Tag: Dan Aykroyd

The Top 50 SNL Cast Members of All Time: Number 6 – John Belushi

There have been hundreds upon hundreds of cast members and hosts who have made us laugh on SNL during its nearly 50 years of existence. John Belushi was the first. He appeared in “The Wolverines” sketch that cold opened the first episode ever on October 11, 1975. Feigning a heart attack to the “real” medical episode of his scene partner (writer Michael O’Donoghue), it was Belushi who stood out even though Chevy Chase got to say “Live from New York…”

A Second City and National Lampoon alum, his manic energy stood out among the original Not Ready for Prime Time Players. This extended to bits at the Weekend Update Desk, impersonating Beethoven and Brando and William Shatner as James T. Kirk, and Joe Cocker, and bringing his musical and dancing chops alongside Dan Aykroyd as The Blues Brothers. There’s his Samurai character or a (personal favorite) taped sketch where he extols the virtues of little chocolate donuts.

Chevy Chase left for silver screen stardom after one season, but it was Belushi who first broke through in theaters with National Lampoon’s Animal House in 1978. That was a year before he departed SNL. When he left, it was hard to imagine the show continuing without him. Of course it managed to though Belushi cast a wide and wild shadow with his contributions. #5 will be up soon!

John Belushi

Years on the Show: 1975-79

The Top 50 SNL Cast Members of All Time: Number 10 – Norm MacDonald

My top 50 list of SNL cast members has been populated with numerous performers who sat behind the iconic Weekend Update desk: Chevy Chase, Jane Curtin, Dan Aykroyd, Dennis Miller, Kevin Nealon, Tina Fey, Jimmy Fallon, Amy Poehler, Seth Meyers, Colin Jost, and Michael Che. As we enter the top 10 of this countdown, we arrive at the final Update anchor. That means it’s the one I thought did it the best and that is Norm MacDonald.

The Canadian stand-up brought his flawless timing and devil may care attitude to the news desk. It could rightly be said that his Update was the last time SNL felt a little dangerous and that’s thanks to him and Jim Downey, his legendary Update cowriting partner.

No one could deliver a joke quite like Norm. Like Johnny Carson, you often laughed harder when they didn’t land due to his reaction. MacDonald’s relentless mocking of O.J. Simpson during his murder trial infuriated NBC exec Don Ohlmeyer, who was a friend of the disgraced football star. In fact, it is allegedly what got him fired from Update (a colossal error in judgment).

Norm’s contributions to SNL went beyond the signature segment airing after the musical guest’s first song. He had great impressions of Larry King and Senator Bob Dole and delivered a rather biting take on David Letterman, his comedic idol. Then, of course, there’s his 70s era Burt Reynolds who would appear on Celebrity Jeopardy.

You could spend hours going down a YouTube rabbit hole watching Norm be hilarious and I certainly have. Most of his couch work on Conan O’Brien’s shows will split your sides. The late great MacDonald did the same on SNL. #9 will be up soon!

Norm MacDonald

Years on the Show: 1993-98

The Top 50 SNL Cast Members of All Time: Number 11 – Dan Aykroyd

Dan Aykroyd was SNL’s first all utility player who could subtly do it all on the legendary sketch comedy show. The youngest cast member at 23 when it premiered in 1975, he made his mark with impressions including President Jimmy Carter, former President Richard Nixon, Tom Snyder, and Julia Child in a famously bloody bit.

There’s iconic characters like Elwood Blues alongside John Belushi’s Jake for The Blues Brothers which spawned the program’s first spin-off movie (and arguably best). We have the Coneheads which became a less successful picture in 1993. Then there’s “Two Wild and Crazy Guys” with frequent host Steve Martin and creations like Fred Garvin, Male Prostitute and cheapskate toymaker Irwin Mainway. Weekend Update during Season 3 was memorably anchored by Aykroyd and Jane Curtin.

Aykroyd would, of course, eventually make classic 80s pics alongside fellow SNL alum like Trading Places with Eddie Murphy, Ghostbusters with Bill Murray, and Spies Like Us with Chevy Chase. His mark at 30 Rock was the solid foundation of his storied career. #10 will be up soon!

