The 15 year era of Daniel Craig as one of cinema’s most famous characters concludes with No Time to Die. James Bond will return… but not with arguably his best incarnation since Sean Connery. Prior to the October 8 stateside bow, the embargo lifted this evening and the results are encouraging.
007’s 25th adventure stands at 89% on Rotten Tomatoes (with 35 reviews out at press time). Many critics are calling it a surprisingly emotional swan song for Craig’s contribution to the British super spy series. There’s also hints that it resembles more of the Roger Moore era of the canon than one might expect (a direction it seemed to be taking with predecessor Spectre). Ana de Armas is drawing raves for her very short amount of screen time. The consensus on Rami Malek’s main villain seems a bit mixed. There’s some complaints about the length (a Bond high 163 minutes).
Yet no one seems to be arguing that it’s a rather fitting conclusion to Craig’s tenure in the part. So will Oscar take notice? Skyfall, the third pic in the actor’s five appearances, probably came close to a Best Picture nod. It did earn five nominations – winning Sound Editing and Original Song (Adele’s title track) with mentions in Sound Mixing, Score, and Cinematography. 2015’s follow-up Spectre (which had less laudatory reviews) managed a sole nomination in Song with Sam Smith’s “The Writing’s on the Wall” where it scored an upset victory.
I wouldn’t be shocked if an internet campaign is mounted for Craig to get a Best Actor slot (kind of as a tribute to the whole run). It’s highly unlikely to materialize. I do believe Die will make it three in a row for the songs with Billie Eilish’s title tune work. Whether she wins is a question mark (Beyonce has a ditty from King Richard that might serve as its main competition). Cinematography and Sound are two other feasible possibilities.
Bottom line: while I don’t foresee this factoring into the biggest races, tech and musical recognition could be coming its way. My Oscar Prediction posts for the films of 2021 will continue…
***Blogger’s Note Part III (10/06): I have revised my No Time to Die prediction from $104.1 million down to $94.1 million, which would still set a COVID era record.
***Blogger’s Note Part II (10/03): With the news that Venom: Let There Be Carnage has grossed approximately $90 million out of the gate, it’s go big or go home for No Time to Die! I’m re-upping my estimate from $84.1 million to a COVID era best $104.1 million***
**Blogger’s Note (10/01): A week before its stateside premiere, I have decided to significantly increase my prediction (partly due to the apparent over performance of Venom: Let There Be Carnage). I’m going from $72.1 million to $84.1 million**
Ladies and gentlemen, the second frame of October finally marks the weekend for Daniel Craig’s swan song as 007 in No Time to Die. The 25th official entry in the James Bond franchise was gearing up for release in April of 2020 (Billie Eilish’s title track had already dropped) when COVID scuttled the plans. It experienced several more delays before at last settling on October 8. Craig is back for his fifth and final appearance along with series returnees Lea Seydoux, Ralph Fiennes, Naomie Harris, Ben Whishaw, Jeffrey Wright, Rory Kinnear, and Christoph Waltz. On the job for the first time are Rami Malek as the main villain, Lashana Lynch, Craig’s Knives Out costar Ana de Armas, and Billy Magnussen.
Anticipation is certainly present with the culmination of Mr. Craig’s service as the British super spy – one rivaled by only Sean Connery. He’s actually had the longest run as the character in terms of time, though not actual volume of pictures. It seems like eons since moviegoers have had their Bond fix. With the frequent pushbacks, the just shy of a six-year wait is the second lengthiest break between 007 adventures (beaten by the sabbatical of 1989’s Licence to Kill and 1995’s Goldeneye at nearly six and a half years).
Fifteen years ago, Craig defied expectations with the critically acclaimed Casino Royale. It made $40 million for its start but legged out very impressively. Sequel (and it was the first true Bond sequel) Quantum of Solace debuted two years later with $67 million. 2012’s Skyfall marked a high point at the box office as it grossed over a billion dollars worldwide. The premiere stateside is a series best $88 million. Three years later, Spectre kicked off with $70 million.
So where will this golden era of 007 culminate in terms of opening weekend? There’s certainly a range of possibilities. First things first: it will have no trouble eclipsing what Craig’s first foray achieved a decade and a half ago. I do believe the COVID times will prevent the record setting starting number of Skyfall managed (but you never know). It’s hard to totally factor in the excitement for its star’s last go-round. A video of Craig bidding adieu to his costars and crew has been widely circulated on social media in recent weeks.
My hunch is that a premiere in the range of Quantum and Spectre is most likely stateside (I’m sure its overseas haul will be massive). I’m tempted to say a low to mid 60s gross just under them could occur. However, I’ll err on the side of over performance and project low to mid 70s. (PER ABOVE: I have increased estimate from $72.1M to $84.1M to $104.1 million)
No Time to Die opening weekend prediction: $94.1 million
We have arrived at part III of my recaps of the summer seasons that came 30, 20, and 10 years ago. That means 2011 is upon us. If you missed my sizzling throwbacks to 1991 and 2001, you can find them here:
As is tradition, I will recount the top 10 hits as well as other notable features and some flops in a season where moviegoers bid a fond farewell to their iconic wizard:
Let’s get to it, yes?
10. Bridesmaids
Domestic Gross: $169 million
Kristin Wiig made one of the most successful jumps from SNL to movie stardom in this critically hailed pic that also earned Melissa McCarthy her silver screen breakout and even an Oscar nomination. It might not be the highest grossing comedy on here, but it’s definitely still the most talked about.
