Tag: Crazy Rich Asians

36th PGA Awards Nominations Predictions

The Producers Guild of America (PGA) release their contenders for top film as well as animated offering this Sunday, January 12th. Last year, the PGA managed to match Oscar 10 for 10 in terms of Best Picture nominees.

That could certainly happen again and I believe eight movies are safe bets for PGA (and Oscar) inclusion: Anora, The Brutalist, A Complete Unknown, Conclave, Dune: Part Two, Emilia Pérez, The Substance, and Wicked.

After that it gets a little tricky. It is not out of the ordinary for PGA to nominate more mainstream material that the Academy ignores in BP. Examples over the past decade include Gone Girl, Straight Outta Compton, Deadpool, Wonder Woman, Crazy Rich Asians, Black Panther: Wakanda Forever, and Glass Onion: A Knives Out Mystery.

What could fit that description for PGA? There aren’t a lot of surefire contenders. I don’t see Furiosa: A Mad Max Saga or Gladiator II having enough juice to get into the 10. Same for Inside Out 2. I do think Challengers or Nosferatu could sneak in and I’m giving an edge to the former.

Films such as A Real Pain, September 5, The Seed of the Sacred Fig, or All We Imagine as Light could really benefit from a slot at PGA. So too could Nickel Boys and Sing Sing. Both of them are (currently) in my Oscar ten. I’ll give Nickel the slight edge over Sing at PGA.

PGA also honors animated pics and they often prioritize blockbuster fare over smaller titles. That’s why you could see Despicable Me 4, Moana 2, or Transformers One represented here over Memoir of a Snail or even Flow.

Here’s my predictions in the two categories with an alternate in each:

Darryl F. Zanuck Award for Outstanding Producer of Theatrical Motion Pictures

Anora

The Brutalist

Challengers

A Complete Unknown

Conclave

Dune: Part Two

Emilia Pérez

Nickel Boys

The Substance

Wicked

Alternate – Sing Sing

Outstanding Producer of Animated Theatrical Motion Pictures

Despicable Me 4

Flow

Inside Out 2

Moana 2

The Wild Robot

Alternate – Transformers One

Oscar Predictions: Wicked

Based on one of the 21st century’s most acclaimed theater productions from Stephen Schwartz, Wicked looks to bewitch audiences this Friday. Crazy Rich Asians director Jon M. Chu helms the reported $145 million production with Cynthia Erivo and Ariana Grande headlining. Costars include Jonathan Bailey, Ethan Slater, Bowen Yang, Marissa Bode, Peter Dinklage, Michelle Yeoh, and Jeff Goldblum.

Representing part 1 of the epic musical with its follow-up arriving next November, Wicked is expected to be a massive hit worldwide. With its box office fortunes appearing secure, lingering Oscar buzz was confirmed with today’s review embargo lift.

The Rotten Tomatoes score is 93% with Metacritic at 73. Technical noms were always a strong possibility. Costume Design (where it could win), Makeup and Hairstyling (same), Production Design, Sound, and Visual Effects are all on the table. There are no original songs so that’s off the table.

A Best Picture nod certainly seems achievable and I had it listed 8th in last weekend’s update. That still seems about right. I don’t believe it’s guaranteed a slot, but its impending popularity gives the Academy a chance to honor a crowd favorite that many viewers have actually seen. Chu’s direction and the screenplay seem far less likely to make the cut.

On the performance front, Erivo will vie for Actress with Grande contending in supporting. Best Actress is super crowded and I’m skeptical Erivo gets her second nomination behind 2019’s Harriet. Grande, meanwhile, stands a better shot even though Supporting Actress has plenty of contenders as well. My Oscar Prediction posts will continue…

Wicked Box Office Prediction

Universal is banking on Wicked casting a spell on a wide audience when it debuts November 22nd. Based on the Stephen Schwartz musical, the fantasy set in the land of Oz comes from Crazy Rich Asians director Jon M. Chu. Cynthia Erivo and Ariana Grande headline with a supporting cast including Jonathan Bailey, Ethan Slater, Bowen Yang, Marissa Bode, Peter Dinklage, Michelle Yeoh, and Jeff Goldblum. The adaptation serves as part one with the sequel scheduled for November of 2025.

