Tag: Diane Warren

97th Academy Awards FINAL Winner Predictions

This is it. After months upon months of speculation and scores of individual Oscar Prediction posts…

After 35 Case Of entries making the argument for and against every Best Picture, Director, Actress, Actor, Supporting Actress, and Supporting Actor nominee…

After trying to pick up clues based on what happened at the Golden Globes, BAFTA, SAG, Critics Choice, PGA, DGA, and more…

After changing and re-changing my mind right up until I type these final words…

These are my final prediction for the 97th Academy Awards airing Sunday with Conan O’Brien hosting!

We’ve had endless chatter on this blog so let’s get to it. For each race, I’m giving you my winner pick with a runner-up and some brief commentary.

BEST PICTURE

Anora, The Brutalist, A Complete Unknown, Conclave, Dune: Part Two, Emilia Pérez, I’m Still Here, Nickel Boys, The Substance, Wicked

Unlike last year where Oppenheimer was the obvious pick to win, there is real suspense heading into the last category of the night. Anora took Critics Choice/DGA/PGA, Conclave nabbed BAFTA/SAG Best Ensemble while The Brutalist and Emilia Pérez won their respective Drama and Musical or Comedy competitions at the Globes.

Due to its recent controversies, Pérez is out of the hunt. I honestly could see The Brutalist still emerging. I had it placed at #1 in my overall predictions for a long time during my weekly updates. That said, it’s probably third in the running. Even though one heckuva argument can be made for Conclave and recent momentum, I’m going with Anora.

PREDICTED WINNER: ANORA

Runner-Up: Conclave

BEST DIRECTOR

Jacques Audiard (Emilia Pérez), Sean Baker (Anora), Brady Corbet (The Brutalist), Coralie Fargeat (The Substance), James Mangold (A Complete Unknown)

It is very dangerous to go against the DGA winner and that’s Sean Baker. Oscar/DGA match nearly every year. If you’re betting on this competition, probably go Baker. Yet Corbet took the Globe and BAFTA. Jon M. Chu (as an outlier) was the Critics Choice honoree. I could see Corbet still pulling this off.

PREDICTED WINNER: BRADY CORBET, THE BRUTALIST

Runner-Up: Sean Baker, Anora

BEST ACTRESS

Cynthia Erivo (Wicked), Karla Sofia Gascón (Emilia Pérez), Mikey Madison (Anora), Demi Moore (The Substance), Fernanda Torres (I’m Still Here)

Torres (Globe winner for Actress in a Drama) isn’t impossible, but it’s a long shot. This is a real nail biter between Madison and Moore. The former was the surprise BAFTA recipient while Moore’s comeback narrative yielded her the Globe (Musical or Comedy), Critics Choice, and SAG. Had Madison taken SAG, I’d probably be predicting her. I’m sticking with Demi in what could be the closest race of the evening.

PREDICTED WINNER: DEMI MOORE, THE SUBSTANCE

Runner-Up: Mikey Madison, Anora

BEST ACTOR

Adrien Brody (The Brutalist), Timothée Chalamet (A Complete Unknown), Colman Domingo (Sing Sing), Ralph Fiennes (Conclave), Sebastian Stan (The Apprentice)

Chalamet certainly made this race more intriguing when he took SAG, but Brody has the Globe/Critics Choice/BAFTA combo.

PREDICTED WINNER: ADRIEN BRODY, THE BRUTALIST

Runner-Up: Timothée Chalamet, A Complete Unknown

BEST SUPPORTING ACTRESS

Monica Barbaro (A Complete Unknown), Ariana Grande (Wicked), Felicity Jones (The Brutalist), Isabella Rossellini (Conclave), Zoe Saldaña (Emilia Pérez)

It was once thought that this could turn into a Grande v. Saldaña showdown. The latter has instead swept through the season. Saldaña appears immune to the Pérez negative publicity.

PREDICTED WINNER: ZOE SALDAÑA, EMILIA PÉREZ

Runner-Up: Ariana Grande, Wicked

BEST SUPPORTING ACTOR

Yura Borisvov (Anora), Kieran Culkin (A Real Pain), Edward Norton (A Complete Unknown), Guy Pearce (The Brutalist), Jeremy Strong (The Apprentice)

It’s rare for the Supporting Actor winner not to come from a BP nominee, but Culkin has swept thus far and anyone else taking this would be a major upset at this juncture.

PREDICTED WINNER: KIERAN CULKIN, A REAL PAIN

Runner-Up: Edward Norton, A Complete Unknown

BEST ORIGINAL SCREENPLAY

Anora, The Brutalist, A Real Pain, September 5, The Substance

This is not the slam dunk that I once assumed with Anora. Both A Real Pain and The Substance have picked up unexpected precursor prizes. I’m still going with my BP.

PREDICTED WINNER: ANORA

Runner-Up: A Real Pain

BEST ADAPTED SCREENPLAY

A Complete Unknown, Conclave, Emilia Pérez, Nickel Boys, Sing Sing

Conclave should get this though a Nickel Boys upset is feasible.

PREDICTED WINNER: CONCLAVE

Runner-Up: Nickel Boys

BEST INTERNATIONAL FEATURE FILM

Emilia Pérez, Flow, The Girl with the Needle, I’m Still Here, The Seed of the Sacred Fig

This will be the largest test as to how much controversy truly hurt Pérez. A few weeks ago, I would’ve easily picked it. Then came bad press and I’m Still Here sneaking in the BP ten with Torres up in Best Actress. Pérez could still pull this off, but I’m saying Here.

PREDICTED WINNER: I’M STILL HERE

Runner-Up: Emilia Pérez

BEST ANIMATED FEATURE

Flow, Inside Out 2, Memoir of a Snail, Wallace & Gromit: Vengeance Most Fowl, The Wild Robot

Flow and Robot have both picked up precursors. So did Gromit, but that was BAFTA and they honored their own. This feels like a coin flip between Flow and Robot and my gut says the former in a squeaker.