Dan Aykroyd

Years on the Show: 1975-79

The Top 50 SNL Cast Members of All Time: Number 46 – Jane Curtin

Saturday Night Live officially turns 49 years old today and Jason Reitman’s critically appreciated Saturday Night is out in wide release for the occasion. It recounts the 90 hectic minutes leading up to the iconic show’s premiere. Jane Curtin was there for it. She’s the first original Not Ready for Prime Time Player to make this list. As I wrote in my prelude to these posts, not all of them are included in the top 50 (Laraine Newman, Garrett Morris).

Curtin was more of the straight (wo)man in the program’s early years. She got to stretch every once in a while including as Prymaat Conehead alongside Dan Aykroyd in those bits. Yet it was as one half of the Weekend Update team with Aykroyd and then Bill Murray where she paved the way for future stars like Tina Fey and Amy Poehler. Some of her cast mates will be showcased later, but Curtin earns placement for her contributions. #45 will be up soon!

Jane Curtin

Years on the Show: 1975-1980

Ghostbusters: Frozen Empire Review

Unlike 2016’s ballyhooed female Ghostbusters reboot or 2021’s Ghostbusters: Afterlife (which served as a sequel to the first two), Frozen Empire doesn’t need to burden itself with spending time introducing new characters to mix with the oldies and three-year-old newbies. The fifth franchise feature, unlike Afterlife, doesn’t have to employ a long windup before it nourishes our nostalgic hankerings. Unfortunately it still does yet I found it slightly more fulfilling than its two predecessors. That’s not sizzling praise, but I wasn’t totally cold to its charms and it’s the fresher characters that often shine.

You may recall that Afterlife introduced us to Egon Spengler’s brood that he abandoned for what turned out to be noble reasons. Granddaughter Phoebe (Mckenna Grace) is Harold Ramis’s spitting image in look, spirit, and overall nerdiness. She’s moved from Oklahoma to NYC along with mom (Carrie Coon), stepdad (Paul Rudd), and brother (Finn Wolfhard) and they’ve set up shop in that iconic firehouse where their patriarch slid down the pole with the OG ‘Busters. They are carrying on the family tradition and, yes, it makes them feel good until Mayor Walter Peck (William Atherton, returning after four decades after a memorable role in the original) sidelines Phoebe. Ray (Dan Aykroyd) and Winston (Ernie Hudson) and Janine (Annie Potts, finally getting to put on a uniform) are still around as is Venkman (Bill Murray)… sort of. One gets the impression that Murray crashes the party just long enough for the paycheck and perhaps a week on set. He still fits in a drolly satisfying one-liner or two as only he can.

There’s a lot of characters to keep up with and the script from director Gil Kenan and Jason Reitman develops juggle problems. Rudd and Coon, whose romance was a focal point three years ago, are given the short shrift. Wolfhard and Celeste O’Connor (who hit it off in Oklahoma as well) fare even worse. Same goes for Phoebe’s buddy Podcast (Logan Kim).

The most promising additions are the brand new ones that factor into the plot. Lazy Nadeem (Kumail Nanjiani) sells his dead grandma’s shiny orb to Ray for a quick few bucks. It turns out to be a device that could start a new ice age while also summoning previously captured spirits back to the Big Apple. Nanjiani’s comedic spirits are a high point. Patton Oswalt’s quick work as a library employee in the New York Public Library is one of the better scenes. We have Emily Alyn Lind as a long departed apparition trying to reunite with her loved ones. In the meantime, she plays chess with Phoebe with a slight romantic undertone. Some of this material is decent enough that I wondered whether the wistful remembrances of what entertained us from 1984 is needed anymore.

Saying that Empire is the best sequel in the series is really not saying much. A more appropriate way to say it might be that it’s the least disappointing. Many of the same drawbacks of what came between 1984 and 2024 are present. I did, however, find it funnier than the schmaltzy Afterlife. Maybe there’s a little life left in this franchise after all. Frozen Empire shows that sporadically.

**1/2 (out of four)

Oscar Predictions – Ghostbusters: Frozen Empire

Ghostbusters: Frozen Empire attempts to match its 2021 predecessor’s grosses when it debuts this weekend. Chances are that it will also match its Oscar prospects. The fifth feature in the franchise that began in 1984, Gil Kenan directs with Jason Reitman coproducing and cowriting. Stars from Afterlife three years back return including Paul Rudd, Carrie Coon, Finn Wolfhard, Mckenna Grace, Celeste O’Connor, and Logan Kim. Cast members from 40 years ago are in attendance – Bill Murray, Dan Aykroyd, Ernie Hudson, Annie Potts, and William Atherton. Kumail Nanjiani and Patton Oswalt additionally join the bustin’.

