Tag: Critics Choice Awards

The Critics Make Their Choices

One day ahead of the more highly publicized Golden Globe nominations, this Sunday saw the unveiling of the nods for the Critics Choice Movie Awards. And in looking over their selections in recent history, they serve as quite a harbinger for the choices that Oscar voters might make.

After a strong showing in early precursors, Martin Scorsese’s The Irishman led the way with 14 nominations. This is followed by 12 nods for Quentin Tarantino’s Once Upon a Time in Hollywood, 9 for Greta Gerwig’s Little Women, 8 for 1917 from Sam Mendes and Noah Baumbach’s Marriage Story, and 7 for Taika Waititi’s Jojo Rabbit, Joker from Todd Phillips and Bong Joon-Ho’s Parasite. 

This particular branch of voters utilizes an unpredictable scale for numbers of nominees in each category. For Best Picture, it’s always ten. Yet it fluctuates when it comes to director, the acting and screenplay races, and so forth.

Today I’ll break down the major categories and discuss each one and what it could mean come Oscar time. The ceremony airs on the CW this January 12th.

Best Picture

Nominees: 1917, Ford v Ferrari, The Irishman, Jojo Rabbit, Joker, Little Women, Marriage Story, Once Upon a Time in Hollywood, Parasite, Uncut Gems

Reaction here is that the precursor love continues for Uncut Gems from Ben and Josh Safdie. This is probably the least expected feature to make the cut and the Adam Sandler led crime drama appears to be peaking at the right time. While this certainly doesn’t guarantee an Oscar nod, it’s now undoubtedly part of the conversation.

Some notable titles to miss the list: A Beautiful Day in the Neighborhood, Bombshell, The Farewell, Richard Jewell, and The Two Popes. It will be interesting tomorrow to see if the Globes finds room for Popes as part of its nominations, as it seems to be fading fast. It doesn’t help that Netflix could be primarily concerned with Irishman and Marriage Story. 

Over the last five years, there’s been four of them when eight of the Critics Choice list nabbed Best Picture attention at the Oscars. In 2017, it was nine of them. In other words, pay attention to this list.

Best Director

Nominees: Noah Baumbach (Marriage Story), Greta Gerwig (Little Women), Bong Joon-Ho  (Parasite), Sam Mendes (1917), Ben and Josh Safdie (Uncut Gems), Martin Scorsese (The Irishman), Quentin Tarantino (Once Upon a Time in Hollywood)

And another notch in the Uncut Gems arsenal. Most recent years have seen six nominees, but there’s seven nominees in 2019. In 2016, five of the Choice directors made up the Oscar list. In 2014 and 2015, it was three and for the past two years it’s been four.

Looking over this list, it’s very feasible that there’s a five match. Who could sneak in that’s not on here? One name that comes to mind is James Mangold for Ford v Ferrari. 

Best Actor

Nominees: Antonio Banderas (Pain and Glory), Robert De Niro (The Irishman), Leonardo DiCaprio (Once Upon a Time in Hollywood), Adam Driver (Marriage Story), Eddie Murphy (Dolemite Is My Name), Joaquin Phoenix (Joker), Adam Sandler (Uncut Gems)

In a category that typically has six nominees, it should be no shocker that there’s seven this time around as Best Actor is packed. From 2015-2018, we have seen 5 nominees for two of the years (2015, 2018) make the Academy derby and two with 4 (2016, 2017). 2014 was a bit of an outlier with three.

As has been discussed on this blog, I believe there are 11 legitimate performers vying for 5 slots at the Oscars. The four that didn’t make the cut here are Christian Bale (Ford v Ferrari), Taron Egerton (Rocketman), Paul Walter Hauser (Richard Jewell), and Jonathan Pryce (The Two Popes). Here’s yet another example of Popes falling short.

Today’s announcements, in particular, could serve as a boost for Murphy and Sandler.