PREDICTED WINNER: FLOW

Runner-Up: The Wild Robot

BEST DOCUMENTARY FEATURE

Black Box Diaries, No Other Land, Porcelain War, Soundtrack to a Coup d’Etat, Sugarcane

The doc branch is truly unpredictable and that’s compounded by precursors being all over the place. In fact, Super/Man: The Christopher Reeve Story picked up a couple honors and it’s not listed here. No Other Land was once thought of as a sweeper and that didn’t materialize. I’ll still say it wins with Porcelain as the most significant threat.

PREDICTED WINNER: NO OTHER LAND

Runner-Up: Porcelain War

BEST CINEMATOGRAPHY

The Brutalist, Dune: Part Two, Emilia Pérez, Maria, Nosferatu

Maria and Nosferatu are possible but I’ll say the epic Brutalist.

PREDICTED WINNER: THE BRUTALIST

Runner-Up: Nosferatu

BEST COSTUME DESIGN

A Complete Unknown, Conclave, Gladiator II, Nosferatu, Wicked

Academy voters should ride with Wicked.

PREDICTED WINNER: WICKED

Runner-Up: A Complete Unknown

BEST FILM EDITING

Anora, The Brutalist, Conclave, Emilia Pérez, Wicked

This is a tough one between Anora, The Brutalist, and Conclave. The Brutalist is tempting and so is going with the BP pick Anora. This feels like a dart board selection and I’m landing on BAFTA honoree Conclave.

PREDICTED WINNER: CONCLAVE

Runner-Up: Anora

BEST MAKEUP AND HAIRSTYLING

A Different Man, Emilia Pérez, Nosferatu, The Substance, Wicked

All signs point to The Substance.

PREDICTED WINNER: THE SUBSTANCE

Runner-Up: Wicked

BEST ORIGINAL SCORE

The Brutalist, Conclave, Emilia Pérez, Wicked, The Wild Robot

I wouldn’t rule out Conclave, but The Brutalist is the pick.

PREDICTED WINNER: THE BRUTALIST

Runner-Up: Conclave

BEST ORIGINAL SONG

“El Mal” from Emilia Pérez; “The Journey” from The Six Triple Eight; “Like a Bird” from Sing Sing; “Mi Camino” from Emilia Pérez; “Never Too Late” from Elton John: Never Too Late

Who knows? Maybe the Academy just goes with Elton John. They could also finally honor songwriter Diane Warren after 15 nomination and zero wins. And this is another test for Pérez with Globe winner “Mi Camino”. I’ll say “Camino” in a pick ’em.

PREDICTED WINNER: “MI CAMINO” FROM EMILIA PÉREZ

Runner-Up: “The Journey” from The Six Triple Eight

BEST PRODUCTION DESIGN

The Brutalist, Conclave, Dune: Part Two, Nosferatu, Wicked

If The Brutalist over performs and takes BP, I could see this happening. Wicked is the safer pick.

PREDICTED WINNER: WICKED

Runner-Up: The Brutalist

BEST SOUND

A Complete Unknown, Dune: Part Two, Emilia Pérez, Wicked, The Wild Robot

The musicals could surprise. Dune: Part Two is likelier.

PREDICTED WINNER: DUNE: PART TWO

Runner-Up: A Complete Unknown

BEST VISUAL EFFECTS

Alien: Romulus, Better Man, Dune: Part Two, Kingdom of the Planet of the Apes, Wicked

This should be Dune‘s other victory.

PREDICTED WINNER: DUNE: PART TWO

Runner-Up: Better Man

And there you have it! I’ll have a recap up Sunday evening and here’s the breakdown of win totals for the pictures…

4 Wins

The Brutalist

2 Wins

Anora, Conclave, Dune: Part Two, Emilia Pérez, The Substance, Wicked

1 Win

Conclave, Flow, I’m Still Here, No Other Land, A Real Pain

Oscar Predictions – Diane Warren: Relentless

Diane Warren: Relentless is playing the festival circuit chronicling the prolific songwriter’s life. Directed by Bess Kargman, the documentary’s subject is no stranger to Oscar attention.

In 1987, Warren received her first Academy nod for Original Song with “Nothing’s Gonna Stop Us Now” from Mannequin (performed by Starship). Yesterday she nabbed her 16th (!) nomination with “The Journey” from The Six Triple Eight (performed by H.E.R.). In between there’s been well-known tunes like Celine Dion’s “Because You Loved Me” from Up Close & Personal and Aerosmith’s “I Don’t Wanna Miss a Thing” from Armageddon. In recent years, her tracks were nominated from pictures in 2014, 2015, 2017, 2018, 2019, 2020, 2021, 2022, 2023, and 2024. What do they all have in common? None of them took home the gold. The Academy did give Warren an honorary Oscar in 2022.

It would be quite a story if a doc about her life ended up earning Oscar glory. Apparently her well-known status as an Academy loser is covered. Don’t count on it happening. At 83% on Rotten Tomatoes, reviews are fine but not strong enough to be a contender. Yet there’s a caveat. “Dear Me” (sung by Kesha) is the main song in the pic and the full version was released today. You can hear snippets in the trailer. I wouldn’t be surprised based on history if it makes the cut in Original Song marking Warren’s 17th try. My Oscar Prediction posts will continue…

Oscar Predictions: The Six Triple Eight

Focused on the sole predominantly black female battalion to serve overseas in WWII as postal clerks, Tyler Perry is behind the camera for The Six Triple Eight. Kerry Washington leads a cast that includes Ebony Obsidian, Milauna Jackson, Kylie Jefferson, Shanice Shantay, Susan Sarandon, Dean Norris, Sam Waterston, and Oprah Winfrey. The war drama is in limited release this weekend before a Netflix bow on December 20th.

This doesn’t sound like it will turn out to be Madea Goes to the Oscars. The Rotten Tomatoes score is 50% with Metacritic at 57. There is praise for some of the performances and highlighting an underreported true story. Yet reviews aren’t strong enough for this to be a contender… with one notable exception.