Critical reaction today gives it the coldest Rotten Tomatoes score of all Ghostbusters at 47%. The original nabbed 95% while its 1989 sequel only managed 55%. 2016’s reboot was rated 74% while Afterlife received 64%.

The Academy’s history with this series is limited to part 1. Ray Parker Jr.’s inescapable theme song was up for Best Song (losing to Stevie Wonder’s “I Just Called to Say I Love You” from The Woman in Red) and the Visual Effects were in contention (coming up short to Indiana Jones and the Temple of Doom). Three ceremonies ago, Afterlife was shortlisted for VE but didn’t make the final five cut. The special effects (which some reviewers are criticizing) are highly unlikely to catch the attention of voters this time around. My Oscar Prediction posts will continue…

Ghostbusters: Frozen Empire Box Office Prediction

Arriving almost 40 years after the classic original, Ghostbusters: Frozen Empire looks to heat up multiplexes on March 22nd. The fifth feature in the franchise serves as a sequel to 2021’s Ghostbusters: Afterlife with Gil Kenan taking over directorial duties from Jason Reitman (the pair cowrote the script together). Paul Rudd, Carrie Coon, Finn Wolfhard, Mckenna Grace, Celeste O’Connor, and Logan Kim reprise their roles alongside OG cast members Bill Murray, Dan Aykroyd, Ernie Hudson, Annie Potts, and William Atherton. Newcomers to the series include Kumail Nanjiani and Patton Oswalt.

Originally slated for December of last year, Empire looks to exceed or match the grosses of Afterlife. Nearly two and a half years ago, it started off with $44 million and eventual domestic earnings of $129 million. That is right on pace with 2016’s ballyhooed reboot with Melissa McCarthy and Kristin Wiig which premiered to $46 million and $128 million overall.

2021’s version proved the franchise still has some juice. However, I wouldn’t be surprised if this earns slightly less due to Afterlife‘s middling critical reception and audience reaction that wasn’t totally over the moon. Low 40s sounds about right.

Ghostbusters: Frozen Empire opening weekend prediction: $42.7 million

For my Immaculate prediction, click here:

Immaculate Box Office Prediction

Ghostbusters: Afterlife Review

The original Ghostbusters, lest we forget, was filled with ribald humor coming from SNL vets that were in the prime of their careers. Overloading the reboot/sequel Afterlife with gooey family drama feels, in many ways, as misplaced as the missteps that 2016’s version took or that 1989’s traditional follow-up was a fairly weak retread of the first. This franchise hasn’t succeeded in their attempts to capitalize on what made 1984’s pic special and that extends to this.

It’s not for a lack of trying as the 2021 iteration goes to extreme lengths to get our nostalgia radars working into overdrive. Jason Reitman takes over directorial duties from his father Ivan, who made the 80s blockbusters. There’s not a piece of attire or Twinkie or demonic marshmallow from 1984 that isn’t placed with the clear purpose of inspiring wild cheers. Sometimes you wanna go where everybody knows the name of every nearly four decade old artifact, vehicle or gadget. In this Afterlife, it more often feels forced than welcome.

We shift from the Big Apple to the sleepy town of Summerville, Oklahoma. Egon Spangler, Harold Ramis’s nerdy scientist from the OG ‘Busters, has relocated to a dilapidated farmhouse and cut off contact with his family and former colleagues. His demise in the prologue causes his heirs to inhabit the dusty domicile. This includes down on her luck daughter Callie (Carrie Coon) and her two kids. Since I think it’s now contactually necessary for Stranger Things players to participate in these reboots, Finn Wolfhard is her teenage son Trevor. Mckenna Grace is the real lead as 12-year-old daughter Phoebe, who resembles her granddad in looks and interests. An outcast at school, she bonds with fellow geek Podcast (Logan Kim) and her summer school teacher Mr. Grooberson (Paul Rudd).