9. The Help
Domestic Gross: $169 million
Based on Kathryn Stockett’s bestseller, the 1960s set period piece from Tate Taylor brought the book’s readers and many others to the multiplex. Four Oscar nods followed including Best Picture and a Supporting Actress victory for Octavia Spencer.
8. Captain America: The First Avenger
Domestic Gross: $176 million
The Marvel Cinematic Universe’s first big branch out occurred during this summer where we would get our first glimpse at this OG avenger in the form of Chris Evans and another one who sits at the throne of spot #6. The sequels actually improved on what we see here, but the Captain gets rolling with this.
7. Rise of the Planet of the Apes
Domestic Gross: $176 million
Rupert Wyatt’s reboot of the franchise is deservedly better regarded than Tim Burton’s re-imagining that transpired in 2001. Debuting the fantastic motion capture work of Andy Serkis, this would spawn two follow-ups that also pleased audiences and critics and did considerable monkey business.
6. Thor
Domestic Gross: $181 million
Chris Hemsworth’s Asgardian heartthrob hammered into the public consciousness alongside Natalie Portman and Anthony Hopkins and managed $5 million more box office bucks than the Captain. The third sequel is currently in production.
5. Cars 2
Domestic Gross: $191 million
Despite grossing nearly $200 million, this Pixar sequel is not one of the studio’s most fondly remembered vehicles with just a 40% Rotten Tomatoes rating. A third Cars did zoom into theaters six years later.
4. Pirates of the Caribbean: On Stranger Tides
Domestic Gross: $241 million
With a reported budget of $379 million, Johnny Depp’s fourth headlining of the franchise still sports the largest price tag of all time. The actor’s final participation in the series would come in 2017 with Disney still looking to reboot it without their signature player.
3. The Hangover Part II
Domestic Gross: $254 million
Crowds were still clamoring for the drunken exploits of Bradley Copper, Ed Helms, and Zach Galifianakis. Critics weren’t near as kind to part II, but audiences didn’t begin to tire of the hijinks until part III two years later.
2. Transformers: Dark of the Moon
Domestic Gross: $352 million
Michael Bay’s third saga of the Autobots and Decepticons marks Shia LaBeouf’s last appearance in the franchise and includes drop-ins from acting heavyweights John Malkovich and Frances McDormand. Mark Wahlberg would take over starring duties three years later.
1. Harry Potter and the Deathly Hallows – Part 2
Domestic Gross: $381 million
After nearly a decade of enchanting kids and their parents alike, the franchise stemming from J.K. Rowling’s beloved novels received a fittingly massive send-off with this billion dollar plus worldwide earner.
Now for other noteworthy titles from the summer:
X-Men: First Class
Domestic Gross: $146 million
Bryan Singer’s handed over directorial reigns to Matthew Vaughn for this reinvigorating reboot of the series that introduced the younger versions of Charles Xavier, Magneto, and Mystique in the bodies of James McAvoy, Michael Fassbender, and Jennifer Lawrence. Numerous sequels of varying quality followed.
The Smurfs
Domestic Gross: $142 million
Sony Pictures wasn’t blue about the financial returns for this half live-action/half animated adaptation of the popular comics and animated series. A sequel came in 2013.
Super 8
Domestic Gross: $127 million
In between Star Trek pics and before rebooting Star Wars, J.J. Abrams helmed this sci-fi original which paid tribute to the Spielberg efforts of the 1980s. Critics gave it their stamp of approval and it’s notable for one heckuva train crash sequence.
Horrible Bosses
Domestic Gross: $117 million
This raunchy comedy about workers exacting revenge on their wretched superiors showed us a whole different side to Jennifer Aniston and spawned a 2014 sequel.
Crazy, Stupid, Love
Domestic Gross: $84 million
Before their collaboration on La La Land earned lots of Oscar nods five years later, Emma Stone and Ryan Gosling teamed up for this rom com with Steve Carell and Julianne Moore that exceeded expectations with audiences and many critics.
Midnight in Paris
Domestic Gross: $56 million
It was a different time 10 years ago for Woody Allen, who scored his last big hit with this fantastical comedy starring Owen Wilson. Woody would win the Oscar for Original Screenplay and it landed three additional nominations including Picture and Director.
The Tree of Life
Domestic Gross: $13 million
Terrence Malick’s epic philosophical drama won the Palme d’Or at the Cannes Film Festival and was nominated for Best Picture, Director, and Cinematography at the Academy Awards. Not your typical summer fare, but it certainly had reviews on its side.
And now for some titles that didn’t meet expectations commercially, critically, or both:
Green Lantern
Domestic Gross: $116 million
Five years before he entered the comic book flick pantheon with Deadpool, Ryan Reynolds didn’t have as much luck with this critically drubbed flop. Even the star himself has taken to calling it a waste of time for viewers.
Cowboys & Aliens
Domestic Gross: $100 million
Coming off the huge Iron Man pics, Jon Favreau cast James Bond (Daniel Craig) and Indiana Jones (Harrison Ford) in this space western that didn’t impress crowds or critics and earned considerably less than its budget domestically.
Mr. Popper’s Penguins
Domestic Gross: $68 million
Audiences were mostly cool to Jim Carrey’s treatment of the popular late 30s children’s book though it did manage to top its $55 million budget. It probably would have made far more during the star’s box office heyday.
Spy Kids 4-D: All the Time in the World
Domestic Gross: $38 million
A decade after Robert Rodriguez kicked the kiddie franchise off to great results, part 4 marked a low mark for the series.
