Tag: Daisy Edgar-Jones

99th Academy Awards: FIRST Predictions in Best Supporting Actress

And we are off to the races with my first Oscar predictions for the 99th Academy Awards.

We are only two weeks removed from the 98th ceremony so let us begin some ridiculously early speculation! These are my inaugural glimpses at the four acting derbies, Director, and Picture. They will unfold on the blog over the next few days. I already posted my take on Supporting Actor and it can be found here:

99th Academy Awards: FIRST Predictions in Best Supporting Actor

We move to Supporting Actress. My super duper early selections in 2025 yielded one eventual nominee in Teyana Taylor for One Battle After Another. In the ten other possibilities, I named Elle Fanning for Sentimental Value. Eventual winner Amy Madigan (Weapons), Inga Ibsdotter Lilleass (Sentimental Value), and Wunmi Mosaku (Sinners) were not identified at that early juncture.

Let’s get some caveats out of the way… it’s early. Some movies listed are likely to be pushed back or not be awards contenders. Actresses listed here could end up being campaigned in lead actress and vice versa when I get to Best Actress. And there will be movies we’re not even anticipating that will rise up with performances currently not on the radar.

This initial glance raises the possibility of Meryl Streep getting in for her iconic role as Miranda Priestly in The Devil Wears Prada 2. Same goes for her costar Anne Hathaway in The Odyssey. I have both missing the cut in favor of Sandra Hüller getting a second nomination (and she could be in line for a third in lead Actress) among four first-time contenders.

Here’s the first snapshot with Best Actor up next!

TODD’S FIRST OSCAR PREDICTIONS FOR SUPPORTING ACTRESS AT THE 99TH ACADEMY AWARDS

Halle Bailey, No One Cares

Mariana di Girolamo, Wild Horse Nine

Claire Foy, Ink

Sandra Hüller, Digger

Parker Posey, Wild Horse Nine

Other Possibilities:

Caitriona Balfe, A Long Winter

Gemma Chan, Josephine

Michaela Coel, Mother Mary

Olivia Colman, Elsinore

Kirsten Dunst, The Entertainment System is Down

Daisy Edgar-Jones, A Place in Hell

Anne Hathaway, The Odyssey

Scarlett Johansson, Paper Tiger

Frances McDormand, Jack of Spades

Meryl Streep, The Devil Wears Prada 2

Oscar Predictions: On Swift Horses

Daniel Minahan is primarily known for his TV directorial work on Deadwood, Games of Thrones, and House of Cards. His efforts move to the big screen on April 25th with On Swift Horses. The period piece romantic drama stars Daisy Edgar-Jones of Where the Crawdads Sing fame and Saltburn‘s Jacob Elordi. Supporting players include Will Poulter, Diego Calva, and Sasha Calle.

Horses was first seen at the Toronto Film Festival last fall with Sony Pictures Classics snatching up distribution rights. There’s praise for the leads, production design, and cinematography. Yet the 67% Rotten Tomatoes meter and nearly identical 68 on Metacritic indicates the mixed reaction. Considering that coupled with the spring release date, don’t expect this to win, place, or show on the 2025 awards calendar. My Oscar Prediction posts will continue…

Twisters Box Office Prediction

Blowing into theaters on July 19th some 28 years after its predecessor is Twisters. Lee Isaac Chung (maker of the Best Picture nominee Minari) goes into blockbuster mode with the disaster flick starring Daisy Edgar-Jones from Where the Crawdads Sing and Glen Powell of Top Gun: Maverick and Hit Man fame. Costars include Anthony Ramos, Brandon Perea, Maura Tierney, Harry Hadden-Paton, Sasha Lane, David Sorenswet (soon to be Superman), and Daryl McCormack.

In the summer of 1996, Jan de Bont’s Twister with Helen Hunt, Bill Paxton, and state of the art CGI stormed multiplexes with a $41 million debut and $237 million overall domestic haul. Reviews for part 2 are decent with an 81% RT score.

Recent tracking has this anywhere from a $40-55 million premiere. I suspect that is low. Decent buzz + 90s nostalgia and familiarity with the original could push this higher and I’m estimating it will. Adjusted for inflation, Twister would gross close to $80 million today out of the gate. I don’t believe the sequel gets there, but it could approach that figure.

Twisters opening weekend prediction: $72.3 million

Oscar Predictions: Twisters

Twisters storms into multiplexes on July 19th with Universal hoping it whips up giant business worldwide. Arriving nearly 30 years after his blockbuster predecessor from Jan de Bont, Daisy Edgar-Jones and Glen Powell star alongside Anthony Ramos, Brandon Perea, Maura Tierney, Harry Hadden-Paton, Sasha Lane, Daryl McCormack, Kiernan Shpika, and David Corenswet. Lee Isaac Chung, who last made the BP nominee Minari, directs.

