)

It’s not brain surgery for fans of this franchise to view Saw III. Well, except, maybe when actual brain surgery is performed. I know I turned away when I saw it a decade and a half ago. Same goes for the rewatch. The third feature in the series is up as I recap the Saw sagas prior to the release of Spiral. If you didn’t catch my first two write-ups, they’re right bloody here:

The Jigsaw Files: Saw (2004)

The Jigsaw Files: Saw II (2005)

Saw III finds our criminal mastermind Jigsaw (Tobin Bell) in a reflective mode as his cancer is finally about to put a stop to his intricate games. He’s still got one up his hospital gowned sleeve and it’s for Jeff (Angus Macfayden), who’s mourning the death of his adolescent son three years earlier. Depressed and seeking revenge on the many people responsible for that demise, Jigsaw gives him the elaborate opportunity. This involves potential payback for witnesses, judicial personnel, and the driver who subjected Jeff to the loss.

In a Saw pic, we know that means torture devices that test their fate and test previous meals of moviegoers watching it. Jeff’s journeys are intercut with Jigsaw’s failing health in a makeshift hospital. As we learned at the conclusion of Saw II, he’s got a partner in crime with Amanda (Shawnee Smith). Lynn (Bahar Soomekh) is the surgeon brought in (kidnapped) to save his life. Of course, if she doesn’t, Amanda has built a contraption to immediately end the doctor’s life once Jigsaw’s expires. And let the games begin!

Darren Lynn Bousman returns as director for the second time and James Wan and Leigh Whannell are back for story credit. This would mark the final time that this trio would collectively have their hands in the franchise. And they sure go out of their way to tie the first three pictures together… logic be kinda damned! Donnie Wahlberg reprises his role as the detective from part 2 as does Dina Meyer. Even Whannell’s Adam from the original is seen in flashback form.

Saw III, to its credit, creates a more emotional situation for Jeff to find redemption. Unlike most of the lead characters in I and II, he’s not a horrible person. He’s just in a horrible situation due to tragedy and he actually makes some decent choices based on Jigsaw’s vile experiments. And I have to say, this is the first time in the franchise where Jigsaw’s trials of human behavior really seem too complicated for anyone to comply with. I mean that in the context of this grisly and implausible cinematic universe, but still…

By the third act, Saw III begins to fall all over itself in attempting to connect various loose ends. It all feels a bit much. There are many who think this is second only to the original in terms of quality. I would put it a notch behind #2 as well.

Find out how this series progresses or regresses when The Jigsaw Files returns with Saw IV (2007)…

The Jigsaw Files: Saw II (2005)

As we await the release of the ninth Saw franchise gorefest Spiral, my Jigsaw Files posts continue with Saw II. If you missed my first entry for the 2004 original, you can find it here:

The Jigsaw Files: Saw (2004)

When Saw was released in October of 2004, Lionsgate didn’t know they had a series that would continue into three separate decades. The opening weekend grosses changed that and a sequel was immediately commissioned. Not only that – the studio wanted it out fast in time for the 2005 Halloween box office. Darren Lynn Bousman, as luck would have it, already had a screenplay outside of the Saw universe that could serve as a template. Franchise co-creator Leigh Whannell was brought in to bring the script into this demented world. And Saw II was hurried into production to meet that all important drop date.

The rushed production schedule does not deter this from generally doing what a sequel needs to do. It builds upon its predecessor. It looks like more of a sophisticated final product (at $4 million, it nearly quadrupled the budget of part one). There’s a twist ending that legitimately manages to surprise. Most of all, Saw II (even more than Saw) sets the formula for those that followed.

Whether that’s a good thing likely depends on your stomach for this type of material. Like many horror follow-ups, part II is bloodier and more sadistic. Picking up from the shocking ending of Saw when we learn who Jigsaw is, this puts a lot more meat on the bones of its central antagonist. We learn more about John Kramer (Tobin Bell) and his cancer diagnosis that causes him to develop these games of survival. Or as he describes it… “testing the fabric of human nature.” In John/Jigsaw’s world, he’s allowing his potential victims a chance to appreciate their lives and give them a second chance. A lot of them don’t see it that way.

His sights are set on corrupt detective Eric Matthews (Donnie Wahlberg) here. Jigsaw orchestrates the abduction of eight strangers in a dim dungeon to toy with. This includes the detective’s teen son (Erik Knudsen). The seven others are all of a criminal mind. The unexpected addition is Amanda (Shawnee Smith), who we glimpsed in Saw and was a survivor of Jigsaw’s tests (she even appreciated his unconventional method of getting her off smack).

Jigsaw is captured early in the film. It doesn’t take long to figure out that this is on purpose and he holds court with Detective Matthews as he tries to save his estranged boy. According to the ailing prisoner, the detective only needs to follow his instructions step by step. Unfortunately, the new character on the block’s temper prevents that from happening. I’m not sure if Bousman and Whannell wanted us to root for Wahlberg’s character. Probably not. If by any chance they did, that’s a failure because we don’t mind Jiggy gettin’ the best of him.

Saw II truly begins the parade of gross out gags and creative deaths that have marked the series. The most squirm inducing involves needing to find a key. In this situation, the key is the needle and the haystack happens to be needles. By the time we reach our climax, a time shifting revelation manages to fool us. It’s not as effective as Jigsaw rising from that disgusting washroom floor in Saw, but it’s pretty good stuff.

I give the filmmakers due credit with the first sequel. This was made to make a release date and it did so without seeming like a rip-off of its source material. Far from it.

The Jigsaw Files will continue with Saw III (2006)…