Michael Angelo Covino cowrites, directs, and costars in the rom com Splitsville, out this weekend in limited form and widely on September 5th from distributor Neon. It premiered at Cannes back in May. Dakota Johnson headlines along with her filmmaker, Adria Arjona, Kyle Marvin, Nicholas Braun, David Castaneda, O-T Fagbenie, and Charlie Gillespie.
Johnson’s second genre exercise this season (Materialists being the other), Splitsville is drawing mostly positive critical reaction. Rotten Tomatoes is 86% with Metacritic at 75. I do think Golden Globe attention in Best Musical/Comedy is at least a possibility, but the Academy is unlikely to consider it. My Oscar Prediction posts will continue…
Zombie threequel 28 Years Later from Danny Boyle and Disney/Pixar’s sci-fi adventure Elio debut this weekend and look to challenge How to Train Your Dragon from a second weekend atop the charts. You can peruse my detailed prediction posts on the newcomers here:
28 Years could over perform and challenge Dragon for box office bragging rights. $40M+ isn’t out of the question, but I’m projecting low to mid 30s.
The Dragon competition could be detrimental to Elio. Pixar has had luck with recent sequels like Inside Out 2. However, original content such as Elemental has struggled out of the gate. I’m estimating Elio premieres in the mid 20s and that would probably mean third place.
If Dragon declines around 50%, low 40s is where it would land and that would mean hitting #1 again after its fiery debut (more on that below).
Lilo & Stitch should be fourth while fifth could be a photo finish between the sophomore frame of Materialists and fifth frame of Mission: Impossible – The Final Reckoning.
Here’s how I see the top 6 playing out:
1. How to Train Your Dragon
Predicted Gross: $41.6 million
2. 28 Years Later
Predicted Gross: $33.7 million
3. Elio
Predicted Gross: $24.5 million
4. Lilo & Stitch
Predicted Gross: $8.1 million
5. Materialists
Predicted Gross: $6.6 million
6. Mission: Impossible – The Final Reckoning
Predicted Gross: $6.5 million
Box Office Predictions (June 13-15)
Friday the 13th certainly wasn’t unlucky for the live-action version of 2010’s How to Train Your Dragon. With mostly solid reviews and an A Cinemascore grade, the fourth flick in the series easily set a franchise high with $84.6 million. That’s right on track with my $84.3 million prediction and it is the fourth largest domestic kickoff of 2025. A sequel was already in the works.
Lilo & Stitch slipped to second after three weeks in 1st with $15.7 million, on pace with my $15.6 million call. The four-week tally is $366 million.
Celine Song’s Materialists with Dakota Johnson, Pedro Pascal, and Chris Evans slightly exceeded expectations with $12 million in third. That’s right in the neighborhood of my $11.4 million estimate as the rom com hopes to play well throughout the coming weeks. The B- Cinemascore could be cause for concern.
Mission: Impossible – The Final Reckoning was fourth with $10.5 million (I went lower at $9 million) for $166 million in four weeks.
At $9.7 million, John Wick spinoff Ballerina sputtered in weekend #2 with a 60% plummet for fifth. I was slightly more generous at $10.5 million.
A live-action remake of an animated hit looks to replace another live-action remake of an animated hit for box office supremacy this weekend as How to Train Your Dragon debuts. We also have the rom com Materialists entering the marketplace. You can peruse my detailed prediction posts on the newcomers at these links:
Dragon, which updates DreamWorks Animation’s 2010 original, is expected to have a fiery start. At best, it could approach $100 million. I’m playing it a little safe and projecting mid 80s for what would easily be a franchise best kickoff after three previous animated offerings.
Materialists with Dakota Johnson, Pedro Pascal, and Chris Evans could reach $10M+ and I’ve got it just over that for third place. It could debut anywhere between 3-5 as it’ll hope to leg out well in subsequent weekends based on solid reviews.
As for holdovers, Disney’s Lilo & Stitch will relinquish its crown after three weeks atop the charts. The Dragon competition could mean a 50% range drop.