Larry Crowne
Domestic Gross: $35 million
The star power of Tom Hanks (who also directed) and Julia Roberts couldn’t elevate this rom com from a subpar showing (critics weren’t kind either). This is largely a forgotten entity on both actor’s filmographies.
Conan the Barbarian
Domestic Gross: $21 million
Before becoming known to the masses as Aquaman, Jason Momoa couldn’t fill the shoes of Arnold Schwarzenegger in this bomb that couldn’t swim close to its $90 million budget.
And that does it, folks! I’ll have recaps of the summers of 1992, 2002, and 2012 up for your enjoyment next season!
Of the six actors to have played the most famous spy in cinematic history, only one of them has ever been nominated for an Oscar. That would be, of course, Sean Connery and he was victorious in 1987 for his supporting work in The Untouchables. It is worth noting that the last two Bonds (Pierce Brosnan, Daniel Craig) have Golden Globes nods in the Musical/Comedy category for The Matador and Knives Out, respectively.
With the recent death of Sir Connery, this got me thinking… how many actors from the nearly 60 year old franchise have been recognized by the Academy? And how much Oscar attention has the series itself received? For the first question, it was rather limited until Craig took over the role. For the second question, 9 out of the 24 official 007 entries have managed to get on awards voters radar screens. So let’s break it down, shall we?
Goldfinger (1964) was the third feature in the franchise and it marked the first nomination and win for the Bond catalogue. The pic took the Best Sound Effects trophy. One year later, Thunderball won for its Visual Effects. Connery’s final official appearance in 1971’s Diamonds Are Forever resulted in a nod for its sound.
When Roger Moore took over the part, his debut saw the first theme song nominated courtesy of Paul McCartney’s title track to 1973’s Live and Let Die. There would also be song nods for both The Spy Who Loved Me (1977) and For Your Eyes Only in 1981. Spy would mark the first Bond flick to score multiple mentions with its score and art direction. And Moore’s 1979 space opus Moonraker was nominated for its visual effects.
George Lazenby’s one-off appearance in On Her Majesty’s Secret Service, Timothy Dalton’s two 1980s pictures, and the 1990s-early 2000s four film Pierce Brosnan run yielded zero Oscar mentions. Same goes for Craig’s first two outings Casino Royale and Quantum of Solace.
So it had been over 30 years since a Bond adventure had been recognized on Oscar night when 2012’s Skyfall landed a franchise record 5 nominations. It won two with Adele’s theme song and its sound editing. The other nods were Score, Sound Mixing, and Cinematography. The song love would continue with 2015’s Spectre when Sam Smith won for his tune.
Add that up and we have 15 total nominations for the series and 5 wins.
We move to the thespians and their fortune at the big show. As mentioned, before the recent run of Craig titles, it was a bit limited. In fact, the number of actors who are Oscar nominees from the Craig run nearly equals everything that came before it. Giancarlo Giannini appeared in Casino and Quantum and he was a Best Actor nominee in 1975 for Seven Beauties. Ralph Fiennes (otherwise known as M) is a double nominee for Schindler’s List and The English Patient. Naomie Harris (or Moneypenny) achieved a Supporting Actress mention for 2016’s Moonlight. Albert Finney showed up in Skyfall and he was nominated five times in his long career. Craig’s original “M” was Judi Dench and she dates back to the Brosnan era. She’s a one-time winner with 6 other nominations.
That’s just the good guys. In the Craig era, the villains come with serious awards cred. Javier Bardem from Skyfall had taken Supporting Actor five years earlier in No Country for Old Men and is a two-time Best Actor nominee for Before Nights Falls and Biutiful. Christoph Waltz (Spectre) is a double Supporting Actor winner with Inglourious Basterds and Django Unchained. And the next pic – the oft delayed No Time to Die – has Rami Malek as its main baddie. In 2018, he gave his acceptance speech for Bohemian Rhapsody.
Going back to the beginning, From Russia with Love featured Lotte Lenye (a 1961 nominee for The Roman Spring of Mrs. Stone) and Robert Shaw (nominated three years after Russia for A Man for All Seasons). And that’s actually the extent of performers from the Connery era nominated for Oscars… sort of. The legend did return to the role in 1983’s Never Say Never Again, though it is not considered part of the “official” catalogue. It does boast three Academy players with Klaus Maria Brandauer (Out of Africa), Max Von Sydow (Pelle the Conquerer and Extremely Loud and Incredibly Close), and Kim Basinger (Supporting Actress recipient for 1997’s L.A. Confidential).
Telly Savalas costarred with Lazenby in Secret Service and he was nominated seven years earlier for his work in Birdman of Alcatraz. In the Moore era, there’s just Topol. He’s best known his nominated work in Fiddler on the Roof and he costarred in For Your Eyes Only. In the Dalton double feature, we have Benicio del Toro as he was a henchman in Licence to Kill. Over a decade later, he would win Supporting Actor for Traffic and get another nod for 21 Grams. Things picked up a bit with Brosnan. In addition to Dench, a trio of actresses were on their way or had already achieved nominations. Halle Berry co-headlined Die Another Day one year after winning Actress for Monster’s Ball. Minnie Driver had a small role in Goldeneye and would have her breakout part (along with Supporting Actress inclusion) two years later with Good Will Hunting. And Rosamund Pike was also in Die Another Day a decade plus before her Actress nod for Gone Girl.
A final word. Not one of the 24 released 007 features has achieved any acting, directing, writing, or picture nominations of its own. Skyfall probably came the closest as some prognosticators wondered whether it could be the first to nab a Picture nod. It didn’t materialize, but its five nominations indicate it might have come the closest. Indeed, Daniel Craig’s time as Bond has seen him costar with the most Academy friendly costars. Let’s see if the next performer to play the iconic spy gets to act alongside that same kind of pedigree.
