Tag: David Fincher

2020 Oscar Predictions: September 3rd Edition

We have arrived at Week #2 for my Oscar predictions in the eight major categories. I do so as the Venice Film Festival has kicked off with Telluride and Toronto slated to virtually get underway in the coming days. That means quite a few Oscar Watch posts will be up in short order, including for several of the features predicted below.

Since last Thursday, I’ve written only two Watch entries. Mulan isn’t likely to be a factor in any of the big races, but it could definitely contend for some technical categories. The forthcoming horror pic Antebellum didn’t impress critics and won’t be mentioned again here. If you would like to peruse those posts, you can do so here:

https://toddmthatcher.com/2020/09/03/oscar-watch-mulan/

https://toddmthatcher.com/2020/08/31/oscar-watch-antebellum/

When I wrote my initial guesstimates one week ago, it was on the following day that movie lovers across the globe were hit with tragic news. The loss of Chadwick Boseman to colon cancer has shocked and saddened all of us. Despite his acclaimed performances in 42, Get On Up, and his iconic work as Black Panther, Mr. Boseman has yet to receive a nomination from the Academy. Last Thursday, I already had him listed at #2 in Supporting Actor for the upcoming Ma Rainey’s Black Bottom. He is now listed first as is his costar Viola Davis in Best Actress.

Here are some other developments of note:

  • I am still higher on Spike Lee’s Da 5 Bloods (which also featured Boseman) than some other prognosticators. I have it listed for inclusion in Best Picture, Actor (Delroy Lindo), and Original Screenplay. However, its numbers have fallen a bit and I am taking Spike Lee out of my Director five.
  • My estimated eight Best Picture nominees has remained intact with some shifting in the rankings.
  • Aaron Sorkin (The Trial of the Chicago 7) and Paul Greengrass (News of the World) are in for Director with the aforementioned Spike Lee and Francis Lee (Ammonite) out.
  • The five in Actress has not changed. In Actor, I’ve made the move to take Bill Murray’s performance in On the Rocks and put it in the supporting field. That allows for Tom Hanks (News of the World) to move up. In general, I have soured a bit on Rocks. You’ll see below that its numbers have dropped precipitously.
  • Supporting Actress also includes the same five women and that’s also the case with Supporting Actor.
  • Though I don’t have it in the top five, I’ve corrected French Exit to be listed in Adapted Screenplay as opposed to Original. Soul replaces The French Dispatch in Original for the moment while The Father vaults over West Side Story in Adapted.

As you’ll see, there’s plenty of new faces being mentioned for the first time that didn’t make the list last week and others who have dropped.

Let’s get to it!

Best Picture

Predicted Nominees:

1. Mank (Previous Ranking: 1)

2. Nomadland (PR: 2)

3. The Trial of the Chicago 7 (PR: 4)

4. Dune (PR: 6)

5. News of the World (PR: 7)

6. Ammonite (PR: 5)

7. Da 5 Bloods (PR: 3)

8. West Side Story (PR: 8)

Other Possibilities:

9. Ma Rainey’s Black Bottom (PR: 16)

10. Soul (PR: 14)

11. Judas and the Black Messiah (PR: 12)

12. The French Dispatch (PR: 9)

13. One Night in Miami (PR: Not Ranked)

14. Hillbilly Elegy (PR: 10)

15. Minari (PR: 18)

16. The Father (PR: 17)

17. Annette (PR: 13)

18. Stillwater (PR: 21)

19. The United States vs. Billie Holiday (PR: 22)

20. Respect (PR: Not Ranked)

21. Tenet (PR: 15)

22. The Midnight Sky (PR: Not Ranked)

23. Next Goal Wins (PR: 24)

24. French Exit (PR: 25)

25. I’m Thinking of Ending Things (PR: 20)

Dropped Out:

On the Rocks

C’Mon C’Mon

The Eyes of Tammy Faye 

Best Director

Predicted Nominees:

1. David Fincher, Mank (PR: 1)

2. Chloe Zhao, Nomadland (PR: 2)

3. Denis Villeneuve, Dune (PR: 4)

4. Aaron Sorkin, The Trial of the Chicago 7 (PR: 6)

5. Paul Greengrass, News of the World (PR: 7)

Other Possibilities:

6. Spike Lee, Da 5 Bloods (PR: 3)

7. Francis Lee, Ammonite (PR: 5)

8. Steven Spielberg, West Side Story (PR: 8)

9. Wes Anderson, The French Dispatch (PR: 9)

10. Regina King, One Night in Miami (PR: Not Ranked)

11. George C. Wolfe, Ma Rainey’s Black Bottom

12. Ron Howard, Hillbilly Elegy (PR: 11)

13. Shaka King, Judas and the Black Messiah (PR: 12)

14. Florian Zeller, The Father (PR: Not Ranked)

15. Christopher Nolan, Tenet (PR: 13)

Dropped Out:

Sofia Coppola, On the Rocks

Leos Carax, Annette

Charlie Kaufman, I’m Thinking of Ending Things 

Best Actress

Predicted Nominees:

1. Viola Davis, Ma Rainey’s Black Bottom (PR: 2)

2. Frances McDormand, Nomadland (PR: 1)

3. Kate Winslet, Ammonite (PR: 3)

4. Michelle Pfeiffer, French Exit (PR: 4)

5. Jennifer Hudson, Respect (PR: 5)

Other Possibilities:

6. Amy Adams, Hillbilly Elegy (PR: 6)

7. Carey Mulligan, Promising Young Woman (PR: 14)

8. Rachel Zegler, West Side Story (PR: 7)

9. Andra Day, The United States vs. Billie Holiday (PR: 11)

10. Jessica Chastain, The Eyes of Tammy Faye (PR: 8)

11. Marion Cotillard, Annette

12. Julianne Moore, The Glorias (PR: 9)

13. Elisabeth Moss, Shirley (PR: 15)

14. Jessie Buckley, I’m Thinking of Ending Things (PR: 13)

15. Sophia Loren, The Life Ahead (PR: Not Ranked)

Dropped Out:

Rashida Jones, On the Rocks 

Best Actor

Predicted Nominees:

1. Delroy Lindo, Da 5 Bloods (PR: 1)

2. Anthony Hopkins, The Father (PR: 3)

3. Gary Oldman, Mank (PR: 2)

4. Daniel Kaluuya, Judas and the Black Messiah (PR: 4)

5. Tom Hanks, News of the World (PR: 6)

Other Possibilities:

6. Eddie Redmayne, The Trial of the Chicago 7 (PR: Not Ranked)

7. Joaquin Phoenix, C’Mon C’Mon (PR: 7)

8. Matt Damon, Stillwater (PR: 13)

9. Adam Driver, Annette (PR: 8)

10. Steven Yeun, Minari (PR: Not Ranked)

11. Michael Fassbender, Next Goal Wins (PR: 12)

12. Andrew Garfield, The Eyes of Tammy Faye (PR: 10)

13. Trevante Rhodes, The United States vs. Billie Holiday (PR: 14)

14. Ansel Elgort, West Side Story (PR: 9)

15. Jesse Plemons, I’m Thinking of Ending Things (PR: Not Ranked)

Dropped Out:

Bill Murray, On the Rocks (moved to Supporting Actor)

Timothee Chalamet, Dune

Ben Affleck, The Way Back 

Best Supporting Actress

Predicted Nominees:

1. Saoirse Ronan, Ammonite (PR: 1)

2. Glenn Close, Hillbilly Elegy (PR: 2)

3. Olivia Colman, The Father (PR: 3)

4. Helena Zengel, News of the World (PR: 5)

5. Ariana DeBose, West Side Story (PR: 4)

Other Possibilities:

6. Amanda Seyfried, Mank (PR: 7)

7. Meryl Streep, The Prom (PR: 14)

8. Toni Collette, I’m Thinking of Ending Things (PR: 6)

9. Abigail Breslin, Stillwater (PR: 9)

10. Natasha Lyonne, The United States vs. Billie Holiday (PR: Not Ranked)

11. Audra McDonald, Respect (PR: Not Ranked)

12. Jayne Houdyshell, The Humans (PR: Not Ranked)

13. Debra Winger, Kajillionaire (PR: 8)

14. Mary J. Blige, Respect (PR: 11)

15. Kristin Scott Thomas, Rebecca (PR: Not Ranked)

Dropped Out:

Gaby Hoffman, C’Mon C’Mon

Rebecca Ferguson, Dune

Nicole Kidman, The Prom

Elisabeth Moss, Next Goal Wins

Best Supporting Actor

Predicted Nominees:

1. Chadwick Boseman, Ma Rainey’s Black Bottom (PR: 2)

2. David Strathairn, Nomadland (PR: 1)

3. Yahya Abdul-Mateen II, The Trial of the Chicago 7 (PR: 3)

4. Sacha Baron Cohen, The Trial of the Chicago 7 (PR: 5)

5. Lakeith Stanfield, Judas and the Black Messiah (PR: 4)

Other Possibilities:

6. Tom Pelphrey, Mank (PR: 7)

7. Bill Murray, On the Rocks (PR: Not Ranked – moved from Best Actor)

8. Tom Burke, Mank (PR: 6)

9, Mark Rylance, The Trial of the Chicago 7 (PR: 12)

10. Jeremy Strong, The Trial of the Chicago 7 (PR: Not Ranked)

11. Richard Jenkins, The Humans (PR: Not Ranked)

12. Kingsley Ben-Adir, One Night in Miami (PR: Not Ranked)

13. Lucas Hedges, French Exit (PR: 9)

14. Jonathan Majors, Da 5 Bloods (PR: 10)

15. David Alvarez, West Side Story (PR: 8)

Dropped Out:

Jesse Plemons, Judas and the Black Messiah

Clarke Peters, Da 5 Bloods

Oscar Isaac, Dune

Forest Whitaker, Respect 

Best Original Screenplay

Predicted Nominees:

1. Mank (PR: 1)

2. The Trial of the Chicago 7 (PR: 2)

3. Ammonite (PR: 4)

4. Da 5 Bloods (PR: 3)

5. Soul (PR: 6)

Other Possibilities:

6. The French Dispatch (PR: 5)

7. Minari (PR: 10)

8. Judas and the Black Messiah (PR: 8)

9. Stillwater (PR: 11)

10. Promising Young Woman (PR: 15)

11. Annette (PR: 13)

12. C’Mon C’Mon (PR: 9)

13. On the Rocks (PR: 7)

14. Red, White, and Water (PR: Not Ranked)

15. Tenet (PR: 14)

Dropped Out:

French Exit (moved to Adapted Screenplay)

Best Adapted Screenplay

Predicted Nominees:

1. Nomadland (PR: 1)

2. News of the World (PR: 3)

3. Dune (PR: 2)

4. The Father (PR: 6)

5. Ma Rainey’s Black Bottom (PR: 5)

Other Possibilities:

6. Hillbilly Elegy (PR: 7)

7. I’m Thinking of Ending Things (PR: 8)

8. West Side Story (PR: 4)

9. One Night in Miami (PR: 13)

10. The United States vs. Billie Holiday (PR: 10)

11. French Exit (PR: Not Ranked – moved from Original Screenplay)

12. Next Goal Wins (PR: 9)

13. The Humans (PR: Not Ranked)

14. The Eyes of Tammy Faye (PR: 11)

15. Respect (PR: 14)

Dropped Out:

The White Tiger

The Midnight Sky 

I’ll be back at it with updated predictions next Thursday!

2020 Oscar Predictions: August 27th Edition

As is tradition on the blog, my weekly Oscar prediction posts (coming to you each Thursday) kick off in the final weekend of August!

So while I’m following up with my normal Academy Awards speculating schedule, I am doing so in a year that is anything but traditional. The COVID-19 pandemic has tremendously altered release schedules for many pictures. This has left many release dates still uncertain.

Additionally, I have chosen this late August date because it’s usually right before some high-profile film festivals like Toronto, Venice, and Telluride are set to kick off. Some of these fests are continuing to operate in a much different fashion. We will see some of the titles identified below (including Nomadland, Ammonite and One Night in Miami) screen at these virtual competitions in the coming days.

This week, one significant contender had its unveiling for critics and that’s Christopher Nolan’s Tenet. That reaction leads me to believe that it will certainly contend in a half dozen or so technical races, but that a Picture or Directing nod is a bit of a long shot.

Even in a year without the pandemic related challenges, Oscar speculation this early always comes with numerous caveats. They include the following:

  • Release dates will change and some movies listed here will get pushed back. This sure applies to 2020 and that’s even with the Academy extending eligibility to any features released in January and February of 2021.
  • There will be pics and performances that come out of nowhere and make their way to the release calendar that aren’t identified here.
  • Some performances listed in lead will shift to supporting and vice versa. For titles like David Fincher’s Mank, Aaron Sorkin’s The Trial of the Chicago 7, and Wes Anderson’s The French Dispatch – category placement for their large casts is still a question mark. As an example, there’s lot of potential contenders in The French Dispatch, but it’s impossible to determine who gets the critical shine. For the time being, I’m not listing any of the actors in that particular film.
  • There will be Original Screenplay hopefuls that turn out to be Adapted and vice versa.