Ballerina didn’t impress in its opening (more on that below) and I’m guesstimating a mid to high 50s slide in its sophomore frame. Mission: Impossible – The Final Reckoning should remain in the high five.
Here’s how I envision it playing out:
1. How to Train Your Dragon
Predicted Gross: $84.3 million
2. Lilo & Stitch
Predicted Gross: $15.6 million
3. Materialists
Predicted Gross: $11.4 million
4. Ballerina
Predicted Gross: $10.5 million
5. Mission: Impossible – The Final Reckoning
Predicted Gross: $9 million
Box Office Results (June 6-8)
Lilo & Stitch once again held bragging rights as the family tale held in first with $32.3 million, in line with my $31.9 million call. The Mouse House hit has amassed $335 million after three weeks.
That means my prediction that John Wick spinoff Ballerina would be #1 was off base. The action extravaganza with Ana de Armas stalled in second with $24.5 million, well under my $36.8 million take. It’s a rare financial misstep for a series that had yet to experience such a thing.
Mission: Impossible – The Final Reckoning was third with $14.8 million, nearly matching my $15 million forecast as Tom Cruise’s eighth appearance as Ethan Hunt has made $149 million after its third outing.
Karate Kid: Legends was fourth with $8.5 million. My guess? $8.5 million! The 58% decline in its second weekend means the sequel has kicked up an unimpressive $35 million.
Final Destination Bloodlines rounded out the top five with $6.4 million and I incorrectly didn’t have it there. The four-week tally is $123 million.
That’s because I had Wes Anderson’s The Phoenician Scheme performing better. The auteur’s latest was sixth at $6.2 million. I went higher for the national expansion with $8.7 million. Counting its coastal release the previous weekend, Scheme stands at $7 million.
Celine Song’s 2023 debut Past Lives was a Best Picture and Original Screenplay nominee and her sophomore feature Materialists arrives in theaters this weekend. A rom com with considerable emotional heft according to reviews, it stars Dakota Johnson, Pedro Pascal, and Chris Evans.
The word-of-mouth for the A24 release indicates there’s no sophomore slump for Song with 88% on Rotten Tomatoes and a 73 Metacritic. If the Academy considers Materialists their material, Original Screenplay is a possibility. Chris Evans is also getting some of the best notices of his career.
Yet I suspect its distributor could focus more on its fall slate, namely Marty Supreme. If A24 slots this into the Musical/Comedy competitions at the Golden Globes, it could contend in that Best Picture race with Johnson as a Best Actress hopeful. My Oscar Prediction posts will continue…
A24 rom com Materialists is writer/director Celine Song’s follow-up to 2023 Best Picture nominee Past Lives. Dakota Johnson, Chris Evans, and Pedro Pascal headline the summer counter programming offering that looks to bring in a respectable female crowd.
While official reviews aren’t yet released, early word-of-mouth from screenings indicates this could be a winner. Audience familiarity with its trilogy of leads could assist. Tracking currently has this at high single digits. I think this could slightly outdo that range and reach low double digits.
Materialists opening weekend prediction: $11.4 million
For my How to Train Your Dragon prediction, click here:
Christy Hall’s Daddio isn’t out in theaters until June 28th, but festival goers in Telluride and Toronto checked out the two-hander last fall. Dakota Johnson and Sean Penn make up the cast with the latter playing an NYC cabbie and the former as his fare. It marks the debut for the director who also scripted.
