Tag: David Fincher

Ranking David Fincher

This weekend, director David Fincher’s latest film Gone Girl posted his largest box office debut among his ten pictures he’s made over the past two decades plus.

The 52 year old actually his start in the world of music videos and his long list of credits includes Madonna’s “Vogue” and “Express Yourself”, Aerosmith’s “Janie’s Got a Gun”, Don Henley’s “The End of the Innocence”, Michael Jackson’s “Who Is It?”, George Michael’s “Freedom 90”, The Rolling Stones’ “Love is Strong”, and Nine Inch Nails’ “Closer”.

Fincher would get his big break in film with a beloved sci-fi franchise, though his entry failed to meet audience expectations and his directorial career was looking shaky. Three years later, an unexpected hit would arise and since then, Fincher’s never looked back. And by doing so, he’s provided audiences with some of the greatest and often darkest entertainment in cinema for 20 years.

In honor of his 10th effort, I decided to take on the very difficult task of ranking every Fincher flick from 10-1. Let me make one thing clear… there’s not one of these films that you shouldn’t watch if you haven’t already… he’s that good.

Here we go!

10. Alien 3 (1992)

Not nearly as bad as its reputation, Alien 3 does certainly suffer in comparison to Alien and Aliens, but it gives viewers a first taste of Fincher’s distinct visual style. The shoot of Alien 3 was a notoriously difficult one and Fincher was brought in at the last minute after several others dropped out. The result is uneven, but still worthwhile.

9. The Curious Case of Benjamin Button (2008)

The first of his pictures to receive Oscar attention is actually the only Fincher feature I would call slightly overrated. Stars Brad Pitt and Cate Blanchett are solid and the visuals are undeniably remarkable, but it’s overlong and not as involving as it should be.

8. Panic Room (2002)

This might be a conventional home invasion thriller if not for Fincher’s splendid technical work, a forceful lead performance by Jodie Foster, and an unexpectedly great turn by Dwight Yoakam as a demented burglar.

7. Gone Girl (2014)

Fincher followed up Tattoo by taking on another celebrated novel and the results were quite pleasing. Like Mara in Tattoo, Rosamund Pike received an Oscar nod in this thriller that would make Hitchcock proud.

6. Zodiac (2007)

The true life police procedural focusing on the mysterious Zodiac killer is right up Fincher’s alley with a sturdy lead performance from Jake Gyllenhall and Robert Downey Jr. beginning his remarkable comeback as an alcoholic reporter. The murder scenes are disturbing in ways only its director can pull off.

5. The Girl with the Dragon Tattoo (2011)

Many were skeptical that Fincher could pull off adapting this beloved book, but he accomplished that and then some here. Rooney Mara earned an Oscar nod and a sequel is still rumored with Fincher participating.

4. The Game (1997)

It might be implausible when you rewatch it over and over, but it doesn’t much matter. The mind warp of a thriller starring Michael Douglas and Sean Penn is one helluva ride.

3. Fight Club (1999)

Fincher’s most polarizing effort has a lot to say about its generation, materialism, and conformity. It took me a second viewing to realize this a pitch black comedy… and it’s an astonishing one with Brad Pitt and Edward Norton shining in their roles.

2. Seven (1995)

This is the picture where Fincher truly emerged after the disappointment of Alien 3… and did he ever. The last 30 minutes, I would argue, is possibly the most intense segment of a movie. Ever.

1. The Social Network (2010)

When it was announced that the wonderful David Fincher was making a movie about the founding of Facebook, cinema lovers were confused and highly suspicious that he’d gone off the rails. Turned out he made one of the most important films of our era. Lesson: don’t doubt Mr. Fincher.

And there you have it! Feel free to chime in with your thoughts on his best works and, as I said, if you haven’t seen all of these titles – you should.

Oh… and I forgot to mention he also directed a number of Paula Abdul videos, including “Straight Up”. So here’s that!