A fascinating factoid is out now that the U.S. Presidential Election of 2020 is in the rearview. As fans of the James Bond franchise are aware, we are now approaching the 60th anniversary of the series in 2022. The release of No Time to Die will mark the 25th official feature in the 007 canon when it (hopefully) debuts in 2021. As you are likely aware, the fifth and final Daniel Craig appearance as the British super spy was originally slated for April 2020 before its COVID-19 related delay.
Why am I saying all of this as it relates to the election that just happened? Well, it turns out that the Trump presidency will be the first since the series began in which no James Bond picture was released. That means there have been 10 U.S. Presidencies in a row where 007 appeared on the silver screen… from Kennedy to Obama. Until now. This will clearly resume when No Time is released in plenty of time for when Joe Biden sits in the Oval Office.
Based on this interesting little nugget of trivia info, I thought it might be fun to run through the movies that were released under each former POTUS and take stock with how their administrations matched up with Bond’s adventures onscreen:
The Presidency of John F. Kennedy
The Bond Pictures: Dr. No (1962)
It seems more than appropriate that this franchise started under JFK’s tenure. President Kennedy was a self-professed fan of the Ian Fleming novels. The producers of Bond actually chose From Russia with Love to be the second in the series because JFK singled it out as a favorite book. Sadly, the last movie the President ever watched at the White House was From Russia (months before its actual US release, though it was out in the UK). That was on November 20. Two days later is when Kennedy took the fateful trip to Dallas.
The Presidency of Lyndon Johnson
The Bond Pictures: From Russia with Love (1963), Goldfinger (1964), Thunderball (1965), You Only Live Twice (1967)
I would say it’s hard to argue that Johnson’s time in the White House isn’t the most impressive when it comes to the 007 catalogue. This was, of course, the heyday of Sean Connery’s time in the role which turned him into an international superstar. The first two titles on the board are often cited as the greatest of the bunch (my personal favorite is Russia).
The Presidency of Richard Nixon
The Bond Pictures: On Her Majesty’s Secret Service (1969), Diamonds Are Forever (1971), Live and Let Die (1973)
Nixon wins having the most Bonds during his time in office. There were three as his Presidency marked George Lazenby’s one off in Service, Connery’s return in Diamonds, and Roger Moore’s first outing with Live. I would also say the trio is all somewhat underwhelming to a degree (though I know the Service diehards will not appreciate that statement).
The Presidency of Gerald Ford
The Bond Pictures: The Man with the Golden Gun (1974)
Pretty slim picking for Mr. Ford with Moore’s second go-round as 007. This is deservedly considered one of the weakest in the franchise.
The Presidency of Jimmy Carter
The Bond Pictures: The Spy Who Loved Me (1977), Moonraker (1979)
The best of times and worst of times for Roger Moore matched with the Carter Administration. I would easily call Spy the finest Moore pic in his run while Moonraker is the low point.
The Presidency of Ronald Reagan
The Bond Pictures: For Your Eyes Only (1981), Octopussy (1983), A View to a Kill (1985), The Living Daylights (1987)
It’s appropriate that some of the titles here incorporate the Cold War activities happening in Reagan’s 1980s era. The list here includes two solid Moore outings (yes, I think Octopussy is quite good) and the middling finale of View. It also marks Timothy Dalton’s fairly pleasing debut in Daylights. As a side note, while not considered an official Bond pic in the canon sense, Sean Connery returned to his signature part with 1983’s Never Say Never Again.
The Presidency of George H.W. Bush
The Bond Pictures: Licence to Kill (1989)
The last one term President until now had just one 007 flick. I maintain that Licence may be just the most underrated one of the whole series. It was Dalton’s swan song for his brief tenure.
The Presidency of Bill Clinton
The Bond Pictures: Goldeneye (1995), Tomorrow Never Dies (1997), The World Is Not Enough (1999)
The Clinton Era matches with the Pierce Brosnan era as the franchise was revitalized financially with these three blockbusters which were all decent in quality.
The Presidency of George W. Bush
The Bond Pictures: Die Another Day (2002), Casino Royale (2006), Quantum of Solace (2008)
A mixed bag. I consider Brosnan’s finale of Day to be the worst James Bond adventure of all time. On the other hand, Daniel Craig’s emergence in Royale is second only to From Russia with Love in my opinion. Quantum was just OK and the weakest of the Craig pics.
The Presidency of Barack Obama
The Bond Pictures: Skyfall (2012), Spectre (2015)
Bond reached a billion dollars in the Obama era with Skyfall, rightfully considered one of the strongest of the two dozen pictures. Spectre didn’t match its quality, but was still pretty good.
The Presidency of Donald Trump
As I said… nada. No Time to Die would have been the one Trump time release if not for the pandemic. It will instead be unveiled when President Biden is in office and there could be even be a new 007 under his Presidency depending on how quickly the studio casts a new spy.
It is, quite simply, the greatest screen introduction of all time. Nearly 60 years ago, the suave tuxedoed super agent lighting his cigarette in the posh casino and uttering three words that changed cinematic history.
“Bond. James Bond.”
They were, of course, spoken by Sean Connery. And that line of dialogue, flawlessly delivered, kicked off the franchise of all franchises. The role of 007 was followed by George Lazenby, Roger Moore, Timothy Dalton, Pierce Brosnan, and Daniel Craig. Yet to most lovers of the art form – Connery is Bond. He perfected Ian Fleming’s British hero from the start in Dr. No and continued to do so in the seminole pictures from the series including From Russia with Love and Goldfinger.