Picked up by Sony Pictures Classics, plenty of critics are hailing both performances as well as Hall’s screenplay. The RT score is 83%. I’m just not convinced this will stick with voters come nomination time. Penn, a two-time winner for Mystic River and Milk, and Johnson (yet to be in contention) could get campaigns. I wouldn’t count on them taking a ride to the 97th ceremony (though Johnson has a better shot with this over Madame Web). My Oscar Prediction posts will continue…
Bob Marley: One Love, after a terrific opening well above expectations, looks to make it two weeks in a row atop the charts. Competition comes from Japan’s animated sequel Demon Slayer: Kimetsu no Yaiba – To the Hashira Training, inspirational drama Ordinary Angels with Hilary Swank, and Ethan Coen’s road comedy Drive-Away Dolls. You can peruse my detailed prediction posts on the trio of newbies here:
With a A Cinemascore grade, Marley could be loved enough for a mid to high 40s decline in its sophomore outing. That should put it in the low to mid teens and I figure that’ll be strong enough for the gold.
I have Demon Slayer in the runner-up slot just past $10 million (similar to what predecessor To the Swordsmith Village achieved).
The wildcard might be Ordinary Angels. Faith-based titles can often exceed estimates and I wouldn’t be shocked if it rises to above $10 million. My current projection has it in third.
While Marley outperformed predictions, Madame Web got off to a rocky start and a concerning C+ Cinemascore grade. I’m envisioning a mid 60s plummet and fourth place.
Argylle should round out the top five in a close call with Migration. Then there’s Drive-Away Dolls. Despite a reported 2000 theater rollout, promotion has been scant and it might have to settle for seventh behind Migration.
Here’s how I envision the top 7 playing out:
1. Bob Marley: One Love
Predicted Gross: $16.2 million
2. Demon Slayer: Kimetsu no Yaiba – To the Hashira Training
Predicted Gross: $10.5 million
3. Ordinary Angels
Predicted Gross: $8 million
4. Madame Web
Predicted Gross: $5.6 million
5. Argylle
Predicted Gross: $3 million
6. Migration
Predicted Gross: $2.9 million
7. Drive-Away Dolls
Predicted Gross: $2.6 million
Box Office Results (February 16-19)
The affection was evident over Valentine’s Day/President’s Day for Bob Marley: One Love as the biopic (despite so-so reviews) blew away forecasts with $33.6 million from Friday to Monday and $51.5 million since its Wednesday start on Valentine’s Day. That’s way beyond my respective takes of $19.2 million and $28.9 million.
Madame Web got tangled up in bad buzz and poor critical reaction and the financial figures followed suit. Dakota Johnson’s superhero tale made only $15.3 million for the four-day and $26 million since Wednesday. I was more generous at $21.5 million and $30.7 million. As mentioned, look for it to fade rapidly.
Argylle was third with $5.8 million over the long holiday compared to my $4.5 million call. The three-week total is $37 million.
The fourth and fifth place performers were holiday holdovers that I incorrectly had outside of the top five. Migration made $5.3 million to bring its haul to $116 million while Wonka added $4.6 million for $211 million overall.
The Chosen Season 4: Episodes 4-6 was sixth with $3.9 million, not matching my $6.1 million projection. It opened on Thursday so the total is $4.7 million.
Finally, The Beekeeper was seventh at $3.7 million (I said $2.6 million) for $60 million in its coffers.
As for the trailer for prequel A Quiet Place: Day One debuted this week, multiplexes themselves were even quieter over the Super Bowl weekend. With the Valentine and President’s Day holiday hitting, studios are hoping business gets louder. We have Spider-Man Universe flick Madame Web starring Dakota Johnson and musical biopic Bob Marley: One Love looking to place 1-2 when they open on February 14th. You can peruse my detailed prediction posts on them here:
The top 3 should all be newbies with faith-based The Chosen Season 4: Episodes 4-6 beginning on Thursday. On the day before, Madame Web hopes to break a recent run of so-so starts for comic book adaptations. That could be a tall order. I have it opening in the low 20s over the 4-day with low30s when counting the six-day output.
Marley might be close behind with low 20s from Friday to Monday and high 20s when counting Wednesday and Thursday. If it manages to over perform (which could be tricky considering the lackluster reviews), it might contend for the top spot if Web doesn’t match its fairly meager expectations.
Episodes 1-3 of The Chosen‘s fourth season made nearly $6 million from Friday to Sunday in the first weekend of February. Grosses could be about the same even with the extra day thrown in.