Diane Warren contributed “The Journey” to the soundtrack and it’s performed by H.E.R. As is the stuff of Oscar lore, Warren has 15 tunes that have been nominated for Best Original Song. These include “Nothing’s Gonna Stop Us Now” from Mannequin, “Because You Love Me” from Up Close & Personal, and “I Don’t Want to Miss a Thing” from Armageddon. Her 15th nod arrived last year courtesy of “The Fire Inside” from Flamin’ Hot. She’s 0 for 15 as far as victories. H.E.R., on the other hand, was victorious in Original Song at the 93rd ceremony courtesy of “Fight for You” from Judas and the Black Messiah. Don’t be surprised if “The Journey” makes the cut for Warren’s 16th recognition, but I don’t see it winning. My Oscar Prediction posts will continue…

96th Academy Awards Nominations Reaction

And they’re out! After a year of speculation, nominees for the 96th Academy Awards have been released. It was a morning where it felt weird that the 10 Best Picture contenders were relatively easy to project… and that it went according to script. However, the Academy’s picks veered off-script elsewhere as they always do.

I went 84 for 105 overall. Let’s walk through each race one by one with who got in, how I did, and some quick initial thoughts. As I have every year, I will do individual Case Of posts for the hopefuls in Picture, Director, and the four acting derbies. That will kick off very soon…

Picture

Nominees: American Fiction, Anatomy of a Fall, Barbie, The Holdovers, Killers of the Flower Moon, Maestro, Oppenheimer, Past Lives, Poor Things, The Zone of Interest

How I Did: 10/10

Oscar BP matches the PGA ten, as we all suspected. This was, frankly, one of the easiest lineups to project in years. That said, there was a sneaking suspicion that voters would surprise us with a sleeper pick or two. It didn’t materialize and Oppenheimer (leading the charge with 13 noms) is out front.

Director

Nominees: Jonathan Glazer (The Zone of Interest), Yorgos Lanthimos (Poor Things), Christopher Nolan (Oppenheimer), Martin Scorsese (Killers of the Flower Moon), Justine Triet (Anatomy of a Fall)

How I Did: 4/5

Triet makes the cut over Greta Gerwig for Barbie. Now would be a good time to mention that Barbie underperformed. It was anticipated to land double digit noms and managed 8. Nolan is the favorite.

Actress

Nominees: Annette Bening (Nyad), Lily Gladstone (Killers of the Flower Moon), Sandra Hüller (Anatomy of a Fall), Carey Mulligan (Maestro), Emma Stone (Poor Things)

How I Did: 4/5

Bening as Nyad jumps into the Actress pool instead of Margot Robbie as Barbie in another high profile omission for 2023’s biggest blockbuster. This should come down to Gladstone vs. Stone, but I wouldn’t completely discount a Hüller upset.

Actor

Nominees: Bradley Cooper (Maestro), Colman Domingo (Rustin), Paul Giamatti (The Holdovers), Cillian Murphy (Oppenheimer), Jeffrey Wright (American Fiction)

How I Did: 5/5

Leonardo DiCaprio in Killers of the Flower Moon seemed to lose steam in the last couple of weeks and that played out as I anticipated. Despite its 10 mentions, Killers had some significant misses this morning. As for those in contention, Giamatti vs. Murphy with Cooper as a potential spoiler.

Supporting Actress

Nominees: Emily Blunt (Oppenheimer), Danielle Brooks (The Color Purple), America Ferrera (Barbie), Jodie Foster (Nyad), Da’Vine Joy Randolph (The Holdovers)

How I Did: 3/5

Blunt, Brooks, and Randolph all seemed safe and those last two slots were a bear to figure. Ferrera and Foster are in over Penelope Cruz (Ferrari) and Sandra Hüller (The Zone of Interest), who missed the chance to become the Academy’s 13th double acting nominee. Randolph will be tough to beat.

Supporting Actor

Nominees: Sterling K. Brown (American Fiction), Robert De Niro (Killers of the Flower Moon), Robert Downey Jr. (Oppenheimer), Ryan Gosling (Barbie), Mark Ruffalo (Poor Things)

How I Did: 5/5

I’ll pat myself on the back for this one since this was arguably as tricky as Supporting Actress. Downey Jr. is in the lead.

Original Screenplay

Nominees: Anatomy of a Fall, The Holdovers, Maestro, May December, Past Lives

How I Did: 4/5

Maestro (which had a good morning) over Saltburn (which came up empty-handed). I’d look for Holdovers to take this though Anatomy is a threat.

Adapted Screenplay

Nominees: American Fiction, Barbie, Oppenheimer, Poor Things, The Zone of Interest

How I Did: 4/5

In one of the more unexpected developments, Killers misses this in favor of Zone. This is a difficult race to project. I would say everything but Zone has a chance.

International Feature Film

Nominees: Io Capitano, Perfect Days, Society of the Snow, The Teachers’ Lounge, The Zone of Interest

How I Did: 3/5

Capitano and Lounge instead of Fallen Leaves and Tótem. Since Zone is the sole contender for BP, this is one of the simplest categories to call.

Animated Feature

Nominees: The Boy and the Heron, Elemental, Nimona, Robot Dreams, Spider-Man: Across the Spider-Verse

How I Did: 4/5

Dreams over Suzume as the animated race should come down to Heron and Spider-Man.

Documentary Feature

Nominees: Bobi Wine: The People’s President, The Eternal Memory, Four Daughters, To Kill a Tiger, 20 Days in Mariupol

How I Did: 3/5

This is always a tricky competition to figure out. Bobi and Tiger make the quintet over Beyond Utopia (a surprising miss) and Still: A Michael J. Fox Movie. Projecting the winner is easier as Mariupol is the odds on favorite.

Cinematography

Nominees: El Conde, Killers of the Flower Moon, Maestro, Oppenheimer, Poor Things

How I Did: 4/5

Conde over Zone of Interest as Oppenheimer looks to emerge.

Costume Design

Nominees: Barbie, Killers of the Flower Moon, Napoleon, Oppenheimer, Poor Things

How I Did: 4/5

Napoleon instead of The Color Purple (which can only claim 1 nomination for Supporting Actress). Barbie vs. Poor Things is the contest.

Film Editing

Nominees: Anatomy of a Fall, The Holdovers, Killers of the Flower Moon, Oppenheimer, Poor Things

How I Did: 4/5

I thought Maestro might make it and left off Poor Things. Worth noting that this is another Barbie miss. Oppenheimer is the one to pick.

