One of the more eagerly awaited titles has screened at the Venice Film Festival as Darren Aronofsky’s mother! has seen its first reactions. The psychological horror pic debuts stateside next weekend and early word-of-mouth indicates it’s quite a head trip.
One could see from the effective trailers that mother! looks bizarre and pretty out there. It’s a tale of a couple (Jennifer Lawrence and Javier Bardem) whose remote home is visited by various strangers, including Ed Harris and Michelle Pfeiffer. The Venice reaction was reportedly all over the map – a mix of wild cheering and boos. This could indicate how audiences may feel about it. mother! is said to be in the vein of the director’s earlier Black Swan (which received multiple nominations and a Best Actress win for Natalie Portman) and Rosemary’s Baby.
While mother! currently stands at 100% on Rotten Tomatoes, its apparent divisiveness could stand as a hindrance for a Best Picture or Director nomination. That said, it could also benefit from some voters ranking it as their #1 or #2 picture on the ballot.
As for the performers, Jennifer Lawrence would be gunning for her fifth nomination. She won in 2012 for Silver Linings Playbook, got lead nominations for Winter’s Bone (2010) and Joy (2015), and was nominated for Supporting Actress for American Hustle (2013). It’s been discussed a lot on this blog recently, but the Actress category is looking very strong right now and her inclusion could be a long shot. The best chance at recognition could belong to Michelle Pfeiffer, a three-time nominees whose last nod came 25 years ago. It should depend on the strength of that category, which is yet undetermined.
Bottom line: mother! has rather unsurprisingly garnered acclaim, but how it plays with audiences remains to be seen. We shall know soon enough and that may be a determining factor as to its Oscar viability.
Well folks – summer is winding down and on the movie calendar, that means fall ushers in Oscar contenders, film festivals, and all kinds of other eagerly awaited releases! Today on the blog, I bring you my 10 most awaited pictures of the season. Getting the list down to that number wasn’t exactly easy, so I’ll cheat a bit and mention some that just “missed the cut”. They include sequels (Kingsman: The Golden Circle, Thor: Ragnarok), star vehicles like American Made with Tom Cruise and Roman Israel, Esq. with Denzel Washington, and Academy contenders like Battle of the Sexes, The Greatest Showman, Suburbicon, Darkest Hour, All the Money in the World, and The Disaster Artist.
Yet here are the ten that my personal movie calendar is most looking forward to (listed alphabetically):
Blade Runner 2049
Release Date: October 6
35 years after Ridley Scott made his landmark sci-fi pic, Sicario and Arrival director Denis Villeneuve enters this visually stunning world with Ryan Gosling, Jared Leto, and Robin Wright and Harrison Ford returning as Deckard.
Downsizing
Release Date: December 22
It may not be out until Christmas, but buzz will be out soon for this Oscar hopeful as it screens in Venice in just days. Alexander Payne’s fantastic filmography includes Election, About Schmidt, Sideways, The Descendants, and Nebraska. His latest is a sci-fi comedy/drama starring Matt Damon, Kristin Wiig, Christoph Waltz, Alec Baldwin, Neil Patrick Harris, Jason Sudeikis, and (get used to hearing this name) Hong Chau, who’s already garnering Supporting Actress talk.
NO TRAILER AT PRESS TIME
It
Release Date: September 8
Fall essentially kicks off with this adaptation of one of Stephen King’s greatest works. Trailers for It looks scary as hell and it could compete for both biggest September debut ever and highest horror opening of all time.
Justice League
Release Date: November 17
DC’s version of The Avengers has been the subject of shaky buzz, but I’m curious to see how Batman, Aquaman, The Flash, and others meld together. Oh… there’s another one in the form of Gal Gadot’s Wonder Woman, who just happened to headline the summer’s unexpected largest domestic hit (beating out other superheroes like the Guardians and Spidey).
mother!