Holdovers Argylle and The Beekeeper are likely to populate the remainder of the high five with last weekend’s newcomer Lisa Frankenstein dropping out altogether (more on that below).
Here’s how I think it’ll look and keep in mind that these projections are for Friday thru Monday:
1. Madame Web
Predicted Gross: $21.5 million (Friday to Monday estimate); $30.7 million (Wednesday to Monday estimate)
2. Bob Marley: One Love
Predicted Gross: $19.2 million (Friday to Monday estimate); $28.9 million (Wednesday to Monday estimate)
3. The Chosen Season 4: Episodes 1-3
Predicted Gross: $6.1 million
4. Argylle
Predicted Gross: $4.5 million
5. The Beekeeper
Predicted Gross: $2.6 million
Box Office Results (February 9-11)
It was the weakest frame since early December 2022 as spy action comedy Argylle plummeted 64% and still managed to stay #1. It made $6.2 million and was right on target with my $6.1 million prediction. The subpar two-week take is $28 million.
Horror comedy Lisa Frankenstein was the only newcomer and it was DOA in second with a putrid $3.6 million. That’s well below my $6.8 million forecast and it should experience a hefty decline in subsequent frames.
The Beekeeper was third at $3.3 million (I said $3.5 million) as Jason Statham’s steady grosser hit $54 million after five weeks.
Holiday holdover Wonka was fourth with $3 million, a shade under my $3.4 million projection. The total is $205 million in its ninth go-round.
Finally, animated Migration rounded out the top five in weekend #8 with $2.9 million compared to my $3.2 million guesstimate. It’s up to $110 million.
Dakota Johnson headlines as the title character in Madame Web, Sony’s fourth feature in their Spider-Man Universe on February 14th. The studio is hoping its grosses are closer to Venom and its sequel than Morbius. S.J. Clarkson directs with a supporting cast including Sydney Sweeney (hot off Anyone but You), Celeste O’Connor, Isabela Merced, and Tahar Rahim.
Ms. Johnson is no stranger to the Valentine’s Day/President’s Day weekend frame considering the Fifty Shades trilogy. Web will attempt to bring in a female contingent, but also a sizable male crowd craving some comic book action.
Debuting on Wednesday, my forecast includes the Friday to Monday long weekend projection along with its two extra days. A best case scenario might be in the $35-40 million neighborhood for the six-day total. I’m skeptical it gets that high. A low to mid 20s start for the four-day and high 20s to low 30s range over the longer haul sounds likelier.
Madame Web opening weekend prediction: $21.5 million (Friday to Monday); $30.7 million (Wednesday to Monday)
For my Bob Marley: One Love prediction, click here:
The Supporting Actress derby is up next for my deep dives in the six major categories (Picture, Director, the 4 acting competitions). If you missed my current take on Supporting Actor, it’s here:
With two months left to go in the calendar year, it’s a good time to take stock in where we stand in 2022 with the various hopefuls. In 2019 and 2020 in late October, I correctly identified 3 of the 5 eventual nominees in Supporting Actress. Three years ago, that included eventual winner Laura Dern (Marriage Story) as well as Florence Pugh (Little Women) and Margot Robbie (Bombshell). I had Scarlett Johansson listed in Other Possibilities for Jojo Rabbit while not having Kathy Bates (Richard Jewell) yet on the radar. A year later, the trio of Glenn Close (Hillbilly Elegy), Olivia Colman (The Father), and Amanda Seyfried (Mank) were already in my top five. Youn Yuh-jung (Minari) took the gold. Both she and Maria Bakalova (Borat Subsequent Moviefilm) were tagged in Other Possibilities.
The ratio dropped in 2021. I named 2 of the 5 women with Ariana DeBose in West Side Story (who won) and Kirsten Dunst for The Power of the Dog. 2 nominees – Judi Dench (Belfast) and Aunjanue Ellis (King Richard) – were in Other Possibilities while Jessie Buckley (The Lost Daughter) wasn’t in my listed ten.