Expectations are high, especially after industry screenings that were met with Oscar buzz in Best Picture, Supporting Actress fo Grande, and numerous tech races. Moviegoers of all ages have familiarity with the Broadway show and, of course, The Wizard of Oz. There’s even some Barbenheimer chatter since it is opening on the same date as Gladiator II, which is also anticipated to perform well.

The forecasted range of its start is wide with some estimates less than $100 million, but going all the way up to $150 million. I’m skeptical it gets that high as some viewers may choose to wait until the extended Thanksgiving frame to check it out. Yet I do think it will easily clear nine digits out of the gate.

Wicked opening weekend prediction: $134.6 million

For my Gladiator II prediction, click here:

Gladiator II Box Office Prediction

For my Bonhoeffer prediction, click here:

Bonhoeffer Box Office Prediction

35th Producers Guild of America Awards Nominations Predictions

As if there weren’t enough Oscar precursor activity with the SAG and DGA nominations arriving tomorrow, the Producers Guild of America (PGA) unveil their ten nominees for Best Theatrical Motion Picture and Best Animated Motion Picture on Friday.

In 2021, the Academy reverted back to a set 10 for BP contenders. There was an 8 for 10 correlation that year between the PGA’s movies and the Academy’s. Last year it was 7 for 10.

One commonality is that international titles usually don’t make the cut with PGA. While Parasite was a rare exception in 2019, Drive My Car and All Quiet on the Western Front weren’t to be found on PGA’s list in the last two years. Therefore I’m leaving out Anatomy of a Fall and The Zone of Interest for the 35th ceremony. Either or both could pop up, but this seems to be the smarter play.

With those potential Oscar BP hopefuls out, I do believe there’s a somewhat safe 8 to predict: American Fiction, Barbie, The Holdovers, Killers of the Flower Moon, Maestro, Oppenheimer, Past Lives, and Poor Things. I could see one or two potentially miss – Fiction, Maestro, and Lives might be vulnerable. Yet I won’t go as far in projecting any of them out.

That leaves two slots. The PGA often goes for blockbusters that the Academy ignores. Examples over the past decade include Straight Outta Compton, Deadpool, Wonder Woman, A Quiet Place, Crazy Rich Asians, Knives Out, and its sequel Glass Onion: A Knives Out Mystery.

The list does not include Spider-Man: Into the Spider-Verse from 2018 (somewhat surprisingly). I’m hesitant, therefore, to include its sequel Spider-Man: Across the Spider-Verse. The PGA could simply decide that it’ll likely win their Animated race and can be left off. However, Across was an even bigger financial success with glowing reviews. I’ve gone back and forth on this one, but I’m giving Spidey one of the open spots.

For the tenth film, there’s plenty of hopefuls. Could this be where The Color Purple makes a last stand for viability with the Academy? Could The Iron Claw pop up? Perhaps PGA will go with an unexpected title that didn’t garner across the board critical acclaim, but has a high profile director. Napoleon or Ferrari come to my mind. Will Saltburn or May December get in?

Those are all, to varying degrees, feasible. I ultimately am going with Air from Ben Affleck. While I don’t think it gets in for BP at the Oscars, the reviews and overall feeling that this is a rock solid sports drama puts it in over some of the aforementioned others.

As for the animated race and their five contenders, we’ve already established that Spidey is in. Because of the international movies thing, you may not find freshly minted Golden Globe winner The Boy and the Heron here. That same logic could apply to Chicken Run: Dawn of the Nugget. We shall see.

Let’s get to the list of nominees and an alternate, shall we?