Even with all those caveats, I was able to identify the winners in each of the top 8 categories in both 2018 and 2019. Their numeric placement varied widely. In 2018, I had Best Picture victor Green Book all the way down at 21 of my first initial 25 possibilities. Roma director Alfonso Cuaron, on the other hand, was placed at #2. Bohemian Rhapsody‘s Rami Malek was at #12 in Best Actor with Olivia Colman in The Favourite at 9th in Actress. Mahershala Ali (Green Book) was 9th and Regina King (If Beale Street Could Talk) was 2nd in the supporting fields. Adapted Screenplay winner BlacKkKlansman was in fifth with Original Screenplay recipient Green Book at #11.

As for 2019, Best Picture winner Parasite was originally placed in slot #7 while its director Bong Joon-Ho was fifth. In the lead acting companions, Joaquin Phoenix (Joker) was 6th and Renee Zellweger (Judy) was fifth. In Supporting Actor, Brad Pitt (Once Upon a Time in Hollywood) was perched at #1 and that never changed. Supporting Actress Laura Dern (Marriage Story) was #2. Adapted Screenplay Jojo Rabbit was fourth and Original Screenplay Parasite was 5th.

So based on history, you’re likely seeing the eventual 2020 Oscar winners somewhere here on these listings. In 2020, though, who really knows?

Let’s get to it!

Best Picture

Predicted Nominees:

1. Mank

2. Nomadland

3. Da 5 Bloods

4. The Trial of the Chicago 7

5. Ammonite 

6. Dune

7. News of the World

8. West Side Story

Other Possibilities

9. The French Dispatch

10. Hillbilly Elegy

11. On the Rocks

12. Judas and the Black Messiah

13. Annette

14. Soul

15. Tenet

16. Ma Rainey’s Black Bottom

17. The Father

18. Minari

19. C’Mon C’Mon

20. I’m Thinking of Ending Things

21. Stillwater

22. The United States vs. Billie Holiday

23. The Eyes of Tammy Faye

24. Next Goal Wins

25. French Exit

Best Director

Predicted Nominees:

1. David Fincher, Mank

2. Chloe Zhao, Nomadland

3. Spike Lee, Da 5 Bloods

4. Denis Villeneuve, Dune

5. Francis Lee, Ammonite

Other Possibilities:

6. Aaron Sorkin, The Trial of the Chicago 7

7. Paul Greengrass, News of the World

8. Steven Spielberg, West Side Story

9. Wes Anderson, The French Dispatch

10. Sofia Coppola, On the Rocks

11. Ron Howard, Hillbilly Elegy

12. Shaka King, Judas and the Black Messiah

13. Christopher Nolan, Tenet

14. Leos Carax. Annette

15. Charlie Kaufman, I’m Thinking of Ending Things 

Best Actress

Predicted Nominees:

1. Frances McDormand, Nomadland

2. Viola Davis, Ma Rainey’s Black Bottom

3. Kate Winslet, Ammonite

4. Michelle Pfeiffer, French Exit

5. Jennifer Hudson, Respect

Other Possibilities:

6. Amy Adams, Hillbilly Elegy

7. Rachel Zegler, West Side Story

8. Jessica Chastain, The Eyes of Tammy Faye

9. Julianne Moore, The Glorias

10. Marion Cotillard, Annette

11. Andra Day, The United States vs. Billie Holiday

12. Rashida Jones, On the Rocks

13. Jessie Buckley, I’m Thinking of Ending Things

14. Carey Mulligan, Promising Young Woman

15. Elisabeth Moss, Shirley 

Best Actor

Predicted Nominees:

1. Delroy Lindo, Da 5 Bloods

2. Gary Oldman, Mank

3. Anthony Hopkins, The Father

4. Daniel Kaluuya, Judas and the Black Messiah

5. Bill Murray, On the Rocks

Other Possibilities:

6. Tom Hanks, News of the World

7. Joaquin Phoenix, C’Mon C’Mon

8. Adam Driver, Annette

9. Ansel Elgort, West Side Story

10. Andrew Garfield, The Eyes of Tammy Faye

11. Timothee Chalamet, Dune

12. Michael Fassbender, Next Goal Wins

13. Matt Damon, Stillwater

14. Trevante Rhodes, The United States vs. Billie Holiday 

15. Ben Affleck, The Way Back

Best Supporting Actress

Predicted Nominees:

1. Saoirse Ronan, Ammonite

2. Glenn Close, Hillbilly Elegy

3. Olivia Colman, The Father

4. Ariana DeBose, West Side Story

5. Helena Zengel, News of the World

Other Possibilities:

6. Toni Collette, I’m Thinking of Ending Things

7. Amanda Seyfried, Mank

8. Debra Winger, Kajillionaire

9. Abigail Breslin, Stillwater

10. Gaby Hoffman, C’Mon C’Mon

11. Mary J. Blige, Respect

12. Rebecca Ferguson, Dune 

13. Meryl Streep, The Prom

14. Nicole Kidman, The Prom

15. Elisabeth Moss, Next Goal Wins

Best Supporting Actor

Predicted Nominees:

1. David Strathairn, Nomadland

2. Chadwick Boseman, Ma Rainey’s Black Bottom

3. Yahya Abdul-Mateen II, The Trial of the Chicago 7

4. LaKeith Stanfield, Judas and the Black Messiah

5. Sacha Baron Cohen, The Trial of the Chicago 7

Other Possibilities:

6. Tom Burke, Mank

7. Tom Pelphrey, Mank

8. David Alvarez, West Side Story

9. Lucas Hedges, French Exit

10. Jonathan Majors, Da 5 Bloods

11. Jesse Plemons, Judas and the Black Messiah 

12. Mark Rylance, The Trial of the Chicago 7

13. Clarke Peters, Da 5 Bloods

14. Oscar Isaac, Dune

15. Forest Whitaker, Respect

Best Original Screenplay

Predicted Nominees:

1. Mank

2. The Trial of the Chicago 7

3. Da 5 Bloods

4. Ammonite

5. The French Dispatch

Other Possibilities:

6. Soul

7. On the Rocks

8. Judas and the Black Messiah

9. C’Mon C’Mon

10. Minari

11. Stillwater

12. French Exit

13. Annette

14. Tenet

15. Promising Young Woman

Best Adapted Screenplay

Predicted Nominees:

1. Nomadland

2. Dune

3. News of the World

4. West Side Story

5. Ma Rainey’s Black Bottom

Other Possibilities:

6. The Father

7. Hillbilly Elegy

8. I’m Thinking of Ending Things

9. Next Goal Wins

10. The United States vs. Billie Holiday

11. The Eyes of Tammy Faye

12. The White Tiger

13. One Night in Miami 

14. Respect

15. The Midnight Sky 

I’ll be back at it next Thursday, folks! Until then…

Early 2020 Oscar Predictions: Best Director

My first round of Oscar predictions in this topsy turvy time known as 2020 arrives at Best Director. If you missed my initial take on the four acting races, you can find them all here:

https://toddmthatcher.com/2020/08/11/early-2020-oscar-predictions-best-actress/

https://toddmthatcher.com/2020/08/10/early-2020-oscar-predictions-best-actor/

https://toddmthatcher.com/2020/08/09/early-2020-oscar-predictions-best-supporting-actress/

https://toddmthatcher.com/2020/08/09/early-2020-oscar-predictions-best-supporting-actor/

I’ve already discussed the challenges of making these August projections and many of them are the same as any other year. Yet it’s even trickier now due to the COVID-19 pandemic and the ever shifting release dates that accompany it. This is why I’ve left off Wes Anderson and The French Dispatch as its premiere is especially in flux. If word comes out in the near future to its unveiling, he would almost certainly be in the top 15.

Some of the pictures and their makers listed here will (at least right now) be seen in the next few weeks at festivals. As for Tenet, the latest from Christopher Nolan is expected to be out in limited fashion stateside by month’s end.

2019 was a bit more stable and I correctly identified 4 of the eventual 5 nominees in my first late summer predictions. That includes winner Bong Joon-Ho (Parasite), Sam Mendes (1917), Martin Scorsese, (The Irishman), and Quentin Tarantino (Once Upon a Time in Hollywood). My only miss was Todd Phillips for Joker and I didn’t even have him in the 10 other possibilities.

Let’s get to it with my introductory look at the players vying for behind the camera accolades!

EARLY OSCAR PREDICTIONS: BEST DIRECTOR

David Fincher, Mank

Spike Lee, Da 5 Bloods

Aaron Sorkin, The Trial of the Chicago 7

Denis Villeneuve, Dune

Chloe Zhao, Nomadland

Other Possibilities:

Sofia Coppola, On the Rocks

Paul Greengrass, News of the World

Ron Howard, Hillbilly Elegy

Charlie Kaufman, I’m Thinking of Ending Things

Shaka King, Judas and the Black Messiah

Francis Lee, Ammonite

Tom McCarthy, Stillwater

Mike Mills, C’Mon C’Mon

Christopher Nolan, Tenet

Steven Spielberg, West Side Story

I’ll have the big daddy of them all – Best Picture – up in short order! Stay tuned…

Early 2020 Oscar Predictions: Best Supporting Actor

And a new day has dawned on this blog of mine as the 2020 Oscar Predictions begin!