Release Date: September 15
Darren Aronofsky’s latest looks to be in the vein of his Oscar nominated Black Swan and that’s a very good thing. Jennifer Lawrence, Javier Bardem, Ed Harris, and Michelle Pfeiffer star and if this trailer is any indication, we’re in for something very intriguing.
Murder on the Orient Express
Release Date: November 10
Michelle Pfeiffer makes another appearance on this list as she’s part of an impressive ensemble embroiled in this adaptation of Agatha Christie’s famed novel. Kenneth Branagh directs himself in the lead as Hercule Poirot. Other familiar faces include Johnny Depp, Daisy Ridley, Penelope Cruz, Judi Dench, Willem Dafoe, and Josh Gad.
The Papers
Release Date: December 22
As in the Pentagon Papers and the Washington Post‘s battle with the Nixon administration to release them. You think this one has Oscar bait potential? It’s directed by Steven Spielberg and stars Meryl Streep and Tom Hanks.
NO TRAILER AT PRESS TIME
Phantom Thread
Release Date: December 27
Here’s how little is really known about this project… we’re not even sure Phantom Thread is its title. What do we know? It’s master filmmaker Paul Thomas Anderson’s latest and reunites him with his There Will Be Blood star Daniel Day-Lewis.
NO TRAILER AT PRESS TIME
The Shape of Water
Release Date: December 8
Visionary director Guillermo del Toro’s latest looks to be a visual and potentially dramatic winner judging from its trailer. Sally Hawkins and Michael Shannon star in this 1960s set tale of a woman’s friendship with a strange creature.
Star Wars: The Last Jedi
Release Date: December 15
Last, but oh so far from the least. Rian Johnson takes over directorial duties for the year’s most anticipated release with Luke Skywalker (Mark Hamill) gaining significantly more screen time and Carrie Fisher making her final bow as Princess Leia.
And there you have it, folks! Let us look forward to a hopefully glorious autumn season…
In my ongoing series of Oscar History posts, we arrive at what happened during the year 2010. This was quite a strong year for movies and, unlike other years, I can’t really quibble with the ten pictures that were nominated.
I can, however, differ with what won: Tom Hooper’s The King’s Speech. While this was a very solid and entertaining picture, I would have definitely put at least three of the other nominees above it: Black Swan, Inception, and my favorite of the year, The Social Network. Other nominees were 127 Hours, The Fighter, The Kids Are All Right, Toy Story 3, True Grit, and Winter’s Bone.
Picture/Director matched up as Tom Hooper’s work in King’s Speech would win over Darren Aronofsky (Black Swan), Joel and Ethan Coen (True Grit), David Fincher (The Social Network), and David O. Russell (The Fighter). I may have found a spot for Christopher Nolan’s visually striking work in Inception.
The love for The King’s Speech continued in Best Actor as Colin Firth was honored for his portrayal as King George VI. He triumphed over Javier Bardem (Biutiful), Jeff Bridges (True Grit), Jesse Eisenberg (The Social Network), and James Franco (127 Hours). It’s worth noting that Franco co-hosted the Oscars that year with Anne Hathaway. It wasn’t too memorable.
While his supporting players were showered with love, Mark Wahlberg was snubbed for his anchoring performance in The Fighter. Others worthy of mention: Leonardo DiCaprio in either Inception or Shutter Island and Robert Duvall for Get Low.
Natalie Portman was a bit of a no-brainer pick for her tour de force work in Black Swan in the Actress race, beating out Annette Bening (The Kids Are All Right), Nicole Kidman (Rabbit Hole), Jennifer Lawrence (Winter’s Bone), and Michelle Williams (Blue Valentine).
I was a little surprised to see Bening’s Kids lead costar Julianne Moore left out. Franco’s co-host Anne Hathaway would’ve been a solid choice for her fine work in Love and Other Drugs. The Oscar voters rarely honor comedy, but they could have here with Emma Stone in her hit Easy A, as well.