Best Theatrical Motion Picture

Predicted Nominees:

Air

American Fiction

Barbie

The Holdovers

Killers of the Flower Moon

Maestro

Oppenheimer

Past Lives

Poor Things

Spider-Man: Across the Spider-Verse

Alternate: The Color Purple

Best Animated Motion Picture

Predicted Nominees:

Elemental

Spider-Man: Across the Spider-Verse

The Super Mario Bros. Movie

Teenage Mutant Ninja Turtles: Mutant Mayhem

Wish

Alternate: Chicken Run: Dawn of the Nugget

July 7-9 Box Office Predictions

After a subpar start, Harrison Ford’s fifth go-round as the iconic fedora clad archaeologist hopes to repeat at #1. The fifth edition of a horror franchise could disrupt that as Insidious: The Red Door swings in. We also have the critically acclaimed raunchy comedy Joy Ride and action pic Sound of Freedom from upstart Angel Studios. You can peruse my detailed prediction posts on the newcomers here:

Insidious: The Red Door Box Office Prediction
Joy Ride Box Office Prediction
Sound of Freedom Box Office Prediction

After a lackluster haul (more on that below), Dr. Jones and company might see a sophomore drop in the low 50s. While the B+ Cinemascore grade exceeds the B that crowds gave predecessor Indiana Jones and the Crystal Skull, it still indicates middling enthusiasm moving forward. My high 20s take does mean a repeat performance atop the charts.

That’s because I have Insidious: The Red Door in the mid 20s. While that’s under the $29 million that The Last Key opened with in 2018, it is still a fine result for the 13-year-old franchise.

The weekend’s wild card is Sound of Freedom. Jim Caviezel’s turn as a vigilante taking on human traffickers is being championed by faith-based and conservative groups. This resulted in a terrific $14 million bounty when it started on July 4th. How it legs out is anyone’s guess and I’m going with a low double digits Friday-Sunday number. That would put it solidly in third.

As for Joy Ride, critics are being kind and the studio is hoping for a Crazy Rich Asians style sleeper hit. The hard R rating could prevent that and my sub $10 million projection puts it in fourth just ahead of animated holdovers Elemental and Spider-Man: Across the Spider-Verse.

And with that, here’s how I foresee the top 6 shaking out:

1. Indiana Jones and the Dial of Destiny

Predicted Gross: $28 million

2. Insidious: The Red Door

Predicted Gross: $25.2 million

3. Sound of Freedom

Predicted Gross: $12.5 million

4. Joy Ride

Predicted Gross: $8.4 million

5. Elemental

Predicted Gross: $8 million

6. Spider-Man: Across the Spider-Verse

Predicted Gross: $7.8 million

Box Office Results (June 30-July 2)

Considering Crystal Skull in 2008 made off with $100 million for its Friday to Sunday portion of a holiday weekend, the $60.3 million for Dial of Destiny is a major letdown for Disney. I wasn’t much more generous at $65.3 million. When it premiered in Cannes over a month ago, its mediocre reaction set the table for a disappointing gross. Perhaps more importantly is that it didn’t play for younger audiences whose reverence for the series isn’t matched by the 40 and up crowd.

Disney/Pixar’s Elemental, after a troubling start, continued to level off nicely in weekend #3. It was second with $12.1 million, in line with my $12.7 million prediction for a three-week $89 million tally.

Spider-Man: Across the Spider-Verse was third with $12 million compared to my $13.5 million estimate. The Sony juggernaut has amassed $340 million.

Jennifer Lawrence’s No Hard Feelings was fourth with $7.8 million (I went higher at $89 million). The ten-day take is $29 million which is fairly decent for a genre that’s struggled in recent times.

Transformers: Rise of the Beasts rounded out the top five with $7.3 million. I incorrectly had it on the outside looking in. The total is $136 million.

Finally, DreamWorks Animation’s Ruby Gillman: Teenage Kraken was a major flop in sixth with only $5.5 million. I was kinder at $7.8 million. With serious kiddie competition, parents opted for leftovers like Elemental and Spidey.

And that does it for now, folks! Until next time…

Oscar Predictions: Joy Ride

Between No Hard Feelings and this Friday’s Joy Ride, the raunchy comedy is back in multiplexes for the summer of 2023. The latter centers on four women (Ashley Park, Sherry Cola, Everything Everywhere All at Once‘s Oscar nominee Stephanie Hsu, Sabrina Wu) on an international road trip. Costars include Ronny Chieng, Lori Tann Chinn, David Denman, and Annie Mumolo. Adele Lim makes her directorial debut. She’s best known for cowriting 2018’s Crazy Rich Asians (which the Academy surprisingly completely ignored) and Disney’s 2021 animated pic Raya and the Last Dragon (which nabbed an Animated Feature nomination).