When a performer passes on, as Connery has at age 90, it’s easy to delve into hyperbole. That doesn’t apply here. The man truly was and is an icon. Just being the best and original Bond would be enough to cement that legacy.
However, there’s plenty more. His Oscar winning turn as the tough and gruff Malone in Brian De Palma’s The Untouchables. His role as the father to Indiana Jones in The Last Crusade. Being Alfred Hitchcock’s leading man in Marnie. His Soviet captain in The Hunt for Red October. The escape artist opposite Nicolas Cage in The Rock. His shining star among other legends in Murder on the Orient Express.
The man who will always be Bond and much more may be gone, but that famous introduction and hours of additional first rate entertainment will be there for us to appreciate. And nobody looked cooler providing it to us.
Sean Connery. Icon. August 25, 1930-October 31, 2020.
Available via Netflix, today’s streaming guide highlights a Depression era gangster pic that took its star out of his typical comfort zone:
2002’s Road to Perdition casts Tom Hanks as a 1930s hitman whose family falls victim to his professional choices. The pic comes from Sam Mendes as the follow-up to his Oscar winning American Beauty. The supporting cast includes Paul Newman in one of his final onscreen appearances, Jude Law, and a pre 007 Daniel Craig (Mendes would direct him later in Skyfall and Spectre).
This was a rather bold choice for everyman Hanks and it paid off with solid reviews and robust box office. If you missed it the first time around, it’s well worth a view.
With the exception of two or three categories, the only thing that seems certain for Sunday night’s Golden Globe Awards is that host Ricky Gervais will say something to upset people. With questions about who and what will emerge victorious this awards season, there is plenty of drama to go with the music and comedy this weekend.
While I spend a lot of time prognosticating the Oscars on this blog, I only did one post estimating what the Hollywood Foreign Press gave us for consideration. And now it’s time to predict the winners.
First, a quick Globes 101. This ceremony splits the lead acting races and pictures into Drama and Musical or Comedy. They do not split screenplay into Adapted or Original like the Academy does. Furthermore, unlike the Oscars, foreign pictures are nominated only in that race and are not eligible for the two top Picture categories.
This creates a fascinating dynamic Sunday evening as Oscar’s likely top three potential Best Picture winners (The Irishman, Once Upon a Time in Hollywood, Parasite) are all in different races. Bottom line: the Globes could be more helpful in pointing out what direction Academy voters may go in the acting derbies. We shall see…
Here goes as I break down each competition with analysis and a winner pick:
Best Motion Picture – Drama
The Nominees: 1917, The Irishman, Joker, Marriage Story, The Two Popes
Analysis: Of the three motion picture races, this is the one I feel least confident about. In 2018, the HFPA went with a giant blockbuster and a surprise with Bohemian Rhapsody. If they go this route again, you can expect Joker to be the victor. After all, 1917 hasn’t even opened wide yet (it could sneak a win too) and the other three are Netflix releases. This ultimately serves as the first major test for The Irishman as it moves through awards season. I’ll give it the edge, but not my much.
PREDICTED WINNER – THE IRISHMAN
Alternate – Joker
Best Motion Picture – Musical or Comedy
The Nominees: Dolemite Is My Name, Jojo Rabbit, Knives Out, Once Upon a Time in Hollywood, Rocketman
Analysis: Some simple math here as Hollywood is the only nominee that also scored a nod for its director. That bodes well and this is the clear frontrunner.
PREDICTED WINNER – ONCE UPON A TIME IN HOLLYWOOD
Alternate – Rocketman
Best Director
The Nominees: Bong Joon-Ho (Parasite), Sam Mendes (1917), Todd Phillips (Joker), Martin Scorsese (The Irishman), Quentin Tarantino (Once Upon a Time in Hollywood)
Analysis: This could certainly come down to Scorsese vs. Tarantino. Yet Sunday could be the beginning of a huge run for Joon-Ho picking up directing honors. I think that’s what happens.
PREDICTED WINNER – BONG JOON-HO
Alternate – Quentin Tarantino
Best Actor – Drama
The Nominees: Christian Bale (Ford v Ferrari), Antonio Banderas (Pain and Glory), Adam Driver (Marriage Story), Joaquin Phoenix (Joker), Jonathan Pryce (The Two Popes)
Analysis: The Driver vs. Phoenix battle begins with the Globes. Joker did extremely well with Globes voters and this race probably represents its best chance for a victory. Driver is quite viable, but I’m going Phoenix.
PREDICTED WINNER – JOAQUIN PHOENIX
Alternate – Adam Driver
Best Actress – Drama
The Nominees: Cynthia Erivo (Harriet), Scarlett Johansson (Marriage Story), Saoirse Ronan (Little Women), Charlize Theron (Bombshell), Renee Zellweger (Judy)
Analysis: In what could absolutely be the Oscar final five, Zellweger’s work as the iconic Judy Garland seems like the type of performance HFPA will eat up. Johansson and Theron are threats, but this could be the first of a couple more Zellweger podium walks.
PREDICTED WINNER – RENEE ZELLWEGER
Alternate – Scarlett Johansson
Best Actor – Musical or Comedy
The Nominees: Daniel Craig (Knives Out), Roman Griffin Davis (Jojo Rabbit), Leonardo Dicaprio (Once Upon a Time in Hollywood), Taron Egerton (Rocketman), Eddie Murphy (Dolemite Is My Name)
Analysis: For Craig and Davis, it’s an honor to be nominated as this is a three person race. Both Egerton and DiCaprio should pick up significant votes and I’m awfully tempted to go Leo. However, Murphy’s acclaimed performance and his legendary status (especially coming so soon after his SNL return) could be irresistible to the HFPA.