Makeup and Hairstyling

Nominees: Golda, Maestro, Oppenheimer, Poor Things, Society of the Snow

How I Did: 4/5

I had Killers and not Snow. This category represents Maestro‘s strongest shot at a victory.

Original Score

Nominees: American Fiction, Indiana Jones and the Dial of Destiny, Killers of the Flower Moon, Oppenheimer, Poor Things

How I Did: 3/5

Fiction and Destiny over Society of the Snow and The Zone of Interest. Now would be a good time to mention that Fiction had a nice haul today with 5. This is Oppenheimer‘s to lose.

Original Song

Nominees: “The Fire Inside” from Flamin’ Hot, “I’m Just Ken” from Barbie, “It Never Went Away” from American Symphony, “Wahzhazhe (A Song for My People)” from Killers of the Flower Moon, “What Was I Made For?” from Barbie

How I Did: 4/5

Despite missing Documentary Feature, the tune from American Symphony is nominated over “Road to Freedom” from Rustin. This category may represent Barbie‘s likeliest trophy as it has a double shot. “What Was I Made For?” has the edge. And, of course, “Flamin’ Hot” marks yet another nom for Diane Warren.

Production Design

Nominees: Barbie, Killers of the Flower Moon, Napoleon, Oppenheimer, Poor Things

How I Did: 5/5

Another Barbie vs. Poor Things derby.

Sound

Nominees: The Creator, Maestro, Mission: Impossible – Dead Reckoning, Oppenheimer, The Zone of Interest

How I Did: 3/5

The Creator and Mission are unexpected double nominees. For Sound, they’re in over Ferrari (which was blanked) and Napoleon. This is one of the easiest ones to call… Oppenheimer.

Visual Effects

Nominees: The Creator, Godzilla Minus One, Guardians of the Galaxy Vol. 3, Mission: Impossible – Dead Reckoning, Napoleon

How I Did: 3/5

Unlike Sound, this is one of the hardest categories to project. Mission and Napoleon make the five instead of Indiana Jones and the Dial of Destiny and Spider-Man: Across the Spider-Verse (which was held to just Animated Feature). Maybe The Creator is the pick, but I could easily change my mind.

All this activity means these movies ended up with these numbers of nominations:

13 Nominations

Oppenheimer

11 Nominations

Poor Things

10 Nominations

Killers of the Flower Moon

8 Nominations

Barbie

7 Nominations

Maestro

5 Nominations

American Fiction, Anatomy of a Fall, The Holdovers, The Zone of Interest

3 Nominations

Napoleon

2 Nominations

The Creator, Mission: Impossible – Dead Reckoning, Nyad, Past Lives, Society of the Snow

1 Nomination

American Symphony, Bobi Wine: The People’s President, The Boy and the Heron, The Color Purple, El Conde, Elemental, The Eternal Memory, Flamin’ Hot, Four Daughters, Godzilla Minus One, Golda, Guardians of the Galaxy Vol. 3, Indiana Jones and the Dial of Destiny, Io Capitano, May December, Nimona, Perfect Days, Robot Dreams, Rustin, Spider-Man: Across the Spider-Verse, The Teachers’ Lounge, To Kill a Tiger, 20 Days in Mariupol

Oscar Predictions: Flamin’ Hot

I didn’t do an Oscar Predictions post on Flamin’ Hot when it premiered at South by Southwest back in March or when it began streaming over the summer on Hulu and Disney+. Eva Longoria’s directorial debut tells the true life tale of a man who claimed he invented the title seasoned Cheetos. Jesse Garcia, Annie Gonzalez, Dennis Haysbert, and Tony Shalhoub star.

Reviews were fairly decent at 69% on Rotten Tomatoes, but this didn’t strike me as an awards contender at the time or now. That’s with one exception and this brings us to Diane Warren. The songwriter has contributed many tracks to feature films and she has 14 Academy nominations to speak for it. This dates back nearly 40 years starting with “Nothing’s Gonna Stop Us Now” from Mannequin, continuing with gigantic hits like “Because You Loved Me” from Up Close and Personal and “I Don’t Want to Miss a Thing” from Armageddon, and including last year’s ceremony with “Applause” from Tell It Like a Woman. Despite the impressive number of noms, Warren has yet to win Original Song (though she did pick up an Honorary Oscar for her work earlier this year).

Flamin’ Hot includes the track “The Fire Inside” performed by Becky G and written by the frequent hopeful. It hasn’t been on my radar screen in my previous predictions. Yet now that a planned documentary about Warren seems to be delayed to 2024 (in which I’m sure she’ll have a contending track), one has to consider this song for inclusion. Don’t be surprised if it materializes in my top ten possibilities in my next update. It’s risky to bet against the penner of the tune. My Oscar Prediction posts will continue…

Oscar Predictions: Moving On

From 9 to 5 over four decades ago to Netflix’s recent Grace and Frankie to the very recent midsize hit 80 for Brady, Jane Fonda and Lily Tomlin clearly enjoy collaborating. They’re back at it again this weekend with the limited release of Moving On. The comedy comes from filmmaker Paul Weitz, who directed Tomlin to a Golden Globe nom in 2015 for Grandma. Costars include Malcolm McDowell, Richard Roundtree, and Catherine Dent.

Moving first surfaced last fall at the Toronto Film Festival to mixed reactions. The Rotten Tomatoes score is 65%. Even though Brady has a slightly lower RT rating at the moment (62%), it has a better chance at Oscar recognition due to the song “Gonna Be You” from frequent nominee Diane Warren. This follow-up from the legendary actresses is highly unlikely to generate any Academy (or Globes) attention.

My Oscar Prediction posts will continue…

Oscar Predictions: 80 for Brady

The four leads in 80 for Brady – Lily Tomlin, Jane Fonda, Rita Moreno, and Sally Field – can tout a combined 12 Oscar nods for their performances and five victories. That hardware rivals the seven Super Bowls won by Tom Brady (who is also in the sports farce opening Friday).