We arrive at 2022 where Ms. Buckley is in the mix again. She appears in Women Talking alongside a large ensemble of additional actresses. This film gives us the highest probability of seeing double nominees from the same picture. It’s happened three times since 2010. Melissa Leo and Amy Adams were up for The Fighter that year with Leo emerging victorious. In 2011, Octavia Spencer took the statue for The Help with Jessica Chastain also making the cut. Emma Stone and Rachel Weisz were both in the mix for 2018’s The Favourite.
With Women Talking, the Academy could dive a tad deeper with Judith Ivery and Sheila McCarthy (who are standouts). I suspect they’ll go with Buckley and Claire Foy (who was notably snubbed three years ago for First Man). I’ve had the latter listed in first place as she’s got a slightly meatier role.
That brings us to a key caveat in this race. A few weeks back, there was the unexpected announcement that Michelle Williams in Steven Spielberg’s The Fabelmans would be campaigned for in lead actress. She could’ve easily been placed here. If the studio had done that, I would continue to have Williams at #1 and feel confident that she’d win her first Oscar. However, in the Best Actress competition, I only have her in fourth position as of my last forecast.
Back to performers who are eligible in this. As long as The Banshees of Inisherin performs well with voters (and it should), Kerry Condon should make the quintet and could be a threat to win. Truth be told, this seems like a wide open competition without Williams. I could see either Women Talking actress at the podium or Condon. Same goes for Hong Chau as Brendan Fraser’s caretaker in The Whale or Stephanie Hsu as the world altering daughter in Everything Everywhere All at Once. That film offers the possibility of an additional double nomination with Jamie Lee Curtis’s nearly unrecognizable role. As for The Whale, I think Chau is far more likely than costar Sadie Sink.
I’m not as sold on Anne Hathaway in Armageddon Time, which may not make a dent at the ceremony. The many negative reviews for The Son have me questioning the viability of Vanessa Kirby or Laura Dern. Cha Cha Real Smooth might be too small for Dakota Johnson to nab her first Academy mention. Thuso Mbedu in The Woman King seems like a stretch. There’s unseen performances that could rise up like Kate Winslet (Avatar: The Way of Water) or Jean Smart (Babylon). Of all those choices, only Smart is in the top ten.
Critics groups may be integral in weeding out the nominees. This is where we could see Nina Hoss (Tár) or Dolly de Leon (Triangle of Sadness) rise up. Or we could get a nominee from a forthcoming hit such as Angela Bassett (Black Panther: Wakanda Forever) or Janelle Monae (Glass Onion: A Knives Out Mystery).
Over the past couple of months, all of my five nominees have come from films that I have in my 1o Best Picture hopefuls. That also holds true for Supporting Actor. And, frankly, that usually doesn’t happen. This is partly why I’m putting Carey Mulligan (She Said) in my projections after the studio announced she’ll vie for supporting instead of lead. I’ve got She Said barely missing a BP nod.
Bottom line: nothing is close to being settled in Supporting Actress and the talking about these women could change as we get closer to nomination time.
Best Supporting Actress
Predicted Nominees:
1. Claire Foy, Women Talking (Previous Ranking: 1) (E)
2. Kerry Condon, The Banshees of Inisherin (PR: 3) (+1)
3. Jessie Buckley, Women Talking (PR: 2) (-1)
4. Hong Chau, The Whale (PR: 4) (E)
5. Carey Mulligan, She Said (PR: 7) (+2)
Other Possibilities:
6. Stephanie Hsu, Everything Everywhere All at Once (PR: 5) (-1)
7. Dolly De Leon, Triangle of Sadness (PR: 6) (-1)
8. Nina Hoss, Tár (PR: 8) (E)
9. Jamie Lee Curtis, Everything Everywhere All at Once (PR: 10) (+1)
All My Life... I Wanted To Be A Blogster 