Death of a Unicorn Review

Alex Scharfman’s Death of a Unicorn is the latest in a lengthy list of eat the rich pics over the past few years. This one is mixed with some centuries old European folklore pertaining to the title characters and Jenna Ortega bringing her mopey teen attitude inside its mansion walls. The auto accident that kicks off the multi-genre exercise should ensure more B-movie scares and humor. It’s curiously low on both and dodgy CGI doesn’t help. While not a complete wreck, it’s damaged goods.

Elliot (Paul Rudd) is a widowed attorney en route to the sprawling estate (doubling as a nature preserve) of his pharmaceutical empire boss Odell Leopold (Richard E. Grant). Daughter Ridley (Ortega) is reluctantly along for the ride when they smash into a creature that sure seems like the mythical beast of legend. When Ridley touches the wounded creature’s horn, a connection is made before Dad tire irons the animal.

At the Leopolds, Elliot at first tries to conceal the roadkill in his hatchback and get down to business with Odell, wife Belinda (Téa Leoni), and clueless and hobby hopping son Shepard (a game Will Poulter). Yet the roadkill might not be actually killed and its elders lurk on the property grounds. Meanwhile Ridley googles the history of unicorn mythos and it indicates a violent near future. The Leopolds plot a way to increase their wealth despite the dangerous situation.

When the horn piercing bloodletting finally commences, Unicorn hadn’t yet added compelling ingredients to its menu of top 1% satire combined with a familiar daddy-daughter healing subplot. I was hoping the righteous kills from the otherworldly beings would bring the gory and guilty pleasures. Subpar visual effects tame those aspects. That leaves us with occasional laughs courtesy of Poulter and Anthony Carrigan’s unappreciated family butler. The overall results are served up in middling fashion.

** (out of four)

April 4-6 Box Office Predictions

Blogger’s Update (04/03): On the eve of its premiere, a very significant update as Minecraft tracking is going through the roof. I’m upping my projection from $57.5 million to a whopping $92.5 million (!)

A Minecraft Movie starring Jason Momoa and Jack Black looks to dominate the charts while The Chosen: Last Supper – Part 2 hopes to capture a hefty portion of the audience that witnessed Part 1 this past weekend. You can peruse my detailed prediction posts on the newcomers here:

Minecraft, based on the best selling video game of all time, should outgross the rest of the top five combined. However, that’s with a caveat. My mid to high 50s estimate isn’t exactly a robust number for this IP and would be considered a slight disappointment.

The rest of the top 5 is a little tricky. The Chosen: Last Supper – Part 2 encompasses episodes 3-5 of the popular faith-based TV show. Part 1 easily outpaced expectations (more on that below). The follow-up shows should see diminishing returns, but it could still be good enough for second or third place. According to the info I’ve seen, Part 1 should still be in multiplexes and it might remain in the top five.

As for holdovers, Jason Statham’s A Working Man clocked a surprising #1 start and it may lose around half its audience while Disney’s dud Snow White may lose slightly more.

Here’s how I have the chart playing out:

1. A Minecraft Movie

Predicted Gross: $92.5 million

2. A Working Man

Predicted Gross: $8 million

3. The Chosen: Last Supper – Part 2

Predicted Gross: $7.8 million

4. Snow White

Predicted Gross: $6.7 million

5. The Chosen: Last Supper – Part 1

Predicted Gross: $5.2 million

Box Office Results (March 28-30)

In an upset, A Working Man capitalized on the ho-hum Snow White reception and was first with $15.5 million. The action thriller rose above my $13.9 million prediction and is another decent hit for Mr. Statham.

Disney’s Snow White live-action retelling tumbled 66% to $14.3 million, below my $16.4 million projection. The ten-day take is $66 million as it tries to reach $100 million domestically.

The Chosen: Last Supper – Part 1, as mentioned, easily rose above forecasts in third with $11.7 million. That soars past my $6.4 million call and is quite a heavenly result for the Fathom Events distributed property.

Horror flick The Woman in the Yard with Danielle Deadwyler debuted in fourth with $9.3 million, surpassing my $6.7 million estimate. With a C- Cinemascore, the sophomore drop should be substantial. Lucky for it, the budget is reportedly a meager $12 million.

The biggest disappointment of the week besides Snow‘s fall was Death of a Unicorn. In fifth place, the horror comedy with Paul Rudd and Jenna Ortega took in just $5.7 million compared to my $8.8 million prediction.

And that does it for now, folks! Until next time…

March 28-30 Box Office Predictions

A quartet of newcomers hope to populate spots 2-5 this weekend with Snow White looking to cling to first place after a muted debut. We have the Jason Statham action pic A Working Man, Paul Rudd and Jenna Ortega in the horror comedy Death of a Unicorn, more serious scary movie The Woman in the Yard with Danielle Deadwyler, and the first two episodes of the popular faith-based program The Chosen: Last Supper – Part 1. You can peruse my detailed prediction posts on the newcomers here:

Snow White had the lowest modern-day premiere for any of the Mouse House live-action adaptations (more on that below). To add insult to injury, its B+ Cinemascore grade is also the worst of the sub genre. The similarly performing Dumbo from 2019 plummeted 60% in its sophomore frame. I would expect a similar result for Snow White and that should mean a mid-teens gross.