That said – can an early February comedy contend for awards attention? The 63% Rotten Tomatoes score, while not bad, doesn’t inspire confidence. Perhaps if the main actress category in Musical or Comedy is weak at the Golden Globes, Tomlin could sneak in (she’s being singled out by some as best of the quartet). Even that is unlikely.

Yet there is one race where 80 for Brady could play and that’s Original Song. Diane Warren is the writer of “Gonna Be You” which is sung by the quintet of Dolly Parton, Belinda Carlisle, Cyndi Lauper, Gloria Estefan, and Debbie Harry. Between those five crooners, that’s over 80 Grammy nominations. Then there’s Diane Warren. She rather famously has received 13 Academy mentions without a trip to the stage. This includes ballads such as “Because You Loved Me” from Up Close & Personal and “How Do I Live” from Con Air. She received her 14th nod last week for “Applause” from Tell It Like a Woman where it’s doubtful the 14th time will be the charm. Warren is receiving a lifetime achievement prize so she will be an Oscar winner. With the star power involved in the “Gonna Be You”, the chances of 80 for Brady being a nominee are actually solid. My Oscar Prediction posts will continue…

95th Academy Awards Nominations Reaction

It was a glorious performance for Everything Everywhere All at Once and The Banshees of Inisherin with this morning’s Oscar nominations. Both pics were up everywhere they needed to be for everything to potentially win the big prize on March 12th.

There were also strong showings for All Quiet on the Western Front, Elvis, The Fabelmans, and Top Gun: Maverick. However, it’s fair to say that each missed a key race or two that would’ve helped for their Best Picture viability.

As far as my own showing, I went 79 for 105 in my projections. I’ll take it though it’s slightly under my 82/105 performance from the previous year. One bright spot: no 2 for 5’s as I’d experienced a couple of times in preceding years.

Let’s walk through each race one by one with initial thoughts, shall we?

Best Picture

The Nominees: All Quiet on the Western Front, Avatar: The Way of Water, The Banshees of Inisherin, Elvis, Everything Everywhere All at Once, The Fabelmans, Tár, Top Gun: Maverick, Triangle of Sadness, Women Talking

How I Did: 8/10

No real shockers. The movies that I had listed 11th and 12th (Avatar and Women Talking) made it over my selections of Babylon and The Whale. I went a little bold omitting Water in the first place.

As hinted at, I’m seeing this as between Everything and Banshees with Fabelmans as a potential spoiler (and maybe Maverick if I’m feeling bold).

Best Director

The Nominees: Daniels (Everything Everywhere All at Once), Todd Field (Tár), Martin McDonagh (The Banshees of Inisherin), Ruben Ostlund (Triangle of Sadness), Steven Spielberg (The Fabelmans)

How I Did: 4/5

The Daniels v. Spielberg is where this may come down to. All Quiet had a solid morning, but Edward Berger missing (I predicted him) likely eliminates it as a BP winner. Ostlund gets in instead.

Best Actress

The Nominees: Cate Blanchett (Tár), Ana de Armas (Blonde), Andrea Riseborough (To Leslie), Michelle Williams (The Fabelmans), Michelle Yeoh (Everything Everywhere All at Once)

How I Did: 3/5

In just the last few days, there was an organic (?) campaign launched for Riseborough by plenty of famous faces. She was nowhere near the radar for the bulk of the season. Her inclusion might alter how campaigns look in the future. Williams (who was looking shaky) and Riseborough make it over my predictions of Viola Davis (The Woman King) and Danielle Deadwyler (Till). Both of their pics were shutout completely. As for who makes the podium trip, it’s either Blanchett or Yeoh.

Best Actor

The Nominees: Austin Butler (Elvis), Colin Farrell (The Banshees of Inisherin), Brendan Fraser (The Whale), Paul Mescal (Aftersun), Bill Nighy (Living)

How I Did: 5/5 (!)

For most prognosticators, this came down to Tom Cruise in Top Gun: Maverick vs. Mescal for the fifth slot. It wasn’t to be for a fourth Cruise nod. For Mescal and Nighy, it’s an honor to be in the quintet. The race is between Butler and Farrell and Fraser (who have all nabbed key precursors). FYI – this entire lineup is first-time nominees and 16 of the acting nominees are newbies (which is very high).

Best Supporting Actress

The Nominees: Angela Bassett (Black Panther: Wakanda Forever), Hong Chau (The Whale), Kerry Condon (The Banshees of Inisherin), Jamie Lee Curtis (Everything Everywhere All at Once), Stephanie Hsu (Everything Everywhere All at Once)

How I Did: 4/5

Hsu, who was my alternate, is in over Triangle‘s Dolly De Leon. If you’d told me De Leon’s movie would get Picture, Director, and Original Screenplay – I would’ve been even more confident she’d make it. With victories already at the Globes and Critics Choice, Bassett is the frontrunner.

Best Supporting Actor

The Nominees: Brendan Gleeson (The Banshees of Inisherin), Brian Tyree Henry (Causeway), Judd Hirsch (The Fabelmans), Barry Keoghan (The Banshees of Inisherin), Ke Huy Quan (Everything Everywhere All at Once)

How I Did: 4/5

Henry gets the unanticipated nod over my pick of Paul Dano in The Fabelmans (many had Eddie Redmayne in The Good Nurse projected here). This is, frankly, the simplest acting derby to call and it is Quan.

Best Original Screenplay

The Nominees: The Banshees of Inisherin, Everything Everywhere All at Once, The Fabelmans, Tár, Triangle of Sadness

How I Did: 5/5 (!)

The expected five as the Banshees v Everything showdown could be a clue during the night as to what wins BP at the end of it.

Best Adapted Screenplay

The Nominees: All Quiet on the Western Front, Glass Onion: A Knives Out Mystery, Living, Top Gun: Maverick, Women Talking

How I Did: 3/5

Maverick and All Quiet over She Said (which was shut out) and The Whale. Considering Women Talking made it in the BP ten, it could get the gold in this race and this one only since it received the least amount of nods (2) for the BP hopefuls. As an aside, there’s always a screenplay contender that gets no other noms anywhere else. This year it was Glass Onion.