Since its premiere back in March at South by Southwest, buzz for Ride has been glowing. The Rotten Tomatoes meter is parked at 97% as the Lionsgate release hopes to have sleeper potential at the box office. Its awards prospects could be tied to that. If it achieves a high profile, perhaps an Original Screenplay nod is doable. I will note, however, that this genre is not exactly a favorite of the voters.

A more likely scenario is the Golden Globes taking notice in the Musical/Comedy race where Crazy Rich Asians did compete. It could be a reach, but the reviews are there for it to occur. My Oscar Prediction posts will continue…

Joy Ride Box Office Prediction

Adele Kim, best known for cowriting 2018’s smash surprise hit Crazy Rich Asians, makes her directorial debut with Joy Ride on July 7th. The raunchy comedy, which premiered at South by Southwest to impressive reviews, stars Ashley Park, Sherry Cola, recent Oscar nominee Stephanie Hsu from Everything Everywhere All at Once, Sabrina Wu, Ronny Chieng, Annie Mumolo, David Denman, and Lori Tan Chinn.

The road trip pic is another hard R laugher in a genre underrepresented in recent years. There’s been a bit of a comeback this summer as it follows No Hard Feelings by two weeks and precedes August’s Strays.

With a 100% Rotten Tomatoes rating, this could manage to ride its festival buzz to a debut above $10 million. I’m going say it falls just short.

Joy Ride opening weekend prediction: $8.4 million

For my Insidious: The Red Door prediction, click here:

Insidious: The Red Door Box Office Prediction

For my Sound of Freedom prediction, click here:

Sound of Freedom Box Office Prediction

Oscars: The Case of Ke Huy Quan in Everything Everywhere All at Once

As the mild-mannered Waymond Wang, husband to Michelle Yeoh in Everything Everywhere All at Once, Ke Huy Quan is the final Supporting Actor entrant in my Case Of posts.

The Case for Ke Huy Quan:

It’s an Oscar storyline for the ages. Nearly 40 years ago, Quan was a child actor appearing in iconic blockbusters as Short Round in Indiana Jones and the Temple of Doom and Data in The Goonies. His career stalled shortly after and he quit acting altogether in the early 90s. After Crazy Rich Asians (featuring his costar Yeoh) hit it big in 2018, Quan decided to get back in the mix. Everything clicked and he’s emerged victorious at the Golden Globes, Critics Choice, and SAG.

The Case Against Ke Huy Quan:

Just when it looked like he was on his way to a sweep, BAFTA threw a curveball and honored Barry Keoghan (The Banshees of Inisherin). If Everything fails to capitalize on its frontrunner status in Best Picture and other races, it could hinder Quan.

Previous Nominations:

None

The Verdict:

Despite Keoghan’s victory at BAFTA, Quan appears destined for Academy glory next weekend. Of the four acting derbies, this is the easiest to project.

My Case Of posts (all 35 of them!) have concluded. Keep an eye on the blog and podcast (search Movies at the Speed of Speculation on Apple or other apps) for FINAL predictions coming your way on Wednesday, March 8th.

If you missed my earlier Supporting Actor write-ups, you can find them here:

Oscars: The Case of Brendan Gleeson in The Banshees of Inisherin
Oscars: The Case of Brian Tyree Henry in Causeway
Oscars: The Case of Judd Hirsch in The Fabelmans
Oscars: The Case of Barry Keoghan in The Banshees of Inisherin

Oscars: The Case of Michelle Yeoh in Everything Everywhere All at Once

As the laundromat running Evelyn whose many dimensions are explored in Everything Everywhere All at Once, Michelle Yeoh is the final Case Of post for the five Best Actress contenders.