Early reviews put this at 76% on RT with many write-ups calling it solid summer popcorn fare. Others say it doesn’t quite measure up to the 1996 pic. At the 69th Academy Awards, Twister received nominations for Best Sound and Visual Effects. It lost respectively to The English Patient and Independence Day.

At the 97th ceremony, Twisters could score nods in those same two competitions. Don’t expect it to win either as Dune: Part Two, for one, would stand a better shot. My Oscar Prediction posts will continue…

Where the Crawdads Sing Review

Crossing a John Grisham style potboiler with the 1994 Jodie Foster woman in the wild pic Nell begets Where the Crawdads Sing. This is the adaptation of the hugely popular 2018 bestseller from Delia Owens (so well known that Taylor Swift offered to contribute an end credits tune called “Carolina”).

That’s North Carolina beginning in 1953 where Kya lives in the marshland with her alcoholic father, abused mother, and siblings. One by one they all flee until the seven-year-old is all by her lonesome. She sells mussels to the married local store purveyors (Michael Hyatt and Sterling Macer Jr.) to make ends meet. Kya attempts an education, but the harassment of schoolmates makes that a one-day excursion.

As she grows into a young woman (played by Daisy Edgar-Jones), her interest in arts and nature hints at a promising career. The screenplay concentrates on Kya’s two romances. The first is with Tate (Taylor John Smith), who helps her learn to read and write before he’s slated to go away to college. The second is with star quarterback Chase (Harris Dickinson) whose union with The Marsh Girl (as the townsfolk call her) is his little secret.

For those uninitiated with the source material (this includes me), I’ll be careful not to wade into heavy spoiler territory. It’s not revealing too much to say that Kya’s publishing future is interrupted by a murder trial where she’s defended by David Strathairn’s dignified counselor.

Crawdads is all about Kya’s many experiences with abandonment. Part of the problem is that both of her beaus are blank slates. I never felt the chemistry between the Kya/Tate or Kya/Chase connections as much as they’re just presented to the audience. And that assisted in abandoning my own investment in the proceedings… both romantically and legally.

The screenplay never finds the right balance between the trial and the trials of our heroine away from the courtroom. From Edgar-Jones on down, the performances are serviceable but nothing beyond that. Crawdads has beautiful scenery to be sure. I wanted a more compelling story to occur there.

** (out of four)

Oscar Predictions: Where the Crawdads Sing

Delia Owens had a massive bestseller released in 2018 with Where the Crawdads Sing and the North Carolina set mystery’s film adaptation is out on Friday. Directed by Olivia Newman, the cast of mostly relative unknowns includes Daisy Edgar-Jones, Taylor John Smith, and Harris Dickinson.

The review embargo is lifted and critical reaction is mixed at best. With a 38% Rotten Tomatoes rating, it’s safe to assume awards voters will ignore it… with one possible exception.

A big fan of the source material, superstar Taylor Swift composed the track “Carolina” for the soundtrack. If the Academy nominates it in Best Original Song, that practically guarantees Oscar night performances from Swift and Lady Gaga (whose Top Gun: Maverick ballad “Hold My Hand” should be a no brainer for the final five). Gaga’s chances are considerably stronger, but it could be tempting to bring that double star power to the evening’s festivities. My Oscar Prediction posts will continue…

Where the Crawdads Sing Box Office Prediction

The actual actors in Where the Crawdads Sing are not the most recognizable individuals involved in the production. Opening July 15th, the mystery drama is produced by Reese Witherspoon. It features an original song titled “Carolina” by Taylor Swift. Perhaps most important to the box office viability, it’s based on a huge bestseller by Delia Owens.

Directed by Olivia Newman, the cast includes Daisy Edgar-Jones, Taylor John Smith, Harris Dickinson, and David Strathairn. With a budget of just over $40 million, Sony is banking on a sizable female audience that led the source material to eventually sell 12 million copies. In 2019, it sold more copies than any other adult novel.

I will cop to be unfamiliar with the book’s existence. However, I’m not the target demo. With those kind of sales, there should be a built-in crowd tailor-made for the adaptation. Estimates on other sites are as low as $10 million and as high as $25 million. This should at least place in the middle of that range.

Where the Crawdads Sing opening weekend prediction: $18.7 million

For my Paws of Fury: The Legend of Hank prediction, click here:

Paws of Fury: The Legend of Hank Box Office Prediction

For my Mrs. Harris Goes to Paris prediction, click here:

Mrs. Harris Goes to Paris Box Office Prediction