Supporting Actor honored Christian Bale as Mark Wahlberg’s drug addicted brother in The Fighter. The other nominees were John Hawkes (Winter’s Bone), Jeremy Renner (The Town), Mark Ruffalo (The Kids Are All Right), and Geoffrey Rush (The King’s Speech).
I might have found room for either Andrew Garfield or Justin Timberlake in The Social Network. And keeping the snubbed comedy theme going, here’s an outside the box mention: Rob Corddry for his hilarious work in Hot Tub Time Machine.
The Fighter also won in Supporting Actress with Melissa Leo, who edged out her co-star Amy Adams. The other nominees: Helena Bonham Carter in The King’s Speech, Hailee Steinfeld in True Grit, and Jacki Weaver in Animal Kingdom. The voters could have certainly nominated either Mila Kunis or Barbara Hershey for their roles in Black Swan.
And that’s your Oscar History of 2010, my friends. We’ll get to 2011 soon…
Darren Aronofsky’s Noah combines the work of a truly talented filmmaker with one of the more well-known tales in Biblical history. It’s an audacious undertaking by both the director and the studio who were willing to budget it at a reported $125 million. For fans of Aronofsky, it is impossible to imagine him going the safe route with this story and he doesn’t. From Pi to RequiemforaDream to TheFountain to TheWrestler to BlackSwan, the auteur has given us challenging and rewarding pictures consistently. Those same adjectives apply in this case, even if the film ultimately drowns under the weight of its aspirations and own flat-out weirdness.
Russell Crowe gives a sturdy performance as the title character, who receives a message from The Creator to take his wife and children on an ark along with duos of the Earth’s creatures. He believes that God has sent word to punish all other humans for their sins. Noah soon becomes convinced that all mankind, including himself and his family and even his unborn grandchildren, must perish too. This creates eventual dissention with his loved ones, especially his son Ham (Logan Lerman) and adopted daughter Ila (Emma Watson). Even his wife Naameh (Jennifer Connelly, once again playing spouse to a strong-willed Crowe character) comes to doubt him.
Further complicating matters is tubal-Cain (Ray Winstone), who leads his followers on a revolt to take the ark themselves. They certainly do not share Noah’s vision of the future and do all they can to disrupt it. Noah receives protection from The Watchers, who are a strange-looking monstrous group of stone creatures. More assistance is provided by Noah’s grandfather played by Anthony Hopkins in some serious old age makeup.
Noah the movie is primarily focused on the inner conflict that Noah the man feels with his God-given vision. Yet along with it comes some battle scenes that could have fit with a LordoftheRings pic and lots of digital animals that look – well, extremely digital. The effect on the viewer is a bit discombobulating. Biblical purists looking for a straightforward retelling from the Book of Genesis best look elsewhere – like the source material. Moviegoers wishing for something like a Tolkien-esque experience only get it in glimpses.
The picture is undoubtedly the work of a true artist whose very idea to make this is pretty bold. Not as bold, however, as what he’s pulled off before with more satisfactory and deeper results. Noah will surely hold your interest with its often bizarre mix of fight scenes, family drama, sometimes mediocre CGI, dream sequences, creation montages, and supreme British acting. For this gifted director, though, a massive budget and familiar story don’t equal anything close to his finest work.
Darren Aronofsky’s Noah sails into theaters next weekend with some big question marks as to how it will perform stateside. It’s gotten off to a solid start internationally, but its faithfulness/unfaithfulness to the Biblical source material has received plenty of ink.
Russell Crowe stars as the title character with a supporting cast featuring his Beautiful Mind costar Jennifer Connelly, Emma Watson, and Anthony Hopkins. My estimate would put Noah in the #1 spot and I believe it will capture a good portion of the Christian audience who will be curious to watch. Whether they like how Black Swan director Aronofsky interprets the material is something that’ll be answered soon enough. If Son of God, which was basically a shortened version of an already aired miniseries, could debut at $25 million in February – Noah should surpass that and then some.
All My Life... I Wanted To Be A Blogster 