Box Office Predictions: October 10-12

Four new movies make their debuts on Friday at the box office – Robert Downey Jr.’s The Judge, the Steve Carell/Jennifer Garner family comedy Alexander and the Terrible, Horrible, No Good, Very Bad Day, the horror retelling Dracula Untold, and steamy thriller Addicted. You can find my detailed prediction posts on each one of them here:

https://toddmthatcher.com/2014/10/05/the-judge-box-office-prediction/

https://toddmthatcher.com/2014/10/05/alexander-and-the-terrible-horrible-no-good-very-bad-day-box-office-prediction/

https://toddmthatcher.com/2014/10/05/dracula-untold-box-office-prediction/

https://toddmthatcher.com/2014/10/05/addicted-box-office-prediction/

The question is: can any of them make current #1 Gone Girl disappear from the top spot? It’s certainly possible as The Judge, Alexander, and Dracula could all exceed my estimates and all stand at least a chance of opening atop the charts. Addicted, on a meager 800 screens, is highly unlikely to even crack the top five.

However, I believe Gone Girl will manage to stay #1, despite it serious competition. Annabelle, after a fantastic debut (more on that below), should suffer the same large fall in its sophomore frame that most horror titles do.

And with that, my predictions for the weekend’s top five:

1. Gone Girl

Predicted Gross: $24.2 million (representing a drop of 35%)

2. Alexander and the Terrible, Horrible, No Good, Very Bad Day

Predicted Gross: $18.7 million

3. The Judge

Predicted Gross: $16.4 million

4. Annabelle

Predicted Gross: $14.8 million (representing a drop of 60%)

5. Dracula Untold

Predicted Gross: $14.4 million

**My Addicted projected gross of $4.5M should put it in eighth place.

Box Office Results (October 3-5)

The debuts of David Fincher’s acclaimed Gone Girl and Conjuring horror prequel Annabelle injected some much needed life into the box office and created the biggest October weekend of all time!

As predicted, Gone Girl took top honors with $37.5 million, just below my $39.6M projection. This is Fincher’s highest debut of all time and clearly audiences were ready for the much buzzed about adaptation of Gillian Flynn’s bestselling novel. I expect it to perform well in the coming weeks and it should easily blast past $100M.

I did not give that demonic doll Annabelle nearly enough credit as it opened just behind Girl with a magnificent $37.1 million – miles ahead of my small $21.2M prediction. This is easily the best horror opening of 2014 and bodes extremely well for that Conjuring sequel coming in October of 2015.

Denzel Washington’s The Equalizer fell to third with $18.7 million in weekend two, holding up better than my estimated $16.7M. The action thriller has earned $64 million in ten days and should have no problem passing the century mark.

The animated pic The Boxtrolls dropped to fourth with $11.9 million, in line with my $11.4M projection. The decently performing kiddie pic has earned $32 million in two weeks and should finish with around $65M.

The Maze Runner held up well in weekend three with $11.6 million – more than my $9.8M estimate. The new YA franchise has taken in $73M thus far and will also become a member of the $100M club.

Finally, Nicolas Cage’s Left Behind posted an unimpressive opening of $6.3 million, below my $7.6M prediction. Look for this one to disappear faster its lead actor’s hairline.

And that’s all for now, friends!

Gone Girl Movie Review

For better or worse.

The sacred wedding vows that couples take are taken to glorious extremes in David Fincher’s Gone Girl, based on the bestselling phenomenon of a novel written by Gillian Flynn. She also wrote the screenplay and I am pleased to report she remained faithful to her work.

While author Flynn’s faithfulness to her novel will undoubtedly make her readers happy, unbridled devotion is not a trait the principal characters of Nick (Ben Affleck) and Amy Dunne (Rosamund Pike) share with one another. Their romance starts on a positive note, but the complications of life eventually wear their union down. Jealousies arise. The everyday boredom of an existence in the Midwest away from her native New York takes its toll on Amy.