PREDICTED WINNER – EDDIE MURPHY
Alternate – Leonardo DiCaprio
Best Actress – Musical or Comedy
The Nominees: Ana de Armas (Knives Out), Awkwafina (The Farewell), Cate Blanchett (Where’d You Go Bernadette), Beanie Feldstein (Booksmart), Emma Thompson (Late Night)
Analysis: Awkwafina is really the only player here with an Oscar shot so she’s a strong frontrunner. It’s pretty much that simple. I’d say de Armas is the only upset possibility and it’s rather slim.
PREDICTED WINNER – AWKWAFINA
Alternate – Ana de Armas
Best Supporting Actor
The Nominees: Tom Hanks (A Beautiful Day in the Neighborhood), Anthony Hopkins (The Two Popes), Al Pacino (The Irishman), Joe Pesci (The Irishman), Brad Pitt (Once Upon a Time in Hollywood)
Analysis: What a list of legends we have here as Pacino and Pesci may split votes and that paves the way for Pitt. Expect this to be a familiar refrain.
PREDICTED WINNER – BRAD PITT
Alternate – Joe Pesci
Best Supporting Actress
The Nominees: Kathy Bates (Richard Jewell), Annette Bening (The Report), Laura Dern (Marriage Story), Jennifer Lopez (Hustlers), Margot Robbie (Bombshell)
Analysis: The smart money is on Lopez, who’s had a remarkable comeback in 2019. I may regret this, but I’m going with a gut feeling that Dern takes it and that may represent the only win for Marriage Story of its six nods.
PREDICTED WINNER – LAURA DERN
Alternate – Jennifer Lopez
Best Screenplay
The Nominees: The Irishman, Marriage Story, Once Upon a Time in Hollywood, Parasite, The Two Popes
Analysis: The only entry here I don’t see with a fair shot of winning is Popes. This is a coin flip situation. Despite what I just said about Dern, Marriage could absolutely win. The Parasite love could extend here and same with Irishman. Tough one, but I’ll give Tarantino the edge (especially since I’m betting against him in Director).
PREDICTED WINNER – ONCE UPON A TIME IN HOLLYWOOD
Alternate – Marriage Story
Best Foreign Language Film
The Nominees: The Farewell, Les Miserables, Pain and Glory, Parasite, Portrait of a Lady on Fire
Analysis: All five pics have their ardent admirers, but here’s the deal. If Parasite doesn’t win, it would constitute the biggest upset of the evening. Not happening.
PREDICTED WINNER – PARASITE
Alternate – umm… let’s say Pain and Glory
Best Animated Feature Film
The Nominees: Frozen II, How to Train Your Dragon: The Hidden World, The Lion King, Missing Link, Toy Story 4
Analysis: Disney has 60% of the nominees here, including that rather shocking Lion King inclusion. I wouldn’t totally count out Dragon, but Pixar should get the glory.
PREDICTED WINNER – TOY STORY 4
Alternate – How to Train Your Dragon: The Hidden World
Best Orignal Score
The Nominees: 1917, Joker, Little Women, Marriage Story, Motherless Brooklyn
Analysis: This one isn’t easy as just Brooklyn seems unlikely to get it. I’ll give Thomas Newman (1917) a small advantage over cousin Randy (Marriage Story), Alexandre Desplat (Women), and Hildur Guonadottir (Joker).
PREDICTED WINNER – 1917
Alternate – Little Women
Best Original Song
The Nominees: “Beautiful Ghosts” from Cats, “(I’m Gonna) Love Me Again” from Rocketman, “Into the Unknown” from Frozen II, “Spirit” from The Lion King, “Stand Up” from Harriet
Analysis: Never count out Disney with the ballad from Frozen II, but the general consensus is it’s no “Let It Go”. There’s some serious heavy hitters here with Beyonce, Taylor Swift, and Elton John in the mix. HFPA might want to see Elton onstage.
PREDICTED WINNER – “(I’M GONNA) LOVE ME AGAIN” FROM ROCKETMAN
Alternate – “Into the Unknown” from Frozen II
So this means I’m predicting the Globes spread it around with the following winner counts:
3 Wins
Once Upon a Time in Hollywood
2 Wins
Parasite
1 Win
1917, Dolemite Is My Name, The Farewell, The Irishman, Joker, Judy, Marriage Story, Rocketman, Toy Story 4
I’ll have a recap of the show up Sunday night with my results!
Perhaps the most preeminent Oscar precursor announced their nominations this morning and that means it’s both time for my analysis and a report on how yours truly did with the predictions!
Some quick takes before breaking down each race… Joker and The Two Popes had good mornings and did better than anticipated. Marriage Story led the way with 6 nominations followed by The Irishman and Once Upon a Time in Hollywood with five apiece. As for Martin Scorsese’s gangster epic, it did miss in one key category.
Let’s take it race by race, shall we?
Best Motion Picture – Drama
Nominees: 1917, The Irishman, Joker, Marriage Story, The Two Popes
How I Did: 3/5
Analysis: As mentioned, it was indeed a solid morning for Joker and Popes. Those were the two entries I didn’t predict and they got in over Ford v Ferrari and Little Women (which had a rather subpar day). They were my two picks for alternates at least. This appears to be a race between the pictures with the most nods – Irishman and Marriage Story with the former having the edge (see Director).