That might keep it in first place as I have A Working Man in the low teens for a runner-up showing (it has an outside shot of being #1). I am placing Unicorn just below $10 million with Yard and Chosen both in the mid single digits. Considering the sad state of affairs at multiplexes financially, that should mean 80% of the high 5 is fresh product.

Here’s how I see it playing out:

1. Snow White

Predicted Gross: $16.4 million

2. A Working Man

Predicted Gross: $13.9 million

3. Death of a Unicorn

Predicted Gross: $8.8 million

4. The Woman in the Yard

Predicted Gross: $6.7 million

5. The Chosen: Last Supper – Part 1

Predicted Gross: $6.4 million

Box Office Results (March 21-23)

Pick your cliched headline – it was a sleepy opening… it was a ho-hum debut…

They apply to Snow White which, as mentioned, experienced the weakest unveiling of any Disney live-action rendering at $42.2 million. That’s below my $49.6 million take and it’s a pretty impossible spin job for its studio to attempt. Some articles have correctly pointed out that Mufasa: The Lion King premiered to lower numbers but legged out nicely. The difference is that Mufasa rolled out over the holidays where drop-offs are insignificant. I don’t expect that to be the case here.

As I suspected, slots 2-6 were separated by just over a million bucks. That made it tricky to know where the pics would land. Black Bag stayed in second place with $4.2 million, on target with my $4 million prediction. Steven Soderbergh’s spy tale sits at $14 million after ten days.

Captain America: Brave New World was third with $4 million, in line with my $4.1 million call. The MCU entry is nearing $200 million with $192 million in the bank after six weeks.

Novocaine slid from 1st to 4th with $3.6 million, a tad below my $4.1 million projection. The two-week take is $15 million.

Mickey 17 rounded out the top five with $3.6 million. My estimate? $3.6 million! The three-week earnings are an underwhelming $40 million.

Finally, critically panned Robert De Niro (and Robert De Niro) Mob saga The Alto Knights was flat in sixth with $3.1 million (I said $3.7 million).

And that does it for now, folks! Until next time…

The Woman in the Yard Box Office Prediction

Danielle Deadwyler stars in The Woman in the Yard, the latest horror flick from Universal/Blumhouse. Reuniting the lead with her Carry-On director Jaume Collet-Serra, costars include Okwui Okpokwasili, Russell Hornsby, Peyton Jackson, and Estella Kahiha.

Coming in at a brisk 87 minutes, I still question whether genre fans will make the time for it. Some may opt for Death of a Unicorn, which opens against it. A best case scenario might be a gross just north of $10 million, similar to Talk to Me from 2022. Yet that pic had more buzz than this one. I’ll say mid to high single digits is where this lands.

The Woman in the Yard opening weekend prediction: $6.7 million

For my A Working Man prediction, click here:

For my Death of a Unicorn prediction, click here:

For my The Chosen: Last Supper – Part 1 prediction, click here:

Death of a Unicorn Box Office Prediction

After being unveiled at South by Southwest earlier this month, A24’s Death of a Unicorn gallops into theaters March 28th. The latest chapter in the eat the rich comedy horror genre comes from writer/director Alex Scharfman with Paul Rudd and Jenna Ortega headlining. Costars include Will Poulter, Téa Leoni, and Richard E. Grant.

Critical reaction is mixed with 63% on Rotten Tomatoes and a 56 Metacritic. Better reviews could’ve bolstered the buzz. A debut in the neighborhood of Abigail ($10.2 million) is certainly feasible. There is competition from The Woman in the Yard (a more serious scary offering) that could keep genre fans away. I’ll say Unicorn falls under $10 million unless Ortega’s Wednesday fans turn out in larger force than I’m anticipating.

Death of a Unicorn opening weekend prediction: $8.8 million

For my A Working Man prediction, click here:

For my The Woman in the Yard prediction, click here:

For my The Chosen: Last Supper – Part 1 prediction, click here:

Oscar Predictions: Death of a Unicorn

A24’s Death of a Unicorn has screened at South by Southwest prior to its March 28th theatrical premiere. The horror comedy from Alex Scharfman stars Paul Rudd and Jenna Ortega as a father-daughter who accidentally cause the title of the film to occur. This displeases another unicorn. The supporting cast includes Will Poulter, Téa Leoni, Richard E. Grant, and Anthony Carrigan.

Early reviews are complimentary mixed with so-so notices. The Rotten Tomatoes score is 70% with Metacritic at 60. Unicorn represents the latest feature in a growing eat the rich sub genre that includes Triangle of Sadness, The Menu, Glass Onion: A Knives Out Mystery, and Saltburn. Some of those titles received awards attention. Don’t expect Death to. My Oscar Prediction posts will continue…