Best Actress

Nominees: Awkwafina (The Farewell), Cynthia Erivo (Harriet), Scarlett Johansson (Marriage Story), Lupita Nyong’o (Us), Saoirse Ronan (Little Women), Charlize Theron (Bombshell), Renee Zellweger (Judy)

There’s a serious correlation between these nominees and Oscar. In four of the past five years, we’ve seen five of the women getting Academy love. In 2016, it was four. That seems destined to repeat itself here as the only potential outlier in my mind is Alfre Woodard in Clemency. I would bank on five of these seven nominees being the Oscar list.

Best Supporting Actor

Nominees: Willem Dafoe (The Lighthouse), Tom Hanks (A Beautiful Day in the Neighborhood), Anthony Hopkins (The Two Popes), Al Pacino (The Irishman), Joe Pesci (The Irishman), Brad Pitt (Once Upon a Time in Hollywood)

These nominees are further proof of an Irishman double nod for Pacino and Pesci coming our way. We’ve seen five for five matchups in two of the past five years with this race. This also makes me think Hopkins has a much better chance for Popes attention than his lead costar Pryce.

If there’s one name not here that could factor into the Oscar mix – Shia LaBeouf in Honey Boy. All in all, no big surprises here.

Best Supporting Actress

Nominees: Laura Dern (Marriage Story), Scarlett Johansson (Jojo Rabbit), Jennifer Lopez (Hustlers), Florence Pugh (Little Women), Margot Robbie (Bombshell), Zhao Shuzhen (The Farewell)

This is indeed what I’d call the top 6 for Oscar viability. However, I wouldn’t sleep on Kathy Bates for Richard Jewell (a film these voters totally ignored). In the past half decade, we’ve never seen less than four of the nominees here getting Academy nods.

Best Original Screenplay

Nominees: The Farewell, Knives Out, Marriage Story, Once Upon a Time in Hollywood, Parasite

The noticeable item here is the inclusion of Knives Out. All the rest were basically foregone conclusions. It gets in instead of Bombshell, 1917, Pain and Glory, or Ford v Ferrari. Could Oscar follow suit? Definitely possible as the last two years have seen 5 for 5 matches.

Best Adapted Screenplay

Nominees: A Beautiful Day in the Neighborhood, The Irishman, Jojo Rabbit, Joker, Little Women, The Two Popes

We haven’t seen a total match with the Academy from 2014 to present. I suspect that will change this time around as I believe 5 of these 6 contenders will make the Oscar cut. What gets left out? Beautiful Day, Joker, and Popes are the likely contenders.

My precursor posts will roll along in rapid succession as my take on the Los Angeles critics is up next…

2018 SAG Award Predictions

The 25th Annual Screen Actors Guild Award air tomorrow evening and they could shed some light on which performers are looking more solid for the Oscar in a few weeks. Let’s break down the top races with my winner predictions, shall we?

Outstanding Performance by a Cast in a Motion Picture

The Nominees: Black Panther, BlacKkKlansman, Bohemian Rhapsody, Crazy Rich Asians, A Star is Born

Analysis: It’s important to note that the SAG ceremony honors casts and not the “Best Picture” like other shows. This is about the ensemble. A Star is Born is really concentrated on three performances (Bradley Cooper, Lady Gaga, Sam Elliot) and they’re all up for their individual races, where they all have a shot of winning. I believe it’s entirely possible, however, that the trio also all lose and this could be a considerable consolation prize. The other four films have more sprawling casts. That’s especially true for Black Panther and I’ll say the voters ultimately reward in a different category to project.

Winner Prediction: Black Panther

Outstanding Performance by a Male Actor in a Leading Role

The Nominees: Christian Bale (Vice), Bradley Cooper (A Star is Born), Rami Malek (Bohemian Rhapsody), Viggo Mortensen (Green Book), John David Washington (BlacKkKlansman)

Analysis: As mentioned, Cooper is a possibility. Yet he’s come up empty in other precursors. This could come down to the two Golden Globe recipients for their categories – Bale and Malek. I think it’s a coin flip to be honest. I’ll give the latter a razor-thin edge.