The Case for Michelle Yeoh:

From acclaimed Hong Kong action flicks with Jackie Chan to fighting alongside James Bond in Tomorrow Never Dies to Crouching Tiger, Hidden Dragon to the overprotective future mother-in-law in Crazy Rich Asians, Yeoh had many career highlights until this multi-genre pic from the Daniels eclipsed them all. The Hollywood Foreign Press honored her with the Golden Globe for Actress in a Musical or Comedy. Last weekend, she took home the SAG for Actress where 16 of the last 22 winners became the Academy’s recipients in the 21st century. Everywhere is the frontrunner for Best Picture and that certainly doesn’t hurt.

The Case Against Michelle Yeoh:

Cate Blanchett in Tár. While Yeoh’s previous victories are a road map to Oscar glory, so are Blanchett’s as she has taken the Globe in the Drama competition, BAFTA, and Critics Choice.

Previous Nominations:

None

The Verdict:

It cannot be overstated how this is a coin flip between Yeoh and Blanchett. One could argue Yeoh has the late momentum given the recent SAG and Everything‘s likely success in the biggest race of all.

My Case Of posts will continue with Bill Nighy in Living!

For my other entries on the Actress hopefuls, click here:

Oscars: The Case of Cate Blanchett in Tár
Oscars: The Case of Ana de Armas in Blonde
Oscars: The Case of Andrea Riseborough in To Leslie
Oscars: The Case of Michelle Williams in The Fabelmans

34th PGA Awards Winner Predictions

Ahead of Sunday evening’s Screen Actors Guild (SAG) Awards, it’s the producers turn on Saturday night. The 34th PGA Awards winner for their best in show has matched the Oscar Picture victor 70% of the time in the previous decade. The times they diverged were 2015 with PGA naming The Big Short instead of Spotlight, 2016 with La La Land over Moonlight, and 2019 when 1917 took the producer prize as opposed to Parasite. PGA also has animated and documentary competitions. I’m walking through them one by one with a winner and runner-up projection.

Darryl F. Zanuck Award for Outstanding Producer of Theatrical Motion Pictures

Nominees:

Avatar: The Way of Water

The Banshees of Inisherin

Black Panther: Wakanda Forever

Elvis

Everything Everywhere All at Once

The Fabelmans

Glass Onion: A Knives Out Mystery

Tár

Top Gun: Maverick

The Whale

There’s a 7 for 10 correlation with the PGA contenders and the BP hopefuls from the Academy. The former has Black Panther, Glass Onion, and The Whale up while the Oscars went with All Quiet on the Western Front, Triangle of Sadness, and Women Talking. The PGA is known for favoring blockbusters over some smaller pics from time to time. Previous examples that didn’t make the Academy’s cut include Bridesmaids, Skyfall, Gone Girl, Straight Outta Compton, Deadpool, Wonder Woman, and Crazy Rich Asians.

This helps explain why some prognosticators are favoring Maverick to take PGA’s highest award. Another explanation is that pundits are attempting to make the race more exciting than it actually is. I do believe Everything Everywhere All at Once is still most likely to emerge. Maverick does warrant runner-up status.

Predicted Winner: Everything Everywhere All at Once

Runner-Up: Top Gun: Maverick

Outstanding Producer of Animated Theatrical Motion Pictures

Nominees:

Guillermo del Toro’s Pinocchio

Marcel the Shell with Shoes On

Minions: The Rise of Gru

Puss in Boots: The Last Wish

Turning Red

Guillermo del Toro’s Netflix rendering of the classic tale has cleaned up with precursors and there’s no reason to believe it won’t with PGA.

Predicted Winner: Guillermo del Toro’s Pinocchio

Runner-Up: Puss in Boots: The Last Wish

Outstanding Producer of Documentary Theatrical Motion Pictures

Nominees:

All That Breathes

Descendant

Fire of Love

Navalny

Nothing Compares

Retrograde

The Territory

I wrongly picked Fire of Love to win the BAFTA instead of Navalny. Have I learned my lesson? Nope! I’m doubling down and saying a Fire PGA victory will make the Oscar quintet more competitive.

Predicted Winner: Fire of Love

Runner-Up: Navalny

I’ll have a recap up Saturday evening or Sunday ahead of the SAG show. If you missed my SAG predictions, they can be accessed here:

29th SAG Awards Winner Predictions