Tag: Darius Khondji

Oscar Predictions: Marty Supreme

A couple of months back, Benny Safdie’s The Smashing Machine played the festival circuit prior to its release and saw its awards prospects tumble. Benny’s brother Josh (they made Good Time and Uncut Gems together among others) goes solo with Marty Supreme on Christmas Day. After a “surprise” showing at the New York Film Festival last month, the review embargo is lifted today. Unlike Machine, Marty should be a smash at the Oscars and elsewhere.

The 1950s set dramedy features Timothée Chalamet in the title role (as an ambitious ping pong star) with an eclectic supporting cast including Gwyneth Paltrow, Odessa A’Zion, Kevin O’Leary (of Shark Tank fame), Tyler Okonma (better known as Tyler, the Creator), Abel Ferrara, and Fran Drescher.

Early reaction from the Big Apple indicated this should be a major player at the Academy Awards and today’s critical reaction solidifies the buzz. Rotten Tomatoes is at 96% with 88 on Metacritic. Supreme has been perched in my top 5 possibilities for Best Picture throughout 2025 and that appears to be the right call. Like One Battle After Another, Hamnet, Sinners, and Sentimental Value – this is a BP prediction that you should feel comfortable writing in ink.

That same logic certainly applies to Chalamet in what many write-ups are calling career best work. He will turn 30 two days after Supreme‘s release, but he is going for nomination #3 after 2017’s Call Me by Your Name and last year’s A Complete Unknown. I’ve had him ranked 1st for months based on the notion that this seems like an awards friendly role. Chalamet was also the likely runner-up for Best Actor at the 97th ceremony when he fell short to Adrien Brody in The Brutalist. There is competition for the gold at the 98th production, especially from Battle‘s Leonardo DiCaprio and maybe Wagner Moura (The Secret Agent) and Ethan Hawke (Blue Moon). Yet the third time could definitely be the charm for Mr. Supreme.

Supporting Actress is tough to pinpoint. A’Zion is being called the breakout performance while Paltrow is being heralded for a comeback role. All scenarios are possible as they could both get in or cancel each other out. It makes it trickier that there’s potential double nominees for Sentimental Value with Elle Fanning and Inga Ibsdotter Lilleass and perhaps Sinners with Wunmi Mosaku and Hailee Steinfeld. If only one makes the cut, I’m a bit stumped as where the edge lies. I’ve had Paltrow ranked slightly above A’Zion. Precursors should assist in offering clues. Right now my gut says both do not make the quintet and one of them does. I could flip a coin at the moment between them.

As for other above the line races, Safdie’s inclusion in Director isn’t automatic but the embargo lapse makes me more confident he gets in. Original Screenplay (from Safdie and Ronald Bronstein) shouldn’t be a problem.

There is a number of possibilities in tech competitions and it starts with the new Best Casting award which Supreme (with its unexpected roster choices) looks tailor made for. The pic also seems viable in Best Cinematography (from two-time nominee Darius Khondji), Costume Design, Film Editing, Original Score, and Production Design. A best case scenario could even include Sound though I suspect several rivals could close that door.

This means the A24 release could rack up a dozen nods under the rosiest projections with high single digits seemingly happening. Wins might be hard to come by in a number of them, but its lead has boosted his chances even more with a month left in the calendar year. My Oscar Prediction posts will continue…

Oscar Predictions: Bardo

If you had asked me to guess the Rotten Tomatoes score for Alejandro Gonzalez Inarritu’s Bardo, False Chronicle of a Handful of Truths before its Venice debut today, I probably would’ve needed 55 guesses before I said 45%. Yet that’s where the acclaimed filmmaker’s seventh feature currently stands.

Simply put, that is shocking. Beginning with his debut Amores perros and its nomination for best foreign language pic in 2000, every Inarritu effort has attracted the attention of the Academy. His 2003 English debut 21 Grams landed acting nods for Naomi Watts and Benicio del Toro. 2006’s Babel received seven nominations including Picture and Director. 2010’s Biutiful got mentions in the foreign race and for Javier Bardem in Best Actor. 2014’s Birdman was the biggest breakthrough with nine nods and wins for Picture, Director, and Original Screenplay among others. One year later, Inarritu would win Best Director again for The Revenant, which also finally brought Leonardo DiCaprio to the podium in its total of 12 nominations.