Winner Prediction: Malek

Outstanding Performance by a Female Actor in a Leading Role

The Nominees: Emily Blunt (Mary Poppins Returns), Glenn Close (The Wife), Olivia Colman (The Favourite), Lady Gaga (A Star is Born), Melissa McCarthy (Can You Ever Forgive Me?)

Analysis: Gaga is the only actress whose picture is also nominated. Her tie with Glenn Close at the Critics Choice Awards made things even murkier. Colman is a possibility here, but I’ll say this branch of actors give it to Close after decades of memorable performances.

Winner Prediction: Close

Outstanding Performance by a Male Actor in a Supporting Role

The Nominees: Mahershala Ali (Green Book), Timothee Chalamet (Beautiful Boy), Adam Driver (BlacKkKlansman), Sam Elliot (A Star is Born), Richard E. Grant (Can You Ever Forgive Me?)

Analysis: I wouldn’t count out Elliot, but Ali appears to be the front-runner in all these shows. I think his streak continues.

Winner Prediction: Ali

Outstanding Performance by a Female Actor in a Supporting Role

The Nominees: Amy Adams (Vice), Emily Blunt (A Quiet Place), Margot Robbie (Mary Queen of Scots), Emma Stone (The Favourite), Rachel Weisz (The Favourite)

Analysis: A fascinating race as Oscar favorite Regina King’s work in If Beale Street Could Talk was surprisingly snubbed. Blunt is a double nominee, but stands little chance of emerging victorious in either spot. The Favourite ladies could split votes. Robbie didn’t land an Oscar nod and is a long shot. That leaves Adams, who could be a double winner tomorrow with her work in HBO’s Sharp Objects.

Winner Prediction: Adams

And there you have it! I’ll have a recap up after the program airs!

The PGA Goes Green

The eyes of Oscar prognosticators were on the Producers Guild of America (PGA) Awards and for good reason. In this decade, the Best Picture Award has matched the Academy’s 6 out of 8 times (there’s a little fudging here because in 2013 there was a tie between Oscar recipient 12 Years a Slave and Gravity). The non matches occurred in 2015 when the PGA selected The Big Short over Spotlight and the following year with La La Land winning and not Moonlight.

Two scenarios could have changed the Oscar landscape in a significant way. A victory for Roma (coming off its Critics Choice honor) could have solidified standing as a front-runner. If A Star Is Born took the top prize, it would have marked a much-needed win after some high-profile precursor snubs.

Neither scenario happened as Peter Farrelly’s Green Book was named. This is a surprise and it opens up an already uncertain race for Best Picture at the big dance. It certainly lessens Green Book winning the Oscar being seen as an upset. It’s a real contender along with Roma and Star.

Tonight’s ceremony also gave yet another animation award for Spider–Man: Into the Spider–Verse. Coupled with its Globes and Critics wins, it now appears Spidey is the Academy favorite over Incredibles 2.

Bottom line: the PGA made the Oscars a bit murkier. We got ourselves a race.

The Critics Choice Is Roma

The Critics Choice Awards aired last night and the ceremony has been a harbinger at times for the Oscar race ahead. Notably the show in 2017 ended up matching the Academy’s winners in all major races. So what message did reviewers send yesterday? Well some of it was mixed and some of it solidified certain selections in their positions come gold statue time.

It was a very good evening for Roma. The Mexican drama won Best Picture and its filmmaker Alfonso Cuaron won for his direction and cinematography. In those latter two races, Cuaron is the strong favorite to take the Oscar. Picture is still not assured as it faces competition from A Star Is Born and maybe BlacKkKlansman (which did go home empty-handed yesterday). I’ve had Star placed at #1 consistently in my Oscar rankings. Don’t be surprised if Roma grabs that slot this week when I update my predictions.

Christian Bale was victorious in Actor for Vice. Coupled with his Golden Globe win the week prior, it could give him a slight edge over Bradley Cooper in Star and Rami Malek for Bohemian Rhapsody. Yet it’s competitive.