Best Animated Feature

The Nominees: Guillermo del Toro’s Pinocchio, Marcel the Shell with Shoes On, Puss in Boots: The Last Wish, The Sea Beast, Turning Red

How I Did: 4/5

Pinocchio should take this, but this marks its only nod (it was expected to contend for Song and some techs). I had gone with Netflix’s Wendell and Wild for the fifth spot over Netflix’s The Sea Beast.

Best International Feature Film

The Nominees: All Quiet on the Western Front, Argentina, 1985, Close, EO, The Quiet Girl

How I Did: 3/5

Here’s where there was a total surprise with Decision to Leave getting snubbed. I would’ve had it as the runner-up possibility to win over All Quiet (easily the favorite). I didn’t have Close or EO (though neither is unexpected). In addition to Decision, I also had Joyland.

Best Documentary Feature

The Nominees: All That Breathes, All the Beauty and the Bloodshed, Fire of Love, A House Made of Splinters, Navalny

How I Did: 4/5

Had Descendant instead of Splinters. There’s a path to victory for everything but Splinters in my view.

Best Cinematography

The Nominees: All Quiet on the Western Front, Bardo, Elvis, Empire of Light, Tár

How I Did: 3/5

Top Gun: Maverick missing is baffling considering it was a major threat to win. It misses along with The Batman in favor of Bardo and Tár. I wouldn’t discount Empire for the victory though Quiet could make noise in this one.

Best Costume Design

The Nominees: Babylon, Black Panther: Wakanda Forever, Elvis, Everything Everywhere All at Once, Mrs. Harris Goes to Paris

How I Did: 4/5

Everything‘s over performance is evident. I had The Woman King instead. The first three alphabetically are your possible winners.

Best Film Editing

The Nominees: The Banshees of Inisherin, Elvis, Everything Everywhere All at Once, Tár, Top Gun: Maverick

How I Did: 3/5

In years past, getting an editing nod is often needed if you want to take BP. So it’s bad news for All Quiet and The Fabelmans. Banshees and Tár join the lineup in their place. Elvis, Everything, and Maverick all possibilities.

Best Makeup and Hairstyling

The Nominees: All Quiet on the Western Front, The Batman, Black Panther: Wakanda Forever, Elvis, The Whale

How I Did: 4/5

Had Amsterdam and not Quiet. Elvis or The Whale are most likely.

Best Original Score

The Nominees: All Quiet on the Western Front, Babylon, The Banshees of Inisherin, Everything Everywhere All at Once, The Fabelmans

How I Did: 3/5

Considering it made BP, I didn’t think Women Talking would miss. I also had Pinocchio but it’s All Quiet and Everything. This could be the sole Oscar for Babylon.

Best Original Song

The Nominees: “Applause” from Tell It Like a Woman, “Hold My Hand” from Top Gun: Maverick, “Lift Me Up” from Black Panther: Wakanda Forever, “Naatu Naatu” from RRR, “This Is a Life” from Everything Everywhere All at Once

How I Did: 4/5

Had Pinocchio‘s “Ciao Papa” and not the Everything tune. Despite big names like Lady Gaga, Rihanna, and producer Diane Warren in the mix, “Naatu Naatu” has taken the precursors.

Best Production Design

The Nominees: All Quiet on the Western Front, Avatar: The Way of Water, Babylon, Elvis, The Fabelmans

How I Did: 4/5

A rare occurrence as I had Everything projected and it didn’t make it. All Quiet materializes instead. This could be Elvis or maybe a second shot for Babylon.

Best Sound

The Nominees: All Quiet on the Western Front, Avatar: The Way of Water, The Batman, Elvis, Top Gun: Maverick

How I Did: 4/5

The sound you hear when the envelope opens might be Maverick‘s only victory (now that Cinematography is impossible). I had EEAAO and not The Batman.

Best Visual Effects

The Nominees: All Quiet on the Western Front, Avatar: The Way of Water, The Batman, Black Panther: Wakanda Forever, Top Gun: Maverick

How I Did: 3/5

Had the wrong MCU pic with Doctor Strange in the Multiverse of Madness and not Panther. All Quiet is also in and I had Thirteen Lives. This should be the Avatar trophy.

That means these movies ended up garnering these numbers in terms of nominations:

11 Nominations

Everything Everywhere All at Once

9 Nominations

All Quiet on the Western Front, The Banshees of Inisherin

8 Nominations

Elvis

7 Nominations

The Fabelmans

6 Nominations

Tár, Top Gun: Maverick

5 Nominations

Black Panther: Wakanda Forever

4 Nominations

Avatar: The Way of Water

3 Nominations

Babylon, The Batman, Triangle of Sadness, The Whale

2 Nominations

Living, Women Talking

1 Nomination

Aftersun, All That Breathes, All the Beauty and the Bloodshed, Argentina, 1985, Bardo, Blonde, Causeway, Close, Empire of Light, EO, Fire of Love, Glass Onion: A Knives Out Mystery, Guillermo del Toro’s Pinocchio, A House Made of Splinters, Marcel the Shell with Shoes On, Mrs. Harris Goes to Paris, Navalny, Puss in Boots: The Last Wish, The Quiet Girl, RRR, The Sea Beast, Tell It Like a Woman, To Leslie, Turning Red

So what’s next? Followers of the blog may recall that I will soon begin my “Case Of” posts. That’s 35 separate write-ups making the case for and against all contenders in Picture, Director, and the four acting competitions. Stay tuned!

2021 Oscars: FINAL Winner Predictions

And it’s come to this! After seven months of endless speculation, predictions, and posts – the 94th Academy Awards (with your hosts Wanda Sykes, Amy Schumer, and Regina Hall) airs this Sunday evening.

These are my final picks for the races covering feature films. Will the Best Picture be CODA?

Or The Power of the Dog?

We have ourselves some real intrigue as both are strong possibilities. Either way, a steamer (either Netflix or Apple TV) should pick up its inaugural Best Pic victory.

Will there be upsets in any of the acting derbies where there seems to be a consensus four based on precursors? And just what will occur in the screenplay races which look unpredictable?

For each race, I’ll give you a bit of commentary along with my projected victor and the runner-up.