And on their five-year anniversary… Amy becomes the title character. She’s gone. There are clues to what may have happened. Blood samples. Notes left by Amy that she always made for Nick as kind of a scavenger hunt to retrace the history of their relationship. In this case, they may serve as something more.

Nick quickly becomes a suspect as the husband in these instances usually do. The tabloid media feasts on the tale of the missing woman and her significant other who dares to smile at the missing persons press conference. Along the way, Flynn’s screenplay gradually reveals more and more about this couple. For those unfamiliar with the source material, it won’t be what you expect.

Writing a review of Gone Girl is complicated, to say the least. Just as you didn’t want to reveal the many twists to one about to read the book, the same holds true for its film adaptation. So I’ll put it this way – David Fincher was the right guy for this project. Through Seven and The Game and The Girl with the Dragon Tattoo, there is perhaps no director better at this kind of dark material. As you’d expect, Gone Girl‘s technical aspects are flawless, from the cinematography to the score (by Trent Reznor and Atticus Ross) to the production design and so forth.

There are details about Amy and Nick’s personas that couldn’t possibly be fully explored in the way the book manages, but the picture come awfully close. The casting is key here and Affleck and Pike nail their roles. Nick is neither your typical panicked husband whose wife has vanished nor the sinister monster who may or may not have done the unthinkable. And Amy is far from just the victim. Pike’s performance in particular is something else with the range of emotions she must go through. Expect her to get a Best Actress nod come Oscar time.

Fincher has a habit of unconventional casting choices and there are two here worthy of special mention: Neil Patrick Harris as a former stalker of Amy’s and Tyler Perry as a brilliant criminal defense attorney. Both shine in their against type casting parts. Carrie Coon also merits a shout out for her strong work as Nick’s twin sister.

Gone Girl, more than anything, is about the facades people put on to get into their relationships, maintain them, and possibly lose them. It’s about asking the question of whether or not you ever truly know the individual you call your soul mate. For better or worse, Nick and Amy take a journey in Gone Girl to find out. The results are often shocking and consistently enthralling to the audience.

***1/2 (out of four)

Oscar History: 2008

The 2008 Oscars will likely go down as the final year when only five films would compete in the granddaddy category of them all, Best Picture. The following year, the Academy would change it to ten and a couple years after that, developed a formula where anywhere from 5-10 movies could be recognized.

Many believe the reason is 2008’s exclusion of the critically lauded superhero sequel The Dark Knight, which had become the year’s highest grossing feature and was considered a major milestone in the burgeoning genre. Yet with the exception of its acclaimed Joker, Knight was shut out in the major categories.

Best Picture instead went to a true “little movie that could” – Danny Boyle’s out of nowhere critical and audience pleaser Slumdog Millionaire.

It would win out over David Fincher’s The Curious Case of Benjamin Button, Ron Howard’s Frost/Nixon, Gus Van Sant’s Milk, and Stephen Daldry’s The Reader. It is a bit surprising that Oscar voters left out Knight and I would put forth that a decent argument could also be made for Jon Favreau’s Iron Man, which also stands as a creative high point in the comic book canon of movies.

In the Best Director category, it was a rare example of the five nominated auteurs matching the Picture nominees and Boyle would take home the gold over Fincher, Daldry, Van Sant, and Howard. Once again, Christopher Nolan would be on the outside looking in for his Knight direction.

Sean Penn would win his second Best Actor statue (2003’s Mystic River being the first) for playing gay activist Harvey Milk in Milk.

Other nominees: Richard Jenkins in The Visitor, Frank Langella in Frost/Nixon, Brad Pitt in Benjamin Button, and Mickey Rourke in a career comeback role as The Wrestler.

Certainly Christian Bale as Bruce Wayne/Batman and Robert Downey, Jr. as Tony Stark/Iron Man could have been considered along with Leonardo DiCaprio in Revolutionary Road, Clint Eastwood in Gran Torino, and the Slumdog Millionaire himself Dev Patel.