Best Motion Picture – Musical or Comedy
Nominees: Dolemite Is My Name, Jojo Rabbit, Knives Out, Once Upon a Time in Hollywood, Rocketman
How I Did: 4/5
Analysis: It was my first alternate Dolemite getting in over Cats, which did screen for Hollywood Foreign Press voters even though its review embargo hasn’t yet lapsed. This is Hollywood‘s category to lose and it’s the strong front-runner.
Best Director
Nominees: Bong Joon-Ho (Parasite), Sam Mendes (1917), Todd Phillips (Joker), Martin Scorsese (The Irishman), Quentin Tarantino (Once Upon a Time in Hollywood)
How I Did: 4/5
Analysis: The surprise here is certainly Phillips, who I didn’t have listed as an alternate. He gets in over Noah Baumbach, which could mean a Best Drama victory for the film itself got tougher. I’m thinking Scorsese vs. Tarantino here with Joon-Ho as a very serious spoiler.
Best Actor – Drama
Nominees: Christian Bale (Ford v Ferrari), Antonio Banderas (Pain and Glory), Adam Driver (Marriage Story), Joaquin Phoenix (Joker), Jonathan Pryce (The Two Popes)
How I Did: 4/5
Analysis: That key category that The Irishman missed is here with Robert De Niro not getting in the mix in favor of my first alternate Christian Bale. Another miss here is Adam Sandler in Uncut Gems as he’s won some precursors from the critical community. Just like the Oscars could be, this may come down to Driver or Phoenix.
Analysis: No surprises here! It is worth mentioning that, despite some early critical precursor love, the work of Lupita Nyong’o in Us didn’t factor in. Zellweger may have the edge here, followed by Johansson or Theron. This could also match what the Academy does.
Best Actor – Musical or Comedy
Nominees: Daniel Craig (Knives Out), Roman Griffin Davis (Jojo Rabbit), Leonardo DiCaprio (Once Upon a Time in Hollywood), Taron Egerton (Rocketman), Eddie Murphy (Dolemite Is My Name)
How I Did: 5/5
Analysis: Another sweep here as this list was as anticipated. DiCaprio is the favorite, but don’t sleep on Murphy or Egerton as spoilers.
Best Actress – Musical or Comedy
Nominees: Awkwafina (The Farewell), Cate Blanchett (Where’d You Go Bernadette), Ana de Armas (Knives Out), Beanie Feldstein (Booksmart), Emma Thompson (Late Night)
How I Did: 4/5
Analysis: It’s first alternate Blanchett in for over Constance Wu from Hustlers. As I do believe Awkwafina is the only actress here with Oscar viability, look for her to win here.
Best Supporting Actor
Nominees: Tom Hanks (A Beautiful Day in the Neighborhood), Anthony Hopkins (The Two Popes), Al Pacino (The Irishman), Joe Pesci (The Irishman), Brad Pitt (Once Upon a Time in Hollywood)
How I Did: 5/5
Analysis: Today could have given a boost to Willem Dafoe in The Lighthouse or other outliers such as Wesley Snipes (Dolemite) or Song Kang-Ho (Parasite), but it wasn’t to be as this very star studded list materialized as predicted. With Pacino and Pesci potentially splitting votes, Pitt is in the driver’s seat.
Best Supporting Actress
Nominees: Kathy Bates (Richard Jewell), Annette Bening (The Report), Laura Dern (Marriage Story), Jennifer Lopez (Hustlers), Margot Robbie (Bombshell)
How I Did: 3/5
Analysis: I was a little shakier here as my first alternate Bening and unlisted Bates get in over Scarlett Johansson (Jojo Rabbit) and Florence Pugh (Little Women). Expect Dern vs. Lopez in this one.
Best Screenplay
Nominees: The Irishman, Marriage Story, Once Upon a Time in Hollywood, Parasite, The Two Popes
How I Did: 4/5
Analysis: Another feather in the cap for Popes, which could in over Jojo (which had a rather subpar morning). Hollywood could have a very slight edge over Marriage.
Best Motion Picture – Foreign Language
Nominees: The Farewell, Les Miserables, Pain and Glory, Parasite, Portrait of a Lady on Fire
How I Did: 4/5
Analysis: Nothing unexpected as Les Miserables (my first alternate) was named over Atlantics. No doubt that Parasite is the massive favorite.
Best Motion Picture – Animated
Nominees: Frozen II, How to Train Your Dragon: The Hidden World, The Lion King, Missing Link, Toy Story 4
How I Did: 4/5
Analysis: Perhaps the shocker of the day is The Lion King nabbing a nod here. I said I Lost My Body instead. With Disney holding now three of the five slots, they’ve got 60% chance to win. Dragon could upset, but Toy Story is the probable recipient.
Best Original Score
Nominees: 1917, Joker, Little Women, Marriage Story, Motherless Brooklyn
How I Did: 4/5
Analysis: Brooklyn got a surprise nod. I had Ford v Ferrari instead. 1917 looks to take the trophy.
Best Original Song
Nominees: “Beautiful Ghosts” from Cats, “(I’m Gonna) Love Me Again” from Rocketman, “Into the Unknown” from Frozen II, “Spirit” from The Lion King, “Stand Up” from Harriet
How I Did: 4/5
Analysis: Second alternate “Stand Up” is in over my “Daily Battles” from Motherless Brooklyn. The Globe voters could be tempted to go with Elton John here, though Frozen II is probably a soft favorite.
So, al in all, I went 54 for 70 on my overall estimates. The Golden Globes airs January 5th on NBC with Ricky Gervais hosting.