To put it mildly, this is a challenge in 2020. The obvious hindrance is the COVID-19 pandemic that has shut theaters down for the past nearly five months and prevented scores of titles from their release.

It doesn’t stop there. I always do my early prediction posts in the later part of August when significant film festivals are about to get underway. The coronavirus has altered that dynamic as well. The Toronto and Venice festivals will operate in a much different fashion with some releases getting remote screenings and you should expect quite a few Oscar Watch posts in the coming weeks. However, it’s not nearly the volume of previous years. I have chosen to push up these early prediction posts because… well, I don’t have much else to write about!

To add to the mayhem – we have understandably seen a year in which release dates are constantly changing. Some of the pictures mentioned here may not see the light of day by February 2021. That, by the way, is the month the Academy of Motion Picture Arts and Sciences have extended eligibility to for the upcoming ceremony. A good example: Wes Anderson’s The French Dispatch (which has seen its date pushed back more than once) is now a TBD release. We’ve grown accustomed to that lately. For this reason, I am not including it in my inaugural round of predictions.

One potential beneficiary to all of this is Netflix. The streaming giant has loaded up on awards contenders for the season. Three of them in particular – David Fincher’s Mank, Spike Lee’s Da 5 Bloods, and Aaron Sorkin’s The Trial of the Chicago 7 – boasts multiple performers who could see their work recognized in this particular category. In fact, four of the five early predicted nominees here are for Netflix properties.

As with any other year, these first projections are done with another degree of uncertainty and that’s category placement. It is inevitable that some performances in the supporting field could move to lead and vice versa. These decisions will become clearer as time goes along and will certainly shift my predictions in the future. For instance, Delroy Lindo seems bound for a nod in Da 5 Bloods. The smart money is that he’ll be campaigned for in Best Actor, but it’s in the realm of possibility that he could be a Supporting Actor contender.

Looking back at my early 2019 predictions in this category nearly a year ago, only one of my five projected nominees got through the process. It was, however, the winner with Brad Pitt in Once Upon a Time in Hollywood. For context, I predict my top 5 and then list ten other possibilities. All four other eventual nominees (Tom Hanks in A Beautiful Day in the Neighborhood, Anthony Hopkins in The Two Popes, Al Pacino and Joe Pesci for The Irishman), were all listed as possibilities.

So… let’s get to it with my very speculative first look at which gentlemen could contend in the supporting field!

EARLY OSCAR PREDICTIONS: BEST SUPPORTING ACTOR

Yahya Abdul-Mateen II, The Trial of the Chicago 7

Chadwick Boseman, Ma Rainey’s Black Bottom

Tom Burke, Mank

Sacha Baron Cohen, The Trial of the Chicago 7

David Strathairn, Nomadland

Other Possibilities:

David Alvarez, West Side Story

Charles Dance, Mank

Lucas Hedges, French Exit

Jonathan Majors, Da 5 Bloods

Clarke Peters, Da 5 Bloods

Jesse Plemons, I’m Thinking of Ending Things 

Eddie Redmayne, The Trial of the Chicago 7

Mark Rylance, The Trial of the Chicago 7

Lakeith Stanfield, Judas and the Black Messiah

Forest Whitaker, Respect 

I’ll have Supporting Actress up next! Until then…

Oscar Watch: Radioactive

In 2014, Rosamund Pike received her first and only Oscar nomination for David Fincher’s  Gone Girl. The British actress has since appeared in a string of Indies that have garnered some critical kudos with scant awards attention. These titles include 2016’s A United Kingdom and 2018’s A Private War.

In the biographical drama Radioactive from director Marjane Satrapi, Pike portrays Nobel prize winning physicist Marie Curie. The film originally played at last year’s Toronto Film Festival and is now available for streaming today on Amazon Prime. It’s received generally positive reviews and stands at 69% on Rotten Tomatoes. Even the write-ups gearing more toward the negative praise Pike’s performance.

Gone Girl was a blockbuster and that helped the actress nab her Academy nod. The other projects just never broke through enough with mainstream audiences to get on the awards radar screen. That may well certainly apply to Radioactive as well. My Oscar Watch posts will continue…

Daily Streaming Guide: March 21st Edition

My Daily Streaming Guide rolls along today with three new movies worthy of your binge watching consideration:

Amazon Prime

From 2007, David Fincher’s Zodiac finds the filmmaker in his dark and visually stylish wheelhouse. The man behind Seven and Fight Club meticulously details the case of the Zodiac Killer in the late 1960s and early 1970s with a top-notch cast including Jake Gyllenhaal, Mark Ruffalo, and Robert Downey Jr. (one year before his first appearance as Tony Stark in the MCU).