Let’s get to it! On Sunday evening, you will see a recap with how I performed…

Best Picture

Nominees:

Belfast

CODA

Don’t Look Up

Drive My Car

Dune

King Richard

Licorice Pizza

Nightmare Alley

The Power of the Dog

West Side Story

Commentary:

Well, the big daddy of them all has certainly become fascinating. CODA, the little Sundance pic that could, has surged in the past few days. In addition to winning the SAG Ensemble prize, it captured the Producers Guild top honor and was a BAFTA selection for Adapted Screenplay. These designations (PGA especially) are significant precursors. A strong argument could be made that it has the momentum as voting closed yesterday. In fact, I’ve seen more prognosticators picking it this week than not…

However, The Power of the Dog is still quite viable. It took the Golden Globe Best Drama trophy as well as Critics Choice and BAFTA. Until CODA‘s rise, it was the heavy favorite.

We’ve got a real coin flip, folks! That definitely makes the end of Oscar night more suspenseful than last year when Nomadland seemed unbeatable and indeed was.

I don’t believe any of the other eight pictures have a chance. As for the two that do, I’ve gone back and forth constantly all week. There’s a time to stop speculating and make a final pick and I still believe there’s enough power for the Dog to edge out CODA. That said, I wouldn’t be the least bit surprised if it turns out the other way.

PREDICTED WINNER:

The Power of the Dog

Runner-Up:

CODA

Best Director

Nominees:

Paul Thomas Anderson, Licorice Pizza

Kenneth Branagh, Belfast

Jane Campion, The Power of the Dog

Ryusuke Hamaguchi, Drive My Car

Steven Spielberg, West Side Story

Commentary:

This is far easier than Picture. With CODA maker Sian Heder absent, Jane Campion is in line to become the third female (and second in a row) to make a podium trip. She’s won all the key precursors – DGA, Globes, Critics Choice. It’s even a challenge to name a runner-up (I guess I’ll say Spielberg because he’s Spielberg). Make no mistake – this is one of the simplest checkmarks on the ballot.

PREDICTED WINNER:

Jane Campion, The Power of the Dog

Runner-Up:

Steven Spielberg, West Side Story

Best Actress

Nominees:

Jessicas Chastain, The Eyes of Tammy Faye

Olivia Colman, The Lost Daughter

Penelope Cruz, Parallel Mothers

Nicole Kidman, Being the Ricardos

Kristen Stewart, Spencer

Commentary:

Kidman garnered the initial heat after a surprise Globe win, but that’s stalled as no other awards programs followed suit. Instead it’s been Chastain on the minor streak with SAG and Critics Choice. If there’s an upset in any acting derby, this is probably where it happens. Stewart’s road to Oscar looked shaky after some snubs. Academy voters could reward her and there’s some chatter about Cruz being viable. Yet I’m sticking with the safest best and that’s Chastain taking her first gold.

PREDICTED WINNER:

Jessica Chastain, The Eyes of Tammy Faye

Riunner-Up:

Kristen Stewart, Spencer

Best Actor

Nominees:

Javier Bardem, Being the Ricardos

Benedict Cumberbatch, The Power of the Dog

Andrew Garfield, tick, tick… Boom!

Will Smith, King Richard

Denzel Washington, The Tragedy of Macbeth

Commentary:

During the fall, I was thinking there could be a barnburner between Smith and Cumberbatch (with Garfield as potential spoiler). That’s not how it’s played out as the Fresh Prince has been crowned the king in all preceding shows. I expect the sweep to continue.

PREDICTED WINNER:

Will Smith, King Richard

Runner-Up:

Benedict Cumberbatch, The Power of the Dog

Best Supporting Actress

Nominees:

Jessie Buckley, The Lost Daughter

Ariana DeBose, West Side Story

Judi Dench, Belfast

Kirsten Dunst, The Power of the Dog

Aunjanue Ellis, King Richard

Commentary:

Buckley and Dench were surprising inclusions, but there won’t be any shocks with the winner. DeBose has run the table and she should represent Story‘s lone victory.

PREDICTED WINNER:

Ariana DeBose, West Side Story

Runner-Up:

Kirsten Dunst, The Power of the Dog

Best Supporting Actor

Nominees:

Ciaran Hinds, Belfast

Troy Kotsur, CODA

Jesse Plemons, The Power of the Dog

J.K. Simmons, Being the Ricardos

Kodi Smit-McPhee, The Power of the Dog

Commentary: 

Despite its quartet of performers getting nominations, Dog is likely to produce Oscars for none of them. Smit-McPhee received the Golden Globe but it’s been all Kotsur since. This is the race where I’m most confident of a CODA moment.

PREDICTED WINNER:

Troy Kotsur, CODA

Runner-Up:

Kodi Smit-McPhee, The Power of the Dog 

Best Original Screenplay

Nominees:

Belfast

Don’t Look Up

King Richard

Licorice Pizza

The Worst Person in the World

Commentary:

Good luck with this one! The Writer’s Guild threw everyone for a loop last weekend when Don’t Look Up won over Licorice Pizza (Belfast was not eligible). I just don’t envision the Academy honoring Up. With a Belfast or Pizza victory, they would bestowing first ever Oscars to Kenneth Branagh and Paul Thomas Anderson respectively. With the Globe and Critics Choice going to Belfast, it has my vote (though it’s close).

PREDICTED WINNER:

Belfast

Runner-Up:

Licorice Pizza

Best Adapted Screenplay

Nominees

CODA

Drive My Car

Dune

The Lost Daughter

The Power of the Dog 

Commentary:

CODA‘s BAFTA win kickstarted its momentum. Even if Dog is Best Picture, CODA could still take this. On the other hand, I think there’s a better chance Best Pic and Adapted Screenplay match so I’m rolling with the Dog with no degree of confidence whatsoever.

PREDICTED WINNER:

The Power of the Dog

Runner-Up:

CODA

Best Animated Feature

Nominees:

Encanto

Flee

Luca

The Mitchells vs. the Machines

Raya and the Last Dragon

Commentary:

I’m tempted to pick a Mitchells upset, but it’s dangerous to pick against Disney and Encanto is the frontrunner.