After a number of nominations with no victories, Kate Winslet would win Best Actress for The Reader, beating out Anne Hathaway (Rachel Getting Married). Angelina Jolie (Changeling), Melissa Leo (Frozen River), and the omnipresent Meryl Streep (Doubt).

It was a bit surprising to see Cate Blanchett’s work in Benjamin Button go unrecognized.

The Dark Knight would win its Oscar with the late Heath Ledger taking Supporting Actor as the Joker. Other nominees: Josh Brolin (Milk), Robert Downey Jr. (Tropic Thunder), Philip Seymour Hoffman (Doubt), and Michael Shannon (Revolutionary Road).

While it was refreshing to see the Academy nominate a comedic performance like Downey’s in Tropic Thunder, an equally good argument could have been made for Tom Cruise’s role in that picture. Same goes for James Franco’s exemplary work as a stoner in Pineapple Express.

Woody Allen has directed several actresses to Supporting Actress wins and he did it again with Penelope Cruz in Vicky Christina Barcelona.

She would be victorious over Amy Adams in Doubt, Viola Davis – also for Doubt, Taraji P. Henson in Benjamin Button, and Marisa Tomei for The Wrestler.

I might’ve found room for Frances McDormand in the Coen Brothers Burn After Reading.

And that’s all for now on the Oscar History front! I’ll be back with 2009 in the near future…

Gone Girl Box Office Prediction

It’s earning highly positive reviews and is based on a huge bestseller by Gillian Flynn. One of the finest directors working today is behind the camera. David Fincher’s Gone Girl seems poised to make a major splash at the box office when it opens this Friday.

Ben Affleck and Rosamund Pike star in this thriller where a wife’s disappearance might not be all that it seems. Costars include Neil Patrick Harris and Tyler Perry. Upon its release just two years ago, Gillian Flynn’s book became a must-read and she herself wrote the picture’s screenplay. Fincher, the great director of Seven, Fight Club, and The Social Network, has taken up the task of adapting it. He last found success directing a beloved novel with 2011’s The Girl with the Dragon Tattoo. Fincher’s current largest opening of all time is 2002’s Panic Room, which made $30 million out of the gate. Gone Girl seems likely to surpass that.

As mentioned, reviews have been strong and it currently sits at 86% on Rotten Tomatoes. Positive word of mouth should propel Gone Girl to a nice and lengthy run at the multiplexes. I’ll predict this gets off to a very steady beginning and should easily top the charts next weekend.

Gone Girl opening weekend prediction: $39.6 million

For my Annabelle prediction, click here:

https://toddmthatcher.com/2014/09/28/annabelle-box-office-prediction/

For my Left Behind prediction, click here:

https://toddmthatcher.com/2014/09/29/left-behind-box-office-prediction/

Oscar Watch: Gone Girl

There was never a question as to whether David Fincher’s adaptation of the massive bestselling Gillian Flynn novel Gone Girl would generate tons of publicity. However, it’s definitely been more of an open question whether the film would generate Oscar buzz. That question appears to have been answered as the first reviews have been released ahead of its October 3rd debut.

And Gone Girl looks like a contender. Both Variety and Entertainment Weekly have given it rave reviews. Most importantly, it’s been noted that lovers of the novel (and there are many) will dig this adaptation. That means the picture is likely to be a huge box office performer and that certainly won’t hurt its awards talk.

Director Fincher is one of the finest filmmakers working today. His resume boasts Seven, The Game, Fight Club, Panic Room, Zodiac, and The Girl with the Dragon Tattoo. Yet only two of his efforts have received Best Picture nominations – 2008’s The Curious Case of Benjamin Button and 2010’s The Social Network. His latest could be his third and nab him his personal third Directing nod.

As for the actors, I’ve maintained for some time that Rosamund Pike is poised to receive a Best Actress nomination as Amy Dunne and it would be surprising at this juncture if she doesn’t. As for Ben Affleck in the Best Actor race, that’s a little more tricky due to it being an incredibly competitive category. Right now, there appears to be four “shoo-ins” for Best Actor recognition: Steve Carell in Foxcatcher, Benedict Cumberbatch in The Imitation Game, Michael Keaton in Birdman, and Eddie Redmayne in The Theory of Everything. That leaves just one slot open and there are plenty of other names that could fill it. I would say Affleck is currently a long shot, even though critics are lauding his work.