So is Best Actress and last night proved it. There was the rare tie and it was between Lady Gaga in Star and Glenn Close as The Wife. I’d say it’s a coin flip between them at the Oscars and I wouldn’t totally count out Olivia Colman in The Favourite.

The supporting winners matched the Golden Globes with Mahershala Ali (Green Book) and Regina King (If Beale Street Could Talk). Even though King was surprisingly not nominated at the upcoming SAG Awards, both actors look like front-runners in their respective categories.

Beale Street also took Adapted Screenplay, giving it a boost in that race over the slightly more favored BlacKkKlansman. In Original Screenplay, Paul Schrader notched a big win for First Reformed. I’m feeling more confident it makes the final five for the Academy.

The Critics Choice voters also chose Spider–Man: Into the Spider–Verse over Pixar’s Incredibles 2 in Animated Film like the Globes did. That’s more fuel to the fire that Spidey could get that Oscar win and give Pixar a rare loss in that race.

Finally, Black Panther had a solid showing – winning Visual Effects, Production Design, and Costume  Design. First Man took Editing while Vice was honored for its Makeup.

I’ll have my updates Oscar predictions up later this week with final estimates up on Sunday prior to Tuesday’s announcement. Stay tuned!

Will A Star Still Shine at the Oscars?

One week ago, we had a Golden Globes surprise when A Star Is Born had an unexpectedly bad night. The Freddie Mercury biopic Bohemian Rhapsody was a hit with the Hollywood Foreign Press and that was much to the detriment of Bradley Cooper’s directorial debut. Rhapsody took Best Picture (Drama) and Rami Malek won Actor in the drama category over Cooper. Furthermore, it was Glenn Close winning Actress for The Wife over Lady Gaga. The only race Star won was Best Original Song for the Cooper/Gaga duet “Shallow”.

The next question is obvious: do the Globe snubs hurt Oscar chances? The quick answer: perhaps not. It’s worth noting that in this decade, the Best Picture Drama recipient from the Globes has matched the Best Picture Academy winner three out of eight times (Argo, 12 Years a Slave, Moonlight).

I have had Star ranked as my #1 choice in my weekly forecasts for Oscar nominees since I started doing it in late August. It’s never changed. That said, it’s always been a soft front-runner. I do not think Bohemian will win the Oscar for Best Picture. It’s only in recent days that I’ve come to believe it’ll definitely be nominated.

The brightest challenger, in my view, is Roma. Alfonso Cuaron won the Globe for his direction over Cooper. I believe he is looking solid for the Oscar victory. One thing to keep an eye on this evening is the Critics Choice Awards. They matched the Oscar in every major category last year. If Star has another sub par evening there, look for even more chatter about its prospects dimming.

For the moment, the Globes could prove to be an anomaly for the film’s possibilities with the Academy. However, it’s well worth monitoring how these other precursors play out.

 

The Critics Choose Their Buffet

The Broadcast Film Critics Association announced their nominees for the Critics Choice Awards today, with the show itself airing January 13. Unlike some precursors, it truly can be a window of what’s to come with Oscar nods… with a significant caveat.

This particular awards ceremony lists six to seven performers and directors in those races. Therefore we know one or two nominees won’t make the cut for the gold statue. As for Best Picture, they do name ten and that’s the highest number the Academy can honor. Critics Choice has a large number of categories, but we shall focus on the top six in today’s analysis and use the last three ceremonies for historical context.

Best Picture

Nominees: BlacKkKlansman, Black Panther, The Favourite, First Man, Green Book, If Beale Street Could Talk, Mary Poppins Returns, Roma, A Star Is Born, Vice

In 2015, all eight Oscar nominated films were named here. In 2016, it was eight of the nine Academy honorees named, with Hidden Figures missing the Critics cut. Last year, it was 8/9 again with Phantom Thread as the outlier.