On Monday, one of the most significant Oscar precursors announces their nominations. Yes, we have the Golden Globe nods coming out with the SAG Awards following on Wednesday (except my predictions on them early this week).
While I’ve been updating my Oscar projections on a near weekly basis, I don’t do the same with the Globes. This will serve as my first and last batch of predictions for the ceremony airing in January with Ricky Gervais hosting.
As you’re likely aware, this show does it a bit different than the Oscars by splitting their film and lead actor categories into separate Drama and Musical/Comedy categories. For each race, I’m making my five predicted features or performers that I believe will make the cut as well as a first and second alternate.
Let’s get to it!
Best Motion Picture – Drama
1917
Ford v Ferrari
The Irishman
Little Women
Marriage Story
1st Alternate – Joker
2nd Alternate – The Two Popes
Best Motion Picture – Musical or Comedy
Cats
Jojo Rabbit
Knives Out
Once Upon a Time in Hollywood
Rocketman
1st Alternate – Dolemite Is My Name
2nd Alternate – Hustlers
Best Director
Noah Baumbach, Marriage Story
Bong Joon-Ho, Parasite
Sam Mendes, 1917
Martin Scorsese, The Irishman
Quentin Tarantino, Once Upon a Time in Hollywood
1st Alternate – Greta Gerwig, Little Women
2nd Alternate – James Mangold, Ford v Ferrari
Best Actress – Drama
Cynthia Erivo, Harriet
Scarlett Johansson, Marriage Story
Saoirse Ronan, Little Women
Charlize Theron, Bombshell
Renee Zellweger, Judy
1st Alternate – Lupita Nyong’o, Us
2nd Alternate – Alfre Woodard, Clemency
Best Actor – Drama
Antonio Banderas, Pain and Glory
Robert De Niro, The Irishman
Adam Driver, Marriage Story
Joaquin Phoenix, Joker
Jonathan Pryce, The Two Popes
1st Alternate – Christian Bale, Ford v Ferrari
2nd Alternate – Adam Sandler, Uncut Gems
Best Actress – Comedy or Musical
Awkwafina, The Farewell
Ana de Armas, Knives Out
Beanie Feldstein, Booksmart
Emma Thompson, Late Night
Constance Wu, Hustlers
1st Alternate – Cate Blanchett, Where’d You Go, Bernadette
2nd Alternate – Kaitlyn Dever, Booksmart
Best Actor – Comedy or Musical
Daniel Craig, Knives Out
Roman Griffin Davis, Jojo Rabbit
Leonardo DiCaprio, Once Upon a Time in Hollywood
Taron Egerton, Rocketman
Eddie Murphy, Dolemite Is My Name
1st Alternate – Shia LaBeouf, The Peanut Butter Falcon
2nd Alternate – Himesh Patel, Yesterday
Best Supporting Actress
Laura Dern, Marriage Story
Scarlett Johansson, Jojo Rabbit
Jennifer Lopez, Hustlers
Florence Pugh, Little Women
Margot Robbie, Bombshell
1st Alternate – Annette Bening, The Report
2nd Alternate – Zhao Shuzhen, The Farewell
Best Supporting Actor
Tom Hanks, A Beautiful Day in the Neighborhood
Anthony Hopkins, The Two Popes
Al Pacino, The Irishman
Joe Pesci, The Irishman
Brad Pitt, Once Upon a Time in Hollywood
1st Alternate – Willem Dafoe, The Lighthouse
2nd Alternate – Taika Waititi, Jojo Rabbit
Best Screenplay
The Irishman
Jojo Rabbit
Marriage Story
Once Upon a Time in Hollywood
Parasite
1st Alternate – The Two Popes
2nd Alternate – Knives Out
Best Motion Picture – Animated
Frozen II
How to Train Your Dragon: The Hidden World
I Lost My Body
Missing Link
Toy Story 4
1st Alternate – Weathering with You
2nd Alternate – Abominable
Best Motion Picture – Foreign Language
Atlantics
The Farewell
Pain and Glory
Parasite
Portrait of a Lady on Fire
1st Alternate – Les Miserables
2nd Alternate – Monos
Best Original Score
1917
Ford v Ferrari
Joker
Little Women
Marriage Story
1st Alternate – The Aeronauts
2nd Alternate – Us
Best Original Song
“Beautiful Ghosts” from Cats
“Daily Battles” from Motherless Brooklyn
“(I’m Gonna) Love Me Again” from Rocketman
“Into the Unknown” from Frozen II
“Spirit” from The Lion King
1st Alternate – “I Can’t Let You Throw Yourself Away” from Toy Story 4
2nd Alternate – “Stand Up” from Harriet
And that equates to the following features nabbing these numbers when it comes to nominations:
7 Nominations
Marriage Story
6 Nominations
The Irishman
5 Nominations
Once Upon a Time in Hollywood
4 Nominations
Jojo Rabbit, Little Women
3 Nominations
1917, Knives Out, Parasite, Rocketman
2 Nominations
Bombshell, Cats, The Farewell, Ford v Ferrari, Frozen II, Hustlers, Joker, Pain and Glory, The Two Popes
1 Nomination
A Beautiful Day in the Neighborhood, Atlantics, Booksmart, Dolemite Is My Name, Harriet, How to Train Your Dragon: The Hidden World, I Lost My Body, Judy, Late Night, The Lion King, Missing Link, Portrait of a Lady on Fire, Toy Story 4
Rest assured that I will have a post up with reaction to the Monday announcements with a recap on how I did! Until then…
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