In my initial round of Oscar predictions a couple of weeks ago, I included Pike but left off the movie and its director in their categories. That may very well change when round #2 is posted in a couple of weeks.

Oscar History: 2007

Tonight on the blog – we review the Oscars from 2007, continuing with my series of Oscar History posts. 2007 was a year in which the brilliant Coen Brothers finally received some Academy love. Their critically lauded No Country for Old Men won Best Picture and earned the twosome the Best Director prize. It’s hard to argue with the Academy’s choice of this terrific pic for the top prize.

In my view, There Will Be Blood would’ve been another deserving recipient and it was nominated for Best Picture, along with Joe Wright’s Atonement, Tony Gilroy’s Michael Clayton, and Jason Reitman’s Juno. I likely would’ve left Atonement and Juno off the list and considered David Fincher’s meticulously crafted Zodiac and/or Ridley Scott’s American Gangster.

A running theme of my Oscar posts has been the Academy’s consistent lack of comedy inclusion and, for me, the genre’s 2007 highlight was Superbad, one of the finest raunch-fests in quite some time.

I was also a huge fan of Quentin Tarantino and Robert Rodriguez’s ode to B movies, Grindhouse.

There Will Be Blood director Paul Thomas Anderson was included in the Best Director race along with Gilroy and Reitman. Atonement director Joe Wright was the lone director left out whose film was nominated and Julian Schnabel for The Diving Bell and the Butterfly was a bit of a surprise nominee. As mentioned, they all lost to the Coens. I would have certainly included Fincher’s work in Zodiac.

The Best Actor race was over as soon as Daniel Day-Lewis’s work in There Will Be Blood was seen and it would mark his second win after being honored for My Left Foot eighteen years earlier. Other nominees (who truly can say it was just an honor to be nominated after Day-Lewis’s tour de force): George Clooney in Michael Clayton, Johnny Depp in Sweeney Todd, Tommy Lee Jones in In the Valley of Elah, and Viggo Mortensen for Eastern Promises.

Nobody plays a calculating bad guy better than Denzel Washington and I probably would have found room for him with his turn in American Gangster.

In the Best Actress race, Marion Cotillard would win for La Vie En Rose – beating out Cate Blanchett (Elizabeth: The Golden Age), Julie Christie (Away from Her), Laura Linney (The Savages), and Ellen Page (Juno).

Leaving out Keira Knightley’s work in Atonement was a surprise. For my dark horse contender, Christina Ricci’s fearless work in Black Snake Moan might’ve made my cut.

Like the Best Actor category, the Supporting Actor race was over when audiences and critics saw Javier Bardem’s amazing performance in No Country for Old Men. Other nominees: Casey Affleck in The Assassination of Jesse James by the Coward Robert Ford, Philip Seymour Hoffman in Charlie Wilson’s War, Hal Holbrook in Into the Wild, and Tom Wilkinson in Michael Clayton.

Paul Dano’s performance in There Will Be Blood certainly should’ve been acknowledged here. Two others to consider: Robert Downey Jr.’s work as a boozy reporter in Zodiac and Kurt Russell’s hilarious and sadistic role in Grindhouse.

The Supporting Actress race belonged to Tilda Swinton as a ruthless attorney in Michael Clayton. She would win over double nominee Cate Blanchett in I’m Not There, Ruby Dee for American Gangster, Saoirse Ronan in Atonement, and Amy Ryan for Gone Baby Gone.

I would’ve included Kelly MacDonald as Josh Brolin’s wife in No Country for Old Men.

And there’s my take on the ’07 Oscars, my friends! I’ll have 2008 posted soon.