The 10 nominees this year exactly match my current top 10 Oscar possibilities. These selections serve as potential bad news for titles such as Can You Ever Forgive Me?, Eighth Grade, First Reformed, Crazy Rich Asians and Widows. If any of them make it in, First Man is likely the most vulnerable.

Best Director

Nominees: Damien Chazelle (First Man), Bradley Cooper (A Star Is Born), Alfonso Cuaron (Roma), Peter Farrelly (Green Book), Yorgos Lanthimos (The Favourite), Spike Lee (BlacKkKlansman), Adam McKay (Vice)

Three and five and four. Those are the respective number of nominated directors here from 2014-2016 that made the Academy cut.

The story here is the surprising omission of Barry Jenkins for If Beale Street Could Talk. Whether that is a sign of something to come is questionable. Chazelle, Farrelly, and McKay might have helped themselves a bit today.

Best Actor

Nominees: Christian Bale (Vice), Bradley Cooper (A Star Is Born), Willem Dafoe (At Eternity’s Gate), Ryan Gosling (First Man), Ethan Hawke (First Reformed), Rami Malek (Bohemian Rhapsody), Viggo Mortensen (Green Book)

2015 saw a five for five match while the last two years have seen four Critics nominees receive Oscar love. As in the previous two races, First Man got a boost yet again for the box office disappointment that had previously underwhelmed in precursors. This list not including Robert Redford’s work in The Old Man & The Gun could mean the end of the road for his potential inclusion.

Best Actress

Nominees: Yalitza Aparicio (Roma), Emily Blunt (Mary Poppins Returns), Glenn Close (The Wife), Toni Collette (Hereditary), Olivia Colman (The Favourite), Lady Gaga (A Star Is Born), Melissa McCarthy (Can You Ever Forgive Me?)

Simple math here. Over the past three years, the five women listed for the Best Actress Oscar have all been mentioned here. By the way, the three winners match as well.

This year is crowded for Best Actress (more so than Actor). Today’s nominations could be best news for Viola Davis (Widows), Nicole Kidman (Destroyer), Julia Roberts (Ben Is Back), Saoirse Ronan (Mary Queen of Scots), and Rosamund Pike (A Private War).

As for actual nominees, Aparicio and Collette helped their momentum to potentially dislodge one or two of the others.

Best Supporting Actor

Nominees: Mahershala Ali (Green Book), Timothee Chalamet (Beautiful Boy), Adam Driver (BlacKkKlansman), Sam Elliot (A Star Is Born), Michael B. Jordan (Black Panther)

Unlike the last race, 2015 and 2016 saw four Critics recipients here get Academy attention. Last year, it was three. While Jordan helped himself, we could still see Sam Rockwell (Vice) or possibly Nicholas Hoult (The Favourite) in the mix.

Best Supporting Actress

Nominees: Amy Adams (Vice), Claire Foy (First Man), Nicole Kidman (Boy Erased), Regina King (If Beale Street Could Talk), Emma Stone (The Favourite), Rachel Weisz (The Favourite)

Five for five match three years ago and four for five the last two years. Right now, these six women are my top six Oscar contenders. If there’s a name not here that could sneak in for Academy voters, perhaps it’s Natalie Portman in Vox Lux, though it’s weak limited release debut over the past weekend doesn’t help at all.

It never lets up this time of year with Awards prognosticating. SAG nods will be unveiled Wednesday. I’ll have predictions up in short order with reaction up soon after!

Oscar Watch: Will Get Out Get In?

Way back on January 29th of this year, I wrote my Oscar Watch post for Jordan Peele’s Get Out, which had just premiered at the Sundance Film Festival nearly a month before its opening.

At the time, I wrote: “The chances of this getting into the Best Picture convo is unlikely. However, depending on level of competition, it could be in the mix for Peele’s Original Screenplay if voters remember it nearly a year after its February 24th domestic debut.”

Of course, since then, Get Out became a box office phenomenon, taking in $175 million domestically. Furthermore, it became a water cooler picture with its focus on racial themes that have often dominated the news.

