Oscar Predictions: Kokuho

Japanese drama Kokuho showed up in two shortlists for the 98th Academy Awards released today (expect a few posts covering international and documentary contenders in particular). Being that it’s Japan’s submission for International Feature Film, materializing on that list wasn’t a major surprise. Making the ten possibilities in Makeup and Hairstyling was. Lee Sang-il directs with a cast including Ryo Yoshizawa, Ryusei Yokohama, Mitsuki Takahata, Shinobu Terajima, Min Tanaka, and Ken Watanabe. It was first screened at Cannes in the summer.

The film has bragging rights. In November, it became the highest grossing live-action film in its native country. It also sports a 100% Rotten Tomatoes rating. Japan has seen a handful of their submissions make the Academy’s cut in the 21st century. They are The Twilight Samurai from 2003, Departures in 2008 (which won), Shoplifters in 2018, another victor with Drive My Car from 2021, and Perfect Days from 2023.

That’s a resume that would look darn good in a different year. International Feature Film, however, is packed with other surefire hopefuls including Sentimental Value, It Was Just an Accident, The Secret Agent, Sirât (which had a banner day on the shortlists), and No Other Choice (all Neon titles). There may not be room for Kokuho to shine. It probably stands a better shot at Makeup and Hairstyling as they’ve proven to be a branch capable of unexpected nominations. My Oscar Prediction posts will continue…

Oscar Predictions: Cloud

Kiyoshi Kurosawa (no relation to Akira) premiered his latest feature Cloud at the Venice Film Festival and he’s had good luck there before. His 2020 effort Wife of a Spy took the Silver Lion (equivalent to Best Director). This psychological thriller is garnering mostly decent reviews and Japan has selected it as their pick for International Feature Film.

The nation has seen a handful of their selections nominated for the prize in the 21st century. That includes two winners (2008’s Departures, 2021’s Drive My Car) in addition to 2003’s The Twilight Samurai, 2018’s Shoplifters, and Perfect Days from last year.

With 83% on Rotten Tomatoes and a 70 Metacritic score, I’m not confident the acclaim is strong enough for Japan to make the race this time. If Cloud manages to make the shortlist, however, it could sneak in. My Oscar Prediction posts will continue…