So… to put it mildly, anything Inarritu makes is subject to massive awards speculation. Bardo is a return to his native Mexico for a three hour Fellini inspired dramedy. A November 18th theatrical run is planned before a Netflix streaming start on December 16th. It’s said to be based on the auteur’s real life experiences and initial reaction (as evidenced by the early RT rating) is troubling. Indulgent is a common word thus far.

The festival season beginning in Venice and with Telluride and Toronto on deck is just two days old. Bardo buzz is guaranteed to be one of the biggest surprises. In my predictions last week, I had the movie, Inarritu’s direction, and Daniel Gimenez Cacho in Best Actor all ranked 4th. Griselda Sicillani was fifth in Supporting Actress and there’s where I had this for Original Screenplay. It is very possible that it could fall out of contention altogether in each race mentioned when I publish my next update on Labor Day. I am confident I won’t be predicting nominations for any of the above. The largest benefactor to a Bardo collapse could be Park Chan-wook’s Decision to Leave. The heralded Japanese mystery could find itself as the international frontrunner now and more of an option in the BP derby.

A slight word of caution: this is just one festival. Bardo screens in Telluride this weekend and maybe the negative chatter will turn to the positive and it won’t be the non-factor that I suspect it’s become. Even the disappointed critics are singling out Darius Khondji’s cinematography so it could continue Inarritu’s streak of every picture getting some Oscar love. Let there be no doubt, however, as that streak is in serious danger. My Oscar Prediction posts will continue…

Oscar Predictions: Armageddon Time

James Gray has been a favorite of the critical community when it comes to writer/directors, but that hasn’t translated to Academy attention. The sole nod for his seven previous pictures belongs to 2019’s Ad Astra and a Sound Mixing nomination.

His latest is Armageddon Time and it’s a Queens set autobiographical tale taking place in the early 1980s. The film has debuted at Cannes and Focus Features will almost certainly make an awards push for it. Anne Hathaway, Jeremy Strong, Anthony Hopkins, and newcomers Banks Repeta and Jaylin Webb headline the cast.

The coming-of-age drama is receiving its share of kudos with the embargo lifted. That praise is not universal as other reviewers and bloggers are calling it a disappointment.

There was some question as to whether Strong or Hopkins would be the most likely recipient of the studio’s Supporting Actor push. Based on early buzz, I’d bet on the latter with Hathaway in the mix for Supporting Actress. I wouldn’t look for either to make my predicted five when I update my list on my blog. Other possibilities include Best Original Screenplay or Darius Khondji’s cinematography. However, with the somewhat mixed reaction stemming from overseas, Armageddon may simply fizzle out as the busy time of the season heats up in a few months. My Oscar Prediction posts will continue…

Oscar Watch: Uncut Gems

Amidst a stream of Netflix comedies that haven’t exactly had critics on their side, Adam Sandler is now garnering some career best reviews for his starring role in Uncut Gems. The crime thriller from directors Josh and Benny Safdie premiered at the Telluride over the weekend ahead of its December, non-Netflix release.

Praise has been heaped on Sandler and he finds himself potentially in contention for Oscar chatter for the first time in years. In 2002, the comedian’s heralded work in Paul Thomas Anderson’s Punch-Drunk Love nabbed some awards buzz that ultimately went unrealized. The Brothers Safdie are making their follow up to 2017’s Good Time, which generated some talk of a Robert Pattinson leading actor nod that also never materialized.

This could all come down to competition for Sandler and if the pic gains any traction with a decent sized audience. Distributor A24 will probably make a push for his inclusion even as they concentrate on other titles like Waves and The Farewell. The original screenplay and cinematography from Darius Knondji have also been singled out in critical write ups.

Bottom line: Uncut Gems opens the door for Sandler to make the cut for Oscar attention, but let’s see how open the field is as time goes on. My Oscar Watch posts will continue…