From late January until this Monday, I have yet to put Get Out in my predicted nine films to be named for Best Picture at the Oscars. However, recent precursor action has done nothing except up its chances.

The National Board of Review named it among their 10 best movies of 2017. Mr. Peele was also honored with Best Directorial Debut. The Critics Choice Awards named their nominees this week and Get Out was among six Picture nominees and Peele made the cut for seven nominated directors. The Washington D.C. Film Critics Association nominated it for Picture, Director, and Actor (Daniel Kaluuya).

So where does Get Out stand now 10 months following my original post? Well, the chances of it getting into the Best Picture convo isn’t unlikely… it’s here. There’s a very good chance that I’ll be predicting its inclusion into Best Picture when I update my Oscar predictions this Monday. Peele wasn’t even in my top 10 listed possibilities for his direction three days ago and he most certainly will be now. Kaluuya has yet to be named in my top ten possibles for Actor. That should change. That said, I still see a nomination for him as unlikely.

Stay tuned on Monday and my Oscar Watch posts will continue…

Todd’s Weekly Oscar Predictions: December 1st Edition

Hello all! Welcome to December and welcome to my weekly Thursday Oscar predictions!

It’s been seven days since my last Turkey Day estimates in the eight major categories. A lot can change in a week and there’s been significant developments since we were all couch bound after our Thanksgiving feasts.

Let us count them…

1) Martin Scorsese’s Silence finally held some screenings, meaning buzz is out. Official reviews are embargoed until December 10, but the first reactions indicate that the director’s latest could be a force in the Oscar race. My predictions reflect that. Furthermore, initial word makes one wonder whether it’ll be Liam Neeson or Adam Driver that get the lion’s share of attention in Supporting Actor.

2) A number of awards precursors have rolled out their winners and nominations. We begin with the National Board of Review. Yesterday, the NBR bestowed their winners upon us. They are: Manchester by the Sea (Best Film), Barry Jenkins for Moonlight (Director), Casey Affleck in Manchester by the Sea (Actor), Amy Adams in Arrival (Actress), Jeff Bridges in Hell or High Water (Supporting Actor), Naomie Harris in Moonlight (Supporting Actor), Manchester by the Sea (Original Screenplay), and Silence (Adapted Screenplay). The critics organization also lists ten other pictures on the year’s best list and they are: Arrival, Hacksaw Ridge, Hail Caesar!, Hell or High Water, Hidden Figures, La La Land, Moonlight, Patriots Day, Silence, and Sully. Now – the NBR’s list of films have not and will not match what the Academy does. For instance, Hail Caesar! is not going to nab a Best Picture nod (it’s never been in my top 20 list of possibles and still isn’t). All the others, however, are at least feasible. The most notable snub is Fences, though I’d say it’s still near the top for Academy recognition. Lion is another notable omission.

3) The Critics Choice Awards came out today with their nominations. An important caveat: Silence (and Passengers and Rogue One: A Star Wars Story) weren’t screened in time for consideration. The CCA nominates 10 pictures and they are: Arrival, Fences, Hacksaw Ridge, Hell or High Water, La La Land, Lion, Loving, Manchester by the Sea, Moonlight, and Sully. Another note: the upcoming Jackie got no Picture love from the NBR or CCA.

There are seven nominees for Best Director and six each in the acting and screenplay races. They are:

Director: Damien Chazelle (La La Land), Mel Gibson (Hacksaw Ridge), Barry Jenkins (Moonlight), Kenneth Lonergan (Manchester by the Sea), David Mackenzie (Hell or High Water), Denis Villeneueve (Arrival), and Denzel Washington (Fences). Gibson’s nod is a fascinating one and he may have slightly increased his chances at Oscar attention. That said, it’s important to remember that Scorsese (who’s almost sure to get a nomination) was ineligible.