Trevor and Phoebe are completely unaware that Egon was a Ghostbuster (we’ll just go with that I suppose). Paranormal activities start revealing his life’s work including Phoebe’s ongoing chess game with an unseen spirit. The iconic car (yay!) is stored on the property. Of course, the late Egon was in Summerville for a reason and it has to do with familiar haunters from ’84 and preventing them from returning.

This all leads to familiar heroic faces eventually turning up (though not with significant screen time). With their limited participation, the question is whether the new and much younger generation of spirit crushers is compelling enough to warrant a feature. I didn’t think so, but there are some positives. Grace’s performance is terrific (while Wolfhard and his budding romance with his bellhop coworker Celeste O’Connor adds little). Rudd’s considerable talents (he takes a liking to Callie) add a bit of fun. The sight of Bill Murray randomly turning up anywhere is good for a smile (though not much more here than reading about how he does so in real life).

However, the tone in general struck me as off. It’s hard not to be touched by its tribute to the late Harold Ramis (a man responsible for so many laughs in landmark comedies of the past). I felt the sentiment because of that and not the absence of Egon. Afterlife seems trapped in the notion that our emotional connections to these characters run deeper than they do. Like many reboots nowadays, the mere presence of something old is meant to provide the requisite entertainment value. It made me feel mostly dispirited.

** (out of four)

Ghostbusters: Afterlife Box Office Prediction

It’s in with the old and in with the new as Ghostbusters: Afterlife debuts in theaters November 19th. This was originally scheduled to haunt multiplexes in the summer of 2020 before numerous COVID delays. Jason Reitman directs and there’s some family legacy involved as dad Ivan made parts I and II in 1984 and 1989. Newcomers to the series include Carrie Coon, Finn Wolfhard, Mckenna Grace, Tracy Letts, and Paul Rudd (not to mention Stay Puft Marshmallow Minis according to the trailer). Returnees from the 80s are Bill Murray, Dan Aykroyd, Ernie Hudson, Annie Potts, and Sigourney Weaver.

If rebooting this franchise sounds familiar – that’s because it happened five years ago to middling results. The Paul Feig helmed remake led by Melissa McCarthy and Kristin Wiig took in $46 million on its opening weekend but fizzled quickly due to so-so reviews and audience reaction. It also featured the OG Busters making cameos. This new iteration serves as a direct sequel to the first two.

Some estimates have Afterlife beginning at $50 million or above. That’s certainly doable, but I’m not so sure. While it’s obviously a well-known property and the ’84 original is rightly considered a classic, both follow-ups have been letdowns. The 71% Rotten Tomatoes score is OK, but its actually below the 74% that greeted the ballyhooed 2016 pic.

I’m projecting that this makes it to $35-$40 million and doesn’t get to the number we saw just a half decade back.

Ghostbusters: Afterlife opening weekend prediction: $38.1 million

For my King Richard prediction, click here:

King Richard Box Office Prediction

Oscar Predictions – Ghostbusters: Afterlife

The attendees of New York Comic Con were treated to a surprise this weekend with a screening of Ghostbusters: Afterlife. The fourth film in the franchise that famously began in 1984 serves as a direct continuation to the original and its 1989 follow-up. It’s all about family with Jason Reitman as director (his father Ivan made those first two). Carrie Coon, Finn Wolfhard, Mckenna Grace, Logan Kim, and Paul Rudd join the bustin’ action with series stalwarts Bill Murray, Dan Aykroyd, Ernie Hudson, Annie Potts, and Sigourney Weaver making appearances. Afterlife is finally coming to life after numerous COVID delays with a November 19th stateside release.

Early reviews indicate a long gestating sequel has extreme reverence for its past. Some critics claim it might be a bit too nostalgic, but reaction is overwhelmingly pleasing with a current Rotten Tomatoes score of 91% (based on 11 reviews).

The original classic 37 years ago managed 2 Oscar nominations. They’re what you would expect: Best Original Song for that addictive title track by Ray Parker Jr. and Visual Effects (it lost to Indiana Jones and the Temple of Doom). Also as you might expect, Ghostbusters II and the ballyhooed 2016 Paul Feig reboot with Melissa McCarthy and Kristin Wiig achieved zero awards attention. I would anticipate the same for this despite the kudos. Visual Effects is a remote possibility, but there’s a slew of contenders more likely (Dune, The Matrix Resurrections, Eternals to name just some).

My Oscar Prediction posts for the films of 2021 will continue…