Todd’s Top Ten Most Eagerly Awaited Fall 2014 Movies

The summer of 2014 is heading towards its closure and that means school, football, and the Fall Movie Season is ahead of us! As many know, the months of September through December is when studios typically save up their major Oscar contenders and that is certainly the case this year. As for what’s been released pre-fall, Richard Linklater’s Boyhood is the only shoo-in for a Best Picture nomination (it could win too) while Wes Anderson’s The Grand Budapest Hotel currently has a decent shot.

This brings us to my personal top ten most anticipated films being released in the final four months of the year. Some of my choices are Oscar hopefuls while others are not. I’ll get to my first round of inappropriately early Academy Award nomination predictions very soon on the blog. In the meantime, here’s the pics that this blogger is most looking forward to:

10. St. Vincent

Release Date: October 24

This comedy/drama had me at the actor headlining the cast: Bill Murray. He plays an irresponsible war veteran who befriends a young boy. Melissa McCarthy and Naomi Watts costar. If it’s good, expect Oscar buzz for Mr. Murray and Ms. Watts in the Supporting Actress race.

9. The Interview

Release Date: December 25

When Seth Rogen and James Franco have teamed up, it’s led to two hilarious comedies: Pineapple Express and This is the End. Here’s hoping the trend continues where they play two journalists given the task of assassinating Kim Jong-Un.

8. Big Eyes

Release Date: December 25

Tim Burton has seemed to be on autopilot lately with lackluster pics like Alice in Wonderland and Dark Shadows. This could change that in the true life tale of a man (Christoph Waltz) who fraudulently claims credit for his wife’s (Amy Adams) bestselling paintings. Oscar buzz could follow if this one if it delivers.

**No trailer released at press time

7. Birdman

Release Date: October 17

Not a biography of the tattooed Miami Heat player – rather Birdman stars Michael Keaton in what could be a huge comeback role. He plays an actor most known for playing an iconic superhero, which shouldn’t be much of a stretch. Edward Norton, Naomi Watts, Emma Stone, and Zach Galifinakis round out the ensemble and it’s directed by Alejandro Gonzalez Inarritu, who brought us 21 Grams and Babel.

6. Dumb and Dumber To

Release Date: November 14

Whether or not the return of Harry (Jeff Daniels) and Lloyd (Jim Carrey) nearly 20 years after the iconic original works is an open question, but you can be damn sure I’ll be in the theater to find out.

5. The Hunger Games: Mockingjay, Part 1

Release Date: November 21

Catching Fire improved upon an already first-rate original in the franchise so I’m pumped to see the series continue. It also serves as one of our final opportunities to see the great Philip Seymour Hoffman.

4. Inherent Vice

Release Date: December 12

Anytime Paul Thomas Anderson makes a film, it’s noteworthy given his filmography includes Boogie Nights, Magnolia, There Will Be Blood, and The Master. This private detective tale stars Joaquin Phoenix, Josh Brolin, Owen Wilson, and Reese Witherspoon.

**No trailer released at press time

3. Foxcatcher

Release Date: November 14

Director Bennett Miller has seen both his features, Capote and Moneyball, earn Best Picture nominations. Advance word is that this will as well. The true story of John du Pont’s (Steve Carell) obsession with a pair of wrestlers (Channing Tatum and Mark Ruffalo) is generating Academy Award chatter for all three actors.

2. Gone Girl

Release Date: October 3

One of the very best directors working today David Fincher adapts Gillian Flynn’s bestselling murder mystery novel. Ben Affleck, Rosamund Pike (in a role likely to earn Oscar buzz), Tyler Perry, and Neil Patrick Harris star.

1. Interstellar

Christopher Nolan has given us the acclaimed Dark Knight trilogy and Inception. In his latest, recent Oscar winner Matthew McConaughey is tasked with no less than saving the world. Anne Hathaway, Jessica Chastain, and (of course) Michael Caine costar. Expect amazing visuals at the very least.

And that’s my top ten, folks. See you at the movies!