Actor: Casey Affleck (Manchester), Joel Edgerton (Loving), Andrew Garfield (Hacksaw Ridge), Ryan Gosling (La La Land), Tom Hanks (Sully), and Denzel Washington (Fences). Nothing out of the ordinary here, though Garfield seems more likely to get Acting attention for Silence via the Academy.

Actress: Amy Adams (Arrival), Annette Bening (20th Century Women), Isabelle Huppert (Elle), Ruth Negga (Loving), Natalie Portman (Jackie), and Emma Stone (La La Land). Note: No nod for either Meryl Streep (Florence Foster Jenkins) or Jessica Chastain (Miss Sloane).

Supporting Actor: Mahershala Ali (Moonlight), Jeff Bridges (Hell or High Water), Ben Foster (Hell or High Water), Lucas Hedges (Manchester by the Sea), Dev Patel (Lion), and Michael Shannon (Nocturnal Animals). Note: While some awards prognosticators have listed Hugh Grant in Florence Foster Jenkins as a possibility, his fortunes seem to be dwindling. Also, no Mykelti Williams or Stephen Henderson for Fences. 

Supporting Actress: Viola Davis (Fences), Greta Gerwig (20th Century Women), Naomie Harris (Moonlight), Nicole Kidman (Lion), Janelle Monae (Hidden Figures), and Michelle Williams (Manchester by the Sea). No real surprises here.

Original Screenplay: Hell or High Water, La La Land, The Lobster, Loving, Manchester by the Sea, Moonlight. Again, no shocks though the ignoring of Jackie continues here.

Adapted Screenplay: Arrival, Fences, Hidden Figures, Lion, Nocturnal Animals, Sully. With Hacksaw getting Pic and Director and Actor attention, a bit surprising it didn’t land a nod here.

4) The New York Film Critics Circle named their winners today. La La Land (the current front runner for Best Picture) was victorious. However, Director went to Barry Jenkins yet again for his work in Moonlight. Casey Affleck took another Actor prize with Isabelle Huppert in Elle helping her case out with an Actress win. Mahershala Ali (Moonlight) and Michelle Williams (for both Manchester and Certain Women) won their Supporting categories. The NYFCC combines screenplay into one and Manchester took top honors there.

Whew. Lots of information, I know, with plenty to digest! Taking all that into account and knowing there’s a bunch more precursors to come – here’s where I have the eight major races standing at this moment:

Best Picture

Predicted Nominees

1. La La Land (Previous Ranking: 1)

2. Silence (PR: 4)

3. Moonlight (PR: 3)

4. Manchester by the Sea (PR: 6)

5. Fences (PR: 2)

6. Lion (PR: 5)

7. Arrival (PR: 8)

8. Hidden Figures (PR: 10)

9. Loving (PR: 7)

Other Possibilities:

10. Hell or High Water (PR: 11)

11. Jackie (PR: 9)

12. Hacksaw Ridge (PR: 16)

13. Sully (PR: 15)

14. Patriots Day (PR: 13)

15. 20th Century Women (PR: 12)

16. Nocturnal Animals (PR: 17)

17. Live by Night (PR: 14)

18. Passengers (PR: Not Ranked)

19. The Jungle Book (PR: 18)

20. The Founder (PR: 19)

Dropped Out:

Gold

Best Director

Predicted Nominees

1. Damien Chazelle, La La Land (PR: 1)

2. Martin Scorsese, Silence (PR: 2)

3. Barry Jenkins, Moonlight (PR: 4)

4. Denzel Washington, Fences (PR: 3)

5. Kenneth Lonergan, Manchester by the Sea (PR: 5)

Other Possibilities

6. Denis Villeneuve, Arrival (PR: 6)

7. Garth Davis, Lion (PR: 7)

8. Mel Gibson, Hacksaw Ridge (PR: Not Ranked)

9. Jeff Nichols, Loving (PR: 8)

10. Theodore Melfi, Hidden Figures (PR: 10)

Dropped Out:

Pablo Larrain, Jackie

Best Actor

1. Denzel Washington, Fences (PR: 1)

2. Casey Affleck, Manchester by the Sea (PR: 2)

3. Tom Hanks, Sully (PR: 4)

4. Ryan Gosling, La La Land (PR: 5)

5. Andrew Garfield, Silence (PR: 9)

Other Possibilities

6. Joel Edgerton, Loving (PR: 3)

7. Viggo Mortensen, Captain Fantastic (PR: 7)

8. Michael Keaton, The Founder (PR: 6)

9. Andrew Garfield, Hacksaw Ridge (PR: Not Ranked)

10. Matthew McConaughey, Gold (PR: 10)

Dropped Out:

Warren Beatty, Rules Don’t Apply

Best Actress

Predicted Nominees

1. Emma Stone, La La Land (PR: 1)

2. Natalie Portman, Jackie (PR: 2)

3. Annette Bening, 20th Century Women (PR: 3)

4. Ruth Negga, Loving (PR: 4)

5. Amy Adams, Arrival (PR: 6)

Other Possibilities

6. Isabelle Huppert, Elle (PR: 8)

7. Jessica Chastain, Miss Sloane (PR: 5)

8. Meryl Streep, Florence Foster Jenkins (PR: 7)

9. Taraji P. Henson, Hidden Figures (PR: 10)

10. Rebecca Hall, Christine (PR: 9)

Best Supporting Actor

Predicted Nominees

1. Mahershala Ali, Moonlight (PR: 1)

2. Michael Shannon, Nocturnal Animals (PR: 3)

3. Dev Patel, Lion (PR: 2)

4. Lucas Hedges, Manchester by the Sea (PR: 5)

5. Mykelti Williamson, Fences (PR: 4)

Other Possibilities

6. Jeff Bridges, Hell or High Water (PR: 6)

7. Adam Driver, Silence (PR: Not Ranked)

8. Liam Neeson, Silence (PR: 8)

9. Stephen Henderson, Fences (PR: 7)

10. Kevin Costner, Hidden Figures (PR: Not Ranked)

Dropped Out:

Hugh Grant, Florence Foster Jenkins

Peter Sarsgaard, Jackie

Best Supporting Actress

Predicted Nominees

1. Viola Davis, Fences (PR: 1)

2. Naomie Harris, Moonlight (PR: 2)

3. Michelle Williams, Manchester by the Sea (PR: 3)

4. Nicole Kidman, Lion (PR: 4)

5. Greta Gerwig, 20th Century Women (PR: 5)

Other Possibilities

6. Janelle Monae, Hidden Figures (PR: 6)

7. Octavia Spencer, Hidden Figures (PR: 7)

8. Molly Shannon, Other People (PR: 8)

9. Helen Mirren, Eye in the Sky (PR: 9)

10. Bryce Dallas Howard, Gold (PR: Not Ranked)

Dropped Out:

Felicity Jones, A Monster Calls

Best Original Screenplay

Predicted Nominees

1. Manchester by the Sea (PR: 2)

2. Moonlight (PR: 1)

3. La La Land (PR: 3)

4. Hell or High Water (PR: 4)

5. Loving (PR: 6)

Other Possibilities

6. 20th Century Women (PR: 5)

7. The Lobster (PR: 8)

8. Jackie (PR: 7)

9. Patriots Day (PR: Not Ranked)

10. Captain Fantastic (PR: 9)

Dropped Out:

Gold

Best Adapted Screenplay

Predicted Nominees

1. Fences (PR: 1)

2. Silence (PR: 3)

3. Lion (PR: 2)

4. Arrival (PR: 5)

5. Hidden Figures (PR: 6)

Other Possibilties

6. Nocturnal Animals (PR: 4)

7. Hacksaw Ridge (PR: 8)

8. Sully (PR: 10)

9. Elle (PR: 9)

10. Indignation (PR: Not Ranked)

Dropped Out:

Live by Night

Whew! And there you have it…

Let’s see what transpires over the next 7 days until my next round! Until then…