Netflix

Speaking of stylish, Nicholas Winding Refn’s Drive from 2011 has it in spades. It also defies genre placement. Ryan Gosling doesn’t have much dialogue, but this is one of his finest roles as a stunt performer who moonlights in underground criminal circles. A contemplative pic with violent outbursts, Drive is a stunner.

Hulu

On the cinematic front, J.J. Abrams is best known for revitalizing the Star Trek and Star Wars series. His stand-alone 2011 effort Super 8 has a Stranger Things vibe before that landmark show existed. With a heavy Spielberg influence, it would have been right at home being released in 1985. It’s a lot of fun and there’s a humdinger of a trash crash sequence.

And that does it for now, folks! Until next time…

The Girl in the Spider’s Web Movie Review

In 2011, The Girl with the Dragon Tattoo billed itself as the “feel bad” movie of the Christmas season. It was an apt description due to its bleak subject matter stemming from the series of Stieg Larsson bestsellers. However, the film itself left a very positive impression with its stylish direction from David Fincher and fine lead performances from Rooney Mara and Daniel Craig.

It’s taken some time for Hollywood to come up with their second iteration of the franchise (there were three Swedish entries a decade ago). This time around, the players from Tattoo are MIA and they wisely removed themselves. Fincher only executive produces. Mara’s Oscar nominated turn as Lisbeth Salander is now portrayed by Claire Foy. Craig’s journalist Mikael Blomkvist is now represented by Sverrir Gudnason. The harsh material and winter that accompanies it are still present.

Unlike the 2011 adaptation, The Girl in the Spider’s Web (based on David Lagercrantz’s book following Larsson’s death) is not an example of bad meaning good. Sadly it’s just plain bad most of the time. In ways that were only hinted at in Tattoo, Lisbeth’s backstory is explored in detail here. She’s a child of a nasty abusive father that she managed to escape from. Her mission of avenging women from lousy men is provided more context. Lisbeth has a sister that didn’t get to loosen herself from her father’s grip. And she grows up to be Sylvia Hoeks’s character, who inherits many of the sadistic patriarchal traits.

Web has a tangled plot involving a McGuffin that reveals the global nuclear codes (how familiar). Lisbeth is hired by a conflicted programmer (Stephen Merchant) to retrieve it. The programmer, in a lame plot twist, has a young son who is the only one capable of unlocking the device’s codes. The American government, led by a sullen NSA agent (LaKeith Stanfield), want it back. So does Lisbeth’s sibling and her bevy of thugs who go by “The Spiders”.

I haven’t mentioned Blomkvist yet. He’s in the picture for plenty of minutes. As played by Gudnason, he’s also totally forgettable. The romantic dynamic between that character and Lisbeth was the bloody heart of Tattoo. Here it’s basically ignored and inconsequential. Mara and Craig clicked in the predecessor. Blomkvist is a dull blank slate in this.

Fede Alvarez is behind the camera and he’s a talented filmmaker as proven by his Evil Dead remake and Don’t Breathe. He does his best to bring some visual flair and succeeds a few times. He’s no Fincher though. Many of the action sequences are routine. I don’t look for plausibility in stuff like this. Yet the sight of Lisbeth getting herself out of impossible scenarios over and over again based on her being a walking super computer grows tiresome.

Foy is a fine actress who tries her best to provide some emotional heft to the lead role. This pseudo-sequel doesn’t deserve her. Tattoo made its feel bad mark in highly satisfying fashion. Spider’s Web feels like a fake.

*1/2 (out of four)

The Girl in the Spider’s Web Box Office Prediction

Blogger’s Note (11/08/18): And another revision down to $9.4 million

Blogger’s Note (11/05/18): I am revising my estimate down to $11.7 million from original estimate of $13.7 million

The Girl in the Spider’s Web makes its way to stateside multiplexes next weekend nearly seven years after David Fincher’s The Girl with the Dragon Tattoo. Mr. Fincher is nowhere to be found nor is Rooney Mara as computer hacking heroine Lisbeth. Claire Foy takes over the title role with Don’t Breathe maker Fede Alvarez directing. Costars include Sverrir Gudnason, LaKeith Stanfield, Sylvia Hoeks, Stephen Merchant, and Vicky Krieps.