PREDICTED WINNER:

Encanto

Runner-Up:

The Mitchells vs. the Machines

Best International Feature Film

Nominees:

Drive My Car

Flee

The Hand of God

Lunana: A Yak in the Classroom

The Worst Person in the World

Commentary:

This is unquestionably one of the no brainer picks as Drive My Car has dominated the precursors and is the only nominee to also nab a Best Picture nod.

PREDICTED WINNER:

Drive My Car

Runner-Up:

The Worst Person in the World

Best Documentary Feature

Nominees:

Ascension

Attica

Flee

Summer of Soul

Writing with Fire

Commentary:

With nominations in Animated Feature, International Feature, and Doc – it sure seems like Flee should win one of them. It might stand the best chance in this competition, but Summer of Soul has been impressive in precursors and should continue the streak.

PREDICTED WINNER:

Summer of Soul

Runner-Up:

Flee

Best Cinematography

Nominees:

Dune

Nightmare Alley

The Power of the Dog

The Tragedy of Macbeth

West Side Story

Commentary: 

This might be the tech race where Dog is successful. I’m not predicting it though and (get used to hearing this) think Dune emerges.

PREDICTED WINNER:

Dune

Runner-Up:

The Power of the Dog

Best Costume Design

Nominees:

Cruella

Cyrano

Dune

Nightmare Alley

West Side Story

Commentary:

Cruella has killed it the preceding competitions. Dune, if it crushes all techs, could take it but I’m going with the former.

PREDICTED WINNER:

Cruella

Runner-Up:

Dune

Best Film Editing

Nominees:

Don’t Look Up

Dune

King Richard

The Power of the Dog

tick, tick… Boom!

Commentary:

Don’t sleep on King Richard which was bestowed the EDDIE award. I still think this is Dune‘s to lose.

PREDICTED WINNER:

Dune

Runner-Up:

King Richard

Best Makeup and Hairstyling

Nominees:

Coming 2 America

Cruella

Dune

The Eyes of Tammy Faye

House of Gucci

Commentary:

Gucci could fashion a 1 for 1 victory but Tammy Faye has taken some precursors.

PREDICTED WINNER:

The Eyes of Tammy Faye

Runner-Up:

House of Gucci

Best Original Score

Nominees:

Don’t Look Up

Dune

Encanto

Parallel Mothers

The Power of the Dog

Commentary:

Like Cinematography, this is between Dog and Dune. Like Cinematography, I’m choosing the latter.

PREDICTED WINNER:

Dune

Runner-Up:

The Power of the Dog

Best Original Song

Nominees:

“Be Alive” from King Richard

“Dos Oruguitas” from Encanto

“Down to Joy” from Belfast

“No Time to Die” from No Time to Die

“Somehow You Do” from Four Good Days

Commentary:

Diane Warren gets her 13th nomination with “Somehow” and somehow she’s never won. That will continue. The smart money is on the 007 theme song from Billie Eilish. Yet I’m going with a minor upset with the Disney tune.

PREDICTED WINNER:

“Dos Oruguitas” from Encanto

Runner-Up:

“No Time to Die” from No Time to Die

Best Production Design

Nominees:

Dune

Nightmare Alley

The Power of the Dog

The Tragedy of Macbeth

West Side Story

Commentary:

For the last three categories, I could just say Dune and be done with it. In fact, I think I will…

PREDICTED WINNER:

Dune

Runner-Up:

West Side Story

Best Sound

Nominees:

Belfast

Dune

No Time to Die

The Power of the Dog

West Side Story

Commentary:

See Production Design

PREDICTED WINNER:

Dune

Runner-Up:

West Side Story

Best Visual Effects

Nominees:

Dune

Free Guy

No Time to Die

Shang-Chi and the Legend of the Ten Rings

Spider-Man: No Way Home

Commentary:

See Production Design

PREDICTED WINNER:

Dune

Runner-Up:

There isn’t one… that’s how I’m confident I am that Dune takes it.

And so, ladies and gents, that means I’m predicting that these movies win these numbers of Oscars:

6 Wins

Dune

3 Wins

The Power of the Dog

2 Wins

Encanto, The Eyes of Tammy Faye

1 Win

Belfast, CODA, Cruella, Drive My Car, King Richard, Summer of Soul, West Side Story

Make sure to check out the blog post ceremony!

Oscar Watch: The Life Ahead

Added to the long list of potential nominations for Netflix is the release of The Life Ahead on November 13th. The Italian drama marks a return to the silver screen for the legendary Sophia Loren at the age of 86. It’s a family affair as the feature is directed by her son Edoardo Ponti. Early reviews are out and they’re positive with much of the focus on its leading lady.

As has been discussed on the blog previously, Best Actress is shaping up to be a crowded field in 2020. Even with Respect delayed until summer 2021 which takes Jennifer Hudson out of the mix, there are plenty of hopefuls. Even without being screened at the moment, Viola Davis in Ma Rainey’s Black Bottom seems like a safe bet. Same goes for Frances McDormand in Nomadland. Then it gets interesting. For the remaining three spots, there are plenty of contenders: Amy Adams in Hillbilly Elegy, Vanessa Kirby for Pieces of a Woman, Michelle Pfeiffer in French Exit, Carey Mulligan in Promising Young Woman, Kate Winslet for Ammonite, and Andra Day in The United States vs. Billie Holiday.

Loren is absolutely part of the mix. In my rankings yesterday, I had Loren at sixth and just on the outside looking in. She is a previous Oscar winner and it was all of 59 years back for Two Women. Her last nomination was 55 years ago for Marriage Italian Style. The Oscars love a good storyline and Loren getting nominated after that long gap certainly constitutes one. In fact, it would set the Academy’s record for longest wait between nominations.

A Best Actress nod isn’t the only race where Life will contend. If Italy submits it as their International Feature player, it could certainly land recognition there. Furthermore, producer Diane Warren has the original song “Seen”. She’s an 11-time nominee who’s never won and early buzz suggests #12 is coming with this composition.

I wouldn’t be surprised if Loren enters the top five at some point and that chatter could increase once viewers get a look in a couple of weeks. My Oscar Watch posts will continue…