It’s based on the wildly popular series of novels began by the late Stieg Larsson. This one in particular is adapted from the 2015 book by David Lagercrantz. The long layoff and different personnel involved could present some box office challenges. Reviews are mixed thus far as it stands at 73% on Rotten Tomatoes. There’s also direct competition in the form of Overlord, which will be vying for much of the same audience.

Comparing numbers with Tattoo is a tricky proposition. That eagerly awaited pic’s traditional opening weekend number was $12.7 million, but that’s with a huge asterisk. It opened Christmas weekend of 2011 when the holiday fell on a Sunday. Tattoo rolled out on Wednesday and Monday was counted as part of a long weekend. So its six-day earnings totaled out to $27.8 million. At the end of its run, it made $102 million.

Web is highly unlikely to approach those earnings. While it certainly could technically match Tattoo‘s traditional Friday to Sunday debut, there will be none of that extra holiday dough. I actually think a fair comp is September’s Peppermint with Jennifer Garner at $13.4 million and that’s right in the range of where I have Spider landing.

The Girl in the Spider’s Web opening weekend prediction: $9.4 million

For my The Grinch prediction, click here:

https://toddmthatcher.com/2018/10/30/the-grinch-box-office-prediction/

For my Overlord prediction, click here:

https://toddmthatcher.com/2018/10/30/overlord-box-office-prediction/

Oscar Watch: The Girl in the Spider’s Web

On November 9, The Girl in the Spider’s Web drops in theaters stateside. It had its premiere at the Rome Film Festival and reviews are out. The film is a continuation of adaptations of the bestselling Swedish crime novels originated by Stieg Larsson (this particular book was penned by David Lagercrantz). If it seems odd to have an Oscar Watch post up for the thriller, don’t forget that 2011’s The Girl with the Dragon Tattoo nabbed five nominations: Best Actress (Rooney Mara), both Sound races, Cinematography, and Editing (which it won).

This version finds Claire Foy taking over the lead role of Lisbeth as she follows in the footsteps of Mara and Noomi Rapace before that. Don’t Breathe director Fede Alvarez takes over top duties after David Fincher made Dragon. Costars include Sverrir Gudnason, Sylvia Hoeks, LaKeith Stanfield, Stephen Merchant, and Vicky Krieps.

Early reaction is quite mixed and Web appears highly unlikely to match the many kudos that went to Fincher’s film. Critics are pointing out Foy as a highlight, but I wouldn’t look her to be a factor at all in Best Actress. Lucky for her, she is a definite factor in Supporting Actress with the already released First Man.

Bottom line: while Tattoo garnered Academy attention, don’t look for voters to stamp their approval here. My Oscar Watch posts will continue…

The Girl on the Train Movie Review

The Girl on the Train isn’t skillfully made enough to realize its own trashiness. This differs greatly from David Fincher’s Gone Girl, which embraced its pulpy source material and had lots of fun with it. Based on a huge bestseller by Paula Hawkins, Train takes itself too seriously to be the guilty pleasure it ought to be. That’s a shame because Emily Blunt’s central performance continues her fine work rolling along.

She plays Rachel, a divorced alcoholic who spends the bulk of her time on the titled mode of transportation. Her boozy travels send her past her old home, where her ex (Justin Theroux) lives with his new wife and old mistress (Rebecca Ferguson) and baby. It is two houses down, however, where Rachel’s chemically imbalanced imagination is running wild. This is where Megan (Haley Bennett) and her husband Scott (Luke Evans) reside and the passenger watching them envisions their relationship to be the one she pines for. Of course, there’s far more beneath the surface and that goes for all the characters involved.

When Rachel realizes there’s more to the facade she’s conjured for the couple, it leads to a mystery and a disappearance that involves Allison Janney’s detective. It leads to questioning Rachel’s whereabouts on a typical blackout drunken evening. I suppose, too, it eventually leads to a twist that is one you’re likely to pick up on earlier than you should. Whether this is designed that way is something I don’t know, but it’s a flaw nonetheless.

Our title character’s abuse of her own body and mind and other abuses I won’t reveal gives Blunt a chance to shine. Her performance is really the only one worthy of note, though Bennett does have a couple moments of her own. The story is told in a flashback style that gives all the women some backlog, but it’s Rachel who merits our attention. If only director Tate Taylor didn’t seem intent on pushing a dour vibe instead of recognizing this is vacation paperback material, this could’ve worked better. Blunt almost makes it worth the trip, but not quite.

**1/2 (out of four)